Diaries real and fictional in twentieth-century French writing:
"This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries--a supposedly private form of writing--would probably come to...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Oxford
Oxford University Press
2018
|
Ausgabe: | First edition |
Schriftenreihe: | Oxford modern languages and literature monographs
|
Schlagworte: | |
Zusammenfassung: | "This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries--a supposedly private form of writing--would probably come to be published, strongly affecting the way their readers viewed their other published works, and their very persona as an author. More than any other, Andre Gide embraced the literary potential of the diary: the first part of this book follows his experimentation with the diary in the fictional works Les Cahiers d'Andre Walter (1891) and Paludes (1895), in his diary of the composition of his great novel, Le Journal des faux-monnayeurs (1926), and in his monumental Journal 1889-1939 (1939). The second part follows developments in diary-writing after the Second World War, inflected by radical changes in attitudes towards the writing subject. Raymond Queneau's works published under the pseudonym of Sally Mara (1947-1962) used the diary playfully at a time when the writing subject was condemned by the literary avant-garde. Roland Barthes's experiments with the diary (1977-1979) took it to the extremes of its formal possibilities, at the point of a return of the writing subject. Annie Ernaux's published diaries (1993-2011) demonstrate the role of the diary in the modern field of life-writing. Throughout the century, the diary has repeatedly been used to construct an oeuvre and author, but also to call these fundamental literary concepts into question."-- |
Beschreibung: | xvii, 245 Seiten Illustrationen 24 cm |
ISBN: | 9780198814535 0198814534 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV045059667 | ||
003 | DE-604 | ||
005 | 20180713 | ||
007 | t | ||
008 | 180627s2018 a||| b||| 00||| eng d | ||
020 | |a 9780198814535 |c hardback |9 978-0-19-881453-5 | ||
020 | |a 0198814534 |c hardback |9 0-19-881453-4 | ||
035 | |a (OCoLC)1010502788 | ||
035 | |a (DE-599)BVBBV045059667 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 | ||
100 | 1 | |a Ferguson, Sam |d 1985- |e Verfasser |0 (DE-588)1162538465 |4 aut | |
245 | 1 | 0 | |a Diaries real and fictional in twentieth-century French writing |c Sam Ferguson |
250 | |a First edition | ||
264 | 1 | |a Oxford |b Oxford University Press |c 2018 | |
300 | |a xvii, 245 Seiten |b Illustrationen |c 24 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Oxford modern languages and literature monographs | |
520 | 3 | |a "This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries--a supposedly private form of writing--would probably come to be published, strongly affecting the way their readers viewed their other published works, and their very persona as an author. More than any other, Andre Gide embraced the literary potential of the diary: the first part of this book follows his experimentation with the diary in the fictional works Les Cahiers d'Andre Walter (1891) and Paludes (1895), in his diary of the composition of his great novel, Le Journal des faux-monnayeurs (1926), and in his monumental Journal 1889-1939 (1939). The second part follows developments in diary-writing after the Second World War, inflected by radical changes in attitudes towards the writing subject. Raymond Queneau's works published under the pseudonym of Sally Mara (1947-1962) used the diary playfully at a time when the writing subject was condemned by the literary avant-garde. Roland Barthes's experiments with the diary (1977-1979) took it to the extremes of its formal possibilities, at the point of a return of the writing subject. Annie Ernaux's published diaries (1993-2011) demonstrate the role of the diary in the modern field of life-writing. Throughout the century, the diary has repeatedly been used to construct an oeuvre and author, but also to call these fundamental literary concepts into question."-- | |
648 | 7 | |a Geschichte 1900-2000 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Tagebuch |0 (DE-588)4058900-6 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Französisch |0 (DE-588)4113615-9 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Literatur |0 (DE-588)4035964-5 |2 gnd |9 rswk-swf |
653 | 0 | |a French literature / 20th century / History and criticism | |
653 | 0 | |a Authors, French / 20th century / Diaries | |
653 | 0 | |a Diaries in literature | |
653 | 0 | |a Diary fiction | |
653 | 0 | |a 18.25 French literature | |
689 | 0 | 0 | |a Französisch |0 (DE-588)4113615-9 |D s |
689 | 0 | 1 | |a Literatur |0 (DE-588)4035964-5 |D s |
689 | 0 | 2 | |a Tagebuch |0 (DE-588)4058900-6 |D s |
689 | 0 | 3 | |a Geschichte 1900-2000 |A z |
689 | 0 | |5 DE-604 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-030451234 |
Datensatz im Suchindex
_version_ | 1804178658389131264 |
---|---|
any_adam_object | |
author | Ferguson, Sam 1985- |
author_GND | (DE-588)1162538465 |
author_facet | Ferguson, Sam 1985- |
author_role | aut |
author_sort | Ferguson, Sam 1985- |
author_variant | s f sf |
building | Verbundindex |
bvnumber | BV045059667 |
ctrlnum | (OCoLC)1010502788 (DE-599)BVBBV045059667 |
edition | First edition |
era | Geschichte 1900-2000 gnd |
era_facet | Geschichte 1900-2000 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03200nam a2200469 c 4500</leader><controlfield tag="001">BV045059667</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20180713 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">180627s2018 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780198814535</subfield><subfield code="c">hardback</subfield><subfield code="9">978-0-19-881453-5</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0198814534</subfield><subfield code="c">hardback</subfield><subfield code="9">0-19-881453-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1010502788</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045059667</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Ferguson, Sam</subfield><subfield code="d">1985-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1162538465</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Diaries real and fictional in twentieth-century French writing</subfield><subfield code="c">Sam Ferguson</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oxford</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xvii, 245 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Oxford modern languages and literature monographs</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries--a supposedly private form of writing--would probably come to be published, strongly affecting the way their readers viewed their other published works, and their very persona as an author. More than any other, Andre Gide embraced the literary potential of the diary: the first part of this book follows his experimentation with the diary in the fictional works Les Cahiers d'Andre Walter (1891) and Paludes (1895), in his diary of the composition of his great novel, Le Journal des faux-monnayeurs (1926), and in his monumental Journal 1889-1939 (1939). The second part follows developments in diary-writing after the Second World War, inflected by radical changes in attitudes towards the writing subject. Raymond Queneau's works published under the pseudonym of Sally Mara (1947-1962) used the diary playfully at a time when the writing subject was condemned by the literary avant-garde. Roland Barthes's experiments with the diary (1977-1979) took it to the extremes of its formal possibilities, at the point of a return of the writing subject. Annie Ernaux's published diaries (1993-2011) demonstrate the role of the diary in the modern field of life-writing. Throughout the century, the diary has repeatedly been used to construct an oeuvre and author, but also to call these fundamental literary concepts into question."--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Tagebuch</subfield><subfield code="0">(DE-588)4058900-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Französisch</subfield><subfield code="0">(DE-588)4113615-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">French literature / 20th century / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Authors, French / 20th century / Diaries</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Diaries in literature</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Diary fiction</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">18.25 French literature</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Französisch</subfield><subfield code="0">(DE-588)4113615-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Literatur</subfield><subfield code="0">(DE-588)4035964-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Tagebuch</subfield><subfield code="0">(DE-588)4058900-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030451234</subfield></datafield></record></collection> |
id | DE-604.BV045059667 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:07:28Z |
institution | BVB |
isbn | 9780198814535 0198814534 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030451234 |
oclc_num | 1010502788 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | xvii, 245 Seiten Illustrationen 24 cm |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | Oxford University Press |
record_format | marc |
series2 | Oxford modern languages and literature monographs |
spelling | Ferguson, Sam 1985- Verfasser (DE-588)1162538465 aut Diaries real and fictional in twentieth-century French writing Sam Ferguson First edition Oxford Oxford University Press 2018 xvii, 245 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Oxford modern languages and literature monographs "This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries--a supposedly private form of writing--would probably come to be published, strongly affecting the way their readers viewed their other published works, and their very persona as an author. More than any other, Andre Gide embraced the literary potential of the diary: the first part of this book follows his experimentation with the diary in the fictional works Les Cahiers d'Andre Walter (1891) and Paludes (1895), in his diary of the composition of his great novel, Le Journal des faux-monnayeurs (1926), and in his monumental Journal 1889-1939 (1939). The second part follows developments in diary-writing after the Second World War, inflected by radical changes in attitudes towards the writing subject. Raymond Queneau's works published under the pseudonym of Sally Mara (1947-1962) used the diary playfully at a time when the writing subject was condemned by the literary avant-garde. Roland Barthes's experiments with the diary (1977-1979) took it to the extremes of its formal possibilities, at the point of a return of the writing subject. Annie Ernaux's published diaries (1993-2011) demonstrate the role of the diary in the modern field of life-writing. Throughout the century, the diary has repeatedly been used to construct an oeuvre and author, but also to call these fundamental literary concepts into question."-- Geschichte 1900-2000 gnd rswk-swf Tagebuch (DE-588)4058900-6 gnd rswk-swf Französisch (DE-588)4113615-9 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf French literature / 20th century / History and criticism Authors, French / 20th century / Diaries Diaries in literature Diary fiction 18.25 French literature Französisch (DE-588)4113615-9 s Literatur (DE-588)4035964-5 s Tagebuch (DE-588)4058900-6 s Geschichte 1900-2000 z DE-604 |
spellingShingle | Ferguson, Sam 1985- Diaries real and fictional in twentieth-century French writing Tagebuch (DE-588)4058900-6 gnd Französisch (DE-588)4113615-9 gnd Literatur (DE-588)4035964-5 gnd |
subject_GND | (DE-588)4058900-6 (DE-588)4113615-9 (DE-588)4035964-5 |
title | Diaries real and fictional in twentieth-century French writing |
title_auth | Diaries real and fictional in twentieth-century French writing |
title_exact_search | Diaries real and fictional in twentieth-century French writing |
title_full | Diaries real and fictional in twentieth-century French writing Sam Ferguson |
title_fullStr | Diaries real and fictional in twentieth-century French writing Sam Ferguson |
title_full_unstemmed | Diaries real and fictional in twentieth-century French writing Sam Ferguson |
title_short | Diaries real and fictional in twentieth-century French writing |
title_sort | diaries real and fictional in twentieth century french writing |
topic | Tagebuch (DE-588)4058900-6 gnd Französisch (DE-588)4113615-9 gnd Literatur (DE-588)4035964-5 gnd |
topic_facet | Tagebuch Französisch Literatur |
work_keys_str_mv | AT fergusonsam diariesrealandfictionalintwentiethcenturyfrenchwriting |