The power of theater: actors and spectators in Ancient Rome
Gespeichert in:
1. Verfasser: | |
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Weitere Verfasser: | |
Format: | Buch |
Sprache: | English Polish |
Veröffentlicht: |
Frankfurt am Main
Peter Lang
[2018]
|
Schriftenreihe: | Interdisciplinary studies in performance
Vol. 11 |
Schlagworte: | |
Online-Zugang: | Inhaltstext https://www.peterlang.com/view/product/25203?format=HC Inhaltsverzeichnis |
Beschreibung: | This book was first published in Polish in 2005. For the english translation it has been extensively rewritten, revised and updated. |
Beschreibung: | 436 Seiten Illustrationen 21 cm x 14.8 cm, 635 g |
ISBN: | 9783631672723 3631672721 |
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Datensatz im Suchindex
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---|---|
adam_text | Contents
Acknowledgments...........................................11
Illustrations.............................................12
A Note on Translations Used...............................13
Abbreviations.............................................14
Introduction..............................................17
Totus mundus agit histrionem..............................17
CHAPTER ONE
ROME AS THEATER...........................................27
Street Theater............................................27
The Mask..................................................38
Political Theater.........................................41
The Forum Romanum as a Stage..............................48
The Triumph of the Artist.................................55
CHAPTER TWO
THE THEATER OF DEATH......................................63
Populus Bellicosus........................................63
Gladiators.............................................. 67
The Theater of Animals....................................72
Theatrical Executions.....................................76
Water Battles.............................................78
The Teater of Seneca......................................80
6
Contents
CHAPTER THREE
THE GAMES..................................................87
The ludi as Ceremony........................................87
The Holy Procession.........................................91
Making Offerings............................................93
Ludipublici.................................................94
Ludi Romani.................................................97
Ludiplebeii................................................100
Ludi Apollinares...........................................102
Ludi Megalenses............................................105
Ludi Florales..............................................108
Ludi Ceriales..............................................112
Ludi victoriae Sullanae....................................113
Ludi victoriae Caesaris....................................114
Ludi saeculares............................................116
CHAPTER FOUR
THEATER AS ROME............................................125
Theater without Theaters................................. 125
The Theater of Pompey......................................134
The Theater of Marcellus...................................139
The Theater of Balbus......................................144
Discrimina ordinum.........................................145
Theatralis licentia........................................157
Acclamation................................................161
Theater as Symbol..........................................166
Contents
7
CHAPTER FIVE
DRAMA.....................................................171
Craft.....................................................171
High Expectations...................................... 171
Schools...............................................175
The Art of Memory.....................................178
Gestus................................................180
Voice.................................................195
Mask..................................................197
Costume...............................................207
Props.................................................213
Theater Production........................................221
The art of Negotiation................................ 221
Teamwork..............................................226
Famous Actors.........................................228
The Chorus............................................233
Diverbium and canticum................................237
Music.................................................242
Instruments...........................................244
Recitals..............................................250
CHAPTER SIX
ATELLANA..................................................257
Mask......................................................257
The Four Main Masks.......................................259
Other Characters..........................................261
Gestures..................................................263
Performance...............................................264
8
Contents
CHAPTER SEVEN
MIMES.......................................................... 269
The Mime as an Actor...........................................269
Key Terminology.............................................269
Comedy.,....................................................272
The Art of Improvisation....................................273
Gestures....................................................275
Facial Expression and Voice.................................276
Costume.....................................................278
The Prop....................................................281
The Mime as a Performance.......................................284
The Time and Location of Performances.......................284
The Curtain.................................................287
The Performers............................................. 291
Music.......................................................296
The Structure of the Mime...................................297
The Plot................................................... 300
CHAPTER EIGHT
PANTOMIME.......................................................303
Craft...........................................................304
High Qualifications....................................... 304
Training....................................................306
Imitating Nature (mimesis)................................. 311
Showing (epideiksis)........................................312
Schemata....................................................313
Acting (hypokrinomai).......................................315
Mask........................................................317
Costumes....................................................318
Stage Properties............................................319
Contents
9
Presentation/Performance.....................................320
The Silent Soloist.......................................320
The Accompanying Actor...................................324
The Singer and the Chorus................................324
Orchestra................................................325
Instruments..............................................328
The Libretto.............................................331
Repertoire...............................................332
CHAPTER NINE
THE ACTOR’S STATUS...........................................335
Nobiles......................................................336
A Healthy Beginning..........................................338
Collegium scribarum histrionumque............................343
Ancient Law..................................................348
Infamy in Practice...........................................352
Theatromania.................................................357
Sanctions....................................................364
Women as Actors..............................................367
The Actor as Alien...........................................370
The Slave as Actor...........................................372
Actors and Legal Protection..................................375
Earnings.....................................................379
Bibliography.................................................385
Index........................................................413
|
any_adam_object | 1 |
author | Kocur, Mirosław 1955- |
author2 | Malcolm, David 1952- |
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author_role | aut |
author_sort | Kocur, Mirosław 1955- |
author_variant | m k mk |
building | Verbundindex |
bvnumber | BV045083301 |
classification_rvk | FB 4162 NH 8575 |
ctrlnum | (OCoLC)1033642174 (DE-599)DNB1156663091 |
discipline | Geschichte Philologie / Byzantinistik / Neulatein |
format | Book |
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series | Interdisciplinary studies in performance |
series2 | Interdisciplinary studies in performance |
spelling | Kocur, Mirosław 1955- (DE-588)1097248720 aut The power of theater actors and spectators in Ancient Rome Mirosław Kocur ; translated by David Malcolm Frankfurt am Main Peter Lang [2018] © 2018 436 Seiten Illustrationen 21 cm x 14.8 cm, 635 g txt rdacontent n rdamedia nc rdacarrier Interdisciplinary studies in performance Vol. 11 This book was first published in Polish in 2005. For the english translation it has been extensively rewritten, revised and updated. Theater (DE-588)4059702-7 gnd rswk-swf Aufführungspraxis (DE-588)4141464-0 gnd rswk-swf Römisches Reich (DE-588)4076778-4 gnd rswk-swf Actors Ancient Ancient mime Ancient pantomime Galecki History of theatre Kocur Lukasz Mask Miroslaw Power Roman comedy Roman theatre Rome Spectators Theater Theaterwesen, römisch (DE-2581)TH000006365 gbd Theater, archäologisch (DE-2581)TH000008107 gbd Schauspieler (DE-2581)TH000007222 gbd Römisches Reich (DE-588)4076778-4 g Theater (DE-588)4059702-7 s Aufführungspraxis (DE-588)4141464-0 s DE-604 Malcolm, David 1952- (DE-588)133379485 trl Peter Lang GmbH (DE-588)1065711506 pbl Übersetzung von Kocur, Mirosław We władzy teatru aktorzy i widzowie w antycznym Rzymie 2005 (DE-604)BV021319443 Erscheint auch als Online-Ausgabe, MOBI 978-3-631-70958-0 Erscheint auch als Online-Ausgabe, EPUB 978-3-631-70957-3 Erscheint auch als Online-Ausgabe, PDF 978-3-653-06853-5 Interdisciplinary studies in performance Vol. 11 (DE-604)BV042916523 11 X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=c5bdc00bec0c4493917cc4ce3ea38a5f&prov=M&dok_var=1&dok_ext=htm Inhaltstext X:MVB https://www.peterlang.com/view/product/25203?format=HC Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030474218&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Kocur, Mirosław 1955- The power of theater actors and spectators in Ancient Rome Interdisciplinary studies in performance Theater (DE-588)4059702-7 gnd Aufführungspraxis (DE-588)4141464-0 gnd |
subject_GND | (DE-588)4059702-7 (DE-588)4141464-0 (DE-588)4076778-4 |
title | The power of theater actors and spectators in Ancient Rome |
title_auth | The power of theater actors and spectators in Ancient Rome |
title_exact_search | The power of theater actors and spectators in Ancient Rome |
title_full | The power of theater actors and spectators in Ancient Rome Mirosław Kocur ; translated by David Malcolm |
title_fullStr | The power of theater actors and spectators in Ancient Rome Mirosław Kocur ; translated by David Malcolm |
title_full_unstemmed | The power of theater actors and spectators in Ancient Rome Mirosław Kocur ; translated by David Malcolm |
title_short | The power of theater |
title_sort | the power of theater actors and spectators in ancient rome |
title_sub | actors and spectators in Ancient Rome |
topic | Theater (DE-588)4059702-7 gnd Aufführungspraxis (DE-588)4141464-0 gnd |
topic_facet | Theater Aufführungspraxis Römisches Reich |
url | http://deposit.dnb.de/cgi-bin/dokserv?id=c5bdc00bec0c4493917cc4ce3ea38a5f&prov=M&dok_var=1&dok_ext=htm https://www.peterlang.com/view/product/25203?format=HC http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030474218&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV042916523 |
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