Art and modern copyright: the contested image
"This book is the first in-depth and longitudinal study of the history of copyright protecting the visual arts. Exploring legal developments during an important period in the making of the modern law, the mid-nineteenth to early twentieth centuries, in relation to four themes - the protection o...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2018
|
Schriftenreihe: | Cambridge intellectual property and information law
47 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "This book is the first in-depth and longitudinal study of the history of copyright protecting the visual arts. Exploring legal developments during an important period in the making of the modern law, the mid-nineteenth to early twentieth centuries, in relation to four themes - the protection of copyright 'authors' (painters, photographers and engravers), art collectors, sitters and the public interest - it uncovers a number of long-forgotten narratives of copyright history, including views of copyright that differ from how we think today. As well as considering the distinct nature of the contribution of copyright to the history of the cultural domain accounted for by scholars of art history and the sociology of art, this book examines the value to lawyers and policy-makers today of copyright history as a destabilising influence: in taking us to ways of thinking that differ from our own, history can sharpen the critical lens through which we view copyright debates today"... "The first in-depth and longitudinal study of the history of copyright protecting the visual arts. Exploring legal developments during an important period in the making of the modern law, the mid-nineteenth to early twentieth centuries, in relation to four themes - the protection of copyright 'authors' (painters, photographers and engravers), art collectors, sitters and the public interest - it uncovers a number of long-forgotten narratives of copyright history, including views of copyright that differ from how we think today. As well as considering the distinct nature of the contribution of copyright to the history of the cultural domain accounted for by scholars of art history and the sociology of art, this book examines the value to lawyers and policy-makers today of copyright history as a destabilising influence: in taking us to ways of thinking that differ from our own, history can sharpen the critical lens through which we view copyright debates today"... |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | XIX, 282 Seiten |
ISBN: | 9781107179721 |
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520 | |a "The first in-depth and longitudinal study of the history of copyright protecting the visual arts. Exploring legal developments during an important period in the making of the modern law, the mid-nineteenth to early twentieth centuries, in relation to four themes - the protection of copyright 'authors' (painters, photographers and engravers), art collectors, sitters and the public interest - it uncovers a number of long-forgotten narratives of copyright history, including views of copyright that differ from how we think today. As well as considering the distinct nature of the contribution of copyright to the history of the cultural domain accounted for by scholars of art history and the sociology of art, this book examines the value to lawyers and policy-makers today of copyright history as a destabilising influence: in taking us to ways of thinking that differ from our own, history can sharpen the critical lens through which we view copyright debates today"... | ||
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Datensatz im Suchindex
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adam_text | ART AND MODERN COPYRIGHT
/ COOPER, ELENAYYD1978-YYEAUTHOR
: 2018
TABLE OF CONTENTS / INHALTSVERZEICHNIS
1. INTRODUCTION; 2. ART, COPYRIGHT AND AUTHORS , 1: 1850-62; 3. ART,
COPYRIGHT AND AUTHORS , 2: 1862-11; 4. ART, COPYRIGHT AND COLLECTORS:
THE WRONGS THAT ARTISTS COMMIT; 5. ART, COPYRIGHT AND THE FACE: A
NINETEENTH-CENTURY PUBLICITY RIGHT; 6. ART, COPYRIGHT AND THE PUBLIC
INTEREST: GALLERIES, PRINTSELLERS AND PIRATES ; 7. DRAWING CONCLUSIONS:
IMAGES OF ART AND IMAGES OF COPYRIGHT
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
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indexdate | 2024-07-10T08:08:01Z |
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isbn | 9781107179721 |
language | English |
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physical | XIX, 282 Seiten |
publishDate | 2018 |
publishDateSearch | 2018 |
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publisher | Cambridge University Press |
record_format | marc |
series | Cambridge intellectual property and information law |
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spelling | Cooper, Elena 1978- (DE-588)1168753945 aut Art and modern copyright the contested image Elena Cooper Cambridge Cambridge University Press 2018 XIX, 282 Seiten txt rdacontent n rdamedia nc rdacarrier Cambridge intellectual property and information law 47 Includes bibliographical references and index "This book is the first in-depth and longitudinal study of the history of copyright protecting the visual arts. Exploring legal developments during an important period in the making of the modern law, the mid-nineteenth to early twentieth centuries, in relation to four themes - the protection of copyright 'authors' (painters, photographers and engravers), art collectors, sitters and the public interest - it uncovers a number of long-forgotten narratives of copyright history, including views of copyright that differ from how we think today. As well as considering the distinct nature of the contribution of copyright to the history of the cultural domain accounted for by scholars of art history and the sociology of art, this book examines the value to lawyers and policy-makers today of copyright history as a destabilising influence: in taking us to ways of thinking that differ from our own, history can sharpen the critical lens through which we view copyright debates today"... "The first in-depth and longitudinal study of the history of copyright protecting the visual arts. Exploring legal developments during an important period in the making of the modern law, the mid-nineteenth to early twentieth centuries, in relation to four themes - the protection of copyright 'authors' (painters, photographers and engravers), art collectors, sitters and the public interest - it uncovers a number of long-forgotten narratives of copyright history, including views of copyright that differ from how we think today. As well as considering the distinct nature of the contribution of copyright to the history of the cultural domain accounted for by scholars of art history and the sociology of art, this book examines the value to lawyers and policy-makers today of copyright history as a destabilising influence: in taking us to ways of thinking that differ from our own, history can sharpen the critical lens through which we view copyright debates today"... LAW / Intellectual Property / General / bisacsh Copyright Art Great Britain LAW / Intellectual Property / General Cambridge intellectual property and information law 47 (DE-604)BV040027764 47 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030470247&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Cooper, Elena 1978- Art and modern copyright the contested image Cambridge intellectual property and information law LAW / Intellectual Property / General / bisacsh Copyright Art Great Britain LAW / Intellectual Property / General |
title | Art and modern copyright the contested image |
title_auth | Art and modern copyright the contested image |
title_exact_search | Art and modern copyright the contested image |
title_full | Art and modern copyright the contested image Elena Cooper |
title_fullStr | Art and modern copyright the contested image Elena Cooper |
title_full_unstemmed | Art and modern copyright the contested image Elena Cooper |
title_short | Art and modern copyright |
title_sort | art and modern copyright the contested image |
title_sub | the contested image |
topic | LAW / Intellectual Property / General / bisacsh Copyright Art Great Britain LAW / Intellectual Property / General |
topic_facet | LAW / Intellectual Property / General / bisacsh Copyright Art Great Britain LAW / Intellectual Property / General |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030470247&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV040027764 |
work_keys_str_mv | AT cooperelena artandmoderncopyrightthecontestedimage |