Writing literary history, 1900-1950:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leuven ; Paris ; Bristol, CT
Peeters
2018
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | "This book finds its origin in a conference on literary history organized by MDRN at the University of Leuven in September 2015" |
| Beschreibung: | XIII, 184 Seiten Illustrationen, 1 Diagramm |
| ISBN: | 9789042936294 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804178715914010624 |
|---|---|
| adam_text | TABLE OF CONTENTS
Bram LAMBRECHT and Matthias SOMERS
Writing Literary History: (Dis)continuities VII
Acknowledgments XV
Gilles Philippe — style
Mind the Gap: Stylistics, Linguistics and Literary History 1
Jan Baetens — time
“Memory, of course, is never true.” On Bullfighting, Writing,
and History in Hemingway’s Death in the Afternoon 13
Clément GlRARDl — generation
Creative Criticism vs. Creative Evolution: Thibaudet’s Experiments
in Bergsonian Historiography 25
Jan Baetens and Ben De BrüYN — canon
In Defense of Canonization 39
Sarah POSMAN — anthology
Object with Love: Dodie Bellamys Cunt Norton as a Speculative
Anthology 55
Dirk de Geest — cultural hierarchies
Regional Literature as Middlebrow? 69
Emma WEST — periodicals
Cover Stars and Covert Addresses: Strategies for Reading
Magazines Across the “Great Divide” 85
Anne Re VERSEAU and Nadja COHEN — objects
The Material Turn of Literary History: On the Collective Book
Petit musée d histoire littéraire 103
Bram LAM BRECHT — tradition
From Far and Near: Literary Knowledge, the Interwar Novel,
and the Tradition of Oral Storytelling 119
Matthias SOMERS — reception
Who is the Modern Aristophanes? Modernism and the Classical
Tradition 137
VI
TABLE OF CONTENTS
Kate SYMONDSON — abstraction
Abstract Visions: Modernist Approaches to Writing the First
World War 153
Stuart McWilliams — technology
Move Fast and Break Frames: The Question Concerning
Luddism 169
Recognizing that (modern) literary history is currently one of the main sites of theoretical
and methodological reflection in literary studies, this volume takes stock of recent
scholarship and investigates how literary historical research has modified our understanding
of writing between 1900 and 1950. Its approach is radically multiperspectivist. Each
contribution is presented under the heading of a label - from ‘style’ and ‘anthology to
objects’ and abstraction’ - which sums up the approach to writing literary history the
essay in question advances or reconsiders. In addition, the present book covers a highly
variegated corpus, with texts, writers and literary phenomena from the lowbrow to the
highbrow kind and from both major and minor cultural zones in the modernist period.
This inclusive approach, both in methods and in case studies, is not only fully in line
with the vision of the MDRN research lab, it also invites the reader to draw unforeseen
|
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