Anti-music: jazz and racial blackness in German thought between the wars
Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian soc...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Albany, NY
SUNY Press
[2018]
|
| Schriftenreihe: | SUNY series, philosophy and race
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory. - Mark Christian Thompson is Professor of English at Johns Hopkins University and the author of Black Fascisms: African American Literature and Culture between the Wars and Kafka’s Blues: Figurations of Racial Blackness in the Construction of an Aesthetic. (Klappentext) |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xxvi, 200 Seiten Illustrationen 23 cm |
| ISBN: | 9781438469874 9781438469867 |
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| 520 | |a Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory. - Mark Christian Thompson is Professor of English at Johns Hopkins University and the author of Black Fascisms: African American Literature and Culture between the Wars and Kafka’s Blues: Figurations of Racial Blackness in the Construction of an Aesthetic. (Klappentext) | ||
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Datensatz im Suchindex
| _version_ | 1804178623840649216 |
|---|---|
| adam_text | ANTI-MUSIC
/ THOMPSON, MARK CHRISTIANYYD1970-YYEAUTHOR
: 2018
TABLE OF CONTENTS / INHALTSVERZEICHNIS
GERMAN JAZZ AND THE METRONOME OF RACE
THE JAZZ PARADOX: RACE AND TOTALITARIAN POLITICS IN GERMAN JAZZ
RECEPTION
THE JAZZ MACHINE: BRECHT AND THE POLITICS OF JAZZ
THE MONKEY S TRICK: HERMAN HESSE AND THE MUSIC OF DECLINE
THE MUSIC OF FASCISM: ADORNO ON JAZZ
JAZZ-HEINIS: KLAUS MANN AND JAZZ ONTOLOGY
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
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| series2 | SUNY series, philosophy and race |
| spelling | Thompson, Mark Christian 1970- Verfasser (DE-588)134206142 aut Anti-music jazz and racial blackness in German thought between the wars Mark Christian Thompson Albany, NY SUNY Press [2018] © 2018 xxvi, 200 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier SUNY series, philosophy and race Includes bibliographical references and index Anti-Music examines the critical, literary, and political responses to African American jazz music in interwar Germany. During this time, jazz was the subject of overt political debate between left-wing and right-wing interests: for the left, jazz marked the death knell of authoritarian Prussian society; for the right, jazz was complicit as an American import threatening the chaos of modernization and mass politics. This conflict was resolved in the early 1930s as the left abandoned jazz in the face of Nazi victory, having come to see the music in collusion with the totalitarian culture industry. Mark Christian Thompson recounts the story of this intellectual trajectory and describes how jazz came to be associated with repressive, virulently racist fascism in Germany. By examining writings by Hermann Hesse, Bertolt Brecht, T.W. Adorno, and Klaus Mann, and archival photographs and images, Thompson brings together debates in German, African American, and jazz studies, and charts a new path for addressing antiblack racism in cultural criticism and theory. - Mark Christian Thompson is Professor of English at Johns Hopkins University and the author of Black Fascisms: African American Literature and Culture between the Wars and Kafka’s Blues: Figurations of Racial Blackness in the Construction of an Aesthetic. (Klappentext) Geschichte 1918-1939 gnd rswk-swf Philosophy, German 20th century Jazz Germany 20th century History and criticism Blacks Race identity Germany History 20th century Jazz (DE-588)4028532-7 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Nationalsozialismus (DE-588)4041316-0 gnd rswk-swf Ethnische Identität (DE-588)4153096-2 gnd rswk-swf Afroamerikanische Musik (DE-588)4122767-0 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf Deutschland (DE-588)4011882-4 g Schwarze (DE-588)4116433-7 s Jazz (DE-588)4028532-7 s Afroamerikanische Musik (DE-588)4122767-0 s Ethnische Identität (DE-588)4153096-2 s Nationalsozialismus (DE-588)4041316-0 s Geschichte 1918-1939 z DE-604 Erscheint auch als Online-Ausgabe 978-1-4384-6988-1 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030403145&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Thompson, Mark Christian 1970- Anti-music jazz and racial blackness in German thought between the wars Philosophy, German 20th century Jazz Germany 20th century History and criticism Blacks Race identity Germany History 20th century Jazz (DE-588)4028532-7 gnd Schwarze (DE-588)4116433-7 gnd Nationalsozialismus (DE-588)4041316-0 gnd Ethnische Identität (DE-588)4153096-2 gnd Afroamerikanische Musik (DE-588)4122767-0 gnd |
| subject_GND | (DE-588)4028532-7 (DE-588)4116433-7 (DE-588)4041316-0 (DE-588)4153096-2 (DE-588)4122767-0 (DE-588)4011882-4 |
| title | Anti-music jazz and racial blackness in German thought between the wars |
| title_auth | Anti-music jazz and racial blackness in German thought between the wars |
| title_exact_search | Anti-music jazz and racial blackness in German thought between the wars |
| title_full | Anti-music jazz and racial blackness in German thought between the wars Mark Christian Thompson |
| title_fullStr | Anti-music jazz and racial blackness in German thought between the wars Mark Christian Thompson |
| title_full_unstemmed | Anti-music jazz and racial blackness in German thought between the wars Mark Christian Thompson |
| title_short | Anti-music |
| title_sort | anti music jazz and racial blackness in german thought between the wars |
| title_sub | jazz and racial blackness in German thought between the wars |
| topic | Philosophy, German 20th century Jazz Germany 20th century History and criticism Blacks Race identity Germany History 20th century Jazz (DE-588)4028532-7 gnd Schwarze (DE-588)4116433-7 gnd Nationalsozialismus (DE-588)4041316-0 gnd Ethnische Identität (DE-588)4153096-2 gnd Afroamerikanische Musik (DE-588)4122767-0 gnd |
| topic_facet | Philosophy, German 20th century Jazz Germany 20th century History and criticism Blacks Race identity Germany History 20th century Jazz Schwarze Nationalsozialismus Ethnische Identität Afroamerikanische Musik Deutschland |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030403145&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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