Samuel Beckett and the visual arts:
Machine generated contents note: Introduction: Beckett and the Image; 1. A Poetics of the Image: Paris and Dublin 1929-1932; 2. The Politics of the Image: Dublin, Paris, London 1931-1936; 3. Beckett's German Renaissance; 4. 'Terrifying Materiality': Watteau, Yeats, Picasso, Duchamp; 5...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom
Cambridge University Press
2018
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Machine generated contents note: Introduction: Beckett and the Image; 1. A Poetics of the Image: Paris and Dublin 1929-1932; 2. The Politics of the Image: Dublin, Paris, London 1931-1936; 3. Beckett's German Renaissance; 4. 'Terrifying Materiality': Watteau, Yeats, Picasso, Duchamp; 5. Impossible Image: Watt and Failed Ekphrasis; 6. From Bram van Velde to The Unnamable; 7. 'Sordid Abstraction': Prose, Plays, Paintings "Samuel Beckett and the Visual Arts is the first book to comprehensively assess Beckett's knowledge of art, art history and art criticism. In his lifetime Beckett thought deeply about visual culture from ancient Egyptian statuary to Dutch realism, from Quattrocento painting to the modernists and after. Drawing on a wide range of published and unpublished sources, this book traces in forensic detail the development of Beckett's understanding of painting in particular, as that understanding developed from the late 1920s to the 1970s. In doing so it demonstrates that Beckett's thinking about art and aesthetics radically changes in the course of his life, often directly responding to the intellectual and historical contexts in which he found himself. Moving fluently between art history, philosophy, literary analysis and historical context, Samuel Beckett and the Visual Arts rethinks the trajectory of Beckett's career, and reorients his relationship to modernism, late modernism and the avant-gardes"-- |
| Beschreibung: | ix, 265 Seiten Illustrationen 24 cm |
| ISBN: | 9781108422772 9781108436373 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV045010140 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t | ||
| 008 | 180615s2018 a||| |||| 00||| eng d | ||
| 020 | |a 9781108422772 |c hardback |9 978-1-108-42277-2 | ||
| 020 | |a 9781108436373 |c paperback |9 978-1-108-43637-3 | ||
| 035 | |a (OCoLC)1038016598 | ||
| 035 | |a (DE-599)BSZ504342711 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 |a DE-19 | ||
| 050 | 0 | |a PR6003.E282 | |
| 082 | 0 | |a 848.91409 | |
| 084 | |a IH 15721 |0 (DE-625)56727:11640 |2 rvk | ||
| 100 | 1 | |a Carville, Conor |d 1967- |e Verfasser |0 (DE-588)1045053597 |4 aut | |
| 245 | 1 | 0 | |a Samuel Beckett and the visual arts |c Conor Carville (University of Reading) |
| 264 | 1 | |a Cambridge, United Kingdom |b Cambridge University Press |c 2018 | |
| 300 | |a ix, 265 Seiten |b Illustrationen |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a Machine generated contents note: Introduction: Beckett and the Image; 1. A Poetics of the Image: Paris and Dublin 1929-1932; 2. The Politics of the Image: Dublin, Paris, London 1931-1936; 3. Beckett's German Renaissance; 4. 'Terrifying Materiality': Watteau, Yeats, Picasso, Duchamp; 5. Impossible Image: Watt and Failed Ekphrasis; 6. From Bram van Velde to The Unnamable; 7. 'Sordid Abstraction': Prose, Plays, Paintings | |
| 520 | 3 | |a "Samuel Beckett and the Visual Arts is the first book to comprehensively assess Beckett's knowledge of art, art history and art criticism. In his lifetime Beckett thought deeply about visual culture from ancient Egyptian statuary to Dutch realism, from Quattrocento painting to the modernists and after. Drawing on a wide range of published and unpublished sources, this book traces in forensic detail the development of Beckett's understanding of painting in particular, as that understanding developed from the late 1920s to the 1970s. In doing so it demonstrates that Beckett's thinking about art and aesthetics radically changes in the course of his life, often directly responding to the intellectual and historical contexts in which he found himself. Moving fluently between art history, philosophy, literary analysis and historical context, Samuel Beckett and the Visual Arts rethinks the trajectory of Beckett's career, and reorients his relationship to modernism, late modernism and the avant-gardes"-- | |
| 600 | 1 | 7 | |a Beckett, Samuel |d 1906-1989 |0 (DE-588)118508172 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunstkritik |0 (DE-588)4033659-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 653 | 1 | |a Beckett, Samuel 1906-1989 / Knowledge / Art | |
| 653 | 0 | |a Art and literature / History / 20th century / Ireland | |
| 653 | 0 | |a Arts, Modern / 20th century | |
| 689 | 0 | 0 | |a Beckett, Samuel |d 1906-1989 |0 (DE-588)118508172 |D p |
| 689 | 0 | 1 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 0 | 2 | |a Kunstkritik |0 (DE-588)4033659-1 |D s |
| 689 | 0 | |5 DE-604 | |
| 856 | 4 | 2 | |m V:DE-576;B:DE-16 |q application/pdf |u http://swbplus.bsz-bw.de/bsz504342711inh.htm |v 20180605143421 |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-030402086 | ||
Datensatz im Suchindex
| _version_ | 1804178622170267648 |
|---|---|
| any_adam_object | |
| author | Carville, Conor 1967- |
| author_GND | (DE-588)1045053597 |
| author_facet | Carville, Conor 1967- |
| author_role | aut |
| author_sort | Carville, Conor 1967- |
| author_variant | c c cc |
| building | Verbundindex |
| bvnumber | BV045010140 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR6003 |
| callnumber-raw | PR6003.E282 |
| callnumber-search | PR6003.E282 |
| callnumber-sort | PR 46003 E282 |
| callnumber-subject | PR - English Literature |
| classification_rvk | IH 15721 |
| ctrlnum | (OCoLC)1038016598 (DE-599)BSZ504342711 |
| dewey-full | 848.91409 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 848 - French miscellaneous writings |
| dewey-raw | 848.91409 |
| dewey-search | 848.91409 |
| dewey-sort | 3848.91409 |
| dewey-tens | 840 - Literatures of Romance languages |
| discipline | Romanistik |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03132nam a2200457 c 4500</leader><controlfield tag="001">BV045010140</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">180615s2018 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781108422772</subfield><subfield code="c">hardback</subfield><subfield code="9">978-1-108-42277-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781108436373</subfield><subfield code="c">paperback</subfield><subfield code="9">978-1-108-43637-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1038016598</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BSZ504342711</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield><subfield code="a">DE-19</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PR6003.E282</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">848.91409</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">IH 15721</subfield><subfield code="0">(DE-625)56727:11640</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Carville, Conor</subfield><subfield code="d">1967-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1045053597</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Samuel Beckett and the visual arts</subfield><subfield code="c">Conor Carville (University of Reading)</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, United Kingdom</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">ix, 265 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Machine generated contents note: Introduction: Beckett and the Image; 1. A Poetics of the Image: Paris and Dublin 1929-1932; 2. The Politics of the Image: Dublin, Paris, London 1931-1936; 3. Beckett's German Renaissance; 4. 'Terrifying Materiality': Watteau, Yeats, Picasso, Duchamp; 5. Impossible Image: Watt and Failed Ekphrasis; 6. From Bram van Velde to The Unnamable; 7. 'Sordid Abstraction': Prose, Plays, Paintings</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Samuel Beckett and the Visual Arts is the first book to comprehensively assess Beckett's knowledge of art, art history and art criticism. In his lifetime Beckett thought deeply about visual culture from ancient Egyptian statuary to Dutch realism, from Quattrocento painting to the modernists and after. Drawing on a wide range of published and unpublished sources, this book traces in forensic detail the development of Beckett's understanding of painting in particular, as that understanding developed from the late 1920s to the 1970s. In doing so it demonstrates that Beckett's thinking about art and aesthetics radically changes in the course of his life, often directly responding to the intellectual and historical contexts in which he found himself. Moving fluently between art history, philosophy, literary analysis and historical context, Samuel Beckett and the Visual Arts rethinks the trajectory of Beckett's career, and reorients his relationship to modernism, late modernism and the avant-gardes"--</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Beckett, Samuel</subfield><subfield code="d">1906-1989</subfield><subfield code="0">(DE-588)118508172</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstkritik</subfield><subfield code="0">(DE-588)4033659-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Beckett, Samuel 1906-1989 / Knowledge / Art</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art and literature / History / 20th century / Ireland</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Arts, Modern / 20th century</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Beckett, Samuel</subfield><subfield code="d">1906-1989</subfield><subfield code="0">(DE-588)118508172</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kunstkritik</subfield><subfield code="0">(DE-588)4033659-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">V:DE-576;B:DE-16</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://swbplus.bsz-bw.de/bsz504342711inh.htm</subfield><subfield code="v">20180605143421</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030402086</subfield></datafield></record></collection> |
| id | DE-604.BV045010140 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:06:54Z |
| institution | BVB |
| isbn | 9781108422772 9781108436373 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030402086 |
| oclc_num | 1038016598 |
| open_access_boolean | |
| owner | DE-255 DE-19 DE-BY-UBM |
| owner_facet | DE-255 DE-19 DE-BY-UBM |
| physical | ix, 265 Seiten Illustrationen 24 cm |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Cambridge University Press |
| record_format | marc |
| spelling | Carville, Conor 1967- Verfasser (DE-588)1045053597 aut Samuel Beckett and the visual arts Conor Carville (University of Reading) Cambridge, United Kingdom Cambridge University Press 2018 ix, 265 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Machine generated contents note: Introduction: Beckett and the Image; 1. A Poetics of the Image: Paris and Dublin 1929-1932; 2. The Politics of the Image: Dublin, Paris, London 1931-1936; 3. Beckett's German Renaissance; 4. 'Terrifying Materiality': Watteau, Yeats, Picasso, Duchamp; 5. Impossible Image: Watt and Failed Ekphrasis; 6. From Bram van Velde to The Unnamable; 7. 'Sordid Abstraction': Prose, Plays, Paintings "Samuel Beckett and the Visual Arts is the first book to comprehensively assess Beckett's knowledge of art, art history and art criticism. In his lifetime Beckett thought deeply about visual culture from ancient Egyptian statuary to Dutch realism, from Quattrocento painting to the modernists and after. Drawing on a wide range of published and unpublished sources, this book traces in forensic detail the development of Beckett's understanding of painting in particular, as that understanding developed from the late 1920s to the 1970s. In doing so it demonstrates that Beckett's thinking about art and aesthetics radically changes in the course of his life, often directly responding to the intellectual and historical contexts in which he found himself. Moving fluently between art history, philosophy, literary analysis and historical context, Samuel Beckett and the Visual Arts rethinks the trajectory of Beckett's career, and reorients his relationship to modernism, late modernism and the avant-gardes"-- Beckett, Samuel 1906-1989 (DE-588)118508172 gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Beckett, Samuel 1906-1989 / Knowledge / Art Art and literature / History / 20th century / Ireland Arts, Modern / 20th century Beckett, Samuel 1906-1989 (DE-588)118508172 p Kunst (DE-588)4114333-4 s Kunstkritik (DE-588)4033659-1 s DE-604 V:DE-576;B:DE-16 application/pdf http://swbplus.bsz-bw.de/bsz504342711inh.htm 20180605143421 Inhaltsverzeichnis |
| spellingShingle | Carville, Conor 1967- Samuel Beckett and the visual arts Beckett, Samuel 1906-1989 (DE-588)118508172 gnd Kunstkritik (DE-588)4033659-1 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)118508172 (DE-588)4033659-1 (DE-588)4114333-4 |
| title | Samuel Beckett and the visual arts |
| title_auth | Samuel Beckett and the visual arts |
| title_exact_search | Samuel Beckett and the visual arts |
| title_full | Samuel Beckett and the visual arts Conor Carville (University of Reading) |
| title_fullStr | Samuel Beckett and the visual arts Conor Carville (University of Reading) |
| title_full_unstemmed | Samuel Beckett and the visual arts Conor Carville (University of Reading) |
| title_short | Samuel Beckett and the visual arts |
| title_sort | samuel beckett and the visual arts |
| topic | Beckett, Samuel 1906-1989 (DE-588)118508172 gnd Kunstkritik (DE-588)4033659-1 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Beckett, Samuel 1906-1989 Kunstkritik Kunst |
| url | http://swbplus.bsz-bw.de/bsz504342711inh.htm |
| work_keys_str_mv | AT carvilleconor samuelbeckettandthevisualarts |