Verfügbarkeit: Iskusstvo skulʹptury v XX-XXI vekach

Iskusstvo skulʹptury v XX-XXI vekach: mastera, tendencii, problemy : kollektivnaja monografija

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Bibliographische Detailangaben
Körperschaft:	Iskusstvo skulʹptury v XX-XXI vekach: mastera, tendencii, problemy (Veranstaltung) Moskau (VerfasserIn)
Weitere Verfasser:	Busev, Michail A. 1951- (HerausgeberIn), Kalugina, Olʹga Veniaminovna (HerausgeberIn)
Format:	Tagungsbericht Buch
Sprache:	Russian
Veröffentlicht:	Moskva BuksMArt 2018
Ausgabe:	2-e izd.
Schlagworte:	Geschichte 1900-2017 Plastik Sculpture Konferenzschrift > 2015 > Moskau
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	Das Inhaltsverzeichnis ist in englischer und russischer Sprache.
Beschreibung:	631 Seiten, 48 ungezählte Seiten Illustrationen 30 cm
ISBN:	9785906190789 5906190783

Internformat

MARC


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111	2		\|a Iskusstvo skulʹptury v XX-XXI vekach: mastera, tendencii, problemy (Veranstaltung) \|d 2015 \|c Moskau \|j Verfasser \|0 (DE-588)1161225994 \|4 aut
245	1	0	\|a Iskusstvo skulʹptury v XX-XXI vekach \|b mastera, tendencii, problemy : kollektivnaja monografija \|c Redkollegija: M.A. Busev (otvetstvennyj redaktor), O.V. Kalugina (redaktor-sostavitelʹ) [und 4 weitere]
250			\|a 2-e izd.
264		1	\|a Moskva \|b BuksMArt \|c 2018
300			\|a 631 Seiten, 48 ungezählte Seiten \|b Illustrationen \|c 30 cm
336			\|b txt \|2 rdacontent
337			\|b n \|2 rdamedia
338			\|b nc \|2 rdacarrier
500			\|a Das Inhaltsverzeichnis ist in englischer und russischer Sprache.
648		7	\|a Geschichte 1900-2017 \|2 gnd \|9 rswk-swf
650	0	7	\|a Plastik \|0 (DE-588)4046277-8 \|2 gnd \|9 rswk-swf
653		0	\|a Sculpture
655		7	\|0 (DE-588)1071861417 \|a Konferenzschrift \|y 2015 \|z Moskau \|2 gnd-content
689	0	0	\|a Plastik \|0 (DE-588)4046277-8 \|D s
689	0	1	\|a Geschichte 1900-2017 \|A z
689	0		\|5 DE-604
700	1		\|a Busev, Michail A. \|d 1951- \|0 (DE-588)1018524029 \|4 edt
700	1		\|a Kalugina, Olʹga Veniaminovna \|0 (DE-588)133949761 \|4 edt
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Datensatz im Suchindex

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adam_text	CONTENTS ........................................................................................ PREFACE.. .7 SCULPTURE, THE CITY, THE VIEWER VOLCHOK YURY THE MONUMENT ANDTHE CITY: THE PROBLEM OF PRESERVATION OF A SENSE OF SPACE)) TOWARDSTO THE MODERN UNDERSTANDING OFTHE BOOK BY A.E. BRINCKMANN PLATZ UND MONUMENTALS KUNSTLERISCHES FORMPROBLEM .................... .L1 KRIVDINA OLGA,TYCHININ BORLS THE COMMEMORATIVE SCULPTURES OF ST. PETERSBURG: PAST AND PRESENT ............................................................................. 29 KALUGINA OLGA COMPETITIONS FORTHE ERECTION OF MONUMENTS IN CONTEMPORARY RUSSIA: THE PROBLEM OF CHOICE AND ARTISTIC QUALITY ............................................ 38 YAKHNENKO ELENA SCULPTURE IN URBAN SPACE. TO THE QUESTION ABOUT GENRES ............................................................. .47 KAZAKOVA SVETLANA CONTEMPORARY URBAN SCULPTURE: A DIALOGUE WITH THE AUDIENCE ............................................................. -57 GONCHARENKO NATALIA THE EVOLUTION OFTHE CONTEMPORARY GENRE SCULPTURE IN PUBLIC SPACES OF RUSSIAN CITIES .......................................................... 63 BURGANOVA MARLA AN EXPERIENCE OF DLSPLAYLNG CONTEMPORARY SCULPTURE ............................... 69 VOY N ITSKY PAVEL A STEP FROM THE SOVIET PEDESTAL: URBAN SCULPTURE OF BELARUS 2. IN THE PERIOD OF LNDEPE~DENCE.. ........................................................... -74 BOAYOK T0.N. ILAMATHMK M TOPOA: NPO6NEMA COXPAHEHMA {{YYBCTBA NPOCTPAHCTBA) K COBPEMEHHOMY FLPOYTEHVLT0 KHVLRVL A.3.6PMHKMAHA ............ 4LAOU(AAB VL MOHYMEHT KAK I~PO~EMA XY,QOXECTBEHHO~ QOPMBL . 11 KPMBAMHA O.A., TBLYMHMH 6.6. NPOULNOE M HACTOFLQEE ~)6~JL~FIH0FI CKYNBNTYPBL CAHKT-NETEP6YPRA ..................................................................... 29 KAJLYRI4 HA O.B. KOHKYPCBL HA 003BENEHME MOHYMEHTOB B COBPEMEHHO~~ POCCMM: NPO6NEMA BBL60PA M XYNOXECTBEHHORO KAY ECTBA.. ................................. 38 AXHEHKO E.B. CKYN BNTYPA B ROPOACKOM ILPOCTPAHCTBE. ....................................................................... K BONPOCY O MHPAX.. .47 KA3AKOBA C.K. COBPEMEHHAA TOPOACKAA CKYNBNTYPA - ....................................................................... AMANOR CO 3PMTEJLEM.. -57 ROHLFAPEHK0 H.M. TEHAEHUMM PA3BMTMFL COBPEMEHHO~ KAHPOBO~~ CKYJLBLLTYPBL .............................. B ~~ECTBEHH~~X NPOCTPAHCTBAX POCCM~~CKMX ROPOFLOB 63 6YPRAHOBA M.A. ........................... O~IT~KC~OH~POBAHMR CKYNBNTYPBL HOBE~UIE~O BPEMEHM 69 POPOVA POLINA SCULPTURE SYMPOSIUM AS A WAY TO SEARCH NEW PLASTIC SOLUTIONS FORTHE URBAN ENVIRONMENT: ........................................ THE CURRENT PRACTICE OF PETERSBURG SCULPTORS 85 TITOVA LUDMILA, BARINOVA ELENA WORKSHOP ANIKUSHIN -A NEW SCULPTURE MUSEUM ........................................... IN ST. PETERSBURG: AN EXPERIENCE OF CREATING 96 TRENDS AND TOPICS IN SCULPTURE GRIBONOSOVA-GREBNEVA ELENA THE ROMANCE OF CHOICE. ON THE QUEST FOR A SYNTHETIC STYLE ......................................................... IN RUSSIAN SCULPTURE OFTHE 1920S -109 IGNATIEV PAVEL SCULPTOR JACOB TROUPIANSKY AND ST. PETERSBURG NEO-CLASSICISM OFTHE 1910S. .............................................. NOTES ON THE BIOGRAPHIES OF THE MASTERS -123 USOVA EKATERINA AMERICAN SCULPTURE AT INTERNATIONAL EXHIBITIONS IN THE 1930S IN THE USA. ..................................................... TECHNOCRACY, UTOPIANISM, ESCAPISM .L36 NEFEDOVA ANTONINA TRADITION AND INNOVATION IN WORK OF VASILY VATAGIN (THE SCULPTURE COLLECTION OF THE STATE DARWIN MUSEUM) ............................................................. .L47 VASILIEVA ANNA IMAGES OF EXTINCT ANIMALS IN RUSSIAN SCULPTURE OFTHE 20~~ CENTURY.. ............ .L58 APPAEVA JUAKHAR MONUMENTAL SCULPTURE IN THE KABARDINO-BALKAR REPUBLIC: THE SEARCH FOR NATIONAL IDENTITY.. ...................................................... .L70 PLIEVA MARGARITA MONUMENTAL SCULPTURE IN THE REPUBLIC OF NORTH OSSETIA - ALANIA IN THE 20~~ AND ISTCENTURIES: ORIGINS AND TRENDS .................................... .L82 KHISAMOVA DLNA MONUMENTAL SCULPTURE OF TATARSTAN ATTHE TURN OF THE 1990S-2000S: THE WAYS OF SEARCH AND HOPE ........................ .L92 THE WORI S OF THE FIRST HALF AND OF THE MID-TWENTIETH CENTURY MASTERS YAKIMOVICH ALEKSANDR THE TESTAMENT OF MARCEL DUCHAMP. INSTALLATION FROM PHILADELPHIA ............. .203 CHEREMKHLN VLADIMIR.VASILYEVA OLGA, IVANOVA NLNEL ON A NEW DATING OF PLASTER CASTINGS OFTHE SCULPTURE NSLTLNG MANN BY ANNA GOLUBKINA .210 ........................................................ 625 ~O~OBA N.M. CKY~~~TYPHI~ CMMN03MYM KAK CNOCO6 NOMCKA HOBBLX ILNACTMQECKMX PEUIEHM~ ANFL ~OPO~CKO~ CPEABL. K AKTYA~ BH0N NPAKTMKE LLETEP6YPRCKMX CKYNBNTOPOB.. ............................... 85 TMTOBA A.O., 6APMHOBA E.A. MACTEPCKAA AH MKYULMHA - HOBI~ MYE~ CKYN BNTYPBL B NETEP6YPRE. ONBLT CO3AAHMA ............................. 96 RPM60HOCOBA-RPE6HEBA E.B. POMAHTMKA BBL60PA. 0 ILOMCKAX CMHTETMQECKOTO CTMNFL B OTEECTBEHHO~ CKYNBNTYPE 1920-X TOAOB .............................................. .L09 MRHATBEB N.N. CKYNBNTOP AKOB TPOYI~F~HCKM~ M ETEPYPTCKMF~ HEOKNACCMUM3M 1910-X TOAOB. KOMMEHTAPMA K 6MORPA@MFLM MACTEPOB.. ............................................... .L23 YCOBA E.A. AMEPMKAHCKAA CKYNBNWPA HA MEXAYHAPOAH BLX B BLCTABKAX B CUIA. 1930-E TOABL. TEXHOKPATM3M, YTONM3M, 3CKANM3M ..................................................... -136 HEDEAOBA A.6. TPMMUMM M HOBATOPCTBO B TBOPQECTBE B.A. BATARMHA (HA ILPMMEPE KONNEKUMM CKYNBNTYPBL ROCYAAPCTBEHHORO,4APBMHOBCKORO MY3EFL) ............................................ .L47 BACMJLBEBA A.B. 06PA3 61 B BLMEPULMX XMBOTH BLX B PYCCKO~ CKYN BNTYPE XX BEKA ....................... .L58 ANNAEBA X.M. MOHYMEHTMBHAFL CKYNBNTYPA KALAPAMHO-6ANKAPMM: NOMCKM HAUMOHA~ ~HOA MAEHTMQHOCTM ................................ ............... .L70 ILNMEBA M.T. MOHYMEHTANBHAFL CKYNBNTYPA PECNY6NMKM CEBEPHO~ OCETMM - MAHMM XX-XXI BEKOB: ....................................................................... MCTOKM M TEHAEHUMM .L82 XMCAMOBA N.4. MOHYMEHTM BHAFL CKYNBNTYPA TATAPCTAHA HA PYLE KE 1990-2000-X ROAOB: NYTM NOMCKOB M HUEXA ............................... .L92 TBOPY ECTBO MACTEPOB EPBOL?~ NONOBL/IH BL - CEPEAL/IHBL XX CTONETL/IFI (IKMMOBM I A.K. .................... ~ABE~AHME MAPCENQ ADLUAHA. MHCTANNFLUMFL M3 @MNA,4EN B@MM 203 CLEPEMXMH B.M., BACMN BEBA O.A., MBAHOBA H.B. 0 NEPEAATMPOBKE RMNCOBBLX OTNMBOK CKYNBNTYPBL .................................................. CCMQ~LQ~A QENOBEK) A.C. ~OY~KMHO~. .210 ALEKSEEV EVGENY ................... ON THE INVISIBLE BORDERS.THE SCULPTURE OF THE URALS IN THE 1930S .217 ORLOVA KSENIA ............................................................... THE SCULPTURE BY JOAN M IR~ 229 KORTUNOVA NATALIA THE SCULPTURE BY HANS ARP. .............................................. NATURE AS THE PRAMODULE)) OF CREATIVITY 236 BUTROVA ELENA FEATURES OF THE ARGENTINE PERIOD ................................................. OF CREATIVITY OF STEPAN ERZYA (1927-1950) .241 OSTROVSKY L LLA THE THEME OF INTERNALAND EXTERNAL FORMS .............................................................. IN THE WORK OF HENRY MOORE -251 ZORJA ALINA THE SCULPTURE OF LOUISE NEVELSON IN THE CONTEXTOF ARTISTIC PRACTICE BETWEEN THE ..................................... 1940S AND THE 1970S. CONSERVATISM AND INNOVATION 266 THE WORI S OF SCULPTORS IN THE SECOND HALF OFTHE 20TH ANDTHE BEGINNING OFTHE 21ST CENTURY DORONINA LUDMILA THE EXODUS AND THE RETURN OF ERNST NEIZVESTNY ...................................... 275 YAKLMOVLCH ALEKSANDR THE WORLD OF ERNST NEIZVESTNY .......................................................... .284 NOLDE NATALIA THE PAST AND THE FUTURE OF HUMANITY IN THE OBJECTS BY VADIM SIDUR .............. .299 SADOWSKI TUKASZ MIKOTAJ THE WORK OF IGOR MITORAJ ................................................................. -312 BULYCHEVA ELENA THE REPETITIONS AND SYNCOPATIONS IN SCULPTURE OF M ITORAJ ......................... ,318 NUNINA ELENA JEAN TINGUELY AND NLKL DE SAINT-PHALLE. THE PHENOMENON OF JOINT CREATIVITY ................................................... -328 KHASIANOVA LEYLA MARIAN KONIECZNY ......................................................................... -338 ORLOVA EVGENIA CREATIVE STRATEGY OF JOSEPH BEUYS: PEACE OR WAR? .................................... .344 KOTLONANOV ALEKSANDR ANTHONY CARO: FROM %NEW SCULPTURE*TO POSTMODERNISM .......................... 367 MALOVA TATIANA THE CHOREOGRAPHY OF MYTH: SCULPTURE IMAGES OF JAN FABRE ......................... 376 SEDOVA IRLNA FROM EXPERIMENTTO MONUMENTAL IMAGE. ALEXANDR RUKAVISHNIKOV: SCULPTURE STUDLO AS ACREATLVE LABORATORY ............................................ 385 7 626 OPNOBA K.B. CKYNBNTYPAXOAHA MMPO .................................................................. 229 KOPTYHOBA H.A. CKYNBNTYPA XAHCA APNA. IL PM POAA KAK ALL PAMOAYN B. TBOPQECTBA ................................................. 236 GYTPOBA E.B. OC06EHHOCTM APREHTMHCKORO ILEPMOAA TBOPQECTBA C.& 3PB3M (1927-1950) .......................................................... ,241 OCTPOBCKM~ M.B. TEMA BHYTPEHHFIA M BHEUIHAA @OPMBL B TBOPY ECTBE REHPM MYPA ................................................................... -251 30PFI A.A. CKYNBNTYPA NYM3BL HEBENBCOH B KOHTEKCTE XY~OXECTBEHHOR ILPAKTMKM 1940-1970-X TOAOB. KOHCEPBATM3M M HOBATOPCTBO ........................ .266 TBOPY ECTBO CI YN BNT0POB BTOPO~ FLONOBL4HBL XX - HAYANA XXI BEI A FIKMMOBMY A.K. ............................................................... MMP 3PHCTA HEM3BECTHORO .284 HONBAE H.A. ................... NPOWNOE M 6YNYUEE YEAOBEYECTBA B 06BEKTAX BABMMA CMNYPA .299 6YN BLY EBA E.M. .......................................... NOBTOPBL M CMHKONBL B CKYJLBNTYPE MMTOPAR ..318 TDHMHA E.A. XAH TEHRNM M HMKM AE CEH-@ANAB. .................................................... QEHOMEH COBMECTHORO TBOPYECTBA -328 XACMHOBA N.C. ............................................................................ MAPBRH KOHEYHBL 338 OPJLOBA E.B. ............................. TBOPYECKAI~ CTPATERMR FIO3~@~ ~O~CA: MMP MAM BO~HA? 344 KOTJLOMAHOB A.O. ........................ 3HTOHM KAPO: OTECHOBO~~ CKYNBNTYPBLN K NOCTMOFIEPHM3MY 367 MANOBA T.B. ................................ XOPEO~PA@M~~ MM@A: O6PA3BL CKYNBNTYPBL ILHA CDA6PA.. 376 CEAOBA M.H. OT~KCEPMMEHTA K MOHYMEHTANBHOMY 06PA3Y. ANEKCAHAP PYKABMUIHMKOB: ......................... CKYNBNYP~M MACTEPCKAR KAK TBOPECKAR AA60PATOPMR .385 ORLOV SERGEY ................................ METAPHORS AND SYMBOLS BY ALEXANDR RUKAVISHNIKOV 394 AKHMETOVA DLNA ............................................ THE OBJECTS BY THE ARTIST ILGIZAR KHASANOV .401 BATOROVA ELENA ............................................ CONTEMPORARY SCULPTOR DASH1 NAMDAKOV .406 KASLM SOFIA LAND ART PROJECT THE SECOND LIFE OF WOOD,,: ............................................................... FROM SKETCH TO REALIZATION .415 NIKOLAEVA EKATERINA THE SEMANTICS OFTHE ARTISTIC IMAGE IN ABSTRACT RELIEFS ........................... BY ANDREY KRASULI N, MARINA KASTALSKAJA,VALERY YASHIGI N .421 STEKOLNIKOVA MARINA ................................................ VICTOR KORNEEV.THEMES, IMAGES,SYMBOLS 427 MARYANOVSKAYA OLGA CREATIVE WORKSHOP AS A TRAINING CENTRE AND ASSOCIATION OF ARTISTS-SCULPTORS ................................................................. OF DIFFERENT GENERATIONS 432 DIALOGUES WITH HERITAGE TRUSOVA POLINA ( CLASSICAL GREEK OR CLASSICAL GOTHIC),? THE ART OF ARISTIDE MAILLOL IN THE CONCEPT OFTHE CLASSICALTRADITION BY MAURICE DENIS ........................................... -441 SECHIN ALEKSANDR THE ICONOGRAPHIC TYPE OFTHEVENUS PUDICA AS A PLASTIC METAPHOR OF FEMININITY IN ANCIENT AND MODERN ART ............................................................... 452 SLAVOVA LUBOV ALEKSANDR MATVEYEV AND HIS SCHOOL.TRADLTLON OF THE CLASSICS ................... .464 BUSEV MLKHALL ANTIQUE MOTIFSAND IMAGES IN THE WORKS OF N EO-AVANT-GARDE PARIS SCULPTORS: CESAR, ARMAN ..................................... .471 GAVRI LOV (VOTSKY) VICTOR ANTISPACE UTOPIA /APOCALYPTIC REMINISCENCES IN THE WORKS OF CHRIST0 (ASECOND COMING3 OF CHRISTO). ........................................................... -488 SCULPTURE IN THE CIRCLE OF OTHER ARTS KRYUCHKOVA VALENTINA PHOTOGRAPHY IN THE WORKS OF CONSTANTINE BRANCUSI ............................... .509 GETASHVILI NINA SCULPTURAL WORKS BY GLORGLO DE CHIRICO (SHORT REVIEW) ..................................................................... 520 629 OPNOB C.M. METAOOPBL VL CMMBOABL AAEKCAHAPA PYKABMWHMKOBA 394 J ................................ AXMETOBA ,Q.VL. O6BEKTBL XY,QOXHMKA MA BRM3APA XACAHOBA ............................................ .401 6ATOPOBA E.A. COBPEMEHHIU CKYABNTOP AALUM HAMAAKOB ........................................... -406 KACBLM C.B. A3HA-APT-NPOEKT BTOPAA XM3H B NEPEBA : OT 3CKM3A K BOFLAOUEHMK) ................................................................ .415 HVIKOIIAEBA E.A. CEMAHTMKA XYAOXECTBEHHORO O6PA3A B A6CTPAKTHBLX PEABEOAX A.H. KPACY~MHA, M.A. KACTAA~CKO~, B.B.AUIMTMHA.. ..................................... .421 CTEKON BHMKOBA M.6. BMKTOP KOPHEEB.TEMBL, 06PA3BL,CMMBONBL ............................................... 427 MAPB(LHOBCKA5L O.B. TBOPQECKAA MACTEPCKAA KAK ~Q~6~BLN UEHTP M 06BEAMHEHME XYAOXHMKOB-CKYABNTOPOB PA3~BLX ~~OKOAEHM~. ........................................................................ 432 TPYCOBA FL.A. KAACCMYECKOE TPEQECKOE MAM KJLACCMQECKOE ROTMYECKOE? MCKYCCTBO APMCTMAA MA~OAA B KOHUENUMM ................................................ KAACCMY ECKO~ TPAAMUMM MOPMCA AEHM .M1 CEY VLH A.T. MKOHO~PAQMLECKM~ TMN VENUS PUDICA KAK NJLACTMYECKAA META@OPAXEHCTBEHHOCTM ............................................................ B APEBHEM M HOBOM MCKYCCTBE 452 CJIABOBA A.A. ....................................... A.T. MATBEEB M ER0 UIKOAA. TPMMUMM KAACCMKM .464 6YCEB M.A. AHTHQHBLE MOTMBBL M O6PA3BL BTBOPQECTBE ......................................... NAPMXCKMX HEOABAHRAPBMCTOB: CE3AP, APMAH .471 RABPMNOB (BOTCKV~~) B.A. AHTM~POCTPAHCTBEHHAA YTOFLMA /AFLOKANMNTMQECKME PEMMHMCEH~MM B TBOPECTBE XPMCTO .......................................................... ( BTOPOE ~PMUJECTBMEN XPMCTO) .488 KPKIL1KOBA B.A. .................................. @OTOTPA@M$I B TBOPQECTBE KOHCTAHTMHA 6PAHKY3M 509 RETALLLBMNM H.B. CKY~I~TYPHOE TBOPQECTBO WPW AE KMPMKO ................................ ................................ ... (KPATKM~~ 0630P) 520 KUDRYAVTSEVA SOFIA THE SCULPTURAL ORIGINS OF ARCHITECTURAL WORKS ..................................................................... OF SANTIAGO CALATRAVA 526 CHMYREVA IRLNA PHOTO - SCULPTURE - PHOTOSCULPTURE: THE SYNTHESIS OFVISUAL ARTS IN MOSCOW ART EXHIBITIONS .................................................................................... I N THE 1990S 535 PERFL LL EVA L RI NA THE ARTISTIC ACCESSORIES OFTHE SECOND HALF OFTHE 20~~ CENTURY AS SMALL PLASTIC ................................ ................................ ............. 543 PROBLEMS OF THE THEORY ORLOV SERGEY SCULPTURE AND EXPANSION OFTHE OBJECT. FROM THE VOCABULARY OF SHAPES TO THE CYCLOPEAN OBJECTS .......................... 555 FREYVERT LUDMILA A SCULPTURAL ELEMENT AS A QUALITY: SCULPTURE, DESIGN ............................... 567 NAUMOV NIKOLAY THE DIALECTICS OFTHE DISCRETE AND CONTINUOUS IN THE FORMING OF A CLASS OF SCULPTURES. AN ATTEMPT AT ANALYSIS ...................................... .S71 THE ROLE OF NEW MATERIALS AND TECHNOLOGIES IN SCULPTURAL CREATION BELSKY PAVEL FROM THE HISTORY OF USING UNCONVENTIONAL MATERIALS IN MONUMENTALSCULPTURE OF MOSCOWAND LENINGRAD OF THE 1930S TO THE EARLY 1950S .............................................................. 585 EROKHIN VICTOR ON THE ROLE OF NEWTECHNOLOGIES IN CONTEMPORARY SCULPTURAL PRACTICE (AS EXEMPLIFIED BY APPLICATION OFTHE METHOD OF THREE-DIMENSIONAL LASER SCANNING IN THE MEDAL ART) ....................... 597 MLNNLGULOVA FARIDA SCULPTURE MADE FROM SCRAP METAL: SEARCHES AND DISCOVERIES IN THE MODERN URALS ART .................................. .600 SHCHETININA NATALIA THE APPROPRIATION AND ISSUE OF MATERIAL IN THE WORK OF JEFF KOONS ................................................................. 607 INFORMATION ABOUTTHE AUTHORS ............................................................. .617 SUMMARY .621 ....................................................................................... CONTENTS 622 ...................................................................................... 631 KYAPFLBUEBA C.B. CKYJLBNTYPH BLE MCTOKM APXMTEKTYPHORO TBOPYECTBA J CAHT~R RO KA~ATPAB B~ 526 ....................................................................... YMBLPEBA L4.K). @OTORPA@MFL- CKYJL BNTYPA - @OTOCKYJL BNTYPA: CMHTE3 BM3YAJLBHBLX MCKYCCTB B ILPOCTPAHCTBE MOCKOBCKMX XYNOXECTBEHHBLX B BLCTABOK 1990-X ROAOB ...................................................................... 535 FLEP@M/LBEBA M.K). XYAO KECTBEHHBLE YKPAUJEHMR BTOPO~~ ILOJLOBMHBL XX BEKA KAK M EN KAR NN ACTM KA ...................................................................... 543 OPNOB C.M. CKYJLBNTYPA M 3KCNAHCMR ILPENMETA. OT JLEKCMKOHA @OPM K 06BEKTAM UMKJLONMYECKMM ................................... 555 @PE~BEPT~.~. CKYJL BNTYPHOCTB KAK CBO~~CTBO: CKYJ~~~TYPA,AM~A~H ................................ 567 HAYMOB H.A. AMAJLEKTMKAAMCKPETHORO M HENPEPBLBHORO B @OPMOOEPA30BAHMM AAA OPLHORO KJ~ACCA CKY~ ~~TYPHIX KOM~O~M~M~. ON ITAHMM~A ................................ .S71 6ENBCKVLLII N.E. M3 MCTOPMM MCILONB30BAHMR HETPA,4MUMOHHBLX MATEPMAJLOB B MOHYMEHTA~~HO~ CKYJLBNTYPE MOCKBBL M JLEHMHRPMA ............................................................... 1930-X - HAYAJLA 1950-X ROAOB 585 EPOXMH B.M. 0 POJLM HOBIXTEXHO~O~M~~ B COBPEMEHHO~ CKYJ~~~~TYPHO~ NPAKTMKE (HA ILPMMEPE ILPMMEHEHMFI METOU 06BEMHORO NA3EPHORO ..................................... CKAHMPOBAHMFI B MERANBEPHOM WCKYCCTBE) 597 MMHHMWNOBA @.M. CKYJLBNTYPA M3 METANJLOJLOMA: ........................ NOMCKM M HAXOAKM B COBPEMEHHOM YPANBCKOM MCKYCCTBE .600 UETMHMHA H.B. ALLPOLLPMAUMR M NP06JLEMA MATEPMMA .............................................................. B TBOPYECTBE NXE@@A KYHCA 607 ................................................................... CBE,Q,EHMFI 05 ABTOPAX 617 SUMMARY ............................................................................... 621 CONTENTS ..............................................................................622 COREPXAHME ........................................................................... 623
any_adam_object	1
author2	Busev, Michail A. 1951- Kalugina, Olʹga Veniaminovna
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author_GND	(DE-588)1018524029 (DE-588)133949761
author_corporate	Iskusstvo skulʹptury v XX-XXI vekach: mastera, tendencii, problemy (Veranstaltung) Moskau
author_corporate_role	aut
author_facet	Busev, Michail A. 1951- Kalugina, Olʹga Veniaminovna Iskusstvo skulʹptury v XX-XXI vekach: mastera, tendencii, problemy (Veranstaltung) Moskau
author_sort	Iskusstvo skulʹptury v XX-XXI vekach: mastera, tendencii, problemy (Veranstaltung) Moskau
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institution	BVB
institution_GND	(DE-588)1161225994
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language	Russian
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spelling	Iskusstvo skulʹptury v XX-XXI vekach: mastera, tendencii, problemy (Veranstaltung) 2015 Moskau Verfasser (DE-588)1161225994 aut Iskusstvo skulʹptury v XX-XXI vekach mastera, tendencii, problemy : kollektivnaja monografija Redkollegija: M.A. Busev (otvetstvennyj redaktor), O.V. Kalugina (redaktor-sostavitelʹ) [und 4 weitere] 2-e izd. Moskva BuksMArt 2018 631 Seiten, 48 ungezählte Seiten Illustrationen 30 cm txt rdacontent n rdamedia nc rdacarrier Das Inhaltsverzeichnis ist in englischer und russischer Sprache. Geschichte 1900-2017 gnd rswk-swf Plastik (DE-588)4046277-8 gnd rswk-swf Sculpture (DE-588)1071861417 Konferenzschrift 2015 Moskau gnd-content Plastik (DE-588)4046277-8 s Geschichte 1900-2017 z DE-604 Busev, Michail A. 1951- (DE-588)1018524029 edt Kalugina, Olʹga Veniaminovna (DE-588)133949761 edt KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030401982&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Iskusstvo skulʹptury v XX-XXI vekach mastera, tendencii, problemy : kollektivnaja monografija Plastik (DE-588)4046277-8 gnd
subject_GND	(DE-588)4046277-8 (DE-588)1071861417
title	Iskusstvo skulʹptury v XX-XXI vekach mastera, tendencii, problemy : kollektivnaja monografija
title_auth	Iskusstvo skulʹptury v XX-XXI vekach mastera, tendencii, problemy : kollektivnaja monografija
title_exact_search	Iskusstvo skulʹptury v XX-XXI vekach mastera, tendencii, problemy : kollektivnaja monografija
title_full	Iskusstvo skulʹptury v XX-XXI vekach mastera, tendencii, problemy : kollektivnaja monografija Redkollegija: M.A. Busev (otvetstvennyj redaktor), O.V. Kalugina (redaktor-sostavitelʹ) [und 4 weitere]
title_fullStr	Iskusstvo skulʹptury v XX-XXI vekach mastera, tendencii, problemy : kollektivnaja monografija Redkollegija: M.A. Busev (otvetstvennyj redaktor), O.V. Kalugina (redaktor-sostavitelʹ) [und 4 weitere]
title_full_unstemmed	Iskusstvo skulʹptury v XX-XXI vekach mastera, tendencii, problemy : kollektivnaja monografija Redkollegija: M.A. Busev (otvetstvennyj redaktor), O.V. Kalugina (redaktor-sostavitelʹ) [und 4 weitere]
title_short	Iskusstvo skulʹptury v XX-XXI vekach
title_sort	iskusstvo skulʹptury v xx xxi vekach mastera tendencii problemy kollektivnaja monografija
title_sub	mastera, tendencii, problemy : kollektivnaja monografija
topic	Plastik (DE-588)4046277-8 gnd
topic_facet	Plastik Konferenzschrift 2015 Moskau
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030401982&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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