Science, form, and the problem of induction in British romanticism:
Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation - from its roots in Francis Bacon's experimen...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2018
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Schriftenreihe: | Cambridge studies in romanticism
120 |
Schlagworte: | |
Online-Zugang: | BSB01 UBG01 UPA01 Volltext |
Zusammenfassung: | Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation - from its roots in Francis Bacon's experimental philosophy to its pervasiveness across Enlightenment moral philosophy, aesthetics, literary criticism, and literature itself. Porter brings this history to bear on an omnipresent feature of Romantic-era literature, its mixtures of verse and prose. Combining analyses of printed books and manuscripts with recent scholarship in the history of science, she elucidates the compositional practices and formal dilemmas of Erasmus Darwin, Robert Southey, Charlotte Smith, Maria Edgeworth, and Samuel Taylor Coleridge. In doing so she re-examines the relationship between Romantic literature and eighteenth-century empiricist science, philosophy, and forms of art and explores how Romantic writers engaged with the ideas of Enlightenment empiricism in their work. |
Beschreibung: | 1 Online-Ressource (xiv, 293 Seiten) Illustrationen |
ISBN: | 9781108292412 |
DOI: | 10.1017/9781108292412 |
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520 | |a Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation - from its roots in Francis Bacon's experimental philosophy to its pervasiveness across Enlightenment moral philosophy, aesthetics, literary criticism, and literature itself. Porter brings this history to bear on an omnipresent feature of Romantic-era literature, its mixtures of verse and prose. Combining analyses of printed books and manuscripts with recent scholarship in the history of science, she elucidates the compositional practices and formal dilemmas of Erasmus Darwin, Robert Southey, Charlotte Smith, Maria Edgeworth, and Samuel Taylor Coleridge. In doing so she re-examines the relationship between Romantic literature and eighteenth-century empiricist science, philosophy, and forms of art and explores how Romantic writers engaged with the ideas of Enlightenment empiricism in their work. | ||
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Datensatz im Suchindex
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any_adam_object | |
author | Porter, Dahlia ca. 20./21. Jh |
author_GND | (DE-588)1162503416 |
author_facet | Porter, Dahlia ca. 20./21. Jh |
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doi_str_mv | 10.1017/9781108292412 |
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indexdate | 2024-07-10T08:08:57Z |
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isbn | 9781108292412 |
language | English |
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physical | 1 Online-Ressource (xiv, 293 Seiten) Illustrationen |
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spelling | Porter, Dahlia ca. 20./21. Jh. Verfasser (DE-588)1162503416 aut Science, form, and the problem of induction in British romanticism Dahlia Porter, University of Glasgow Cambridge Cambridge University Press 2018 1 Online-Ressource (xiv, 293 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Cambridge studies in romanticism 120 Exploring a topic at the intersection of science, philosophy and literature in the late eighteenth century Dahlia Porter traces the history of induction as a writerly practice - as a procedure for manipulating textual evidence by selective quotation - from its roots in Francis Bacon's experimental philosophy to its pervasiveness across Enlightenment moral philosophy, aesthetics, literary criticism, and literature itself. Porter brings this history to bear on an omnipresent feature of Romantic-era literature, its mixtures of verse and prose. Combining analyses of printed books and manuscripts with recent scholarship in the history of science, she elucidates the compositional practices and formal dilemmas of Erasmus Darwin, Robert Southey, Charlotte Smith, Maria Edgeworth, and Samuel Taylor Coleridge. In doing so she re-examines the relationship between Romantic literature and eighteenth-century empiricist science, philosophy, and forms of art and explores how Romantic writers engaged with the ideas of Enlightenment empiricism in their work. Induction (Logic) in literature English literature / 18th century / History and criticism English literature / 19th century / History and criticism Literature and science / Great Britain / History / 18th century Literature and science / Great Britain / History / 19th century Romanticism / Great Britain Induktion (DE-588)4026765-9 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Wissenschaft Motiv (DE-588)4436320-5 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Romantik (DE-588)4050491-8 gnd rswk-swf Englisch (DE-588)4014777-0 s Literatur (DE-588)4035964-5 s Romantik (DE-588)4050491-8 s Wissenschaft Motiv (DE-588)4436320-5 s Induktion (DE-588)4026765-9 s DE-604 Erscheint auch als Druck-Ausgabe 978-1-108-41894-2 Cambridge studies in romanticism 120 (DE-604)BV042200844 120 https://doi.org/10.1017/9781108292412 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Porter, Dahlia ca. 20./21. Jh Science, form, and the problem of induction in British romanticism Cambridge studies in romanticism Induction (Logic) in literature English literature / 18th century / History and criticism English literature / 19th century / History and criticism Literature and science / Great Britain / History / 18th century Literature and science / Great Britain / History / 19th century Romanticism / Great Britain Induktion (DE-588)4026765-9 gnd Literatur (DE-588)4035964-5 gnd Wissenschaft Motiv (DE-588)4436320-5 gnd Englisch (DE-588)4014777-0 gnd Romantik (DE-588)4050491-8 gnd |
subject_GND | (DE-588)4026765-9 (DE-588)4035964-5 (DE-588)4436320-5 (DE-588)4014777-0 (DE-588)4050491-8 |
title | Science, form, and the problem of induction in British romanticism |
title_auth | Science, form, and the problem of induction in British romanticism |
title_exact_search | Science, form, and the problem of induction in British romanticism |
title_full | Science, form, and the problem of induction in British romanticism Dahlia Porter, University of Glasgow |
title_fullStr | Science, form, and the problem of induction in British romanticism Dahlia Porter, University of Glasgow |
title_full_unstemmed | Science, form, and the problem of induction in British romanticism Dahlia Porter, University of Glasgow |
title_short | Science, form, and the problem of induction in British romanticism |
title_sort | science form and the problem of induction in british romanticism |
topic | Induction (Logic) in literature English literature / 18th century / History and criticism English literature / 19th century / History and criticism Literature and science / Great Britain / History / 18th century Literature and science / Great Britain / History / 19th century Romanticism / Great Britain Induktion (DE-588)4026765-9 gnd Literatur (DE-588)4035964-5 gnd Wissenschaft Motiv (DE-588)4436320-5 gnd Englisch (DE-588)4014777-0 gnd Romantik (DE-588)4050491-8 gnd |
topic_facet | Induction (Logic) in literature English literature / 18th century / History and criticism English literature / 19th century / History and criticism Literature and science / Great Britain / History / 18th century Literature and science / Great Britain / History / 19th century Romanticism / Great Britain Induktion Literatur Wissenschaft Motiv Englisch Romantik |
url | https://doi.org/10.1017/9781108292412 |
volume_link | (DE-604)BV042200844 |
work_keys_str_mv | AT porterdahlia scienceformandtheproblemofinductioninbritishromanticism |