Reckoning with the Imagination: Wittgenstein and the Aesthetics of Literary Experience
Much current theorizing about literature involves efforts to renew our sense of aesthetic values in reading. Such is the case with new formalism as well as recent appeals to the notion of "surface reading." While sympathetic to these efforts, Charles Altieri believes they ultimately fall s...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Ithaca, NY
Cornell University Press
[2016]
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| Online-Zugang: | FHA01 FKE01 FLA01 UPA01 UBG01 FAW01 FAB01 FCO01 Volltext |
| Zusammenfassung: | Much current theorizing about literature involves efforts to renew our sense of aesthetic values in reading. Such is the case with new formalism as well as recent appeals to the notion of "surface reading." While sympathetic to these efforts, Charles Altieri believes they ultimately fall short because too often they fail to account for the values that engage literary texts in the social world. In Reckoning with the Imagination, Altieri argues for a reconsideration of the Kantian tradition of Idealist ethics, which he believes can restore much of the power of the arguments for the role of aesthetics in art. Altieri finds a perspective for that restoration in a reading of Wittgenstein’s later work that stresses Wittgenstein’s parallel criticisms of the spirit of empiricism. Altieri begins by offering a phenomenology of imagination, because we cannot fully honor art if we do not link it to a distinctive, socially productive force. That force emerges in two quite different but equally powerful realizations in his reading of John Ashbery’s "Instruction Manual," which explicitly establishes a model for a postromantic view of imagination, and William Butler Yeats’s "Leda and the Swan." He then turns to Wittgenstein with chapters on the role of display as critique of Enlightenment thinking, the honoring of qualities like sensitivity and the ability to attune to the actions of others, the role of expression in the building of models, and the contrast between ethical and confessional modes of judgment. Finally, Altieri produces his own model of aesthetic experience as participatory valuation and makes an extended argument for the social significance of appreciation as a way to escape the patterns of resentment fundamental to our current mode of politics. A masterful work by one of our foremost literary and philosophical theorists, Reckoning with the Imagination will breathe new life into ongoing debates over the value of aesthetic experience |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Jun 2018) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781501700552 |
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| 520 | |a Much current theorizing about literature involves efforts to renew our sense of aesthetic values in reading. Such is the case with new formalism as well as recent appeals to the notion of "surface reading." While sympathetic to these efforts, Charles Altieri believes they ultimately fall short because too often they fail to account for the values that engage literary texts in the social world. In Reckoning with the Imagination, Altieri argues for a reconsideration of the Kantian tradition of Idealist ethics, which he believes can restore much of the power of the arguments for the role of aesthetics in art. Altieri finds a perspective for that restoration in a reading of Wittgenstein’s later work that stresses Wittgenstein’s parallel criticisms of the spirit of empiricism. Altieri begins by offering a phenomenology of imagination, because we cannot fully honor art if we do not link it to a distinctive, socially productive force. That force emerges in two quite different but equally powerful realizations in his reading of John Ashbery’s "Instruction Manual," which explicitly establishes a model for a postromantic view of imagination, and William Butler Yeats’s "Leda and the Swan." He then turns to Wittgenstein with chapters on the role of display as critique of Enlightenment thinking, the honoring of qualities like sensitivity and the ability to attune to the actions of others, the role of expression in the building of models, and the contrast between ethical and confessional modes of judgment. Finally, Altieri produces his own model of aesthetic experience as participatory valuation and makes an extended argument for the social significance of appreciation as a way to escape the patterns of resentment fundamental to our current mode of politics. A masterful work by one of our foremost literary and philosophical theorists, Reckoning with the Imagination will breathe new life into ongoing debates over the value of aesthetic experience | ||
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| author | Altieri, Charles |
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| discipline | Philosophie |
| format | Electronic eBook |
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| spelling | Altieri, Charles Verfasser aut Reckoning with the Imagination Wittgenstein and the Aesthetics of Literary Experience Charles Altieri Ithaca, NY Cornell University Press [2016] © 2016 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Jun 2018) Much current theorizing about literature involves efforts to renew our sense of aesthetic values in reading. Such is the case with new formalism as well as recent appeals to the notion of "surface reading." While sympathetic to these efforts, Charles Altieri believes they ultimately fall short because too often they fail to account for the values that engage literary texts in the social world. In Reckoning with the Imagination, Altieri argues for a reconsideration of the Kantian tradition of Idealist ethics, which he believes can restore much of the power of the arguments for the role of aesthetics in art. Altieri finds a perspective for that restoration in a reading of Wittgenstein’s later work that stresses Wittgenstein’s parallel criticisms of the spirit of empiricism. Altieri begins by offering a phenomenology of imagination, because we cannot fully honor art if we do not link it to a distinctive, socially productive force. That force emerges in two quite different but equally powerful realizations in his reading of John Ashbery’s "Instruction Manual," which explicitly establishes a model for a postromantic view of imagination, and William Butler Yeats’s "Leda and the Swan." He then turns to Wittgenstein with chapters on the role of display as critique of Enlightenment thinking, the honoring of qualities like sensitivity and the ability to attune to the actions of others, the role of expression in the building of models, and the contrast between ethical and confessional modes of judgment. Finally, Altieri produces his own model of aesthetic experience as participatory valuation and makes an extended argument for the social significance of appreciation as a way to escape the patterns of resentment fundamental to our current mode of politics. A masterful work by one of our foremost literary and philosophical theorists, Reckoning with the Imagination will breathe new life into ongoing debates over the value of aesthetic experience In English Wittgenstein, Ludwig 1889-1951 (DE-588)118634313 gnd rswk-swf Criticism Literature History and criticism Theory, etc Poetik (DE-588)4046449-0 gnd rswk-swf Lektüre (DE-588)4035296-1 gnd rswk-swf Einbildungskraft (DE-588)4151235-2 gnd rswk-swf Wittgenstein, Ludwig 1889-1951 (DE-588)118634313 p Lektüre (DE-588)4035296-1 s Einbildungskraft (DE-588)4151235-2 s Poetik (DE-588)4046449-0 s 1\p DE-604 https://www.degruyter.com/doi/book/10.7591/9781501700552 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Altieri, Charles Reckoning with the Imagination Wittgenstein and the Aesthetics of Literary Experience Wittgenstein, Ludwig 1889-1951 (DE-588)118634313 gnd Criticism Literature History and criticism Theory, etc Poetik (DE-588)4046449-0 gnd Lektüre (DE-588)4035296-1 gnd Einbildungskraft (DE-588)4151235-2 gnd |
| subject_GND | (DE-588)118634313 (DE-588)4046449-0 (DE-588)4035296-1 (DE-588)4151235-2 |
| title | Reckoning with the Imagination Wittgenstein and the Aesthetics of Literary Experience |
| title_auth | Reckoning with the Imagination Wittgenstein and the Aesthetics of Literary Experience |
| title_exact_search | Reckoning with the Imagination Wittgenstein and the Aesthetics of Literary Experience |
| title_full | Reckoning with the Imagination Wittgenstein and the Aesthetics of Literary Experience Charles Altieri |
| title_fullStr | Reckoning with the Imagination Wittgenstein and the Aesthetics of Literary Experience Charles Altieri |
| title_full_unstemmed | Reckoning with the Imagination Wittgenstein and the Aesthetics of Literary Experience Charles Altieri |
| title_short | Reckoning with the Imagination |
| title_sort | reckoning with the imagination wittgenstein and the aesthetics of literary experience |
| title_sub | Wittgenstein and the Aesthetics of Literary Experience |
| topic | Wittgenstein, Ludwig 1889-1951 (DE-588)118634313 gnd Criticism Literature History and criticism Theory, etc Poetik (DE-588)4046449-0 gnd Lektüre (DE-588)4035296-1 gnd Einbildungskraft (DE-588)4151235-2 gnd |
| topic_facet | Wittgenstein, Ludwig 1889-1951 Criticism Literature History and criticism Theory, etc Poetik Lektüre Einbildungskraft |
| url | https://www.degruyter.com/doi/book/10.7591/9781501700552 |
| work_keys_str_mv | AT altiericharles reckoningwiththeimaginationwittgensteinandtheaestheticsofliteraryexperience |