Sketches from an unquiet country: Canadian graphic satire, 1840-1940
"Canadian readers have enjoyed their own graphic satire since colonial times and Canadian artists have thrived as they took aim at the central issues and figures of their age. Graphic satire, a combination of humorous drawing and text that usually involves caricature, is a way of taking an ethi...
Gespeichert in:
Weitere Verfasser: | , , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Montreal ; Kingston ; London ; Chicago
McGill-Queen's University Press
[2018]
|
Schriftenreihe: | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "Canadian readers have enjoyed their own graphic satire since colonial times and Canadian artists have thrived as they took aim at the central issues and figures of their age. Graphic satire, a combination of humorous drawing and text that usually involves caricature, is a way of taking an ethical stand about contemporary politics and society. First appearing in short-lived illustrated weeklies in Montreal, Quebec City, and Toronto in the 1840s, usually as unsigned copies of engravings from European magazines, the genre spread quickly as skilled local illustrators, engravers, painters, and sculptors joined the teams of publishers and writers who sought to shape public opinion and public policy. A detailed account of of Canadian graphic satire, Sketches from an Unquiet Country looks at a century bookended by the aftermath of the 1837-38 Rebellions and Canada's entry into the Second World War. As fully fledged artist-commentators, Canadian cartoonists were sometimes gently ironic, but they were just as often caustic and violent in the pursuit of a point of view. This volume shows a country where conflicts crop up between linguistic and religious communities, a country often resistant to social and political change for women, and open to the cross-currents of anti-Semitism, xenophobia, and fascism that flared across Europe and North America in the early twentieth century. Drawing on new scholarship by researchers working in art history, material culture, and communications studies, Sketches from an Unquiet Country follows the fortunes of some of the artists and satiric themes that were prevalent in the centres of Canadian publishing."-- |
Beschreibung: | viii, 304 Seiten, 8 ungezählte Seiten Tafeln Illustrationen, Porträts |
ISBN: | 9780773553408 9780773553415 |
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505 | 8 | |a Introduction / Dominic Hardy -- Frankenstein's story: graphic satire in 1840s Montreal from Le Charivari canadien to Punch in Canada / Dominic Hardy -- Uncle Sam, a not-so-distant cousin: Canadian contributions to the genesis of a US allegorical figure / Christian Vachon -- Reading allegorical "Miss Canada" in graphic satire / Robyn Fowler -- Clubs, axes, and umbrellas: the Woman Suffrage Movement as seen by Montreal cartoonists (1910-1914) / Pierre Chemartin and Louis Pelletier -- Crossing the line: Canadian satire of the "pretty girl" North and South of the 49th parallel / Jaleen Grove -- Anti-Semitic caricature in 1930s Montreal: language and national stereotypes in Adrien Arcand's Le goglu (1929-1933) / Josée Desforges -- New Frontier (1936-1937) and the Antifascist press in Canada / Lora Senechal Carney -- Albéric Bourgeois... a.k.a. Baptiste Ladébauche / Laurier Lacroix -- Epilogue: humour, wit, and satire in Canada / Annie Gérin | |
520 | 3 | |a "Canadian readers have enjoyed their own graphic satire since colonial times and Canadian artists have thrived as they took aim at the central issues and figures of their age. Graphic satire, a combination of humorous drawing and text that usually involves caricature, is a way of taking an ethical stand about contemporary politics and society. First appearing in short-lived illustrated weeklies in Montreal, Quebec City, and Toronto in the 1840s, usually as unsigned copies of engravings from European magazines, the genre spread quickly as skilled local illustrators, engravers, painters, and sculptors joined the teams of publishers and writers who sought to shape public opinion and public policy. A detailed account of of Canadian graphic satire, Sketches from an Unquiet Country looks at a century bookended by the aftermath of the 1837-38 Rebellions and Canada's entry into the Second World War. As fully fledged artist-commentators, Canadian cartoonists were sometimes gently ironic, but they were just as often caustic and violent in the pursuit of a point of view. This volume shows a country where conflicts crop up between linguistic and religious communities, a country often resistant to social and political change for women, and open to the cross-currents of anti-Semitism, xenophobia, and fascism that flared across Europe and North America in the early twentieth century. Drawing on new scholarship by researchers working in art history, material culture, and communications studies, Sketches from an Unquiet Country follows the fortunes of some of the artists and satiric themes that were prevalent in the centres of Canadian publishing."-- | |
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Datensatz im Suchindex
_version_ | 1804178691763208192 |
---|---|
adam_text | CONTENTS
VII ACKNOWLEDGMENTS
3
CHAPTER ONE
INTRODUCTION
DOMINIC HARDY
39
CHAPTER
TWO
FRANKENSTEIN S TORY:
GRAPHIC
SATIRE
IN 1840S
MONTREAL,
FROM
LE CHARIVARI CANADIEN
TO
PUNCH
IN CANADA
DOMINIC HARDY
75
CHAPTER
THREE
UNCLE
SAM, A NOT-SO-DISTANT
COUSIN:
CANADIAN
CONTRIBUTIONS
TO THE
GENESIS
OF A
US
ALLEGORICAL
FIGURE
CHRISTIAN
VACHON
98
CHAPTER
FOUR
READING
ALLEGORICAL
MISS CANADA
IN GRAPHIC
SATIRE
ROBYN FOWLER
1
36
CHAPTER
FIVE
CLUBS, AXES, AND
UMBRELLAS: THE WOMAN
SUFFRAGE
MOVEMENT
AS SEEN BY MONTREAL
CARTOONISTS
(1 91 0-1 91
4)
PIERRE CHEMARTIN
AND
LOUIS
PELLETIER
170
CHAPTER
SIX
CROSSING
THE
LINE:
CANADIAN SATIRE
OF THEUPRETTY
GIRL
NORTH
AND
SOUTH
OF
THE
49TH
PARALLEL
JALEEN
GROVE
206
CHAPTER
SEVEN
ANTI-SEMITIC CARICATURE
IN 1930S
MONTREAL:
LANGUAGE
AND
NATIONAL
STEREOTYPES
IN ADRIEN
ARCAND S
LE GOGLU
(1 929-1 933)
JOSKE
DESFORGES
232 CHAPTER
EIGHT
NEW
FRONTIER
(1 936-1 937)
AND
THE
ANTIFASCIST PRESS IN CANADA
LORA SENECHAL CARNEY
257
CHAPTERNINE
ALBERIC
BOURGEOIS
.
.
.
A.K.A. BAPTISTE LADEBAUCHE
LAURIER LACROIX
285
CHAPTER
TEN
EPILOGUE: HUMOUR,
WIT,
AND
SATIRE IN CANADA
ANNIE
GHIN
297 CONTRIBUTORS
299 INDEX
|
any_adam_object | 1 |
author2 | Hardy, Dominic 1960- Gérin, Annie 1969- Carney, Lora Senechal 1948- |
author2_role | edt edt edt |
author2_variant | d h dh a g ag l s c ls lsc |
author_GND | (DE-588)1068653442 (DE-588)188481842 (DE-588)114533539X |
author_facet | Hardy, Dominic 1960- Gérin, Annie 1969- Carney, Lora Senechal 1948- |
building | Verbundindex |
bvnumber | BV045078701 |
contents | Introduction / Dominic Hardy -- Frankenstein's story: graphic satire in 1840s Montreal from Le Charivari canadien to Punch in Canada / Dominic Hardy -- Uncle Sam, a not-so-distant cousin: Canadian contributions to the genesis of a US allegorical figure / Christian Vachon -- Reading allegorical "Miss Canada" in graphic satire / Robyn Fowler -- Clubs, axes, and umbrellas: the Woman Suffrage Movement as seen by Montreal cartoonists (1910-1914) / Pierre Chemartin and Louis Pelletier -- Crossing the line: Canadian satire of the "pretty girl" North and South of the 49th parallel / Jaleen Grove -- Anti-Semitic caricature in 1930s Montreal: language and national stereotypes in Adrien Arcand's Le goglu (1929-1933) / Josée Desforges -- New Frontier (1936-1937) and the Antifascist press in Canada / Lora Senechal Carney -- Albéric Bourgeois... a.k.a. Baptiste Ladébauche / Laurier Lacroix -- Epilogue: humour, wit, and satire in Canada / Annie Gérin |
ctrlnum | (OCoLC)1035229052 (DE-599)BVBBV045078701 |
era | Geschichte 1840-1940 gnd |
era_facet | Geschichte 1840-1940 |
format | Book |
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series2 | McGill-Queen's/Beaverbrook Canadian Foundation studies in art history |
spelling | Sketches from an unquiet country Canadian graphic satire, 1840-1940 edited by Dominic Hardy, Annie Gérin, and Lora Senechal Carney Montreal ; Kingston ; London ; Chicago McGill-Queen's University Press [2018] © 2018 viii, 304 Seiten, 8 ungezählte Seiten Tafeln Illustrationen, Porträts txt rdacontent sti rdacontent n rdamedia nc rdacarrier McGill-Queen's/Beaverbrook Canadian Foundation studies in art history Introduction / Dominic Hardy -- Frankenstein's story: graphic satire in 1840s Montreal from Le Charivari canadien to Punch in Canada / Dominic Hardy -- Uncle Sam, a not-so-distant cousin: Canadian contributions to the genesis of a US allegorical figure / Christian Vachon -- Reading allegorical "Miss Canada" in graphic satire / Robyn Fowler -- Clubs, axes, and umbrellas: the Woman Suffrage Movement as seen by Montreal cartoonists (1910-1914) / Pierre Chemartin and Louis Pelletier -- Crossing the line: Canadian satire of the "pretty girl" North and South of the 49th parallel / Jaleen Grove -- Anti-Semitic caricature in 1930s Montreal: language and national stereotypes in Adrien Arcand's Le goglu (1929-1933) / Josée Desforges -- New Frontier (1936-1937) and the Antifascist press in Canada / Lora Senechal Carney -- Albéric Bourgeois... a.k.a. Baptiste Ladébauche / Laurier Lacroix -- Epilogue: humour, wit, and satire in Canada / Annie Gérin "Canadian readers have enjoyed their own graphic satire since colonial times and Canadian artists have thrived as they took aim at the central issues and figures of their age. Graphic satire, a combination of humorous drawing and text that usually involves caricature, is a way of taking an ethical stand about contemporary politics and society. First appearing in short-lived illustrated weeklies in Montreal, Quebec City, and Toronto in the 1840s, usually as unsigned copies of engravings from European magazines, the genre spread quickly as skilled local illustrators, engravers, painters, and sculptors joined the teams of publishers and writers who sought to shape public opinion and public policy. A detailed account of of Canadian graphic satire, Sketches from an Unquiet Country looks at a century bookended by the aftermath of the 1837-38 Rebellions and Canada's entry into the Second World War. As fully fledged artist-commentators, Canadian cartoonists were sometimes gently ironic, but they were just as often caustic and violent in the pursuit of a point of view. This volume shows a country where conflicts crop up between linguistic and religious communities, a country often resistant to social and political change for women, and open to the cross-currents of anti-Semitism, xenophobia, and fascism that flared across Europe and North America in the early twentieth century. Drawing on new scholarship by researchers working in art history, material culture, and communications studies, Sketches from an Unquiet Country follows the fortunes of some of the artists and satiric themes that were prevalent in the centres of Canadian publishing."-- Geschichte 1840-1940 gnd rswk-swf Karikatur (DE-588)4029670-2 gnd rswk-swf Kanada (DE-588)4029456-0 gnd rswk-swf Editorial cartoons / Canada / History / 19th century Editorial cartoons / Canada / History / 20th century Satire in art Caricatures and cartoons / Canada / History / 19th century Caricatures and cartoons / Canada / History / 20th century Caricatures and cartoons Canada Caricatures et dessins humouristiques / Canada / 19e siècle Caricatures et dessins humouristiques / Canada / 20e siècle Humour par l'image canadien / Aspect politique Humour par l'image canadien 1800-1999 History Kanada (DE-588)4029456-0 g Karikatur (DE-588)4029670-2 s Geschichte 1840-1940 z DE-604 Hardy, Dominic 1960- (DE-588)1068653442 edt Gérin, Annie 1969- (DE-588)188481842 edt Carney, Lora Senechal 1948- (DE-588)114533539X edt Erscheint auch als Online-Ausgabe, ePDF 978-0-7735-5426-9 KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030469724&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Sketches from an unquiet country Canadian graphic satire, 1840-1940 Introduction / Dominic Hardy -- Frankenstein's story: graphic satire in 1840s Montreal from Le Charivari canadien to Punch in Canada / Dominic Hardy -- Uncle Sam, a not-so-distant cousin: Canadian contributions to the genesis of a US allegorical figure / Christian Vachon -- Reading allegorical "Miss Canada" in graphic satire / Robyn Fowler -- Clubs, axes, and umbrellas: the Woman Suffrage Movement as seen by Montreal cartoonists (1910-1914) / Pierre Chemartin and Louis Pelletier -- Crossing the line: Canadian satire of the "pretty girl" North and South of the 49th parallel / Jaleen Grove -- Anti-Semitic caricature in 1930s Montreal: language and national stereotypes in Adrien Arcand's Le goglu (1929-1933) / Josée Desforges -- New Frontier (1936-1937) and the Antifascist press in Canada / Lora Senechal Carney -- Albéric Bourgeois... a.k.a. Baptiste Ladébauche / Laurier Lacroix -- Epilogue: humour, wit, and satire in Canada / Annie Gérin Karikatur (DE-588)4029670-2 gnd |
subject_GND | (DE-588)4029670-2 (DE-588)4029456-0 |
title | Sketches from an unquiet country Canadian graphic satire, 1840-1940 |
title_auth | Sketches from an unquiet country Canadian graphic satire, 1840-1940 |
title_exact_search | Sketches from an unquiet country Canadian graphic satire, 1840-1940 |
title_full | Sketches from an unquiet country Canadian graphic satire, 1840-1940 edited by Dominic Hardy, Annie Gérin, and Lora Senechal Carney |
title_fullStr | Sketches from an unquiet country Canadian graphic satire, 1840-1940 edited by Dominic Hardy, Annie Gérin, and Lora Senechal Carney |
title_full_unstemmed | Sketches from an unquiet country Canadian graphic satire, 1840-1940 edited by Dominic Hardy, Annie Gérin, and Lora Senechal Carney |
title_short | Sketches from an unquiet country |
title_sort | sketches from an unquiet country canadian graphic satire 1840 1940 |
title_sub | Canadian graphic satire, 1840-1940 |
topic | Karikatur (DE-588)4029670-2 gnd |
topic_facet | Karikatur Kanada |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030469724&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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