Highbrow, lowbrow, brilliant, despicable: 50 years of New York
The great story of New York City in the past half-century has been its near collapse and miraculous rebirth. A battered town left for dead, one that almost a million people abandoned and where those who remained had to live behind triple deadbolt locks, was reinvigorated by the twinned energies of s...
Gespeichert in:
Weitere Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Simon & Schuster
[2017]
|
Ausgabe: | First Simon & Schuster hardcover edition |
Schlagworte: | |
Zusammenfassung: | The great story of New York City in the past half-century has been its near collapse and miraculous rebirth. A battered town left for dead, one that almost a million people abandoned and where those who remained had to live behind triple deadbolt locks, was reinvigorated by the twinned energies of starving artists and financial white knights. Over the next generation, the city was utterly transformed. It again became the capital of wealth and innovation, an engine of cultural vibrancy, a magnet for immigrants, and a city of endless possibility. It was the place to be--if you could afford it. Since its founding in 1968, New York Magazine has told the story of that city’s constant morphing, week after week. Covering culture high and low, the drama and scandal of politics and finance, through jubilant moments and immense tragedies, the magazine has hit readers where they live, with a sensibility as fast and funny and urbane as New York itself. From its early days publishing writers like Tom Wolfe, Jimmy Breslin, and Gloria Steinem to its modern incarnation as a laboratory of inventive magazine-making, New York has had an extraordinary knack for catching the Zeitgeist and getting it on the page. It was among the originators of the New Journalism, publishing legendary stories whose authors infiltrated a Black Panther party in Leonard Bernstein’s apartment, introduced us to the mother-daughter hermits living in the dilapidated estate known as Grey Gardens, launched Ms. Magazine, branded a group of up-and-coming teen stars "the Brat Pack," and effectively ended the career of Roger Ailes. Again and again, it introduced new words into the conversation--from "foodie" to "normcore"--and spotted fresh talent before just about anyone Along the way, those writers and their colleagues revealed what was most interesting at the forward edge of American culture--from the old Brooklyn of Saturday Night Fever to the new Brooklyn of artisanal food trucks, from the Wall Street crashes to the hedge-fund spoils, from The Godfather to Girls--in ways that were knowing, witty, sometimes weird, occasionally vulgar, and often unforgettable. On "The Approval Matrix," the magazine’s beloved back-page feature, New York itself would fall at the crossroads of highbrow and lowbrow, and more brilliant than despicable. (Most of the time.) Marking the magazine’s fiftieth birthday, Highbrow, Lowbrow, Brilliant, Despicable: 50 Years of New York draws from all that coverage to present an enormous, sweeping, idiosyncratic picture of a half-century at the center of the world. Through stories and images of power and money, movies and food, crises and family life, it constitutes an unparalleled history of that city’s transformation, and of a New York City institution as well. It is packed with behind-the-scenes stories from New York’s writers, editors, designers, and journalistic subjects—and frequently overflows its own pages onto spectacular foldouts. It’s a big book for a big town New York City: a battered town left for dead, one that almost a million people abandoned and where those who remained had to live behind triple deadbolt locks. It was reinvigorated and became the capital of wealth and innovation, an engine of cultural vibrancy, a magnet for immigrants, and a city of endless possibility. Since its founding in 1968, New York Magazine has told the story of that city's constant morphing, week after week. This book draws from all that coverage to present an enormous, sweeping, idiosyncratic picture of a half-century at the center of the world. It constitutes an unparalleled history of that city's transformation, and of a New York City institution as well |
Beschreibung: | Includes (un)index |
Beschreibung: | xi, 419 Seiten 32 cm |
ISBN: | 1501166840 9781501166846 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV045093487 | ||
003 | DE-604 | ||
005 | 20181122 | ||
007 | t | ||
008 | 180719s2017 |||| 00||| eng d | ||
020 | |a 1501166840 |9 1501166840 | ||
020 | |a 9781501166846 |9 9781501166846 | ||
035 | |a (OCoLC)1048226155 | ||
035 | |a (DE-599)BVBBV045093487 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 | ||
245 | 1 | 0 | |a Highbrow, lowbrow, brilliant, despicable |b 50 years of New York |c by the editors of New York magazine ; writer & historian, Christopher Bonanos |
246 | 1 | 3 | |a 50 years of New York |
246 | 1 | 3 | |a Fifty years of New York |
246 | 1 | 0 | |a 50 years of New York |
250 | |a First Simon & Schuster hardcover edition | ||
264 | 1 | |a New York |b Simon & Schuster |c [2017] | |
264 | 4 | |c © 2017 | |
300 | |a xi, 419 Seiten |c 32 cm | ||
336 | |b txt |2 rdacontent | ||
336 | |b sti |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Includes (un)index | ||
505 | 8 | |a Foreword -- The story of "New York" -- Power. "You play rough. And hopefully you don't get caught." -- Midnight. "Clearly, Plato's Retreat isn't for everybody." -- Food. "Must it always be boring chocolate mousse?" -- Crisis. "The streets of New York are a calamity." -- Living. "Suddenly, everything is stainless steel." -- Culture. "I'm from New York. I will kill to get what I need." -- Family. "I love my children. I hate my life." -- Style. "Shee-hu fucking puh-fection!" -- Back of the book | |
520 | 3 | |a The great story of New York City in the past half-century has been its near collapse and miraculous rebirth. A battered town left for dead, one that almost a million people abandoned and where those who remained had to live behind triple deadbolt locks, was reinvigorated by the twinned energies of starving artists and financial white knights. Over the next generation, the city was utterly transformed. It again became the capital of wealth and innovation, an engine of cultural vibrancy, a magnet for immigrants, and a city of endless possibility. It was the place to be--if you could afford it. Since its founding in 1968, New York Magazine has told the story of that city’s constant morphing, week after week. Covering culture high and low, the drama and scandal of politics and finance, through jubilant moments and immense tragedies, the magazine has hit readers where they live, with a sensibility as fast and funny and urbane as New York itself. From its early days publishing writers like Tom Wolfe, Jimmy Breslin, and Gloria Steinem to its modern incarnation as a laboratory of inventive magazine-making, New York has had an extraordinary knack for catching the Zeitgeist and getting it on the page. It was among the originators of the New Journalism, publishing legendary stories whose authors infiltrated a Black Panther party in Leonard Bernstein’s apartment, introduced us to the mother-daughter hermits living in the dilapidated estate known as Grey Gardens, launched Ms. Magazine, branded a group of up-and-coming teen stars "the Brat Pack," and effectively ended the career of Roger Ailes. Again and again, it introduced new words into the conversation--from "foodie" to "normcore"--and spotted fresh talent before just about anyone | |
520 | 3 | |a Along the way, those writers and their colleagues revealed what was most interesting at the forward edge of American culture--from the old Brooklyn of Saturday Night Fever to the new Brooklyn of artisanal food trucks, from the Wall Street crashes to the hedge-fund spoils, from The Godfather to Girls--in ways that were knowing, witty, sometimes weird, occasionally vulgar, and often unforgettable. On "The Approval Matrix," the magazine’s beloved back-page feature, New York itself would fall at the crossroads of highbrow and lowbrow, and more brilliant than despicable. (Most of the time.) Marking the magazine’s fiftieth birthday, Highbrow, Lowbrow, Brilliant, Despicable: 50 Years of New York draws from all that coverage to present an enormous, sweeping, idiosyncratic picture of a half-century at the center of the world. Through stories and images of power and money, movies and food, crises and family life, it constitutes an unparalleled history of that city’s transformation, and of a New York City institution as well. It is packed with behind-the-scenes stories from New York’s writers, editors, designers, and journalistic subjects—and frequently overflows its own pages onto spectacular foldouts. It’s a big book for a big town | |
520 | 3 | |a New York City: a battered town left for dead, one that almost a million people abandoned and where those who remained had to live behind triple deadbolt locks. It was reinvigorated and became the capital of wealth and innovation, an engine of cultural vibrancy, a magnet for immigrants, and a city of endless possibility. Since its founding in 1968, New York Magazine has told the story of that city's constant morphing, week after week. This book draws from all that coverage to present an enormous, sweeping, idiosyncratic picture of a half-century at the center of the world. It constitutes an unparalleled history of that city's transformation, and of a New York City institution as well | |
630 | 0 | 7 | |a New York |g Zeitschrift, New York, NY |0 (DE-588)1164102184 |2 gnd |9 rswk-swf |
648 | 7 | |a Geschichte 1968-2018 |2 gnd |9 rswk-swf | |
653 | |a New York magazine (New York, N.Y.) / History | ||
653 | |a New York (Magazine : 1968-) / History | ||
653 | 2 | |a New York (N.Y.) / Periodicals | |
653 | 0 | |a Magazines | |
653 | 2 | |a New York (N.Y.) / History / 20th century / Pictorial works | |
653 | 2 | |a New York (State) / New York | |
653 | 4 | |a 1900-1999 | |
653 | 6 | |a Periodicals | |
653 | 6 | |a History | |
653 | 6 | |a Periodicals | |
653 | 6 | |a Pictorial works | |
655 | 7 | |0 (DE-588)4145395-5 |a Bildband |2 gnd-content | |
689 | 0 | 0 | |a New York |g Zeitschrift, New York, NY |0 (DE-588)1164102184 |D u |
689 | 0 | 1 | |a Geschichte 1968-2018 |A z |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Bonanos, Christopher |d 1969- |0 (DE-588)1162096683 |4 edt | |
730 | 0 | 2 | |a New York magazine (New York, N.Y.) |
999 | |a oai:aleph.bib-bvb.de:BVB01-030484204 |
Datensatz im Suchindex
_version_ | 1804178720938786816 |
---|---|
any_adam_object | |
author2 | Bonanos, Christopher 1969- |
author2_role | edt |
author2_variant | c b cb |
author_GND | (DE-588)1162096683 |
author_facet | Bonanos, Christopher 1969- |
building | Verbundindex |
bvnumber | BV045093487 |
contents | Foreword -- The story of "New York" -- Power. "You play rough. And hopefully you don't get caught." -- Midnight. "Clearly, Plato's Retreat isn't for everybody." -- Food. "Must it always be boring chocolate mousse?" -- Crisis. "The streets of New York are a calamity." -- Living. "Suddenly, everything is stainless steel." -- Culture. "I'm from New York. I will kill to get what I need." -- Family. "I love my children. I hate my life." -- Style. "Shee-hu fucking puh-fection!" -- Back of the book |
ctrlnum | (OCoLC)1048226155 (DE-599)BVBBV045093487 |
edition | First Simon & Schuster hardcover edition |
era | Geschichte 1968-2018 gnd |
era_facet | Geschichte 1968-2018 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06212nam a2200613 c 4500</leader><controlfield tag="001">BV045093487</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20181122 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">180719s2017 |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1501166840</subfield><subfield code="9">1501166840</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781501166846</subfield><subfield code="9">9781501166846</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1048226155</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045093487</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Highbrow, lowbrow, brilliant, despicable</subfield><subfield code="b">50 years of New York</subfield><subfield code="c">by the editors of New York magazine ; writer & historian, Christopher Bonanos</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">50 years of New York</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Fifty years of New York</subfield></datafield><datafield tag="246" ind1="1" ind2="0"><subfield code="a">50 years of New York</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First Simon & Schuster hardcover edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Simon & Schuster</subfield><subfield code="c">[2017]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xi, 419 Seiten</subfield><subfield code="c">32 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes (un)index</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Foreword -- The story of "New York" -- Power. "You play rough. And hopefully you don't get caught." -- Midnight. "Clearly, Plato's Retreat isn't for everybody." -- Food. "Must it always be boring chocolate mousse?" -- Crisis. "The streets of New York are a calamity." -- Living. "Suddenly, everything is stainless steel." -- Culture. "I'm from New York. I will kill to get what I need." -- Family. "I love my children. I hate my life." -- Style. "Shee-hu fucking puh-fection!" -- Back of the book</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The great story of New York City in the past half-century has been its near collapse and miraculous rebirth. A battered town left for dead, one that almost a million people abandoned and where those who remained had to live behind triple deadbolt locks, was reinvigorated by the twinned energies of starving artists and financial white knights. Over the next generation, the city was utterly transformed. It again became the capital of wealth and innovation, an engine of cultural vibrancy, a magnet for immigrants, and a city of endless possibility. It was the place to be--if you could afford it. Since its founding in 1968, New York Magazine has told the story of that city’s constant morphing, week after week. Covering culture high and low, the drama and scandal of politics and finance, through jubilant moments and immense tragedies, the magazine has hit readers where they live, with a sensibility as fast and funny and urbane as New York itself. From its early days publishing writers like Tom Wolfe, Jimmy Breslin, and Gloria Steinem to its modern incarnation as a laboratory of inventive magazine-making, New York has had an extraordinary knack for catching the Zeitgeist and getting it on the page. It was among the originators of the New Journalism, publishing legendary stories whose authors infiltrated a Black Panther party in Leonard Bernstein’s apartment, introduced us to the mother-daughter hermits living in the dilapidated estate known as Grey Gardens, launched Ms. Magazine, branded a group of up-and-coming teen stars "the Brat Pack," and effectively ended the career of Roger Ailes. Again and again, it introduced new words into the conversation--from "foodie" to "normcore"--and spotted fresh talent before just about anyone</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Along the way, those writers and their colleagues revealed what was most interesting at the forward edge of American culture--from the old Brooklyn of Saturday Night Fever to the new Brooklyn of artisanal food trucks, from the Wall Street crashes to the hedge-fund spoils, from The Godfather to Girls--in ways that were knowing, witty, sometimes weird, occasionally vulgar, and often unforgettable. On "The Approval Matrix," the magazine’s beloved back-page feature, New York itself would fall at the crossroads of highbrow and lowbrow, and more brilliant than despicable. (Most of the time.) Marking the magazine’s fiftieth birthday, Highbrow, Lowbrow, Brilliant, Despicable: 50 Years of New York draws from all that coverage to present an enormous, sweeping, idiosyncratic picture of a half-century at the center of the world. Through stories and images of power and money, movies and food, crises and family life, it constitutes an unparalleled history of that city’s transformation, and of a New York City institution as well. It is packed with behind-the-scenes stories from New York’s writers, editors, designers, and journalistic subjects—and frequently overflows its own pages onto spectacular foldouts. It’s a big book for a big town</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">New York City: a battered town left for dead, one that almost a million people abandoned and where those who remained had to live behind triple deadbolt locks. It was reinvigorated and became the capital of wealth and innovation, an engine of cultural vibrancy, a magnet for immigrants, and a city of endless possibility. Since its founding in 1968, New York Magazine has told the story of that city's constant morphing, week after week. This book draws from all that coverage to present an enormous, sweeping, idiosyncratic picture of a half-century at the center of the world. It constitutes an unparalleled history of that city's transformation, and of a New York City institution as well</subfield></datafield><datafield tag="630" ind1="0" ind2="7"><subfield code="a">New York</subfield><subfield code="g">Zeitschrift, New York, NY</subfield><subfield code="0">(DE-588)1164102184</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1968-2018</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">New York magazine (New York, N.Y.) / History</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">New York (Magazine : 1968-) / History</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">New York (N.Y.) / Periodicals</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Magazines</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">New York (N.Y.) / History / 20th century / Pictorial works</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">New York (State) / New York</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1900-1999</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Periodicals</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Periodicals</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Pictorial works</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4145395-5</subfield><subfield code="a">Bildband</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">New York</subfield><subfield code="g">Zeitschrift, New York, NY</subfield><subfield code="0">(DE-588)1164102184</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte 1968-2018</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bonanos, Christopher</subfield><subfield code="d">1969-</subfield><subfield code="0">(DE-588)1162096683</subfield><subfield code="4">edt</subfield></datafield><datafield tag="730" ind1="0" ind2="2"><subfield code="a">New York magazine (New York, N.Y.)</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030484204</subfield></datafield></record></collection> |
genre | (DE-588)4145395-5 Bildband gnd-content |
genre_facet | Bildband |
id | DE-604.BV045093487 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T08:08:26Z |
institution | BVB |
isbn | 1501166840 9781501166846 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030484204 |
oclc_num | 1048226155 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | xi, 419 Seiten 32 cm |
publishDate | 2017 |
publishDateSearch | 2017 |
publishDateSort | 2017 |
publisher | Simon & Schuster |
record_format | marc |
spelling | Highbrow, lowbrow, brilliant, despicable 50 years of New York by the editors of New York magazine ; writer & historian, Christopher Bonanos 50 years of New York Fifty years of New York First Simon & Schuster hardcover edition New York Simon & Schuster [2017] © 2017 xi, 419 Seiten 32 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Includes (un)index Foreword -- The story of "New York" -- Power. "You play rough. And hopefully you don't get caught." -- Midnight. "Clearly, Plato's Retreat isn't for everybody." -- Food. "Must it always be boring chocolate mousse?" -- Crisis. "The streets of New York are a calamity." -- Living. "Suddenly, everything is stainless steel." -- Culture. "I'm from New York. I will kill to get what I need." -- Family. "I love my children. I hate my life." -- Style. "Shee-hu fucking puh-fection!" -- Back of the book The great story of New York City in the past half-century has been its near collapse and miraculous rebirth. A battered town left for dead, one that almost a million people abandoned and where those who remained had to live behind triple deadbolt locks, was reinvigorated by the twinned energies of starving artists and financial white knights. Over the next generation, the city was utterly transformed. It again became the capital of wealth and innovation, an engine of cultural vibrancy, a magnet for immigrants, and a city of endless possibility. It was the place to be--if you could afford it. Since its founding in 1968, New York Magazine has told the story of that city’s constant morphing, week after week. Covering culture high and low, the drama and scandal of politics and finance, through jubilant moments and immense tragedies, the magazine has hit readers where they live, with a sensibility as fast and funny and urbane as New York itself. From its early days publishing writers like Tom Wolfe, Jimmy Breslin, and Gloria Steinem to its modern incarnation as a laboratory of inventive magazine-making, New York has had an extraordinary knack for catching the Zeitgeist and getting it on the page. It was among the originators of the New Journalism, publishing legendary stories whose authors infiltrated a Black Panther party in Leonard Bernstein’s apartment, introduced us to the mother-daughter hermits living in the dilapidated estate known as Grey Gardens, launched Ms. Magazine, branded a group of up-and-coming teen stars "the Brat Pack," and effectively ended the career of Roger Ailes. Again and again, it introduced new words into the conversation--from "foodie" to "normcore"--and spotted fresh talent before just about anyone Along the way, those writers and their colleagues revealed what was most interesting at the forward edge of American culture--from the old Brooklyn of Saturday Night Fever to the new Brooklyn of artisanal food trucks, from the Wall Street crashes to the hedge-fund spoils, from The Godfather to Girls--in ways that were knowing, witty, sometimes weird, occasionally vulgar, and often unforgettable. On "The Approval Matrix," the magazine’s beloved back-page feature, New York itself would fall at the crossroads of highbrow and lowbrow, and more brilliant than despicable. (Most of the time.) Marking the magazine’s fiftieth birthday, Highbrow, Lowbrow, Brilliant, Despicable: 50 Years of New York draws from all that coverage to present an enormous, sweeping, idiosyncratic picture of a half-century at the center of the world. Through stories and images of power and money, movies and food, crises and family life, it constitutes an unparalleled history of that city’s transformation, and of a New York City institution as well. It is packed with behind-the-scenes stories from New York’s writers, editors, designers, and journalistic subjects—and frequently overflows its own pages onto spectacular foldouts. It’s a big book for a big town New York City: a battered town left for dead, one that almost a million people abandoned and where those who remained had to live behind triple deadbolt locks. It was reinvigorated and became the capital of wealth and innovation, an engine of cultural vibrancy, a magnet for immigrants, and a city of endless possibility. Since its founding in 1968, New York Magazine has told the story of that city's constant morphing, week after week. This book draws from all that coverage to present an enormous, sweeping, idiosyncratic picture of a half-century at the center of the world. It constitutes an unparalleled history of that city's transformation, and of a New York City institution as well New York Zeitschrift, New York, NY (DE-588)1164102184 gnd rswk-swf Geschichte 1968-2018 gnd rswk-swf New York magazine (New York, N.Y.) / History New York (Magazine : 1968-) / History New York (N.Y.) / Periodicals Magazines New York (N.Y.) / History / 20th century / Pictorial works New York (State) / New York 1900-1999 Periodicals History Pictorial works (DE-588)4145395-5 Bildband gnd-content New York Zeitschrift, New York, NY (DE-588)1164102184 u Geschichte 1968-2018 z DE-604 Bonanos, Christopher 1969- (DE-588)1162096683 edt New York magazine (New York, N.Y.) |
spellingShingle | Highbrow, lowbrow, brilliant, despicable 50 years of New York Foreword -- The story of "New York" -- Power. "You play rough. And hopefully you don't get caught." -- Midnight. "Clearly, Plato's Retreat isn't for everybody." -- Food. "Must it always be boring chocolate mousse?" -- Crisis. "The streets of New York are a calamity." -- Living. "Suddenly, everything is stainless steel." -- Culture. "I'm from New York. I will kill to get what I need." -- Family. "I love my children. I hate my life." -- Style. "Shee-hu fucking puh-fection!" -- Back of the book New York Zeitschrift, New York, NY (DE-588)1164102184 gnd |
subject_GND | (DE-588)1164102184 (DE-588)4145395-5 |
title | Highbrow, lowbrow, brilliant, despicable 50 years of New York |
title_alt | 50 years of New York Fifty years of New York New York magazine (New York, N.Y.) |
title_auth | Highbrow, lowbrow, brilliant, despicable 50 years of New York |
title_exact_search | Highbrow, lowbrow, brilliant, despicable 50 years of New York |
title_full | Highbrow, lowbrow, brilliant, despicable 50 years of New York by the editors of New York magazine ; writer & historian, Christopher Bonanos |
title_fullStr | Highbrow, lowbrow, brilliant, despicable 50 years of New York by the editors of New York magazine ; writer & historian, Christopher Bonanos |
title_full_unstemmed | Highbrow, lowbrow, brilliant, despicable 50 years of New York by the editors of New York magazine ; writer & historian, Christopher Bonanos |
title_short | Highbrow, lowbrow, brilliant, despicable |
title_sort | highbrow lowbrow brilliant despicable 50 years of new york |
title_sub | 50 years of New York |
topic | New York Zeitschrift, New York, NY (DE-588)1164102184 gnd |
topic_facet | New York Zeitschrift, New York, NY Bildband |
work_keys_str_mv | UT newyorkmagazinenewyorkny AT bonanoschristopher highbrowlowbrowbrilliantdespicable50yearsofnewyork AT bonanoschristopher 50yearsofnewyork AT bonanoschristopher fiftyyearsofnewyork |