Contesting Visibility: Photographic Practices on the East African Coast
Since the introduction of photography by commercial studio photographers and the colonial state in Kenya, this global medium has been intensely debated and contested among Muslims on the cosmopolitan East African coast. This book does not only explore the making, circulation, and consumption of popu...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | German |
| Veröffentlicht: |
transcript Verlag
2013
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| Schriftenreihe: | Image
60 |
| Schlagworte: | |
| Online-Zugang: | DE-B1533 DE-860 DE-859 |
| Zusammenfassung: | Since the introduction of photography by commercial studio photographers and the colonial state in Kenya, this global medium has been intensely debated and contested among Muslims on the cosmopolitan East African coast. This book does not only explore the making, circulation, and consumption of popular photographs, but also the other side, their rejection and obliteration, an essential aspect of a medium's history that should not be neglected. It deals with various »social spaces of refusal« in the local Muslim milieu and in that of »traditional« spirit mediums in which (gendered) visibility was (and is) contested in various and creative ways. It focuses on the »aesthetics of withdrawal«: the various ways and techniques that process the photographic act as well as the photographic image to theatricalize the surface of the image in new ways by veiling, masking, and concealing. In a fragmented historical perspective, Heike Behrend seeks to complement, decenter, and counter the history of photography as it has been told by the West and to narrate another history beginning with preceding local media such as textiles and spirit possession |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 9783839424568 |
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| 520 | |a Since the introduction of photography by commercial studio photographers and the colonial state in Kenya, this global medium has been intensely debated and contested among Muslims on the cosmopolitan East African coast. This book does not only explore the making, circulation, and consumption of popular photographs, but also the other side, their rejection and obliteration, an essential aspect of a medium's history that should not be neglected. It deals with various »social spaces of refusal« in the local Muslim milieu and in that of »traditional« spirit mediums in which (gendered) visibility was (and is) contested in various and creative ways. It focuses on the »aesthetics of withdrawal«: the various ways and techniques that process the photographic act as well as the photographic image to theatricalize the surface of the image in new ways by veiling, masking, and concealing. In a fragmented historical perspective, Heike Behrend seeks to complement, decenter, and counter the history of photography as it has been told by the West and to narrate another history beginning with preceding local media such as textiles and spirit possession | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | |
| any_adam_object | |
| author | Behrend, Heike |
| author_facet | Behrend, Heike |
| author_role | aut |
| author_sort | Behrend, Heike |
| author_variant | h b hb |
| building | Verbundindex |
| bvnumber | BV045062929 |
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| discipline | Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| geographic_facet | Kenia |
| id | DE-604.BV045062929 |
| illustrated | Not Illustrated |
| indexdate | 2025-01-16T17:07:21Z |
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| isbn | 9783839424568 |
| language | German |
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| spelling | Behrend, Heike Verfasser aut Contesting Visibility Photographic Practices on the East African Coast transcript Verlag 2013 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Image 60 Since the introduction of photography by commercial studio photographers and the colonial state in Kenya, this global medium has been intensely debated and contested among Muslims on the cosmopolitan East African coast. This book does not only explore the making, circulation, and consumption of popular photographs, but also the other side, their rejection and obliteration, an essential aspect of a medium's history that should not be neglected. It deals with various »social spaces of refusal« in the local Muslim milieu and in that of »traditional« spirit mediums in which (gendered) visibility was (and is) contested in various and creative ways. It focuses on the »aesthetics of withdrawal«: the various ways and techniques that process the photographic act as well as the photographic image to theatricalize the surface of the image in new ways by veiling, masking, and concealing. In a fragmented historical perspective, Heike Behrend seeks to complement, decenter, and counter the history of photography as it has been told by the West and to narrate another history beginning with preceding local media such as textiles and spirit possession Geschichte gnd rswk-swf Islam Ethnology Postcolonialism Africa Photography Media Anthropology Media History East African Coast Islam (DE-588)4027743-4 gnd rswk-swf Soziale Funktion (DE-588)4289518-2 gnd rswk-swf Bildlosigkeit (DE-588)4763446-7 gnd rswk-swf Muslim (DE-588)4040921-1 gnd rswk-swf Soziokultureller Wandel (DE-588)4227561-1 gnd rswk-swf Porträtfotografie (DE-588)4046840-9 gnd rswk-swf Kenia (DE-588)4030236-2 gnd rswk-swf Kenia (DE-588)4030236-2 g Muslim (DE-588)4040921-1 s Porträtfotografie (DE-588)4046840-9 s Islam (DE-588)4027743-4 s Bildlosigkeit (DE-588)4763446-7 s Soziokultureller Wandel (DE-588)4227561-1 s 1\p DE-604 Soziale Funktion (DE-588)4289518-2 s Geschichte z 2\p DE-604 Erscheint auch als Druck-Ausgabe 978-3-8376-2456-4 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Behrend, Heike Contesting Visibility Photographic Practices on the East African Coast Islam Ethnology Postcolonialism Africa Photography Media Anthropology Media History East African Coast Islam (DE-588)4027743-4 gnd Soziale Funktion (DE-588)4289518-2 gnd Bildlosigkeit (DE-588)4763446-7 gnd Muslim (DE-588)4040921-1 gnd Soziokultureller Wandel (DE-588)4227561-1 gnd Porträtfotografie (DE-588)4046840-9 gnd |
| subject_GND | (DE-588)4027743-4 (DE-588)4289518-2 (DE-588)4763446-7 (DE-588)4040921-1 (DE-588)4227561-1 (DE-588)4046840-9 (DE-588)4030236-2 |
| title | Contesting Visibility Photographic Practices on the East African Coast |
| title_auth | Contesting Visibility Photographic Practices on the East African Coast |
| title_exact_search | Contesting Visibility Photographic Practices on the East African Coast |
| title_full | Contesting Visibility Photographic Practices on the East African Coast |
| title_fullStr | Contesting Visibility Photographic Practices on the East African Coast |
| title_full_unstemmed | Contesting Visibility Photographic Practices on the East African Coast |
| title_short | Contesting Visibility |
| title_sort | contesting visibility photographic practices on the east african coast |
| title_sub | Photographic Practices on the East African Coast |
| topic | Islam Ethnology Postcolonialism Africa Photography Media Anthropology Media History East African Coast Islam (DE-588)4027743-4 gnd Soziale Funktion (DE-588)4289518-2 gnd Bildlosigkeit (DE-588)4763446-7 gnd Muslim (DE-588)4040921-1 gnd Soziokultureller Wandel (DE-588)4227561-1 gnd Porträtfotografie (DE-588)4046840-9 gnd |
| topic_facet | Islam Ethnology Postcolonialism Africa Photography Media Anthropology Media History East African Coast Soziale Funktion Bildlosigkeit Muslim Soziokultureller Wandel Porträtfotografie Kenia |
| work_keys_str_mv | AT behrendheike contestingvisibilityphotographicpracticesontheeastafricancoast |