Native Americans on film: conversations, teaching, and theory
Gespeichert in:
Weitere Verfasser: | , |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Lexington
University Press of Kentucky
2018
|
Ausgabe: | Paperback edition |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | viii, 390 Seiten Illustrationen |
ISBN: | 9780813175799 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV045078437 | ||
003 | DE-604 | ||
005 | 20191008 | ||
007 | t | ||
008 | 180706s2018 a||| |||| 00||| eng d | ||
020 | |a 9780813175799 |c pbk |9 978-0-8131-7579-9 | ||
035 | |a (OCoLC)1048455417 | ||
035 | |a (DE-599)BVBBV045078437 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-355 |a DE-19 | ||
050 | 0 | |a PN1995.9 | |
082 | 0 | |a 791.43652997 | |
084 | |a AP 44980 |0 (DE-625)7516:740 |2 rvk | ||
084 | |a HU 1726 |0 (DE-625)53759: |2 rvk | ||
084 | |a HU 1726 |0 (DE-625)53759: |2 rvk | ||
245 | 1 | 0 | |a Native Americans on film |b conversations, teaching, and theory |c edited by M. Elise Marubbio and Eric L. Buffalohead |
250 | |a Paperback edition | ||
264 | 1 | |a Lexington |b University Press of Kentucky |c 2018 | |
300 | |a viii, 390 Seiten |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
505 | 8 | |a Introduction: talking back, moving forward -- Theoretical conversations. Dimensions of difference in indigenous film / Houston Wood -- Reading Nanook's smile: visual sovereignty, indigenous revisions of ethnography, and Atanarjuat: The fast runner / Michelle H. Raheja -- Dismantling the master's house: the feminist fourth cinema documentaries of Alanis Obomsawin and Loretta Todd / Jennifer L. Gauthier -- Indigenous (re)memory and resistance: video works by Dana Claxton / Carla Taunton -- Pedagogical conversations. Native resistance to Hollywood's persistence of vision: teaching films about contemporary American Indians / Carole Gerster -- Geographies of identity and belonging in Sherman Alexie's The business of fancydancing / Amy Corbin -- Teaching Native American filmmakers: Osawa, Eyre, and Redroad / Angelica Lawson -- "The native's point of view" as seen through the native's (and non-native's) points of view / Sam Pack -- The dirt roads of consciousness: teaching and producing videos with an indigenous purpose / Beverly Singer -- Conversations with filmmakers. "Pockets full of stories": an interview with Sterlin Harjo and Blackhorse Lowe / Joanna Hearne and Zack Shlachter -- Wrestling the greased pig: an interview with Randy Redroad / M. Elise Marubbio -- An upstream journey: an interview with Sandra Osawa / Saza Osawa -- Video as community ally and Dakota sense of place: an interview with Mona Smith / Jennifer A. Machoirlatti -- The journey's discovery: an interview with Shelley Niro / Elizabeth Weatherford | |
648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
650 | 4 | |a Indians in motion pictures | |
650 | 4 | |a Indians in the motion picture industry / United States | |
650 | 4 | |a Indigenous films / United States | |
650 | 4 | |a Indian motion picture producers and directors / United States / Interviews | |
650 | 4 | |a Stereotypes (Social psychology) in motion pictures | |
650 | 0 | 7 | |a Indianer |0 (DE-588)4026718-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Indianer |g Motiv |0 (DE-588)4122591-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Filmregisseur |0 (DE-588)4154375-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
651 | 4 | |a USA | |
651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
689 | 0 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
689 | 0 | 2 | |a Indianer |g Motiv |0 (DE-588)4122591-0 |D s |
689 | 0 | 3 | |a Geschichte |A z |
689 | 0 | |5 DE-604 | |
689 | 1 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
689 | 1 | 1 | |a Indianer |0 (DE-588)4026718-0 |D s |
689 | 1 | 2 | |a Filmregisseur |0 (DE-588)4154375-0 |D s |
689 | 1 | 3 | |a Geschichte |A z |
689 | 1 | |5 DE-604 | |
700 | 1 | |a Marubbio, Miriam Elise |d 1963- |0 (DE-588)133624439 |4 edt | |
700 | 1 | |a Buffalohead, Eric L. |d 1965- |0 (DE-588)1164166603 |4 edt | |
856 | 4 | 2 | |m Digitalisierung UB Regensburg - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030469463&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
940 | 1 | |q BSB_NED_20191008 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-030469463 | ||
942 | 1 | 1 | |c 791.409 |e 22/bsb |g 73 |
Datensatz im Suchindex
_version_ | 1804178691290300416 |
---|---|
adam_text | Contents
List of Illustrations vii
Introduction: Talking Back, Moving Forward 1
Section One: Theoretical Conversations
Introduction to Section One 31
Dimensions of Difference in Indigenous Film 35
Houston Wood
Reading Nanook s Smile: Visual Sovereignty, Indigenous Revisions
of Ethnography, and Atanarjuat: The Fast Runner 58
Michelle H. Raheja
Dismantling the Master s House: The Feminist Fourth Cinema
Documentaries of Alanis Obomsawin and Loretta Todd 89
Jennifer L. Gauthier
Indigenous (Re)memory and Resistance: Video Works by
Dana Claxton 116
Carla Taunton
Section Two: Pedagogical Conversations
Introduction to Section Two 137
Native Resistance to Hollywood s Persistence of Vision: Teaching
Films about Contemporary American Indians 141
Carole Gerster
Geographies of Identity and Belonging in Sherman Alexie s
The Business of Fancydancing 175
Amy Corbin
vi Contents
Teaching Native American Filmmakers: Osawa, Eyre, and
Redroad 202
Angelica Lawson
“The Native’s Point of View” as Seen through the Native’s
(and Non-Native’s) Points of View 223
Sam Pack
The Dirt Roads of Consciousness: Teaching and Producing Videos
with an Indigenous Purpose 246
Beverly Singer
Section Three: Conversations with Filmmakers
Introduction to Section Three 261
“Pockets Full of Stories”: An Interview with Sterlin Harjo and
Blackhorse Lowe 265
Joanna Heame and Z ackShlachter
Wrestling the Greased Pig: An Interview with Randy Redroad 288
M. Elise Marubbio
An Upstream Journey: An Interview with Sandra Osawa 303
Saza Osawa
Video as Community Ally and Dakota Sense of Place:
An Interview with Mona Smith 322
Jennifer A. Machiorlatti
The Journey’s Discovery: An Interview with Shelley Niro 337
Elizabeth Weatherford
Acknowledgments 359
Selected Filmography 361
List of Contributors 369
Index 373
|
any_adam_object | 1 |
author2 | Marubbio, Miriam Elise 1963- Buffalohead, Eric L. 1965- |
author2_role | edt edt |
author2_variant | m e m me mem e l b el elb |
author_GND | (DE-588)133624439 (DE-588)1164166603 |
author_facet | Marubbio, Miriam Elise 1963- Buffalohead, Eric L. 1965- |
building | Verbundindex |
bvnumber | BV045078437 |
callnumber-first | P - Language and Literature |
callnumber-label | PN1995 |
callnumber-raw | PN1995.9 |
callnumber-search | PN1995.9 |
callnumber-sort | PN 41995.9 |
callnumber-subject | PN - General Literature |
classification_rvk | AP 44980 HU 1726 |
contents | Introduction: talking back, moving forward -- Theoretical conversations. Dimensions of difference in indigenous film / Houston Wood -- Reading Nanook's smile: visual sovereignty, indigenous revisions of ethnography, and Atanarjuat: The fast runner / Michelle H. Raheja -- Dismantling the master's house: the feminist fourth cinema documentaries of Alanis Obomsawin and Loretta Todd / Jennifer L. Gauthier -- Indigenous (re)memory and resistance: video works by Dana Claxton / Carla Taunton -- Pedagogical conversations. Native resistance to Hollywood's persistence of vision: teaching films about contemporary American Indians / Carole Gerster -- Geographies of identity and belonging in Sherman Alexie's The business of fancydancing / Amy Corbin -- Teaching Native American filmmakers: Osawa, Eyre, and Redroad / Angelica Lawson -- "The native's point of view" as seen through the native's (and non-native's) points of view / Sam Pack -- The dirt roads of consciousness: teaching and producing videos with an indigenous purpose / Beverly Singer -- Conversations with filmmakers. "Pockets full of stories": an interview with Sterlin Harjo and Blackhorse Lowe / Joanna Hearne and Zack Shlachter -- Wrestling the greased pig: an interview with Randy Redroad / M. Elise Marubbio -- An upstream journey: an interview with Sandra Osawa / Saza Osawa -- Video as community ally and Dakota sense of place: an interview with Mona Smith / Jennifer A. Machoirlatti -- The journey's discovery: an interview with Shelley Niro / Elizabeth Weatherford |
ctrlnum | (OCoLC)1048455417 (DE-599)BVBBV045078437 |
dewey-full | 791.43652997 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43652997 |
dewey-search | 791.43652997 |
dewey-sort | 3791.43652997 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines Anglistik / Amerikanistik |
edition | Paperback edition |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04163nam a2200661 c 4500</leader><controlfield tag="001">BV045078437</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20191008 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">180706s2018 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780813175799</subfield><subfield code="c">pbk</subfield><subfield code="9">978-0-8131-7579-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1048455417</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045078437</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-355</subfield><subfield code="a">DE-19</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN1995.9</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.43652997</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 44980</subfield><subfield code="0">(DE-625)7516:740</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HU 1726</subfield><subfield code="0">(DE-625)53759:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HU 1726</subfield><subfield code="0">(DE-625)53759:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Native Americans on film</subfield><subfield code="b">conversations, teaching, and theory</subfield><subfield code="c">edited by M. Elise Marubbio and Eric L. Buffalohead</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">Paperback edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Lexington</subfield><subfield code="b">University Press of Kentucky</subfield><subfield code="c">2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">viii, 390 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction: talking back, moving forward -- Theoretical conversations. Dimensions of difference in indigenous film / Houston Wood -- Reading Nanook's smile: visual sovereignty, indigenous revisions of ethnography, and Atanarjuat: The fast runner / Michelle H. Raheja -- Dismantling the master's house: the feminist fourth cinema documentaries of Alanis Obomsawin and Loretta Todd / Jennifer L. Gauthier -- Indigenous (re)memory and resistance: video works by Dana Claxton / Carla Taunton -- Pedagogical conversations. Native resistance to Hollywood's persistence of vision: teaching films about contemporary American Indians / Carole Gerster -- Geographies of identity and belonging in Sherman Alexie's The business of fancydancing / Amy Corbin -- Teaching Native American filmmakers: Osawa, Eyre, and Redroad / Angelica Lawson -- "The native's point of view" as seen through the native's (and non-native's) points of view / Sam Pack -- The dirt roads of consciousness: teaching and producing videos with an indigenous purpose / Beverly Singer -- Conversations with filmmakers. "Pockets full of stories": an interview with Sterlin Harjo and Blackhorse Lowe / Joanna Hearne and Zack Shlachter -- Wrestling the greased pig: an interview with Randy Redroad / M. Elise Marubbio -- An upstream journey: an interview with Sandra Osawa / Saza Osawa -- Video as community ally and Dakota sense of place: an interview with Mona Smith / Jennifer A. Machoirlatti -- The journey's discovery: an interview with Shelley Niro / Elizabeth Weatherford</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Indians in motion pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Indians in the motion picture industry / United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Indigenous films / United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Indian motion picture producers and directors / United States / Interviews</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Stereotypes (Social psychology) in motion pictures</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Indianer</subfield><subfield code="0">(DE-588)4026718-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Indianer</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4122591-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmregisseur</subfield><subfield code="0">(DE-588)4154375-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">USA</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Indianer</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4122591-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Indianer</subfield><subfield code="0">(DE-588)4026718-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Filmregisseur</subfield><subfield code="0">(DE-588)4154375-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Marubbio, Miriam Elise</subfield><subfield code="d">1963-</subfield><subfield code="0">(DE-588)133624439</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Buffalohead, Eric L.</subfield><subfield code="d">1965-</subfield><subfield code="0">(DE-588)1164166603</subfield><subfield code="4">edt</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Regensburg - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030469463&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20191008</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030469463</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">791.409</subfield><subfield code="e">22/bsb</subfield><subfield code="g">73</subfield></datafield></record></collection> |
genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
genre_facet | Aufsatzsammlung |
geographic | USA USA (DE-588)4078704-7 gnd |
geographic_facet | USA |
id | DE-604.BV045078437 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:08:00Z |
institution | BVB |
isbn | 9780813175799 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030469463 |
oclc_num | 1048455417 |
open_access_boolean | |
owner | DE-355 DE-BY-UBR DE-19 DE-BY-UBM |
owner_facet | DE-355 DE-BY-UBR DE-19 DE-BY-UBM |
physical | viii, 390 Seiten Illustrationen |
psigel | BSB_NED_20191008 |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | University Press of Kentucky |
record_format | marc |
spelling | Native Americans on film conversations, teaching, and theory edited by M. Elise Marubbio and Eric L. Buffalohead Paperback edition Lexington University Press of Kentucky 2018 viii, 390 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Introduction: talking back, moving forward -- Theoretical conversations. Dimensions of difference in indigenous film / Houston Wood -- Reading Nanook's smile: visual sovereignty, indigenous revisions of ethnography, and Atanarjuat: The fast runner / Michelle H. Raheja -- Dismantling the master's house: the feminist fourth cinema documentaries of Alanis Obomsawin and Loretta Todd / Jennifer L. Gauthier -- Indigenous (re)memory and resistance: video works by Dana Claxton / Carla Taunton -- Pedagogical conversations. Native resistance to Hollywood's persistence of vision: teaching films about contemporary American Indians / Carole Gerster -- Geographies of identity and belonging in Sherman Alexie's The business of fancydancing / Amy Corbin -- Teaching Native American filmmakers: Osawa, Eyre, and Redroad / Angelica Lawson -- "The native's point of view" as seen through the native's (and non-native's) points of view / Sam Pack -- The dirt roads of consciousness: teaching and producing videos with an indigenous purpose / Beverly Singer -- Conversations with filmmakers. "Pockets full of stories": an interview with Sterlin Harjo and Blackhorse Lowe / Joanna Hearne and Zack Shlachter -- Wrestling the greased pig: an interview with Randy Redroad / M. Elise Marubbio -- An upstream journey: an interview with Sandra Osawa / Saza Osawa -- Video as community ally and Dakota sense of place: an interview with Mona Smith / Jennifer A. Machoirlatti -- The journey's discovery: an interview with Shelley Niro / Elizabeth Weatherford Geschichte gnd rswk-swf Indians in motion pictures Indians in the motion picture industry / United States Indigenous films / United States Indian motion picture producers and directors / United States / Interviews Stereotypes (Social psychology) in motion pictures Indianer (DE-588)4026718-0 gnd rswk-swf Indianer Motiv (DE-588)4122591-0 gnd rswk-swf Filmregisseur (DE-588)4154375-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Indianer Motiv (DE-588)4122591-0 s Geschichte z DE-604 Indianer (DE-588)4026718-0 s Filmregisseur (DE-588)4154375-0 s Marubbio, Miriam Elise 1963- (DE-588)133624439 edt Buffalohead, Eric L. 1965- (DE-588)1164166603 edt Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030469463&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Native Americans on film conversations, teaching, and theory Introduction: talking back, moving forward -- Theoretical conversations. Dimensions of difference in indigenous film / Houston Wood -- Reading Nanook's smile: visual sovereignty, indigenous revisions of ethnography, and Atanarjuat: The fast runner / Michelle H. Raheja -- Dismantling the master's house: the feminist fourth cinema documentaries of Alanis Obomsawin and Loretta Todd / Jennifer L. Gauthier -- Indigenous (re)memory and resistance: video works by Dana Claxton / Carla Taunton -- Pedagogical conversations. Native resistance to Hollywood's persistence of vision: teaching films about contemporary American Indians / Carole Gerster -- Geographies of identity and belonging in Sherman Alexie's The business of fancydancing / Amy Corbin -- Teaching Native American filmmakers: Osawa, Eyre, and Redroad / Angelica Lawson -- "The native's point of view" as seen through the native's (and non-native's) points of view / Sam Pack -- The dirt roads of consciousness: teaching and producing videos with an indigenous purpose / Beverly Singer -- Conversations with filmmakers. "Pockets full of stories": an interview with Sterlin Harjo and Blackhorse Lowe / Joanna Hearne and Zack Shlachter -- Wrestling the greased pig: an interview with Randy Redroad / M. Elise Marubbio -- An upstream journey: an interview with Sandra Osawa / Saza Osawa -- Video as community ally and Dakota sense of place: an interview with Mona Smith / Jennifer A. Machoirlatti -- The journey's discovery: an interview with Shelley Niro / Elizabeth Weatherford Indians in motion pictures Indians in the motion picture industry / United States Indigenous films / United States Indian motion picture producers and directors / United States / Interviews Stereotypes (Social psychology) in motion pictures Indianer (DE-588)4026718-0 gnd Indianer Motiv (DE-588)4122591-0 gnd Filmregisseur (DE-588)4154375-0 gnd Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)4026718-0 (DE-588)4122591-0 (DE-588)4154375-0 (DE-588)4017102-4 (DE-588)4078704-7 (DE-588)4143413-4 |
title | Native Americans on film conversations, teaching, and theory |
title_auth | Native Americans on film conversations, teaching, and theory |
title_exact_search | Native Americans on film conversations, teaching, and theory |
title_full | Native Americans on film conversations, teaching, and theory edited by M. Elise Marubbio and Eric L. Buffalohead |
title_fullStr | Native Americans on film conversations, teaching, and theory edited by M. Elise Marubbio and Eric L. Buffalohead |
title_full_unstemmed | Native Americans on film conversations, teaching, and theory edited by M. Elise Marubbio and Eric L. Buffalohead |
title_short | Native Americans on film |
title_sort | native americans on film conversations teaching and theory |
title_sub | conversations, teaching, and theory |
topic | Indians in motion pictures Indians in the motion picture industry / United States Indigenous films / United States Indian motion picture producers and directors / United States / Interviews Stereotypes (Social psychology) in motion pictures Indianer (DE-588)4026718-0 gnd Indianer Motiv (DE-588)4122591-0 gnd Filmregisseur (DE-588)4154375-0 gnd Film (DE-588)4017102-4 gnd |
topic_facet | Indians in motion pictures Indians in the motion picture industry / United States Indigenous films / United States Indian motion picture producers and directors / United States / Interviews Stereotypes (Social psychology) in motion pictures Indianer Indianer Motiv Filmregisseur Film USA Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030469463&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT marubbiomiriamelise nativeamericansonfilmconversationsteachingandtheory AT buffaloheadericl nativeamericansonfilmconversationsteachingandtheory |