Cinematic metaphor: experience - affectivity - temporality
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Weitere Verfasser: | , , , |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin ; Boston
De Gruyter
[2018]
|
| Schriftenreihe: | Cinepoetics
volume 4 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Cover Inhaltsverzeichnis |
| Beschreibung: | XIV, 279 Seiten Illustrationen |
| ISBN: | 9783110579598 3110579596 |
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| 245 | 1 | 0 | |a Cinematic metaphor |b experience - affectivity - temporality |c Cornelia Müller and Hermann Kappelhoff ; in collaboration with Sarah Greifenstein, Dorothea Horst, Thomas Scherer, and Christina Schmitt |
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| 653 | |a Cinematic metaphor | ||
| 653 | |a audiovisual media | ||
| 653 | |a gesture | ||
| 653 | |a multimodality | ||
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Datensatz im Suchindex
| _version_ | 1804178684199829504 |
|---|---|
| adam_text | CONTENTS
ACKNOWLEDGEMENTS* V
CONVENTIONS* XV
INTRODUCTION * 1
WHY WE SPEAK OF CINEMATIC METAPHOR* 1
CINEMATIC METAPHOR IN A TV NEWS FEATURE:
TAGESSCHAU
* 2
STARTING FROM THE MEDIA-CHARACTER OF AUDIOVISUAL IMAGES * 6
CINEMATIC METAPHOR: BASIC THEORETICAL ASSUMPTIONS * 6
OVERVIEW OF THE BOOK* 7
PART I: SETTING THE STAGE FOR CINEMATIC METAPHOR
INTRODUCTION* 15
1 CINEMATIC METAPHOR AS POIESIS: THE MOVEMENT-IMAGE AS
STARTING POINT* 19
1.1 A CRITIQUE OF COGNITIVE ANALYSES OF METAPHORS IN FILM * 19
THE HISTORICITY OF METAPHORICAL MEANING-MAKING* 20
AUDIOVISUAL IMAGES AS MOVING IMAGES* 20
DISCOURSE DYNAMICS OF METAPHOR* 21
1.2 METAPHOR AND THE MOVEMENT-IMAGE:
DEATH AND THE MOTHER
-----
22
1.3 CRITICAL REVIEW OF COGNITIVE THEORIES OF FILM
UNDERSTANDING* 29
1.4 THE ALTERNATIVE PROPOSAL: CINEMATIC METAPHOR AS POIESIS
OF FILM-VIEWING* 33
A SPECIFIC MODE OF PERCEPTION * 34
CINEMATIC MOVEMENT-IMAGE AS MEDIA-AESTHETIC FRAMING* 35
FILM IMAGES CREATE AND EXPRESS A SHARED REALITY* 36
THE AS-IF* 37
EXPERIENCING ONE THING IN TERMS OF ANOTHER AS A PROCESS OF
FICTIONALIZING* 39
2 CINEMATIC METAPHOR AND EXPERIENCE: CREATING FRAGILE
REALITIES * 40
2.1 FROM METAPHORS AS COGNITIVE INSTRUMENTS TO METAPHORS AS
EXPERIENCE * 40
2.2 CINEMATIC METAPHORS AS NEW DESCRIPTIONS OF REALITY:
REAR
WINDOW (L)
-----
42
2.3 CINEMATIC METAPHORS AS MULTIDIMENSIONAL EXPERIENTIAL GESTALTS:
REAR
WINDOW (2)
-----
45
3 *DOING* CINEMATIC METAPHORS: PERCEPTION, FEELING, AND AFFECTIVE
ENTANGLEMENT* 50
3.1 THE SPECTATOR ! * 51
3.2 FEELING AS UNITY OF EXPERIENCE * 52
3.3 MULTI-PERSPECTIVAL PERCEIVING:
DER
KRIEGER
U N D
DIE
K
AIS E R IN
*
3.4 DYNAMICS OF THE METAPHORICAL PROCESS * 58
3.5 FILM AND AFFECT: CINEMATIC EXPRESSIVE MOVEMENT* 59
4 CINEMATIC METAPHOR AND EMBODIMENT* 60
4.1 THE INTERSUBJECTIVE DIMENSION OF CINEMA * 60
4.2 DYNAMIC VERSUS STATIC * 62
4.3 METAPHOR AS INTERACTION AND THE INTERSUBJECTIVITY OF
MEANING-MAKING* 63
4.4 THE*OTHER I* * 64
COOPERATION * 64
4.5 THE SPECTATOR AS AGENT* 67
4.6 MULTI-PERSPECTIVAL EMBODIMENT* 67
4.7 EMBODIMENT IN NEO-PHENOMENOLOGICAL FILM THEORY AND
CONCEPTUAL METAPHOR THEORY* 68
5 CINEMATIC METAPHOR AS COMMONLY SHARED REALITY* 70
5.1 REFLEXIVITY* 70
FULLY EMBODIED MEANING* 71
CONSCIOUSNESS* 72
LIFEWORLD * 73
5.2 THE RHETORICAL NATURE OF COMMONLY SHARED REALITY* 74
CONCEPTUAL METAPHOR THEORY AND NIETZSCHE*S THEORY
OF METAPHOR* 75
HISTORICITY AND AWARENESS OF TIME * 76
R6SUM6 * 78
PART II: CINEMATIC EXPERIENCE AND AUDIOVISUAL FIGURATIVITY
INTRODUCTION * 83
6 EXPERIENCING METAPHORICITY* 85
6.1 FEELING THE FEELING: EMBODIED METAPHOR IN A BALLET CLASS * 85
6.2 FILM-VIEWING AND SUCCESSIVE METAPHORIZATION:
MAGNIFICENT OBSESSION
-----
91
THE EMERGING SENSE OF DARKNESS* 93
EXPERIENCING DARKENING AS INCREASING DESPERATION * 94
7 AUDIOVISUAL FIGURATIVITY EMERGING FROM CINEMATIC
EXPERIENCE* 100
7.1 FEELING LOSING AND WINNING:
REPORT
M A IN Z
(TV NEWS FEATURE) * 101
7.2 MOVEMENT EXPERIENCE AND METAPHORICAL PROCESS:
S U S P IC IO N
* 104
7.3 METONYMIES IN METAPHORICAL WORLDS:
HER
M O R N IN G
ELEGANCE
(MUSIC VIDEO) * 110
7.4 EXPERIENCING TRANSFORMATIONS:
A
NGELA
M
ERKEL
(CAMPAIGN COMMERCIAL) * 115
FEELING THE PAST, PRESENT, AND FUTURE WITH THE GERMAN
CHANCELLOR* 116
MERKEL IS *WE*: HOW THE CHANCELLOR BECOMES PART OF THE
GERMAN PEOPLE* 119
RESUM6 * 123
PART III: CINEMATIC EXPRESSIVE MOVEMENT:
AFFECTIVITY AND METAPHOR
INTRODUCTION * 129
8 CINEMATIC EXPRESSIVE MOVEMENT AND THE POETICS OF AFFECT:
THREE EXAMPLES* 131
8.1 MOVING SPECTATORS:
LOLA
R E N N T
* 131
8.2
TEMPORAL UNFOLDING AS AFFECT MODULATION:
BATAAN
* 134
8.3 BEING TOUCHED BY NEWS?
TAGESSCHAU
(TV NEWS FEATURE) * 139
8.4 DISCUSSION * 143
9 MOVEMENT-IMAGE: FROM BODY MOVEMENT TO CINEMATIC
EXPRESSIVITY* 146
9.1 HAND GESTURES AS EXPRESSIVE MOVEMENTS* 146
9.2 INTERAFFECTIVITY AND THE EMERGENCE OF METAPHOR IN A GROUP
DISCUSSION * 148
9.3 HISTORICAL AND THEORETICAL CONTEXTS OF EXPRESSIVE
MOVEMENT* 154
POETICS OF AFFECT AND THE MELODRAMATIC MODE OF THEATER
AND FILM * 155
THE MODERN CONCEPT OF EXPRESSION IN FILM THEORY* 157
9.4 DISCUSSION * 162
10 THE AFFECTIVE DIMENSION: EXPRESSIVE MOVEMENTS AND
CINEMATIC METAPHOR* 164
10.1 DYNAMIC FORCES AND STATIC STRUCTURES:
JEZEBEL
* 164
AN EMERGING METAPHORICAL AXIS * 169
10.2
SAND IN THE GEARS OF THE ECONOMIC CYCLE:
TAGESSCHAU
(TV NEWS FEATURE) * 172
RESUMS* 178
PART IV: TEMPORALITY OF CINEMATIC METAPHOR: INTERTWINED
DYNAMICS ON MICRO AND MACRO LEVELS
INTRODUCTION * 183
11 EMERGING METAPHORICAL SCENARIOS* 185
11.1
FACE-TO-FACE INTERACTION: TANGO LESSON * 185
EXPERIENCING BALANCED POSTURE AS SPATIAL AXIS* 186
EXPERIENCING BALANCED POSTURE IN WALKING* 187
11.2
AUDIOVISUAL PERCEPTION:
SAT
I N
ACHRICHTEN
(TV NEWS FEATURE) * 192
12 INTERTWINING METAPHORICAL THEMES IN A TV NEWS FEATURE:
REPORT M AINZ
------
196
12.1 CINEMATIC EXPRESSIVE MOVEMENTS AS TEMPORAL
MACRO-STRUCTURE * 196
12.2 CINEMATIC METAPHOR AS TEMPORAL PARCOURS* 197
THE INTRODUCTION * 198
A
CHAMPAGNE RECEPTION
* 199
THE LOSING BANKERS * 201
THE ACTUAL LOSERS ARE THE SMALL INVESTORS* 202
12.3 TEMPORAL INTERTWINING OF TWO CINEMATIC METAPHORS* 204
13 UNFOLDING METAPHORIC THEMES IN
A
FEATURE FILM:
S P E L L B O U N D
* 207
13.1 HOW NON-REMEMBERING FEELS: A CINEMATIC EXPRESSIVE
MOVEMENT UNIT* 209
13.2 THE UNFOLDING METAPHORICAL THEME * 211
NON-REMEMBERING TURNS INTO REMEMBERING* 214
FROM NON-REMEMBERING TO REMEMBERING THROUGH METAPHOR
SHIFTING* 216
13.3 90-MINUTE-METAPHORS?* 218
R6SUM6* 221
BEYOND CINEMATIC METAPHOR* 222
APPENDIX: CINEMATIC METAPHOR - A METHODOLOGICAL OUTLINE* 226
A.O INTRODUCTION * 227
A .L AUDIOVISUAL MEDIA: EMAEX* 228
A.2 MULTIMODAL FACE-TO-FACE INTERACTION: MGAAND MFA* 228
A.3 THE CINMET PROCEDURE: EXEMPLARY ANALYSIS OF A FILM * 229
A.3.1 HANDS-ON OUTLINE * 230
MACRO LEVEL (1) * 230
MICRO LEVEL (2)
-----
230
MESO LEVEL (3) * 230
MACRO LEVEL (4) * 231
MACRO LEVEL:
SP ELLB O U N D
(1) * 231
MICRO LEVEL:
SP ELLB O U N D
(2) * 232
MESO LEVEL:
SP ELLB O U N D
(3) * 233
MACRO LEVEL:
SP ELLB O U N D
(4) * 234
A.3.2 ZOOMING IN: THREE LEVELS OF AUDIOVISUAL AND MULTIMODAL
COMMUNICATION ANALYSIS* 235
MICRO LEVEL: EXPRESSIVE MOVEMENTS * 236
BATAAN
-----
237
FACE-TO-FACE DISCUSSION * 238
MESO LEVEL: PATTERNS AND/OR SCENARIOS* 240
REPORT MAINZ
* 240
DANCE CLASS * 241
MACRO LEVEL: METAPHORICAL THEMES * 244
REPORT MAINZ
-----
244
DANCE CLASS * 245
A.4 CONCLUDING REMARKS * 247
BIBLIOGRAPHY* 249
AUDIOVISUAL SOURCES* 265
LIST OF FIGURES* 266
NAME INDEX* 270
SUBJECT INDEX* 274
ABOUT THE AUTHORS* 277
|
| any_adam_object | 1 |
| author | Müller, Cornelia 1960- Kappelhoff, Hermann 1959- |
| author2 | Greifenstein, Sarah ca. 20. Jh Horst, Dorothea ca. 20. Jh Scherer, Thomas Schmitt, Christina |
| author2_role | ctb ctb ctb ctb |
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| author_GND | (DE-588)12015773X (DE-588)114590044 (DE-588)1098162277 (DE-588)1170927432 (DE-588)1171272545 (DE-588)1171273258 |
| author_facet | Müller, Cornelia 1960- Kappelhoff, Hermann 1959- Greifenstein, Sarah ca. 20. Jh Horst, Dorothea ca. 20. Jh Scherer, Thomas Schmitt, Christina |
| author_role | aut aut |
| author_sort | Müller, Cornelia 1960- |
| author_variant | c m cm h k hk |
| building | Verbundindex |
| bvnumber | BV045074342 |
| classification_rvk | AP 45100 |
| ctrlnum | (OCoLC)1040202511 (DE-599)DNB1160532354 |
| discipline | Allgemeines |
| format | Book |
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| id | DE-604.BV045074342 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:07:53Z |
| institution | BVB |
| institution_GND | (DE-588)10095502-2 |
| isbn | 9783110579598 3110579596 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030465479 |
| oclc_num | 1040202511 |
| open_access_boolean | |
| owner | DE-11 DE-B170 DE-824 DE-703 DE-521 |
| owner_facet | DE-11 DE-B170 DE-824 DE-703 DE-521 |
| physical | XIV, 279 Seiten Illustrationen |
| psigel | BSB_NED_20191008 |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | De Gruyter |
| record_format | marc |
| series | Cinepoetics |
| series2 | Cinepoetics |
| spelling | Müller, Cornelia 1960- Verfasser (DE-588)12015773X aut Cinematic metaphor experience - affectivity - temporality Cornelia Müller and Hermann Kappelhoff ; in collaboration with Sarah Greifenstein, Dorothea Horst, Thomas Scherer, and Christina Schmitt Berlin ; Boston De Gruyter [2018] © 2018 XIV, 279 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Cinepoetics volume 4 Metapher (DE-588)4038935-2 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Cinematic metaphor audiovisual media gesture multimodality Film (DE-588)4017102-4 s Metapher (DE-588)4038935-2 s DE-604 Kappelhoff, Hermann 1959- Verfasser (DE-588)114590044 aut Greifenstein, Sarah ca. 20. Jh. (DE-588)1098162277 ctb Horst, Dorothea ca. 20. Jh. (DE-588)1170927432 ctb Scherer, Thomas (DE-588)1171272545 ctb Schmitt, Christina (DE-588)1171273258 ctb Walter de Gruyter GmbH & Co. KG (DE-588)10095502-2 pbl Äquivalent Druck-Ausgabe, Paperback 2020 978-3-11-070907-0 (DE-604)BV046901046 Erscheint auch als Online-Ausgabe, EPUB 978-3-11-057978-9 Erscheint auch als Online-Ausgabe, PDF 978-3-11-058078-5 Cinepoetics volume 4 (DE-604)BV044926894 4 X:MVB http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110579598&searchTitles=true Inhaltsverzeichnis X:MVB https://www.degruyter.com/doc/cover/9783110579598.jpg Cover DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030465479&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Müller, Cornelia 1960- Kappelhoff, Hermann 1959- Cinematic metaphor experience - affectivity - temporality Cinepoetics Metapher (DE-588)4038935-2 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4038935-2 (DE-588)4017102-4 |
| title | Cinematic metaphor experience - affectivity - temporality |
| title_auth | Cinematic metaphor experience - affectivity - temporality |
| title_exact_search | Cinematic metaphor experience - affectivity - temporality |
| title_full | Cinematic metaphor experience - affectivity - temporality Cornelia Müller and Hermann Kappelhoff ; in collaboration with Sarah Greifenstein, Dorothea Horst, Thomas Scherer, and Christina Schmitt |
| title_fullStr | Cinematic metaphor experience - affectivity - temporality Cornelia Müller and Hermann Kappelhoff ; in collaboration with Sarah Greifenstein, Dorothea Horst, Thomas Scherer, and Christina Schmitt |
| title_full_unstemmed | Cinematic metaphor experience - affectivity - temporality Cornelia Müller and Hermann Kappelhoff ; in collaboration with Sarah Greifenstein, Dorothea Horst, Thomas Scherer, and Christina Schmitt |
| title_short | Cinematic metaphor |
| title_sort | cinematic metaphor experience affectivity temporality |
| title_sub | experience - affectivity - temporality |
| topic | Metapher (DE-588)4038935-2 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Metapher Film |
| url | http://www.degruyter.com/search?f_0=isbnissn&q_0=9783110579598&searchTitles=true https://www.degruyter.com/doc/cover/9783110579598.jpg http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030465479&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV044926894 |
| work_keys_str_mv | AT mullercornelia cinematicmetaphorexperienceaffectivitytemporality AT kappelhoffhermann cinematicmetaphorexperienceaffectivitytemporality AT greifensteinsarah cinematicmetaphorexperienceaffectivitytemporality AT horstdorothea cinematicmetaphorexperienceaffectivitytemporality AT schererthomas cinematicmetaphorexperienceaffectivitytemporality AT schmittchristina cinematicmetaphorexperienceaffectivitytemporality AT walterdegruytergmbhcokg cinematicmetaphorexperienceaffectivitytemporality |
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Inhaltsverzeichnis