Improv nation: how we made a great American art
A history of the uniquely American art form of improv, from its beginnings during the McCarthy Era through the rise of such institutions as Second City, the Groundlings, and the Upright Citizens Brigade and such performers as Tina Fey, Steve Carell, and Bill Murray
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Boston ; New York
Houghton Mifflin Harcourt
2017
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | A history of the uniquely American art form of improv, from its beginnings during the McCarthy Era through the rise of such institutions as Second City, the Groundlings, and the Upright Citizens Brigade and such performers as Tina Fey, Steve Carell, and Bill Murray "From the best-selling author of Fosse, a sweeping yet intimate... and often hilarious... history of a uniquely American art form that has never been more popular. At the height of the McCarthy era, an experimental theater troupe set up shop in a bar near the University of Chicago. Via word of mouth, astonished crowds packed the ad hoc venue to see its unscripted, interactive, consciousness-raising style. From this unlikely seed grew the Second City, the massively influential comedy ensemble, and its offshoots... the Groundlings, Upright Citizens Brigade, SNL, and a slew of others. Sam Wasson charts the meteoric rise of improv in this richly reported, scene-driven narrative that, like its subject, moves fast and digs deep. He shows us the chance meeting at a train station between Mike Nichols and Elaine May. We hang out at the after-hours bar Dan Aykroyd opened so that friends like John Belushi, Bill Murray, and Gilda Radner would always have a home. We go behind the scenes of landmark entertainments, from The Graduate to Caddyshack, The Forty-Year-Old Virgin to The Colbert Report. Along the way, we commune with a host of pioneers... Nichols, Harold Ramis, Dustin Hoffman, Chevy Chase, Steve Carell, Amy Poehler, Alan Arkin, Tina Fey, Judd Apatow, and many others. With signature verve and nuance, Wasson shows why improv deserves to be considered the great American art form of the last half century... and the most influential one today."...Dust jacket flap |
Beschreibung: | "An Eamon Dolan book.". - Includes bibliographical references (pages 384-435) and index |
Beschreibung: | xiii, 449 Seiten, 16 ungezählte Seiten Tafeln Illustrationen, Porträts 24 cm |
ISBN: | 9780544557208 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV045094881 | ||
003 | DE-604 | ||
005 | 20180822 | ||
007 | t | ||
008 | 180719s2017 xxuac|| |||| 00||| eng d | ||
010 | |a 016461013 | ||
020 | |a 9780544557208 |9 978-0-544-55720-8 | ||
035 | |a (OCoLC)1045827891 | ||
035 | |a (DE-599)BVBBV045094881 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
044 | |a xxu |c US | ||
049 | |a DE-188 |a DE-29 | ||
050 | 0 | |a PN2071.I5 | |
082 | 0 | |a 792.0280973 |2 23 | |
100 | 1 | |a Wasson, Sam |e Verfasser |0 (DE-588)1016168764 |4 aut | |
245 | 1 | 0 | |a Improv nation |b how we made a great American art |c Sam Wasson |
264 | 1 | |a Boston ; New York |b Houghton Mifflin Harcourt |c 2017 | |
264 | 4 | |c © 2017 | |
300 | |a xiii, 449 Seiten, 16 ungezählte Seiten Tafeln |b Illustrationen, Porträts |c 24 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a "An Eamon Dolan book.". - Includes bibliographical references (pages 384-435) and index | ||
520 | |a A history of the uniquely American art form of improv, from its beginnings during the McCarthy Era through the rise of such institutions as Second City, the Groundlings, and the Upright Citizens Brigade and such performers as Tina Fey, Steve Carell, and Bill Murray | ||
520 | |a "From the best-selling author of Fosse, a sweeping yet intimate... and often hilarious... history of a uniquely American art form that has never been more popular. At the height of the McCarthy era, an experimental theater troupe set up shop in a bar near the University of Chicago. Via word of mouth, astonished crowds packed the ad hoc venue to see its unscripted, interactive, consciousness-raising style. From this unlikely seed grew the Second City, the massively influential comedy ensemble, and its offshoots... the Groundlings, Upright Citizens Brigade, SNL, and a slew of others. Sam Wasson charts the meteoric rise of improv in this richly reported, scene-driven narrative that, like its subject, moves fast and digs deep. He shows us the chance meeting at a train station between Mike Nichols and Elaine May. We hang out at the after-hours bar Dan Aykroyd opened so that friends like John Belushi, Bill Murray, and Gilda Radner would always have a home. We go behind the scenes of landmark entertainments, from The Graduate to Caddyshack, The Forty-Year-Old Virgin to The Colbert Report. Along the way, we commune with a host of pioneers... Nichols, Harold Ramis, Dustin Hoffman, Chevy Chase, Steve Carell, Amy Poehler, Alan Arkin, Tina Fey, Judd Apatow, and many others. With signature verve and nuance, Wasson shows why improv deserves to be considered the great American art form of the last half century... and the most influential one today."...Dust jacket flap | ||
650 | 4 | |a Stand-up comedy routines / lcgft | |
650 | 4 | |a PERFORMING ARTS / Comedy / bisacsh | |
650 | 4 | |a HISTORY / Social History / bisacsh | |
650 | 4 | |a Comedy / fast / (OCoLC)fst00869083 | |
650 | 4 | |a Improvisation (Acting) / fast / (OCoLC)fst00968302 | |
650 | 4 | |a Stand-up comedy / fast / (OCoLC)fst01131440 | |
650 | 4 | |a Improvisation (Acting) | |
650 | 4 | |a Comedy | |
650 | 4 | |a Stand-up comedy |z United States |x History | |
650 | 4 | |a Improvisation (Acting.) | |
650 | 4 | |a HISTORY / Social History | |
650 | 4 | |a PERFORMING ARTS / Comedy | |
650 | 4 | |a Comedy | |
650 | 4 | |a PERFORMING ARTS / Comedy | |
650 | 4 | |a HISTORY / Social History | |
650 | 4 | |a Comedy | |
650 | 4 | |a Improvisation (Acting) | |
650 | 4 | |a Stand-up comedy | |
856 | 4 | 2 | |m LoC Fremddatenuebernahme |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030485571&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
999 | |a oai:aleph.bib-bvb.de:BVB01-030485571 |
Datensatz im Suchindex
_version_ | 1804178721721024512 |
---|---|
adam_text | IMPROV NATION
/ WASSON, SAMYYEAUTHOR
: 2017
TABLE OF CONTENTS / INHALTSVERZEICHNIS
HI, HOW ARE YOU?
- WE THE JEWS: 1940-1968
- WE THE PUNKS: 1969-1984
- WE THE NERDS: 1984-
- GOODNIGHT, EVERYONE
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
any_adam_object | 1 |
author | Wasson, Sam |
author_GND | (DE-588)1016168764 |
author_facet | Wasson, Sam |
author_role | aut |
author_sort | Wasson, Sam |
author_variant | s w sw |
building | Verbundindex |
bvnumber | BV045094881 |
callnumber-first | P - Language and Literature |
callnumber-label | PN2071 |
callnumber-raw | PN2071.I5 |
callnumber-search | PN2071.I5 |
callnumber-sort | PN 42071 I5 |
callnumber-subject | PN - General Literature |
ctrlnum | (OCoLC)1045827891 (DE-599)BVBBV045094881 |
dewey-full | 792.0280973 |
dewey-hundreds | 700 - The arts |
dewey-ones | 792 - Stage presentations |
dewey-raw | 792.0280973 |
dewey-search | 792.0280973 |
dewey-sort | 3792.0280973 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03850nam a2200577 c 4500</leader><controlfield tag="001">BV045094881</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20180822 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">180719s2017 xxuac|| |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">016461013</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780544557208</subfield><subfield code="9">978-0-544-55720-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1045827891</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045094881</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-188</subfield><subfield code="a">DE-29</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN2071.I5</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">792.0280973</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Wasson, Sam</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1016168764</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Improv nation</subfield><subfield code="b">how we made a great American art</subfield><subfield code="c">Sam Wasson</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Boston ; New York</subfield><subfield code="b">Houghton Mifflin Harcourt</subfield><subfield code="c">2017</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xiii, 449 Seiten, 16 ungezählte Seiten Tafeln</subfield><subfield code="b">Illustrationen, Porträts</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">"An Eamon Dolan book.". - Includes bibliographical references (pages 384-435) and index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">A history of the uniquely American art form of improv, from its beginnings during the McCarthy Era through the rise of such institutions as Second City, the Groundlings, and the Upright Citizens Brigade and such performers as Tina Fey, Steve Carell, and Bill Murray</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"From the best-selling author of Fosse, a sweeping yet intimate... and often hilarious... history of a uniquely American art form that has never been more popular. At the height of the McCarthy era, an experimental theater troupe set up shop in a bar near the University of Chicago. Via word of mouth, astonished crowds packed the ad hoc venue to see its unscripted, interactive, consciousness-raising style. From this unlikely seed grew the Second City, the massively influential comedy ensemble, and its offshoots... the Groundlings, Upright Citizens Brigade, SNL, and a slew of others. Sam Wasson charts the meteoric rise of improv in this richly reported, scene-driven narrative that, like its subject, moves fast and digs deep. He shows us the chance meeting at a train station between Mike Nichols and Elaine May. We hang out at the after-hours bar Dan Aykroyd opened so that friends like John Belushi, Bill Murray, and Gilda Radner would always have a home. We go behind the scenes of landmark entertainments, from The Graduate to Caddyshack, The Forty-Year-Old Virgin to The Colbert Report. Along the way, we commune with a host of pioneers... Nichols, Harold Ramis, Dustin Hoffman, Chevy Chase, Steve Carell, Amy Poehler, Alan Arkin, Tina Fey, Judd Apatow, and many others. With signature verve and nuance, Wasson shows why improv deserves to be considered the great American art form of the last half century... and the most influential one today."...Dust jacket flap</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Stand-up comedy routines / lcgft</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">PERFORMING ARTS / Comedy / bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">HISTORY / Social History / bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Comedy / fast / (OCoLC)fst00869083</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Improvisation (Acting) / fast / (OCoLC)fst00968302</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Stand-up comedy / fast / (OCoLC)fst01131440</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Improvisation (Acting)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Comedy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Stand-up comedy</subfield><subfield code="z">United States</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Improvisation (Acting.)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">HISTORY / Social History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">PERFORMING ARTS / Comedy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Comedy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">PERFORMING ARTS / Comedy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">HISTORY / Social History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Comedy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Improvisation (Acting)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Stand-up comedy</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">LoC Fremddatenuebernahme</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030485571&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030485571</subfield></datafield></record></collection> |
id | DE-604.BV045094881 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:08:29Z |
institution | BVB |
isbn | 9780544557208 |
language | English |
lccn | 016461013 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030485571 |
oclc_num | 1045827891 |
open_access_boolean | |
owner | DE-188 DE-29 |
owner_facet | DE-188 DE-29 |
physical | xiii, 449 Seiten, 16 ungezählte Seiten Tafeln Illustrationen, Porträts 24 cm |
publishDate | 2017 |
publishDateSearch | 2017 |
publishDateSort | 2017 |
publisher | Houghton Mifflin Harcourt |
record_format | marc |
spelling | Wasson, Sam Verfasser (DE-588)1016168764 aut Improv nation how we made a great American art Sam Wasson Boston ; New York Houghton Mifflin Harcourt 2017 © 2017 xiii, 449 Seiten, 16 ungezählte Seiten Tafeln Illustrationen, Porträts 24 cm txt rdacontent n rdamedia nc rdacarrier "An Eamon Dolan book.". - Includes bibliographical references (pages 384-435) and index A history of the uniquely American art form of improv, from its beginnings during the McCarthy Era through the rise of such institutions as Second City, the Groundlings, and the Upright Citizens Brigade and such performers as Tina Fey, Steve Carell, and Bill Murray "From the best-selling author of Fosse, a sweeping yet intimate... and often hilarious... history of a uniquely American art form that has never been more popular. At the height of the McCarthy era, an experimental theater troupe set up shop in a bar near the University of Chicago. Via word of mouth, astonished crowds packed the ad hoc venue to see its unscripted, interactive, consciousness-raising style. From this unlikely seed grew the Second City, the massively influential comedy ensemble, and its offshoots... the Groundlings, Upright Citizens Brigade, SNL, and a slew of others. Sam Wasson charts the meteoric rise of improv in this richly reported, scene-driven narrative that, like its subject, moves fast and digs deep. He shows us the chance meeting at a train station between Mike Nichols and Elaine May. We hang out at the after-hours bar Dan Aykroyd opened so that friends like John Belushi, Bill Murray, and Gilda Radner would always have a home. We go behind the scenes of landmark entertainments, from The Graduate to Caddyshack, The Forty-Year-Old Virgin to The Colbert Report. Along the way, we commune with a host of pioneers... Nichols, Harold Ramis, Dustin Hoffman, Chevy Chase, Steve Carell, Amy Poehler, Alan Arkin, Tina Fey, Judd Apatow, and many others. With signature verve and nuance, Wasson shows why improv deserves to be considered the great American art form of the last half century... and the most influential one today."...Dust jacket flap Stand-up comedy routines / lcgft PERFORMING ARTS / Comedy / bisacsh HISTORY / Social History / bisacsh Comedy / fast / (OCoLC)fst00869083 Improvisation (Acting) / fast / (OCoLC)fst00968302 Stand-up comedy / fast / (OCoLC)fst01131440 Improvisation (Acting) Comedy Stand-up comedy United States History Improvisation (Acting.) HISTORY / Social History PERFORMING ARTS / Comedy Stand-up comedy LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030485571&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Wasson, Sam Improv nation how we made a great American art Stand-up comedy routines / lcgft PERFORMING ARTS / Comedy / bisacsh HISTORY / Social History / bisacsh Comedy / fast / (OCoLC)fst00869083 Improvisation (Acting) / fast / (OCoLC)fst00968302 Stand-up comedy / fast / (OCoLC)fst01131440 Improvisation (Acting) Comedy Stand-up comedy United States History Improvisation (Acting.) HISTORY / Social History PERFORMING ARTS / Comedy Stand-up comedy |
title | Improv nation how we made a great American art |
title_auth | Improv nation how we made a great American art |
title_exact_search | Improv nation how we made a great American art |
title_full | Improv nation how we made a great American art Sam Wasson |
title_fullStr | Improv nation how we made a great American art Sam Wasson |
title_full_unstemmed | Improv nation how we made a great American art Sam Wasson |
title_short | Improv nation |
title_sort | improv nation how we made a great american art |
title_sub | how we made a great American art |
topic | Stand-up comedy routines / lcgft PERFORMING ARTS / Comedy / bisacsh HISTORY / Social History / bisacsh Comedy / fast / (OCoLC)fst00869083 Improvisation (Acting) / fast / (OCoLC)fst00968302 Stand-up comedy / fast / (OCoLC)fst01131440 Improvisation (Acting) Comedy Stand-up comedy United States History Improvisation (Acting.) HISTORY / Social History PERFORMING ARTS / Comedy Stand-up comedy |
topic_facet | Stand-up comedy routines / lcgft PERFORMING ARTS / Comedy / bisacsh HISTORY / Social History / bisacsh Comedy / fast / (OCoLC)fst00869083 Improvisation (Acting) / fast / (OCoLC)fst00968302 Stand-up comedy / fast / (OCoLC)fst01131440 Improvisation (Acting) Comedy Stand-up comedy United States History Improvisation (Acting.) HISTORY / Social History PERFORMING ARTS / Comedy Stand-up comedy |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030485571&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT wassonsam improvnationhowwemadeagreatamericanart |