Japonismes, Impressionnismes:
The commercial and diplomatic opening of Japan in 1868 revealed to Western artists an aesthetic radically different from that which had been taught to them for centuries. Unceasingly reinterpreted, the ancient model reigned over the arts since the Renaissance. Japanese art offered a novel plastic vo...
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| Hauptverfasser: | , , , , |
|---|---|
| Format: | Buch |
| Sprache: | French |
| Veröffentlicht: |
Paris
Gallimard
[2018]
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| Schlagworte: | |
| Zusammenfassung: | The commercial and diplomatic opening of Japan in 1868 revealed to Western artists an aesthetic radically different from that which had been taught to them for centuries. Unceasingly reinterpreted, the ancient model reigned over the arts since the Renaissance. Japanese art offered a novel plastic vocabulary, which soon inspired the whole of artistic creation in Europe and the United States. The aesthetics of the Ukiyo-e were based on codes radically different from those taught to the students of the School of Fine Arts. The effectiveness of his images was due to the vividness of the colors, the absence of any modeling or volume of the forms treated in solid colors, as well as the originality of compositions based on asymmetry. In addition, like the Impressionists, the masters of print did not claim to deliver any message other than the celebration of nature and contemporary life. The most innovative painters were sensitive to the refinement of an art that met their aspirations, paving the way for a real aesthetic revolution. Since the 1980s, Japanism has been the subject of numerous exhibitions and the phenomenon has proved so vast that it seems to us more relevant today to evoke its manifestations in the plural, as we prefer to speak of impressionism. Our project focuses on its impact in the work of painters of the Impressionist and Post-Impressionist generation, from the 1870s to the dawn of the XX th century. Claude Monet, who was one of the first French artists to take an interest in Japanese printmaking, is at the center of our presentation and the exhibition makes perfect sense in Giverny |
| Beschreibung: | Organisée par le musée des impressionnismes Giverny en collaboration avec l'Arp Museum Bahnhof Rolandseck, Remagen, et présentée du 30 mars au 15 juillet à Giverny, puis du 26 août 2018 au 20 janvier 2019 à Remagen Includes bibliographical references (pages 212-215) |
| Beschreibung: | 215 Seiten 29 cm |
| ISBN: | 9782072784866 2072784867 |
Internformat
MARC
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| 500 | |a Includes bibliographical references (pages 212-215) | ||
| 520 | 3 | |a The commercial and diplomatic opening of Japan in 1868 revealed to Western artists an aesthetic radically different from that which had been taught to them for centuries. Unceasingly reinterpreted, the ancient model reigned over the arts since the Renaissance. Japanese art offered a novel plastic vocabulary, which soon inspired the whole of artistic creation in Europe and the United States. The aesthetics of the Ukiyo-e were based on codes radically different from those taught to the students of the School of Fine Arts. The effectiveness of his images was due to the vividness of the colors, the absence of any modeling or volume of the forms treated in solid colors, as well as the originality of compositions based on asymmetry. In addition, like the Impressionists, the masters of print did not claim to deliver any message other than the celebration of nature and contemporary life. The most innovative painters were sensitive to the refinement of an art that met their aspirations, paving the way for a real aesthetic revolution. Since the 1980s, Japanism has been the subject of numerous exhibitions and the phenomenon has proved so vast that it seems to us more relevant today to evoke its manifestations in the plural, as we prefer to speak of impressionism. Our project focuses on its impact in the work of painters of the Impressionist and Post-Impressionist generation, from the 1870s to the dawn of the XX th century. Claude Monet, who was one of the first French artists to take an interest in Japanese printmaking, is at the center of our presentation and the exhibition makes perfect sense in Giverny | |
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| 700 | 1 | |a Ferretti Bocquillon, Marina |d 1955- |0 (DE-588)1035752840 |4 edt |4 aut | |
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| 700 | 1 | |a Basch, Sophie |d 1963- |0 (DE-588)131586270 |4 aut | |
| 700 | 1 | |a Bouquillard, Jocelyn |d 1969- |0 (DE-588)188454950 |4 aut | |
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Datensatz im Suchindex
| _version_ | 1804178756432035840 |
|---|---|
| any_adam_object | |
| author | Ferretti Bocquillon, Marina 1955- Aitken, Geneviève 1951- Basch, Sophie 1963- Bouquillard, Jocelyn 1969- Lecomte, Vanessa |
| author2 | Ferretti Bocquillon, Marina 1955- |
| author2_role | edt |
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| author_GND | (DE-588)1035752840 (DE-588)131744828 (DE-588)131586270 (DE-588)188454950 |
| author_facet | Ferretti Bocquillon, Marina 1955- Aitken, Geneviève 1951- Basch, Sophie 1963- Bouquillard, Jocelyn 1969- Lecomte, Vanessa Ferretti Bocquillon, Marina 1955- |
| author_role | aut aut aut aut aut |
| author_sort | Ferretti Bocquillon, Marina 1955- |
| author_variant | b m f bm bmf g a ga s b sb j b jb v l vl |
| building | Verbundindex |
| bvnumber | BV045113014 |
| ctrlnum | (OCoLC)1040264592 (DE-599)BSZ505432447 |
| dewey-full | 750 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 750 - Painting and paintings |
| dewey-raw | 750 |
| dewey-search | 750 |
| dewey-sort | 3750 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| era | Geschichte 1860-1900 gnd |
| era_facet | Geschichte 1860-1900 |
| format | Book |
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| id | DE-604.BV045113014 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:09:02Z |
| institution | BVB |
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| isbn | 9782072784866 2072784867 |
| language | French |
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| physical | 215 Seiten 29 cm |
| publishDate | 2018 |
| publishDateSearch | 2018 |
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| spelling | Japonismes, Impressionnismes sous la direction de Marina Ferretti Bocquillon ; contributions de Geneviève Aitken, Sophie Basch, Jocelyn Bouquillard, Marina Ferretti Bocquillon et Vanessa Lecomte ; musée des impressionnismes Giverny, Arp Museum Bahnhof Rolandseck Japonismes/Impressionnismes Paris Gallimard [2018] 215 Seiten 29 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Organisée par le musée des impressionnismes Giverny en collaboration avec l'Arp Museum Bahnhof Rolandseck, Remagen, et présentée du 30 mars au 15 juillet à Giverny, puis du 26 août 2018 au 20 janvier 2019 à Remagen Includes bibliographical references (pages 212-215) The commercial and diplomatic opening of Japan in 1868 revealed to Western artists an aesthetic radically different from that which had been taught to them for centuries. Unceasingly reinterpreted, the ancient model reigned over the arts since the Renaissance. Japanese art offered a novel plastic vocabulary, which soon inspired the whole of artistic creation in Europe and the United States. The aesthetics of the Ukiyo-e were based on codes radically different from those taught to the students of the School of Fine Arts. The effectiveness of his images was due to the vividness of the colors, the absence of any modeling or volume of the forms treated in solid colors, as well as the originality of compositions based on asymmetry. In addition, like the Impressionists, the masters of print did not claim to deliver any message other than the celebration of nature and contemporary life. The most innovative painters were sensitive to the refinement of an art that met their aspirations, paving the way for a real aesthetic revolution. Since the 1980s, Japanism has been the subject of numerous exhibitions and the phenomenon has proved so vast that it seems to us more relevant today to evoke its manifestations in the plural, as we prefer to speak of impressionism. Our project focuses on its impact in the work of painters of the Impressionist and Post-Impressionist generation, from the 1870s to the dawn of the XX th century. Claude Monet, who was one of the first French artists to take an interest in Japanese printmaking, is at the center of our presentation and the exhibition makes perfect sense in Giverny Geschichte 1860-1900 gnd rswk-swf Japonismus (DE-588)4137107-0 gnd rswk-swf Arbeiten auf Papier (DE-588)4395805-9 gnd rswk-swf Impressionismus (DE-588)4026679-5 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Japonism / Exhibitions Impressionism (Art) / Exhibitions Impressionism (Art) / Exhibitions / France / Giverny Impressionism (Art) Japonism / France / Giverny (DE-588)4135467-9 Ausstellungskatalog Musée des impressionnismes Giverny 30.03.2018-15.07.2018 Giverny gnd-content (DE-588)4135467-9 Ausstellungskatalog Arp Museum Bahnhof Rolandseck 26.08.2018-20.01.2019 Remagen gnd-content (DE-588)4145395-5 Bildband gnd-content Japonismus (DE-588)4137107-0 s Impressionismus (DE-588)4026679-5 s Malerei (DE-588)4037220-0 s Arbeiten auf Papier (DE-588)4395805-9 s Geschichte 1860-1900 z DE-604 Ferretti Bocquillon, Marina 1955- (DE-588)1035752840 edt aut Aitken, Geneviève 1951- (DE-588)131744828 aut Basch, Sophie 1963- (DE-588)131586270 aut Bouquillard, Jocelyn 1969- (DE-588)188454950 aut Lecomte, Vanessa aut Musée des impressionnismes Giverny (DE-588)16024000-1 isb orm Arp Museum Bahnhof Rolandseck (DE-588)10369550-3 isb orm |
| spellingShingle | Ferretti Bocquillon, Marina 1955- Aitken, Geneviève 1951- Basch, Sophie 1963- Bouquillard, Jocelyn 1969- Lecomte, Vanessa Japonismes, Impressionnismes Japonismus (DE-588)4137107-0 gnd Arbeiten auf Papier (DE-588)4395805-9 gnd Impressionismus (DE-588)4026679-5 gnd Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)4137107-0 (DE-588)4395805-9 (DE-588)4026679-5 (DE-588)4037220-0 (DE-588)4135467-9 (DE-588)4145395-5 |
| title | Japonismes, Impressionnismes |
| title_alt | Japonismes/Impressionnismes |
| title_auth | Japonismes, Impressionnismes |
| title_exact_search | Japonismes, Impressionnismes |
| title_full | Japonismes, Impressionnismes sous la direction de Marina Ferretti Bocquillon ; contributions de Geneviève Aitken, Sophie Basch, Jocelyn Bouquillard, Marina Ferretti Bocquillon et Vanessa Lecomte ; musée des impressionnismes Giverny, Arp Museum Bahnhof Rolandseck |
| title_fullStr | Japonismes, Impressionnismes sous la direction de Marina Ferretti Bocquillon ; contributions de Geneviève Aitken, Sophie Basch, Jocelyn Bouquillard, Marina Ferretti Bocquillon et Vanessa Lecomte ; musée des impressionnismes Giverny, Arp Museum Bahnhof Rolandseck |
| title_full_unstemmed | Japonismes, Impressionnismes sous la direction de Marina Ferretti Bocquillon ; contributions de Geneviève Aitken, Sophie Basch, Jocelyn Bouquillard, Marina Ferretti Bocquillon et Vanessa Lecomte ; musée des impressionnismes Giverny, Arp Museum Bahnhof Rolandseck |
| title_short | Japonismes, Impressionnismes |
| title_sort | japonismes impressionnismes |
| topic | Japonismus (DE-588)4137107-0 gnd Arbeiten auf Papier (DE-588)4395805-9 gnd Impressionismus (DE-588)4026679-5 gnd Malerei (DE-588)4037220-0 gnd |
| topic_facet | Japonismus Arbeiten auf Papier Impressionismus Malerei Ausstellungskatalog Musée des impressionnismes Giverny 30.03.2018-15.07.2018 Giverny Ausstellungskatalog Arp Museum Bahnhof Rolandseck 26.08.2018-20.01.2019 Remagen Bildband |
| work_keys_str_mv | AT ferrettibocquillonmarina japonismesimpressionnismes AT aitkengenevieve japonismesimpressionnismes AT baschsophie japonismesimpressionnismes AT bouquillardjocelyn japonismesimpressionnismes AT lecomtevanessa japonismesimpressionnismes AT museedesimpressionnismesgiverny japonismesimpressionnismes AT arpmuseumbahnhofrolandseck japonismesimpressionnismes |