The successful sale and distribution of music has always depended on a physical and social infrastructure. Though the existence of that infrastructure may be clear, its organization and participants are among the least preserved and thus least understood elements of historical musical culture. Who b...

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Bibliographische Detailangaben

Weitere Verfasser:	Green, Emily H. ca. 20./21. Jh (HerausgeberIn), Mayes, Catherine 1979- (HerausgeberIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Rochester University of Rochester Press 2017
Schriftenreihe:	Eastman studies in music v. 138
Schlagworte:	Geschichte 1730-1830 Music publishing / History / 18th century Music publishing / History / 19th century Musikmarkt Musikkonsum Musikleben Geschlechterrolle Nordamerika Europa Aufsatzsammlung
Online-Zugang:	BSB01 UBG01 Volltext
Zusammenfassung:	The successful sale and distribution of music has always depended on a physical and social infrastructure. Though the existence of that infrastructure may be clear, its organization and participants are among the least preserved and thus least understood elements of historical musical culture. Who bought music and how did those consumers know what music was available? Where was it sold and by whom? How did the consumption of music affect its composition? How was consumers' musical taste shaped and by whom? Focusing on the long eighteenth century, this collection of nine essays investigates such questions from a variety of perspectives, each informed by parallels between the consumption of music and that of dance, visual art, literature, and philosophy in France, the Austro-German lands, and the United States. Chapters relate the activities of composers, performers, patrons, publishers, theorists, impresarios, and critics, exploring consumers' tastes, publishers' promotional strategies, celebrity culture, and the wider communities that were fundamental to these and many more aspects of musical culture. CONTRIBUTORS: Glenda Goodman; Roger Mathew Grant; Emily H. Green; Marie Sumner Lott; Catherine Mayes; Peter Mondelli, Rupert Ridgewell, Patrick Wood Uribe, Steven Zohn Emily H. Green is assistant professor of music at George Mason University. Catherine Mayes is assistant professor of musicology at the University of Utah
Beschreibung:	Title from publisher's bibliographic system (viewed on 27 Apr 2018) Music's first consumers : publishers in the late eighteenth century / Emily H. Green -- Inside a Viennese Kunsthandlung : Artaria in 1784 / Rupert Ridgewell -- Morality and the "fair-sexing" of Telemann's faithful music master / Steven Zohn -- Eighteenth-century mediations of music theory : meter, tempo, and affect in print / Roger Mathew Grant -- Musical style as commercial strategy in Romantic chamber music / Marie Sumner Lott -- In Vienna "only waltzes get printed" : the decline and transformation of the Contredanse Hongroise in the early nineteenth century / Catherine Mayes -- The power to please : gender and celebrity self-commodification in the early American republic / Glenda Goodman -- Exchanging ideas in a changing world : Adolph Bernhard Marz and the Berliner allgemeine musikalische Zeitung in 1824 / Patrick Wood Uribe -- Parisian opera between commons and commodity, ca. 1830 / Peter Mondelli
Beschreibung:	1 Online-Ressource (vi, 255 Seiten)
ISBN:	9781782049227