Shakespeare's double plays: dramatic economy on the Early Modern stage
In the first comprehensive study of how Shakespeare designed his plays to suit his playing company, Brett Gamboa demonstrates how Shakespeare turned his limitations to creative advantage, and how doubling roles suited his unique sense of the dramatic. By attending closely to their dramaturgical stru...
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| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2018
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| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | In the first comprehensive study of how Shakespeare designed his plays to suit his playing company, Brett Gamboa demonstrates how Shakespeare turned his limitations to creative advantage, and how doubling roles suited his unique sense of the dramatic. By attending closely to their dramaturgical structures, Gamboa analyses casting requirements for the plays Shakespeare wrote for the company between 1594 and 1610, and describes how using the embedded casting patterns can enhance their thematic and theatrical potential. Drawing on historical records, dramatic theory, and contemporary performance this innovative work questions received ideas about early modern staging and provides scholars and contemporary theatre practitioners with a valuable guide to understanding how casting can help facilitate audience engagement. Supported by an appendix of speculative doubling charts for plays, illustrations, and online resources, this is a major contribution to the understanding of Shakespeare's dramatic craft |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 27 Apr 2018) Machine generated contents note: Introduction; 1. 'Improbable fictions: Shakespeare's plays without the plays; 2. Versatility and verisimilitude on sixteenth-century stages; 3. Doubling in The Winter's Tale; 4. Dramaturgical directives and Shakespeare's cast size; 5. Doubling in A Midsummer Night's Dream and Romeo and Juliet; 6. Where the boys aren't; 7. Doubling in Twelfth Night and Othello; Epilogue: Ragozine and Shakespearean substitution; Appendix; Bibliography; Index |
| Beschreibung: | 1 Online-Ressource (ix, 291 Seiten) |
| ISBN: | 9781108277624 |
| DOI: | 10.1017/9781108277624 |
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| 520 | |a In the first comprehensive study of how Shakespeare designed his plays to suit his playing company, Brett Gamboa demonstrates how Shakespeare turned his limitations to creative advantage, and how doubling roles suited his unique sense of the dramatic. By attending closely to their dramaturgical structures, Gamboa analyses casting requirements for the plays Shakespeare wrote for the company between 1594 and 1610, and describes how using the embedded casting patterns can enhance their thematic and theatrical potential. Drawing on historical records, dramatic theory, and contemporary performance this innovative work questions received ideas about early modern staging and provides scholars and contemporary theatre practitioners with a valuable guide to understanding how casting can help facilitate audience engagement. Supported by an appendix of speculative doubling charts for plays, illustrations, and online resources, this is a major contribution to the understanding of Shakespeare's dramatic craft | ||
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| author | Gamboa, Brett |
| author_GND | (DE-588)1160505071 |
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| dewey-full | 792.9/5 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.9/5 |
| dewey-search | 792.9/5 |
| dewey-sort | 3792.9 15 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Anglistik / Amerikanistik |
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| language | English |
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| spelling | Gamboa, Brett Verfasser (DE-588)1160505071 aut Shakespeare's double plays dramatic economy on the Early Modern stage Brett Gamboa Cambridge Cambridge University Press 2018 1 Online-Ressource (ix, 291 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 27 Apr 2018) Machine generated contents note: Introduction; 1. 'Improbable fictions: Shakespeare's plays without the plays; 2. Versatility and verisimilitude on sixteenth-century stages; 3. Doubling in The Winter's Tale; 4. Dramaturgical directives and Shakespeare's cast size; 5. Doubling in A Midsummer Night's Dream and Romeo and Juliet; 6. Where the boys aren't; 7. Doubling in Twelfth Night and Othello; Epilogue: Ragozine and Shakespearean substitution; Appendix; Bibliography; Index In the first comprehensive study of how Shakespeare designed his plays to suit his playing company, Brett Gamboa demonstrates how Shakespeare turned his limitations to creative advantage, and how doubling roles suited his unique sense of the dramatic. By attending closely to their dramaturgical structures, Gamboa analyses casting requirements for the plays Shakespeare wrote for the company between 1594 and 1610, and describes how using the embedded casting patterns can enhance their thematic and theatrical potential. Drawing on historical records, dramatic theory, and contemporary performance this innovative work questions received ideas about early modern staging and provides scholars and contemporary theatre practitioners with a valuable guide to understanding how casting can help facilitate audience engagement. Supported by an appendix of speculative doubling charts for plays, illustrations, and online resources, this is a major contribution to the understanding of Shakespeare's dramatic craft Shakespeare, William / 1564-1616 / Stage history Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Schauspieler (DE-588)4052154-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Aufführung (DE-588)4143388-9 s Schauspieler (DE-588)4052154-0 s 1\p DE-604 Erscheint auch als Druck-Ausgabe 9781108417433 https://doi.org/10.1017/9781108277624 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Gamboa, Brett Shakespeare's double plays dramatic economy on the Early Modern stage Shakespeare, William / 1564-1616 / Stage history Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William 1564-1616 (DE-588)118613723 gnd Schauspieler (DE-588)4052154-0 gnd Drama (DE-588)4012899-4 gnd Aufführung (DE-588)4143388-9 gnd |
| subject_GND | (DE-588)118613723 (DE-588)4052154-0 (DE-588)4012899-4 (DE-588)4143388-9 |
| title | Shakespeare's double plays dramatic economy on the Early Modern stage |
| title_auth | Shakespeare's double plays dramatic economy on the Early Modern stage |
| title_exact_search | Shakespeare's double plays dramatic economy on the Early Modern stage |
| title_full | Shakespeare's double plays dramatic economy on the Early Modern stage Brett Gamboa |
| title_fullStr | Shakespeare's double plays dramatic economy on the Early Modern stage Brett Gamboa |
| title_full_unstemmed | Shakespeare's double plays dramatic economy on the Early Modern stage Brett Gamboa |
| title_short | Shakespeare's double plays |
| title_sort | shakespeare s double plays dramatic economy on the early modern stage |
| title_sub | dramatic economy on the Early Modern stage |
| topic | Shakespeare, William / 1564-1616 / Stage history Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William 1564-1616 (DE-588)118613723 gnd Schauspieler (DE-588)4052154-0 gnd Drama (DE-588)4012899-4 gnd Aufführung (DE-588)4143388-9 gnd |
| topic_facet | Shakespeare, William / 1564-1616 / Stage history Shakespeare, William / 1564-1616 / Dramatic production Shakespeare, William 1564-1616 Schauspieler Drama Aufführung |
| url | https://doi.org/10.1017/9781108277624 |
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