Making Dystopia: the strange rise and survival of architectural barbarism
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2018
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | xxxviii, 551 Seiten Illustrationen, Pläne |
| ISBN: | 9780198753698 |
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Datensatz im Suchindex
| _version_ | 1804178727597244416 |
|---|---|
| adam_text | CONTENTS
PROLEGOMENON
BY TIMOTHY
BRITTAIN-CATLIN
ADVANCE
PRAISE FOR
MAKING
DYSTOPIA
LIST OFPLATES
LIST OF FIGRRRES
PREFACE
G
ACKNOWLEDGETRLENTS
ESSENCE OF THE
ARGUMENT;
AFTENVORD
G.
ACKNOTVLEDGET11ETZTS
XIII
XV
XIX
XXI
I.
ORIGINS OF A CATASTROPHE
I
1NTRODUCTION:A
FEW DEFINITIONS;THE
MODERN
MOVEMENT;
A STRANGE
ABERRATION;
PUGIN,
THE
RUSKIN
PROBLEM,
PERILS OF UNCRITICAL
ACCEPTANCE,
&
SOME
PERCEPTIVE
CRITICS;
HERMANN
MUTHESIUS;
HARRY
KESSLER,
VAN
DEVELDE,
&
WEIMAR;
THE
DETRTSCLZER
WERKBTRN&THE
WERKBTRND EXHIBITION, COLOGNE,
1914;
EPILOGUE
11. MAKERS OF MYTHOLOGIES
&
FALSE ANALOGIES
49
1NTRODUCTION;VOYSEY
AS
A PEVSNERIAN
PIONEER ; FURTHER OBJECTIONS
TO
THE PEVSNERIAN POSITION;
BAILLIE SCOTT;THE
RELIGIOUS FACTOR;
UNFORTUNATE
TREATMENT OF BERLAGE,
COMPER,
&
DYKES
BOWER
111. MODERNISM IN GERMANY IN THE
AFTERMATH OF THE 1914-18
WAR
87
INTRODUCTION:
EXPRESSIONIST 1NTERLUDE;THE
BNIRHATIS AT WEIMAR;THE
BATRHATRS AT DESSAU;
A DEPARTMENT
OFARCHITECTURE
AT DESSAU;
EPILOGUE
IV THE INTERNATIONAL STYLE 1920S
&
1930S
121
1NTRODUCTION:THE
TRANSFORMATION OF LUDWIG MIES;THE
WA$?ETTHOFSIEDL[RNG,
STUTTGART;
THE
STRANGE
CASE OF ERICH
MENDELSOHN;
LATER
HISTORY
OF THE BAIRHNTRS AT DESSAU
&
BERLIN; EPILOGUE
V
THE
INTERNATIONAL STYLE
TRULY INTERNATIONAL
171
IMPRESARIOS OF THE INTERNATIONAL
STY1E;THE
STYLE BECOMES
WIDELY
ACCEPTED OUTSIDE GERMANY:
CZECHOSLOVAKIA,THE
SOVIET UNION,
HUNGARY, POLAND,
BELGIUM,
BRASIL,
SCANDINAVIA,
UNITED
STATES OF AMERICA,
SWITZERLAND,THE
NETHERLANDS,AUSTRIA;
FRANCE
&-
LE CORBUSIER ;
FASCIST ITALY &THE
INTERNATIONAL
STYLE:
A
PROBLEM FOR
APOLOGISTS;
EARLY MODERNISM IN ENGLAND
...
VLLL
CONTENTS
VI. UNIVERSAL ACCEPTANCE OF THE INTERNATIONAL STYLE:
A SURPRISING
AFIERMATH OF
1945
217
THE
STYLE
ESTABLISHED;
NOT
ALL
WERE CONVINCED;THE SITUATION
FROM
1945;
A
CURIOUS SHIFT;TRANSFORMATION
&
ACCEPTANCE
VII. DESCENT
TO DEFORMITY
247
REVOLUTION IN ARCHITECTURE
&
PLANNING; DESTRUCTIVE
&
UNWHOLESOME
EVENTS
IN
BRITAIN
FIOM 1945
;
PHILIP
JOHNSON:
SOURCERER
&
TASTEMAKER
VIII. DANGEROUS SIGNALS 293
ALLEGED
DEMISE OF MODERN
ARCHITECTURE; IMPOSITION,
PACKAGING,
DEFORMATION,
&
REJECTION;
DECONSTRUCTIVISM
&AFTER;
CULTS,
COMPOUNDS,
&
THE GRAND
NARRATIVE;
A RELIGIOUS
DIMENSION;
G/
I
I
&
OTHER
UNCOMFORTABLE
MATTERS;
EPILOGUE
IX. SOME FURTHER REFLECTIONS
327
SOMETHING
WAS
MISSING;
MEASURABLE
&
UNMEASURABLE
ASPECTS;
HIGH
&
MASS CULTURE;
A
PESSIMISTIC FUTURE?;
ROYAL INTERVENTION;
CODA
X.
EPILOGUE 361
LOSS OF MEANING;THE FAILURE OFARCHITECTURAL
EDUCATION;
SUGGESTED
REFORMS
OFARCHITECTURA1
EDUCATION;
HUBRIS:
THE
END OF ARCHITECTURE?;
AFIERWORD:
NEMESIS
NOTES
SELECT GLOSSARY
BI
BLIOGRAPH
Y
PTIBLISHER S
ACKNOVLEDGEMENTS
IRZ
DEX
MAKING
DYSTOPIA
THE STRANGE RISE
AND SURVIVAL OF
ARCHITECTURAL BARBARISM
JAMES STEVENS CURL
WITH A
PROLEGOMENON
BY
TIMOTHY BRITTAIN-CATLIN
OXFORD
UNIVERSITY PRESS
CONTENTS
PROLEGOMENON
IX
BY TIMOTHY BRITTAIN-CATLIN
ADVANCE PRAISE FOR
MAKING DYSTOPIA XIII
LIST OF PLATES
XV
LIST OF FIGURES
XIX
PREFACE & ACKNOWLEDGEMENTS
XXI
ESSENCE OF THE ARGUMENT; AFTERWORD & ACKNOWLEDGEMENTS
I. ORIGINS OF A CATASTROPHE I
INTRODUCTION: A FEW DEFINITIONS; THE MODERN MOVEMENT; A STRANGE
ABERRATION; PUGIN, THE RUSKIN PROBLEM, PERILS OF UNCRITICAL
ACCEPTANCE, & SOME PERCEPTIVE CRITICS; HERMANN MUTHESIUS; HARRY
KESSLER, VAN DE VELDE, & WEIMAR; THE
DEUTSCHERWERKBUND
;THE
WERKBUND
EXHIBITION, COLOGNE,
1914
; EPILOGUE
II. MAKERS OF MYTHOLOGIES & FALSE ANALOGIES 49
INTRODUCTION;VOYSEY AS A PEVSNERIAN *PIONEER*; FURTHER OBJECTIONS TO
THE PEVSNERIAN POSITION; BAILLIE SCOTT; THE RELIGIOUS FACTOR;
UNFORTUNATE
TREATMENT OF BERLAGE, COMPER, & DYKES BOWER
III. MODERNISM IN GERMANY IN THE AFTERMATH OF THE 1914-18 WAR 87
INTRODUCTION: EXPRESSIONIST INTERLUDE; THE
BAUHAUS
AT WEIMAR; THE
BAUHAUS
AT DESSAU; A DEPARTMENT OF ARCHITECTURE AT DESSAU; EPILOGUE
IV. THE INTERNATIONAL STYLE 1920S & 1930S 121
INTRODUCTION: THE TRANSFORMATION OF LUDWIG MIES; THE
WEIFIENHOFSIEDLUNG,
STUTTGART; THE STRANGE CASE OF ERICH MENDELSOHN;
LATER HISTORY OF THE
BAUHAUS
AT DESSAU & BERLIN; EPILOGUE
V. THE INTERNATIONAL STYLE TRULY INTERNATIONAL 171
IMPRESARIOS OF THE INTERNATIONAL STYLE; THE STYLE BECOMES WIDELY
ACCEPTED OUTSIDE GERMANY: CZECHOSLOVAKIA, THE SOVIET UNION,
HUNGARY, POLAND, BELGIUM, BRASIL, SCANDINAVIA, UNITED STATES OF AMERICA,
SWITZERLAND,THE NETHERLANDS, AUSTRIA; FRANCE &*LE CORBUSIER*;
FASCIST ITALY &THE INTERNATIONAL STYLE: A PROBLEM FOR APOLOGISTS;
EARLY MODERNISM IN ENGLAND
VLLL
CONTENTS
VI. UNIVERSAL ACCEPTANCE OF THE INTERNATIONAL STYLE:
A SIURPRISING AFTERMATH OF 1945 217
THE STYLE ESTABLISHED; NOT ALL WERE CONVINCED; THE SITUATION
FROM
1945
; A CURIOUS SHIFT; TRANSFORMATION & ACCEPTANCE
VII. DESCENT TO DEFORMITY 247
REVOLUTION IN ARCHITECTURE & PLANNING; DESTRUCTIVE & UNWHOLESOME
EVENTS IN BRITAIN FROM
1945
; PHILIP JOHNSON: *SOURCERER* & TASTEMAKER
VIII. DANGEROUS SIGNALS 293
ALLEGED DEMISE OF MODERN ARCHITECTURE; IMPOSITION, PACKAGING,
DEFORMATION, & REJECTION; DECONSTRUCTIVISM & AFTER; CULTS,
COMPOUNDS, & THE GRAND NARRATIVE; A RELIGIOUS DIMENSION;
9/11
& OTHER UNCOMFORTABLE MATTERS; EPILOGUE
IX. SOME FURTHER REFLECTIONS 327
SOMETHING WAS MISSING; MEASURABLE & UNMEASURABLE ASPECTS; HIGH &
MASS CULTURE; A PESSIMISTIC FUTURE?; ROYAL INTERVENTION; CODA
X. EPILOGUE 361
LOSS OF MEANING; THE FAILURE OF ARCHITECTURAL EDUCATION;
SUGGESTED REFORMS OF ARCHITECTURAL EDUCATION; HUBRIS:
THE END OF ARCHITECTURE?; AFTERWORD: NEMESIS
NOTES
389
SELECT GLOSSARY
449
BIBLIOGRAPHY
465
PUBLISHER*S ACKNOWLEDGEMENTS
509
INDEX
511
MAKING
DYSTOPIA
THE STRANGE RISE
AND SURVIVAL OF
ARCHITECTURAL BARBARISM
JAMES STEVENS CURL
with a
Prolegomenon
by
Timothy Brittain-Catlin
OXFORD
UNIVERSITY PRESS
Contents
Prolegomenon ix
by Timothy Brittain-Catlin
Advance praise for Making Dystopia xiii
List of Plates xv
List of Figures xix
Preface Acknowledgements xxi
Essence of the Argument; Afterword Acknowledgements
I. Origins of a Catastrophe i
Introduction: A Few Definitions; The Modern Movement; A Strange
Aberration; Pugin, the Ruskin Problem, Perils of Uncritical
Acceptance, Some Perceptive Critics; Hermann Muthesius; Harry
Kessler, van de Velde, Weimar; The DeutscherWerkbund;The
Werkbund Exhibition, Cologne, 1914; Epilogue
II. Makers of Mythologies False Analogies 49
Introduction;Voysey as a Pevsnerian ‘Pioneer’; Further Objections to
the Pevsnerian Position; Baillie Scott; The Religious Factor; Unfortunate
Treatment of Berlage, Comper, Dykes Bower
III. Modernism in Germany in the Aftermath of the 1914-18 War 87
Introduction: Expressionist Interlude; The Bauhaus at Weimar; The
Bauhaus at Dessau; A Department of Architecture at Dessau; Epilogue
IV. The International Style 1920s 1930s 121
Introduction: The Transformation of Ludwig Mies; The
Weifienhofsiedlung, Stuttgart; The Strange Case of Erich Mendelsohn;
Later History of the Bauhaus at Dessau Berlin; Epilogue
V. The International Style Truly International 171
Impresarios of the International Style; The Style Becomes Widely
Accepted Outside Germany: Czechoslovakia, The Soviet Union,
Hungary, Poland, Belgium, Brasil, Scandinavia, United States of America,
Switzerland,The Netherlands, Austria; France ‘Le Corbusier’;
Fascist Italy The International Style: A Problem for Apologists;
Early Modernism in England
Vlll
CONTENTS
VI. Universal Acceptance of the International Style:
A Siurprising Aftermath of 1945 217
The Style Established; Not All Were Convinced; The Situation
from 1945; A Curious Shift; Transformation Acceptance
VII. Descent to Deformity 247
Revolution in Architecture Planning; Destructive Unwholesome
Events in Britain from 1945; Philip Johnson: ‘Sourcerer’ Tastemaker
VIII. Dangerous Signals 293
Alleged Demise of Modern Architecture; Imposition, Packaging,
Deformation, Rejection; Deconstructivism After; Cults,
Compounds, the Grand Narrative; A Religious Dimension;
9/11 Other Uncomfortable Matters; Epilogue
IX. Some Further Reflections 327
Something Was Missing; Measurable Unmeasurable Aspects; High
Mass Culture; A Pessimistic Future?; Royal Intervention; Coda
X. Epilogue 361
Loss of Meaning; The Failure of Architectural Education;
Suggested Reforms of Architectural Education; Hubris:
The End of Architecture?; Afterword: Nemesis
Notes 389
Select Glossary 449
Bibliography 465
Publisher’s Acknowledgements 509
Index 511
|
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| indexdate | 2024-07-10T08:08:34Z |
| institution | BVB |
| isbn | 9780198753698 |
| language | English |
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| open_access_boolean | |
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| publisher | Oxford University Press |
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| spelling | Curl, James Stevens 1937- Verfasser (DE-588)172029120 aut Making Dystopia the strange rise and survival of architectural barbarism James Stevens Curl ; with a Prolegomenon by Timothy Brittain-Catlin First edition Oxford Oxford University Press 2018 xxxviii, 551 Seiten Illustrationen, Pläne txt rdacontent n rdamedia nc rdacarrier Geschichte 1900-2018 gnd rswk-swf Architektur (DE-588)4002851-3 gnd rswk-swf Architekturkritik (DE-588)4308572-6 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Architektur (DE-588)4002851-3 s Moderne (DE-588)4039827-4 s Geschichte 1900-2018 z DE-604 Architekturkritik (DE-588)4308572-6 s Brittain-Catlin, Timothy 1961- (DE-588)136556175 wpr KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030488663&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030488663&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Curl, James Stevens 1937- Making Dystopia the strange rise and survival of architectural barbarism Architektur (DE-588)4002851-3 gnd Architekturkritik (DE-588)4308572-6 gnd Moderne (DE-588)4039827-4 gnd |
| subject_GND | (DE-588)4002851-3 (DE-588)4308572-6 (DE-588)4039827-4 |
| title | Making Dystopia the strange rise and survival of architectural barbarism |
| title_auth | Making Dystopia the strange rise and survival of architectural barbarism |
| title_exact_search | Making Dystopia the strange rise and survival of architectural barbarism |
| title_full | Making Dystopia the strange rise and survival of architectural barbarism James Stevens Curl ; with a Prolegomenon by Timothy Brittain-Catlin |
| title_fullStr | Making Dystopia the strange rise and survival of architectural barbarism James Stevens Curl ; with a Prolegomenon by Timothy Brittain-Catlin |
| title_full_unstemmed | Making Dystopia the strange rise and survival of architectural barbarism James Stevens Curl ; with a Prolegomenon by Timothy Brittain-Catlin |
| title_short | Making Dystopia |
| title_sort | making dystopia the strange rise and survival of architectural barbarism |
| title_sub | the strange rise and survival of architectural barbarism |
| topic | Architektur (DE-588)4002851-3 gnd Architekturkritik (DE-588)4308572-6 gnd Moderne (DE-588)4039827-4 gnd |
| topic_facet | Architektur Architekturkritik Moderne |
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| work_keys_str_mv | AT curljamesstevens makingdystopiathestrangeriseandsurvivalofarchitecturalbarbarism AT brittaincatlintimothy makingdystopiathestrangeriseandsurvivalofarchitecturalbarbarism |
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