Female highlife performers in Ghana: expression, resistance, and advocacy
This book offers a detailed analysis of the history of female musicians in the Highlife music tradition of the Republic of Ghana, particularly the challenges and constraints these women faced and overcame. Highlife – a form of West African music infusing Ghana’s traditional Akan dance rhythms and me...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lanham ; Boulder ; New York ; London
Lexington Books
[2018]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This book offers a detailed analysis of the history of female musicians in the Highlife music tradition of the Republic of Ghana, particularly the challenges and constraints these women faced and overcame. Highlife – a form of West African music infusing Ghana’s traditional Akan dance rhythms and melodies with European instruments and harmonies – grew in popularity throughout the 20th century and hit its peak in the 1970s and 1980s. Although women played significant roles in the evolution and survival of the genre, few of their contributions have been thoroughly explored or documented. Despite being disregarded and ignored in many spheres, female Highlife musicians thrived and became trailblazers in the Ghanaian music industry, making particularly vibrant contributions to Highlife music in the 1970s. This book presents the voices of female Highlife artists and documents the ideological transformations expressed through their musical works, exploring the challenges they confronted throughout their musical careers and their contributions to music and culture in Ghana. - Nana Abena Amoah-Ramey is adjunct assistant professor in the Department of African American and African diaspora studies at Indiana University. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xvii, 172 Seiten Illustrationen |
| ISBN: | 9781498564663 |
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| 520 | |a This book offers a detailed analysis of the history of female musicians in the Highlife music tradition of the Republic of Ghana, particularly the challenges and constraints these women faced and overcame. Highlife – a form of West African music infusing Ghana’s traditional Akan dance rhythms and melodies with European instruments and harmonies – grew in popularity throughout the 20th century and hit its peak in the 1970s and 1980s. Although women played significant roles in the evolution and survival of the genre, few of their contributions have been thoroughly explored or documented. Despite being disregarded and ignored in many spheres, female Highlife musicians thrived and became trailblazers in the Ghanaian music industry, making particularly vibrant contributions to Highlife music in the 1970s. This book presents the voices of female Highlife artists and documents the ideological transformations expressed through their musical works, exploring the challenges they confronted throughout their musical careers and their contributions to music and culture in Ghana. - Nana Abena Amoah-Ramey is adjunct assistant professor in the Department of African American and African diaspora studies at Indiana University. | ||
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Datensatz im Suchindex
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| adam_text | Contents
Foreword ix
A. B. Assensoh
Acknowledgments xiii
Introduction: The Inception of My Ideology:
Formations, Research Method, and Preamble 1
1 Evolution and Transformation of Highlife Musical Tradition
in Ghana 11
2 “Her-Storical” Legacy: Female Highlife Musicians in Ghana 23
3 Resistance and Survival: The Trailblazing Stories 41
4 Female Musical Compositions: She Advocates and I Analyze! 69
5 The New Deal: New Era of Contemporary Ghanaian Music:
From Globalization to Modernization 87
Conclusion: Future Research, Theoretical Queries, and
Underpinnings 103
Appendix 1: Ghana Travel Map 107
Appendix 2: Samples of Ghana Cedi Currency 109
Appendix 3: Loaded Highlife Musical Discs 111
Appendix 4: Interview with Professor Kwabena Nketia 113
Appendix 5: Interview Photos 119
vii
viii
Contents
Appendix 6: Song Lyrics 127
Glossary 155
Bibliography 157
Index 165
About the Author 171
|
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| spelling | Amoah-Ramey, Nana Abena Verfasser (DE-588)1168603552 aut Female highlife performers in Ghana expression, resistance, and advocacy Nana Abena Amoah-Ramey ; foreword by A. B. Assensoh Lanham ; Boulder ; New York ; London Lexington Books [2018] xvii, 172 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index This book offers a detailed analysis of the history of female musicians in the Highlife music tradition of the Republic of Ghana, particularly the challenges and constraints these women faced and overcame. Highlife – a form of West African music infusing Ghana’s traditional Akan dance rhythms and melodies with European instruments and harmonies – grew in popularity throughout the 20th century and hit its peak in the 1970s and 1980s. Although women played significant roles in the evolution and survival of the genre, few of their contributions have been thoroughly explored or documented. Despite being disregarded and ignored in many spheres, female Highlife musicians thrived and became trailblazers in the Ghanaian music industry, making particularly vibrant contributions to Highlife music in the 1970s. This book presents the voices of female Highlife artists and documents the ideological transformations expressed through their musical works, exploring the challenges they confronted throughout their musical careers and their contributions to music and culture in Ghana. - Nana Abena Amoah-Ramey is adjunct assistant professor in the Department of African American and African diaspora studies at Indiana University. Highlife (Music) Ghana History and criticism Women musicians Ghana Popular music Political aspects Ghana History Musikerin (DE-588)4170818-0 gnd rswk-swf Highlife Musik (DE-588)4571095-8 gnd rswk-swf Ghana (DE-588)4020949-0 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Ghana (DE-588)4020949-0 g Highlife Musik (DE-588)4571095-8 s Musikerin (DE-588)4170818-0 s DE-604 Erscheint auch als Online-Ausgabe 978-1-4985-6467-0 Erscheint auch als Druck-Ausgabe, Paperback Lanham: Lexington Books, 2020 978-1-4985-6468-7 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030517082&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Amoah-Ramey, Nana Abena Female highlife performers in Ghana expression, resistance, and advocacy Highlife (Music) Ghana History and criticism Women musicians Ghana Popular music Political aspects Ghana History Musikerin (DE-588)4170818-0 gnd Highlife Musik (DE-588)4571095-8 gnd |
| subject_GND | (DE-588)4170818-0 (DE-588)4571095-8 (DE-588)4020949-0 (DE-588)4113937-9 |
| title | Female highlife performers in Ghana expression, resistance, and advocacy |
| title_auth | Female highlife performers in Ghana expression, resistance, and advocacy |
| title_exact_search | Female highlife performers in Ghana expression, resistance, and advocacy |
| title_full | Female highlife performers in Ghana expression, resistance, and advocacy Nana Abena Amoah-Ramey ; foreword by A. B. Assensoh |
| title_fullStr | Female highlife performers in Ghana expression, resistance, and advocacy Nana Abena Amoah-Ramey ; foreword by A. B. Assensoh |
| title_full_unstemmed | Female highlife performers in Ghana expression, resistance, and advocacy Nana Abena Amoah-Ramey ; foreword by A. B. Assensoh |
| title_short | Female highlife performers in Ghana |
| title_sort | female highlife performers in ghana expression resistance and advocacy |
| title_sub | expression, resistance, and advocacy |
| topic | Highlife (Music) Ghana History and criticism Women musicians Ghana Popular music Political aspects Ghana History Musikerin (DE-588)4170818-0 gnd Highlife Musik (DE-588)4571095-8 gnd |
| topic_facet | Highlife (Music) Ghana History and criticism Women musicians Ghana Popular music Political aspects Ghana History Musikerin Highlife Musik Ghana Hochschulschrift |
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