Re-assessing the global turn in medieval art history:
Study of the migration of motifs, materials, personnel, and finished objects in Eurasia has a long pedigree in medieval art history, and the broadening attention to material culture as an alternative to purely textually based historical accounts has been integral to reshaping the conception of an in...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leeds
ARC Humanities Press
[2018]
|
| Schriftenreihe: | The Medieval globe
volume 3 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Study of the migration of motifs, materials, personnel, and finished objects in Eurasia has a long pedigree in medieval art history, and the broadening attention to material culture as an alternative to purely textually based historical accounts has been integral to reshaping the conception of an interconnected medieval world. The growth in debates concerning the concept of the global throughout art history, and the more complex picture of Eurasian and African societies and material culture that has emerged in the past two decades has highlighted challenges to traditional art historical narratives, specializations, and scholarly training. While these problems affect Byzantine, Islamic, Western medieval, and East Asian art history, there has been little conversation among scholars in these fields. A cutting-edge work on global medieval art, this volume offers a starting point for conversations among scholars working on multiple cultural regions |
| Beschreibung: | xi, 225 Seiten, 20 ungezählte Seiten Tafeln Illustrationen, Karten 24 cm |
| ISBN: | 9781641892261 |
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Datensatz im Suchindex
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|---|---|
| adam_text | RE-ASSESSING THE
GLOBAL TURN IN
MEDIEVAL ART HISTORY
EDITED BY
CHRISTINA NORMORE
HUMANITIES PRESS
CONTENTS
LIST OF
ILLUSTRATIONS...............................................................................................VII
EDITOR*S INTRODUCTION: A WORLD WITHIN WORLDS?
REASSESSING THE GLOBAL TURN IN MEDIEVAL ART HISTORY
CHRISTINA
NORMORE............................................................................................................1
A CAMEL*S PACE: A CAUTIONARY GLOBAL
BONNIE
CHENG........................................................................................................................11
THE FATIMID HOLY CITY: REBUILDING JERUSALEM IN THE ELEVENTH CENTURY
JENNIFER
PRUITT...................................................................................................................35
WORLDLINESS IN BYZANTIUM AND BEYOND:
REASSESSING THE VISUAL NETWORKS OF BARLAAM AND LOASAPH
CECILY
J.HILSDALE...............................................................................................................57
EXCHANGE OF SACRIFICES: WEST AFRICA IN THE MEDIEVAL WORLD OF GOODS
SARAH M.
GUERIN.................................................................................................................97
THE BERYOZOVO CUP: A BYZANTINE OBJECT
AT THE CROSSROADS OF TWELFTH-CENTURY EURASIA
ALICIA
WALKER.....................................................................................................................125
MOBILE MEANINGS: A GLOBAL APPROACH TO A DAGGER FROM GREATER SYRIA
HEATHER
BADAMO.............................................................................................................149
GLOBAL MEDIEVAL AT THE END OF THE SILK ROAD,* CIRCA
756
CE:
THE SHOSO-IN COLLECTION IN JAPAN
JUN
HU........................................................................................................................................177
RESPONSE: MEDIEVALISTS AND EARLY MODERNISTS*A WORLD DIVIDED?
JESSICA KEATING AND LIA
MARKEY..........................................................................203
INDEX
219
RE-ASSESSING THE
GLOBAL TURN IN
MEDIEVAL ART HISTORY
Edited by
CHRISTINA NORMORE
HUMANITIES PRESS
CONTENTS
List of Illustrations.................................................vii
Editor’s Introduction: A World within Worlds?
Reassessing the Global Turn in Medieval Art History
CHRISTINA NORMORE...................................................1
A Camel’s Pace: A Cautionary Global
BONNIE CHENG.......................................................11
The Fatimid Holy City: Rebuilding Jerusalem in the Eleventh Century
JENNIFER PRUITT....................................................35
Worldliness in Byzantium and Beyond:
Reassessing the Visual Networks of Barlaam and loasaph
CECILY J.HILSDALE..................................................57
Exchange of Sacrifices: West Africa in the Medieval World of Goods
SARAH M. GUÉRIN....................................................97
The Beryozovo Cup: A Byzantine Object
at the Crossroads of Twelfth-Century Eurasia
ALICIA WALKER.....................................................125
Mobile Meanings: A Global Approach to a Dagger from Greater Syria
HEATHER BADAMO....................................................149
Global Medieval at the End of the Silk Road,” circa 756 CE:
The Shôsô-in Collection in Japan
JUN HU............................................................177
Response: Medievalists and Early Modernists—A World Divided?
JESSICA KEATING AND LIA MARKEY....................................203
Index
219
|
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| discipline | Kunstgeschichte |
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| spelling | Re-assessing the global turn in medieval art history edited by Christina Normore Leeds ARC Humanities Press [2018] © 2018 xi, 225 Seiten, 20 ungezählte Seiten Tafeln Illustrationen, Karten 24 cm txt rdacontent n rdamedia nc rdacarrier The Medieval globe volume 3 Study of the migration of motifs, materials, personnel, and finished objects in Eurasia has a long pedigree in medieval art history, and the broadening attention to material culture as an alternative to purely textually based historical accounts has been integral to reshaping the conception of an interconnected medieval world. The growth in debates concerning the concept of the global throughout art history, and the more complex picture of Eurasian and African societies and material culture that has emerged in the past two decades has highlighted challenges to traditional art historical narratives, specializations, and scholarly training. While these problems affect Byzantine, Islamic, Western medieval, and East Asian art history, there has been little conversation among scholars in these fields. A cutting-edge work on global medieval art, this volume offers a starting point for conversations among scholars working on multiple cultural regions Globalisierung (DE-588)4557997-0 gnd rswk-swf Kunstgeschichte Fach (DE-588)4138803-3 gnd rswk-swf Eurozentrismus (DE-588)4200132-8 gnd rswk-swf Mittelalter (DE-588)4129108-6 gnd rswk-swf Kunstgeschichtsschreibung (DE-588)4033643-8 gnd rswk-swf Art, Medieval / History (DE-588)4143413-4 Aufsatzsammlung gnd-content Kunstgeschichte Fach (DE-588)4138803-3 s Kunstgeschichtsschreibung (DE-588)4033643-8 s Mittelalter (DE-588)4129108-6 s Eurozentrismus (DE-588)4200132-8 s Globalisierung (DE-588)4557997-0 s DE-604 Normore, Christina ca. 20./21. Jh. (DE-588)1020438231 edt Erscheint auch als Online-Ausgabe 978-1-64189-227-8 The Medieval globe volume 3 (DE-604)BV043895784 3 KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030449842&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Re-assessing the global turn in medieval art history |
| title_auth | Re-assessing the global turn in medieval art history |
| title_exact_search | Re-assessing the global turn in medieval art history |
| title_full | Re-assessing the global turn in medieval art history edited by Christina Normore |
| title_fullStr | Re-assessing the global turn in medieval art history edited by Christina Normore |
| title_full_unstemmed | Re-assessing the global turn in medieval art history edited by Christina Normore |
| title_short | Re-assessing the global turn in medieval art history |
| title_sort | re assessing the global turn in medieval art history |
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