Katja Novitskova:
Berlin-based installation artist Katja Novitskova (b. Tallinn, Estonia, 1984) is searching for areas where humans, machines, and the environment intersect. Her work focuses on issues of technology, evolutionary processes, digital imagery, and corporate aesthetics. She considers the nonhuman intellig...
Gespeichert in:
Weitere Verfasser: | , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Zurich
JRP Ringier
[2018]
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Schriftenreihe: | Ringier annual report
2017 |
Schlagworte: | |
Zusammenfassung: | Berlin-based installation artist Katja Novitskova (b. Tallinn, Estonia, 1984) is searching for areas where humans, machines, and the environment intersect. Her work focuses on issues of technology, evolutionary processes, digital imagery, and corporate aesthetics. She considers the nonhuman intelligence of animals as a model for artificial intelligence (AI). She scans our chaotic reality for meaningful patterns as if she were a biological search engine. She is not concerned with explaining the now, but with capturing the present in time capsules for the future.0In this artist?s book closely conceived with Berlin-based graphic design PWR Studio to be the 2017 Ringier annual report, and featuring a conversation between Katja Novitskova and Peter Hossli, she opens her on-going archive of digital images and thematic interests making clear the ways she is experimenting with images. I need to manipulate images to be allowed to use them. I fictionalize everything. It's not fake news, but an interpretation. The images I use stand for themselves - and they are a product of our time. The image itself is already an artifact that needs attention. I try to encapsulate its reality. |
Beschreibung: | This artist's book by Katja Novitskova is a special edition of Ringier Annual Report 2017. It is avalaible in a limited edition of 500 copies ISBN im Buch fälschlich: 978-03764-5440-6 |
Beschreibung: | 276 ungezählte Seiten 1 Beilage |
ISBN: | 9783037645406 3037645407 |
Internformat
MARC
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500 | |a ISBN im Buch fälschlich: 978-03764-5440-6 | ||
520 | 3 | |a Berlin-based installation artist Katja Novitskova (b. Tallinn, Estonia, 1984) is searching for areas where humans, machines, and the environment intersect. Her work focuses on issues of technology, evolutionary processes, digital imagery, and corporate aesthetics. She considers the nonhuman intelligence of animals as a model for artificial intelligence (AI). She scans our chaotic reality for meaningful patterns as if she were a biological search engine. She is not concerned with explaining the now, but with capturing the present in time capsules for the future.0In this artist?s book closely conceived with Berlin-based graphic design PWR Studio to be the 2017 Ringier annual report, and featuring a conversation between Katja Novitskova and Peter Hossli, she opens her on-going archive of digital images and thematic interests making clear the ways she is experimenting with images. I need to manipulate images to be allowed to use them. I fictionalize everything. It's not fake news, but an interpretation. The images I use stand for themselves - and they are a product of our time. The image itself is already an artifact that needs attention. I try to encapsulate its reality. | |
600 | 1 | 7 | |a Novitskova, Katja |d 1984- |0 (DE-588)1034193074 |2 gnd |9 rswk-swf |
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700 | 1 | |a Blättler, Rahel |0 (DE-588)1047225700 |4 edt | |
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Datensatz im Suchindex
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adam_text | |
any_adam_object | |
author2 | Blättler, Rahel Hossli, Peter 1969- |
author2_role | edt ivr |
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author_GND | (DE-588)1034193074 (DE-588)1047225700 (DE-588)116840648X |
author_facet | Blättler, Rahel Hossli, Peter 1969- |
building | Verbundindex |
bvnumber | BV045131664 |
callnumber-first | N - Fine Arts |
callnumber-label | N6490 |
callnumber-raw | N6490 |
callnumber-search | N6490 |
callnumber-sort | N 46490 |
callnumber-subject | N - Visual Arts |
classification_rvk | LI 99999 |
ctrlnum | (OCoLC)1086284830 (DE-599)BSZ508477182 |
dewey-full | 700.411 |
dewey-hundreds | 700 - The arts |
dewey-ones | 700 - The arts |
dewey-raw | 700.411 |
dewey-search | 700.411 |
dewey-sort | 3700.411 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
format | Book |
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id | DE-604.BV045131664 |
illustrated | Not Illustrated |
indexdate | 2024-09-23T20:21:32Z |
institution | BVB |
isbn | 9783037645406 3037645407 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030521659 |
oclc_num | 1086284830 |
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owner | DE-255 |
owner_facet | DE-255 |
physical | 276 ungezählte Seiten 1 Beilage |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | JRP Ringier |
record_format | marc |
series2 | Ringier annual report |
spelling | Novitskova, Katja 1984- (DE-588)1034193074 art ive Katja Novitskova editorial coordination Rahel Blättler ; interview Peter Hossli Zurich JRP Ringier [2018] 276 ungezählte Seiten 1 Beilage sti rdacontent n rdamedia nc rdacarrier Ringier annual report 2017 This artist's book by Katja Novitskova is a special edition of Ringier Annual Report 2017. It is avalaible in a limited edition of 500 copies ISBN im Buch fälschlich: 978-03764-5440-6 Berlin-based installation artist Katja Novitskova (b. Tallinn, Estonia, 1984) is searching for areas where humans, machines, and the environment intersect. Her work focuses on issues of technology, evolutionary processes, digital imagery, and corporate aesthetics. She considers the nonhuman intelligence of animals as a model for artificial intelligence (AI). She scans our chaotic reality for meaningful patterns as if she were a biological search engine. She is not concerned with explaining the now, but with capturing the present in time capsules for the future.0In this artist?s book closely conceived with Berlin-based graphic design PWR Studio to be the 2017 Ringier annual report, and featuring a conversation between Katja Novitskova and Peter Hossli, she opens her on-going archive of digital images and thematic interests making clear the ways she is experimenting with images. I need to manipulate images to be allowed to use them. I fictionalize everything. It's not fake news, but an interpretation. The images I use stand for themselves - and they are a product of our time. The image itself is already an artifact that needs attention. I try to encapsulate its reality. Novitskova, Katja 1984- (DE-588)1034193074 gnd rswk-swf (DE-588)4229053-3 Künstlerbuch gnd-content (DE-588)4145395-5 Bildband gnd-content Novitskova, Katja 1984- (DE-588)1034193074 p DE-604 Blättler, Rahel (DE-588)1047225700 edt Hossli, Peter 1969- (DE-588)116840648X ivr |
spellingShingle | Katja Novitskova Novitskova, Katja 1984- (DE-588)1034193074 gnd |
subject_GND | (DE-588)1034193074 (DE-588)4229053-3 (DE-588)4145395-5 |
title | Katja Novitskova |
title_auth | Katja Novitskova |
title_exact_search | Katja Novitskova |
title_full | Katja Novitskova editorial coordination Rahel Blättler ; interview Peter Hossli |
title_fullStr | Katja Novitskova editorial coordination Rahel Blättler ; interview Peter Hossli |
title_full_unstemmed | Katja Novitskova editorial coordination Rahel Blättler ; interview Peter Hossli |
title_short | Katja Novitskova |
title_sort | katja novitskova |
topic | Novitskova, Katja 1984- (DE-588)1034193074 gnd |
topic_facet | Novitskova, Katja 1984- Künstlerbuch Bildband |
work_keys_str_mv | AT novitskovakatja katjanovitskova AT blattlerrahel katjanovitskova AT hosslipeter katjanovitskova |