The Hollywood renaissance: revisiting American cinema's most celebrated era
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Bloomsbury Academic
2018
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xxvii, 255 Seiten Illustrationen |
| ISBN: | 9781501337888 9781501337871 |
Internformat
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Datensatz im Suchindex
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| adam_text | CONTENTS
List of Contributors vii
Acknowledgments xi
Introduction
Peter Krämer and Yannis Tzioumakis xiii
Chapter 1
BRIDGING COMMERCE AND CLASSIFICATION THROUGH
THE AMERICAN ART FILM: THE CASE OF WHO’S AFRAID
OF VIRGINIA WOOLF? (1966)
Justin Wyatt 1
Chapter 2
THE FILM EDITORS WHO INVENTED THE HOLLYWOOD
RENAISSANCE: RALPH ROSENBLUM, SAM O’STEEN AND
DEDE ALLEN’S BONNIE AND CLYDE (1967)
Warren Buckland 19
Chapter 3
‘I SMELL MONEY!’ CLASS PRODUCT, THE GRADUATE (1967)
AND THE CORPORATIZATION OF EMBASSY
A. T. McKenna 35
Chapter 4
‘A TRIUMPH OF AURA OVER APPEARANCE’: BARBRA STREISAND,
FUNNY GIRL (1968) AND THE HOLLYWOOD RENAISSANCE
Peter Krämer 53
Chapter 5
THE AUTEURIST SPECIAL EFFECTS FILM: KUBRICK’S A SPACE
ODYSSEY (1968) AND THE ‘SINGLE-GENERATION LOOK’
Julie Turnock 71
Chapter 6
‘ABOUT AS BRUTAL, RELEVANT AND EXPLOITABLE AS THEY COME’:
MEDIUM COOL (1969) AND POLITICAL FILMMAKING
Oliver Grüner
91
VI
Contents
Chapter 7
FROM EXPLOITATION TO LEGITIMACY: EASY RIDER (1969) AND
INDEPENDENT CINEMA’S JOURNEY INTO HOLLYWOOD
Yannis Tzioumakis
Chapter 8
HOLLYWOOD TRADE: MIDNIGHT COWBOY (1969) AND
UNDERGROUND CINEMA
Gary Needham
Chapter 9
ZABRISKIE POINT (1970), MICHELANGELO ANTONIONI AND
EUROPEAN DIRECTORS IN HOLLYWOOD
Melis Behlil
Chapter 10
BECOMING HAL ASHBY: INTERSECTIONAL POLITICS, THE
HOLLYWOOD RENAISSANCE AND HAROLD AND MAUDE (1971)
Philip Drake
Chapter 11
A MATTER OF RACE AND GENDER: LADY SINGS THE BLUES ( 1972)
AND THE HOLLYWOOD RENAISSANCE CANON
Charlene Regester
Chapter 12
DE NIRO AND SCORSESE: DIRECTOR-ACTOR COLLABORATION
IN MEAN STREETS (1973) AND THE HOLLYWOOD RENAISSANCE
R. Colin Tait
Chapter 13
COPPOLA’S THE CONVERSATION (1974) AND WALTER MURCH’S
SOUND WORLDS
Frederick Wasser
111
129
149
165
185
203
221
Index
239
In December 1967, Time magazine put Bonnie and Clyde on its cover and proudly declared
that Hollywood cinema was undergoing a renaissance1. For the next few years, a wide range
of formally and thematically challenging films were produced at the very centre of the
American film industry, often combining success at the box office with huge critical acclaim,
both then and later. This collection brings together acknowledged experts on American
cinema to examine thirteen key films from the years 1966 to 1974, starting with Who s Afraid
of Virginia Woolf?, a major studio release which was in effect exempted from Hollywood’s
Production Code and thus helped to liberate American filmmaking from (self-)censorship.
Long-standing taboos to do with sex, violence, race relations, drugs, politics, religion and
much else could now be broken, often in conjunction with extensive stylistic experimentation.
Whereas most previous scholarship has examined these developments through the prism of
auteurism, with its tight focus on film directors and their oeuvres, the contributors to this
collection also carefully examine production histories and processes. They pay particular
attention to the economic underpinnings and collaborative nature of filmmaking, the influence
of European art cinema as well as of exploitation, experimental and underground films, and
the connections between cinema and other media.
is a Senior Fellow in the School of Art, Media and American Studies at the
University of East Anglia, UK. He is the author and editor of eight academic books, among
them The New Hollywood: From Bonnie and Clyde to Star Wars (2005) and the BFI Film
Classic on 2001: A Space Odyssey(2010).
is Reader in Film and Media Industries at the University of Liverpool,
UK. He is the author of four books, most recently of American Independent, Cinema: An
Introduction, 2nd edition (2017) and co-editor of four collections of essays, most recently
of The Routledge Companion to Cinema and Politics (2017).
|
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| title | The Hollywood renaissance revisiting American cinema's most celebrated era |
| title_auth | The Hollywood renaissance revisiting American cinema's most celebrated era |
| title_exact_search | The Hollywood renaissance revisiting American cinema's most celebrated era |
| title_full | The Hollywood renaissance revisiting American cinema's most celebrated era edited by Peter Krämer and Yannis Tzioumakis |
| title_fullStr | The Hollywood renaissance revisiting American cinema's most celebrated era edited by Peter Krämer and Yannis Tzioumakis |
| title_full_unstemmed | The Hollywood renaissance revisiting American cinema's most celebrated era edited by Peter Krämer and Yannis Tzioumakis |
| title_short | The Hollywood renaissance |
| title_sort | the hollywood renaissance revisiting american cinema s most celebrated era |
| title_sub | revisiting American cinema's most celebrated era |
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