Kendell Geers, AnimystikAktivist. Between traditional and the contemporary in African art:
South African-born Belgian artist Kendell Geers changed his date of birth to MAY 1968 as a performance, effectively giving birth to himself as a work of art. His artistic practice weaves together African animism, European mysticism, and socio-political activism with humor, irony, and contradiction....
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Brussel
Mercatorfonds
2018
|
Zusammenfassung: | South African-born Belgian artist Kendell Geers changed his date of birth to MAY 1968 as a performance, effectively giving birth to himself as a work of art. His artistic practice weaves together African animism, European mysticism, and socio-political activism with humor, irony, and contradiction. He uses his identity as a White African like a key to unlock and critique our understanding and reading of history, art, and language. This book, which focuses on his works created between 1988 and the present, looks at the influence of avant-garde traditions from Dada and Surrealism to Punk, intertwined with the powerful legacy of traditional African art on his work. Spiritually charged, politically poignant, and socially engaged, the work cannot be categorized as either European or African, but is rather a prolonged metaphysical dialogue between cultures, archetypal signs, and sacred symbols. Included are works in a diversity of media, including painting, sculpture, performance, photography, installation, and conceptual art |
ISBN: | 9789462301900 9462301905 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV045031913 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | t | ||
008 | 180621s2018 |||| 00||| eng d | ||
020 | |a 9789462301900 |9 9789462301900 | ||
020 | |a 9462301905 |9 9462301905 | ||
035 | |a (DE-599)BVBBV045031913 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-255 | ||
100 | 1 | |a Hoffman, Jens |e Verfasser |4 aut | |
245 | 1 | 0 | |a Kendell Geers, AnimystikAktivist. Between traditional and the contemporary in African art |c Jens Hoffman; Zoë Strother |
264 | 1 | |a Brussel |b Mercatorfonds |c 2018 | |
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 3 | |a South African-born Belgian artist Kendell Geers changed his date of birth to MAY 1968 as a performance, effectively giving birth to himself as a work of art. His artistic practice weaves together African animism, European mysticism, and socio-political activism with humor, irony, and contradiction. He uses his identity as a White African like a key to unlock and critique our understanding and reading of history, art, and language. This book, which focuses on his works created between 1988 and the present, looks at the influence of avant-garde traditions from Dada and Surrealism to Punk, intertwined with the powerful legacy of traditional African art on his work. Spiritually charged, politically poignant, and socially engaged, the work cannot be categorized as either European or African, but is rather a prolonged metaphysical dialogue between cultures, archetypal signs, and sacred symbols. Included are works in a diversity of media, including painting, sculpture, performance, photography, installation, and conceptual art | |
700 | 1 | |a Strother, Zoë |e Sonstige |4 oth | |
999 | |a oai:aleph.bib-bvb.de:BVB01-030423666 |
Datensatz im Suchindex
_version_ | 1804178638687436800 |
---|---|
any_adam_object | |
author | Hoffman, Jens |
author_facet | Hoffman, Jens |
author_role | aut |
author_sort | Hoffman, Jens |
author_variant | j h jh |
building | Verbundindex |
bvnumber | BV045031913 |
ctrlnum | (DE-599)BVBBV045031913 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01832nam a2200265 c 4500</leader><controlfield tag="001">BV045031913</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">180621s2018 |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789462301900</subfield><subfield code="9">9789462301900</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9462301905</subfield><subfield code="9">9462301905</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045031913</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hoffman, Jens</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Kendell Geers, AnimystikAktivist. Between traditional and the contemporary in African art</subfield><subfield code="c">Jens Hoffman; Zoë Strother</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Brussel</subfield><subfield code="b">Mercatorfonds</subfield><subfield code="c">2018</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">South African-born Belgian artist Kendell Geers changed his date of birth to MAY 1968 as a performance, effectively giving birth to himself as a work of art. His artistic practice weaves together African animism, European mysticism, and socio-political activism with humor, irony, and contradiction. He uses his identity as a White African like a key to unlock and critique our understanding and reading of history, art, and language. This book, which focuses on his works created between 1988 and the present, looks at the influence of avant-garde traditions from Dada and Surrealism to Punk, intertwined with the powerful legacy of traditional African art on his work. Spiritually charged, politically poignant, and socially engaged, the work cannot be categorized as either European or African, but is rather a prolonged metaphysical dialogue between cultures, archetypal signs, and sacred symbols. Included are works in a diversity of media, including painting, sculpture, performance, photography, installation, and conceptual art</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Strother, Zoë</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030423666</subfield></datafield></record></collection> |
id | DE-604.BV045031913 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T08:07:09Z |
institution | BVB |
isbn | 9789462301900 9462301905 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030423666 |
open_access_boolean | |
owner | DE-255 |
owner_facet | DE-255 |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | Mercatorfonds |
record_format | marc |
spelling | Hoffman, Jens Verfasser aut Kendell Geers, AnimystikAktivist. Between traditional and the contemporary in African art Jens Hoffman; Zoë Strother Brussel Mercatorfonds 2018 txt rdacontent n rdamedia nc rdacarrier South African-born Belgian artist Kendell Geers changed his date of birth to MAY 1968 as a performance, effectively giving birth to himself as a work of art. His artistic practice weaves together African animism, European mysticism, and socio-political activism with humor, irony, and contradiction. He uses his identity as a White African like a key to unlock and critique our understanding and reading of history, art, and language. This book, which focuses on his works created between 1988 and the present, looks at the influence of avant-garde traditions from Dada and Surrealism to Punk, intertwined with the powerful legacy of traditional African art on his work. Spiritually charged, politically poignant, and socially engaged, the work cannot be categorized as either European or African, but is rather a prolonged metaphysical dialogue between cultures, archetypal signs, and sacred symbols. Included are works in a diversity of media, including painting, sculpture, performance, photography, installation, and conceptual art Strother, Zoë Sonstige oth |
spellingShingle | Hoffman, Jens Kendell Geers, AnimystikAktivist. Between traditional and the contemporary in African art |
title | Kendell Geers, AnimystikAktivist. Between traditional and the contemporary in African art |
title_auth | Kendell Geers, AnimystikAktivist. Between traditional and the contemporary in African art |
title_exact_search | Kendell Geers, AnimystikAktivist. Between traditional and the contemporary in African art |
title_full | Kendell Geers, AnimystikAktivist. Between traditional and the contemporary in African art Jens Hoffman; Zoë Strother |
title_fullStr | Kendell Geers, AnimystikAktivist. Between traditional and the contemporary in African art Jens Hoffman; Zoë Strother |
title_full_unstemmed | Kendell Geers, AnimystikAktivist. Between traditional and the contemporary in African art Jens Hoffman; Zoë Strother |
title_short | Kendell Geers, AnimystikAktivist. Between traditional and the contemporary in African art |
title_sort | kendell geers animystikaktivist between traditional and the contemporary in african art |
work_keys_str_mv | AT hoffmanjens kendellgeersanimystikaktivistbetweentraditionalandthecontemporaryinafricanart AT strotherzoe kendellgeersanimystikaktivistbetweentraditionalandthecontemporaryinafricanart |