Pictorial affects, senses of rupture: on the poetics and culture of popular German cinema, 1910-1930
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin ; Boston
De Gruyter
[2019]
|
| Schriftenreihe: | Cinepoetics – English edition
volume 6 |
| Schlagworte: | |
| Online-Zugang: | http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110612226&searchTitles=true https://www.degruyter.com/doc/cover/9783110612226.jpg Inhaltsverzeichnis |
| Beschreibung: | IX, 219 Seiten Illustrationen |
| ISBN: | 9783110612226 |
Internformat
MARC
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| 245 | 1 | 0 | |a Pictorial affects, senses of rupture |b on the poetics and culture of popular German cinema, 1910-1930 |c Michael Wedel |
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| 653 | |a Popular culture, aesthetics of cinema | ||
| 653 | |a genre | ||
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Datensatz im Suchindex
| _version_ | 1804178693793251328 |
|---|---|
| adam_text | CONTENTS
ACKNOWLEDGMENTS
*
V
INTRODUCTION
*
1
PART
1:
PICTORIAL
AFFECTS
1
CINEMATIC
TITANIC:
EARLY
GERMAN
CINEMA
AND
THE
MODERN
MEDIA
EVENT
*
17
1.1
EVENT
AND
ATTRACTION:
EARLY
CINEMA
AND
AFTER
*
17
1.2
MAPPING
A
MEDIA
EVENT:
TITANIC
AND
THE
CINEMATIC
IMAGINARY
*
19
1.3
LOOKING
BACK
TO
THE
FUTURE:
MEDIA
MODERNITY
AND
THE
PARADOXES
OF
TIME
*
28
1.4
ALLEGORIES
OF
NARRATION:
SAVING
THE
AUDIENCE
*
38
2
CIPHERS
OF
LOSS:
MAX
MACK*
S
(IN)VISIBLE
AUTHORSHIP
*
47
2.1
BETWEEN
AUTHOR
AND
AUDIENCE
*
49
2.2
VISUAL
CODIFICATION
OF
NARRATIVE
OPPOSITIONS
*
53
2.3
SPACES
OF
DESIRE
*
55
2.4
CIPHERS
OF
LOSS
-----
58
2.5
NARRATIVE
UNDER
ERASURE
*
61
2.6
REFRAMING
MAX
MACK
*
64
3
FRAMES
OF
DESIRE:
FRANZ
HOFER,
MELODRAMA
AND
NARRATIVE
SPACE
*
66
3.1
MELODRAMA/SOCIAL
DRAMA:
TRAINING
FOR
MARRIAGE?
*
69
3.2
DEEP
SPACE
AND
FRONTAL
SPACE:
CONDENSATIONS
OF
A
SOCIAL
CODE
*
71
3.3
LOOKS
AND
MENTAL
SPACES
*
74
3.4
SILHOUETTES
AND
HIEROGLYPHICS:
TRAINING
FOR
EFFECT
*
76
4
PHANTASMATIC
INTIMACY:
THE
TEARS
OF
ASTA
NIELSEN
*
78
4.1
PHANTASMATIC
INTIMACY
*
80
4.2
THE
EXPLOSION
OF
THE
INDIVIDUAL
*
82
4.3
PICTORIAL
AFFECTS
*
85
VIII
*
CONTENTS
5
METAPHORS
AND
ATMOSPHERES:
MURNAU,
FANTASY
AND
THE
KAMMERSPLELFILM
*
90
5.1
WEIMAR
CINEMA
AS
METAPHORICAL
CINEMA
*
90
5.2
SHADOWS
AND
SHADOWINGS:
METAPHOR/METONYMY
IN
FILM
THEORY
*
91
5.3
THE
DREAM
SEQUENCE
IN
S
CHLOSS
V
OGEL
O
D
AS
FIGURATIVE
EVENT
*
92
5.4
WORLDS,
ATMOSPHERES
AND
THE
POETICS
OF
AFFECT
*
97
5.5
ELOQUENT
GESTURES,
METAPHORS
ON
THE
MOVE
*
100
PART
2:
SYNCHRONIZING
THE
SENSES
6
SCULPTING
WITH
LIGHT:
STEREOSCOPIC
VISION
AND
THE
IDEA
OF
FILM
AS
A
*
PLASTIC
ART
IN
MOTION
*
*
111
6.1
FILM
AS
A
*
PLASTIC
ART
IN
MOTION
*
*
111
6.2
*
TOTAL
VISUAL
RECALL
*
:
STEREOSCOPIC
PRACTICE
AND
BINOCULAR
VISION
*
112
6.3
*
CONTACT
AT
A
DISTANCE
*
:
THE
ILLUSION
OF
DEPTH
VS.
THE
RELIEF
EFFECT
IN
EARLY
FILM
STYLE
*
116
6.4
ARCHAEOLOGY
OF
CINEMATIC
EXPRESSIONISM:
HAPTIC
ATTACHMENT
AND
THE
SENTIMENTAL
MODE
*
118
6.5
FILM
STYLE,
EMBODIED
VISION
AND
*
MENTAL
MAGIC
*
*
134
7
PERMANENT
TRANSITION:
TECHNIQUES
AND
TECHNOLOGIES
OF
THE
EARLY
GERMAN
MUSIC
FILM
*
136
7.1
MEDIATION,
REPRESENTATION,
SYNCHRONIZATION
*
136
7.2
THE
EARLY
GERMAN
MUSIC
FILM:
A
GENRE
IN
TRANSITION
*
138
7.3
MIRRORING
SOUND:
THE
BECK
SYSTEM
AND
THE
NEGATIVE
LEGACY
OF
THE
TON
BI
ID
*
139
7.4
FROM
THE
SOUND
CLUE
TO
THE
DIEGETIC
RELAY:
THE
LLOYD-
LACHMANN
DEVICE
*
150
7.5
INSCRIBING
THE
SCORE:
THE
NOTOFILM
SYSTEM
*
153
7.6
THE
SHIFTING
TERMS
OF
THE
*
AUDIOVISUAL
PACT*
*
157
8
RUPTURES
IN
THE
NATION
*
S
*
EXPERIENTIAL
ECONOMY :
UNIVERSAL
IN
GERMANY
AND
A
LL
Q
UIET
ON
THE
W
ESTERN
F
RONT
*
160
8.1
THE
TRANSITION
TO
SOUND
AND
THE
*
UNIVERSAL
MODEL
*
*
163
8.2
*
AMERICAN
CAPITAL
TO
GERMANY
*
:
DUBBING
IN
BERLIN
*
165
CONTENTS
*
IX
8.3
THE
PROBLEM
OF
CULTURAL
ACCEPTABILITY
*
170
8.4
LANGUAGE
ADAPTATION
AND
THE
CONTROVERSY
AROUND
A
LL
Q
UIET
ON
THE
W
ESTERN
F
RONT
*
172
8.5
REACTIONS
AND
CONSEQUENCES
*
174
8.6
CRISIS
HISTORIOGRAPHY
*
177
9
EPILOGUE:
FRITZ
LANG,
DOUBLE
VISION
AND
THE
PLACE
OF
RUPTURE
9.1
INSIDE
FILM
HISTORY
*
180
9.2
THE
ENIGMA
OF
FRITZ
LANG
*
183
9.3
DOUBLE
VISION
*
185
9.4
THE
PLACE
OF
RUPTURE
*
188
BIBLIOGRAPHY
*
192
FILMOGRAPHY
*
206
SUBJECT
INDEX
*
210
NAME
INDEX
*
213
180
FILM
INDEX
*
216
|
| any_adam_object | 1 |
| author | Wedel, Michael 1969- |
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| ctrlnum | (OCoLC)1101918225 (DE-599)DNB1161359087 |
| discipline | Allgemeines |
| era | Geschichte 1910-1930 gnd |
| era_facet | Geschichte 1910-1930 |
| format | Book |
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| geographic | Deutschland (DE-588)4011882-4 gnd |
| geographic_facet | Deutschland |
| id | DE-604.BV045079794 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:08:02Z |
| institution | BVB |
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| isbn | 9783110612226 |
| language | English |
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| open_access_boolean | |
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| owner_facet | DE-29 DE-M472 DE-188 DE-Po75 |
| physical | IX, 219 Seiten Illustrationen |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | De Gruyter |
| record_format | marc |
| series | Cinepoetics – English edition |
| series2 | Cinepoetics – English edition |
| spelling | Wedel, Michael 1969- (DE-588)114878714 aut Pictorial affects, senses of rupture on the poetics and culture of popular German cinema, 1910-1930 Michael Wedel Berlin ; Boston De Gruyter [2019] © 2019 IX, 219 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Cinepoetics – English edition volume 6 Geschichte 1910-1930 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Unterhaltungsfilm (DE-588)4186998-9 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf German film history Popular culture, aesthetics of cinema genre Deutschland (DE-588)4011882-4 g Unterhaltungsfilm (DE-588)4186998-9 s Geschichte 1910-1930 z DE-604 Film (DE-588)4017102-4 s 1\p DE-604 Walter de Gruyter GmbH & Co. KG (DE-588)10095502-2 pbl Erscheint auch als Online-Ausgabe, ePub 978-3-11-061237-0 Erscheint auch als Online-Ausgabe, ePDF 978-3-11-061355-1 Cinepoetics – English edition volume 6 (DE-604)BV044926894 6 X:MVB http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110612226&searchTitles=true X:MVB https://www.degruyter.com/doc/cover/9783110612226.jpg DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030470787&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Wedel, Michael 1969- Pictorial affects, senses of rupture on the poetics and culture of popular German cinema, 1910-1930 Cinepoetics – English edition Film (DE-588)4017102-4 gnd Unterhaltungsfilm (DE-588)4186998-9 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4186998-9 (DE-588)4011882-4 |
| title | Pictorial affects, senses of rupture on the poetics and culture of popular German cinema, 1910-1930 |
| title_auth | Pictorial affects, senses of rupture on the poetics and culture of popular German cinema, 1910-1930 |
| title_exact_search | Pictorial affects, senses of rupture on the poetics and culture of popular German cinema, 1910-1930 |
| title_full | Pictorial affects, senses of rupture on the poetics and culture of popular German cinema, 1910-1930 Michael Wedel |
| title_fullStr | Pictorial affects, senses of rupture on the poetics and culture of popular German cinema, 1910-1930 Michael Wedel |
| title_full_unstemmed | Pictorial affects, senses of rupture on the poetics and culture of popular German cinema, 1910-1930 Michael Wedel |
| title_short | Pictorial affects, senses of rupture |
| title_sort | pictorial affects senses of rupture on the poetics and culture of popular german cinema 1910 1930 |
| title_sub | on the poetics and culture of popular German cinema, 1910-1930 |
| topic | Film (DE-588)4017102-4 gnd Unterhaltungsfilm (DE-588)4186998-9 gnd |
| topic_facet | Film Unterhaltungsfilm Deutschland |
| url | http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110612226&searchTitles=true https://www.degruyter.com/doc/cover/9783110612226.jpg http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030470787&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV044926894 |
| work_keys_str_mv | AT wedelmichael pictorialaffectssensesofruptureonthepoeticsandcultureofpopulargermancinema19101930 AT walterdegruytergmbhcokg pictorialaffectssensesofruptureonthepoeticsandcultureofpopulargermancinema19101930 |