Tainted glory in Handel's "Messiah": the unsettling history of the world's most beloved choral work
Every Easter, audiences across the globe thrill to performances of Handel's "Hallelujah Chorus", but they would probably be appalled to learn the full extent of the oratorio's anti-Judaic message. In this pioneering study, respected musicologist Michael Marissen examines Handel&#...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Haven ; London
Yale University Press
[2014]
|
| Schlagworte: | |
| Online-Zugang: | UBT01 BSB01 Volltext |
| Zusammenfassung: | Every Easter, audiences across the globe thrill to performances of Handel's "Hallelujah Chorus", but they would probably be appalled to learn the full extent of the oratorio's anti-Judaic message. In this pioneering study, respected musicologist Michael Marissen examines Handel's masterwork and uncovers a disturbing message of anti-Judaism buried within its joyous celebration of the divinity of the Christ. Discovering previously unidentified historical source materials enabled the author to investigate the circumstances that led to the creation of The Messiah and expose the hateful sentiments masked by magnificent musical artistry - including the famed "Hallelujah Chorus", which rejoices in the "dashing to pieces" of God's enemies, among them the "people of Israel". Marissen's fascinating, provocative work offers musical scholars and general readers alike an unsettling new appreciation of one of the world's best-loved and most widely performed works of religious music. |
| Beschreibung: | 1 Online-Ressource (X, 217 Seiten) |
| ISBN: | 9780300206999 |
| DOI: | 10.12987/yale/9780300194586.001.0001 |
Internformat
MARC
| LEADER | 00000nmm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV045009124 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 180615s2014 |||| o||u| ||||||eng d | ||
| 020 | |a 9780300206999 |c Online |9 978-0-300-20699-9 | ||
| 024 | 7 | |a 10.12987/yale/9780300194586.001.0001 |2 doi | |
| 035 | |a (OCoLC)1041639851 | ||
| 035 | |a (DE-599)BVBBV045009124 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-703 |a DE-12 | ||
| 050 | 0 | |a ML410.H13 | |
| 082 | 0 | |a 782.23 |2 23 | |
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a LP 39130 |0 (DE-625)106559: |2 rvk | ||
| 100 | 1 | |a Marissen, Michael |d 1960- |e Verfasser |0 (DE-588)121427625 |4 aut | |
| 245 | 1 | 0 | |a Tainted glory in Handel's "Messiah" |b the unsettling history of the world's most beloved choral work |c Michael Marissen |
| 264 | 1 | |a New Haven ; London |b Yale University Press |c [2014] | |
| 300 | |a 1 Online-Ressource (X, 217 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | |a Every Easter, audiences across the globe thrill to performances of Handel's "Hallelujah Chorus", but they would probably be appalled to learn the full extent of the oratorio's anti-Judaic message. In this pioneering study, respected musicologist Michael Marissen examines Handel's masterwork and uncovers a disturbing message of anti-Judaism buried within its joyous celebration of the divinity of the Christ. Discovering previously unidentified historical source materials enabled the author to investigate the circumstances that led to the creation of The Messiah and expose the hateful sentiments masked by magnificent musical artistry - including the famed "Hallelujah Chorus", which rejoices in the "dashing to pieces" of God's enemies, among them the "people of Israel". Marissen's fascinating, provocative work offers musical scholars and general readers alike an unsettling new appreciation of one of the world's best-loved and most widely performed works of religious music. | ||
| 600 | 1 | 4 | |a Handel, George Frideric, |d 1685-1759 |
| 600 | 1 | 7 | |a Händel, Georg Friedrich |d 1685-1759 |t Messiah |0 (DE-588)300065175 |2 gnd |9 rswk-swf |
| 650 | 4 | |a Antisemitism in music | |
| 650 | 0 | 7 | |a Antisemitismus |0 (DE-588)4002333-3 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Händel, Georg Friedrich |d 1685-1759 |t Messiah |0 (DE-588)300065175 |D u |
| 689 | 0 | 1 | |a Antisemitismus |0 (DE-588)4002333-3 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Festeinband |z 978-0-300-19458-6 |
| 856 | 4 | 0 | |u https://doi.org/10.12987/yale/9780300194586.001.0001 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-28-OSV |a ZDB-28-YSM |a ZDB-1-UMC | ||
| 940 | 1 | |q ZDB-28-YSM_2014/04-2015/03 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-030401096 | ||
| 966 | e | |u https://doi.org/10.12987/yale/9780300194586.001.0001 |l UBT01 |p ZDB-28-YSM |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.12987/yale/9780300194586.001.0001 |l BSB01 |p ZDB-1-UMC |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804178620302753792 |
|---|---|
| any_adam_object | |
| author | Marissen, Michael 1960- |
| author_GND | (DE-588)121427625 |
| author_facet | Marissen, Michael 1960- |
| author_role | aut |
| author_sort | Marissen, Michael 1960- |
| author_variant | m m mm |
| building | Verbundindex |
| bvnumber | BV045009124 |
| callnumber-first | M - Music |
| callnumber-label | ML410 |
| callnumber-raw | ML410.H13 |
| callnumber-search | ML410.H13 |
| callnumber-sort | ML 3410 H13 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LP 39130 |
| collection | ZDB-28-OSV ZDB-28-YSM ZDB-1-UMC |
| ctrlnum | (OCoLC)1041639851 (DE-599)BVBBV045009124 |
| dewey-full | 782.23 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.23 |
| dewey-search | 782.23 |
| dewey-sort | 3782.23 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.12987/yale/9780300194586.001.0001 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02965nmm a2200481 c 4500</leader><controlfield tag="001">BV045009124</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">180615s2014 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780300206999</subfield><subfield code="c">Online</subfield><subfield code="9">978-0-300-20699-9</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.12987/yale/9780300194586.001.0001</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1041639851</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045009124</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-703</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML410.H13</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">782.23</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 39130</subfield><subfield code="0">(DE-625)106559:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Marissen, Michael</subfield><subfield code="d">1960-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)121427625</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Tainted glory in Handel's "Messiah"</subfield><subfield code="b">the unsettling history of the world's most beloved choral work</subfield><subfield code="c">Michael Marissen</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New Haven ; London</subfield><subfield code="b">Yale University Press</subfield><subfield code="c">[2014]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (X, 217 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Every Easter, audiences across the globe thrill to performances of Handel's "Hallelujah Chorus", but they would probably be appalled to learn the full extent of the oratorio's anti-Judaic message. In this pioneering study, respected musicologist Michael Marissen examines Handel's masterwork and uncovers a disturbing message of anti-Judaism buried within its joyous celebration of the divinity of the Christ. Discovering previously unidentified historical source materials enabled the author to investigate the circumstances that led to the creation of The Messiah and expose the hateful sentiments masked by magnificent musical artistry - including the famed "Hallelujah Chorus", which rejoices in the "dashing to pieces" of God's enemies, among them the "people of Israel". Marissen's fascinating, provocative work offers musical scholars and general readers alike an unsettling new appreciation of one of the world's best-loved and most widely performed works of religious music.</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Handel, George Frideric,</subfield><subfield code="d">1685-1759</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Händel, Georg Friedrich</subfield><subfield code="d">1685-1759</subfield><subfield code="t">Messiah</subfield><subfield code="0">(DE-588)300065175</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Antisemitism in music</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Antisemitismus</subfield><subfield code="0">(DE-588)4002333-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Händel, Georg Friedrich</subfield><subfield code="d">1685-1759</subfield><subfield code="t">Messiah</subfield><subfield code="0">(DE-588)300065175</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Antisemitismus</subfield><subfield code="0">(DE-588)4002333-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Festeinband</subfield><subfield code="z">978-0-300-19458-6</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.12987/yale/9780300194586.001.0001</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-28-OSV</subfield><subfield code="a">ZDB-28-YSM</subfield><subfield code="a">ZDB-1-UMC</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-28-YSM_2014/04-2015/03</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030401096</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.12987/yale/9780300194586.001.0001</subfield><subfield code="l">UBT01</subfield><subfield code="p">ZDB-28-YSM</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.12987/yale/9780300194586.001.0001</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-1-UMC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV045009124 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:06:52Z |
| institution | BVB |
| isbn | 9780300206999 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030401096 |
| oclc_num | 1041639851 |
| open_access_boolean | |
| owner | DE-703 DE-12 |
| owner_facet | DE-703 DE-12 |
| physical | 1 Online-Ressource (X, 217 Seiten) |
| psigel | ZDB-28-OSV ZDB-28-YSM ZDB-1-UMC ZDB-28-YSM_2014/04-2015/03 |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Yale University Press |
| record_format | marc |
| spelling | Marissen, Michael 1960- Verfasser (DE-588)121427625 aut Tainted glory in Handel's "Messiah" the unsettling history of the world's most beloved choral work Michael Marissen New Haven ; London Yale University Press [2014] 1 Online-Ressource (X, 217 Seiten) txt rdacontent c rdamedia cr rdacarrier Every Easter, audiences across the globe thrill to performances of Handel's "Hallelujah Chorus", but they would probably be appalled to learn the full extent of the oratorio's anti-Judaic message. In this pioneering study, respected musicologist Michael Marissen examines Handel's masterwork and uncovers a disturbing message of anti-Judaism buried within its joyous celebration of the divinity of the Christ. Discovering previously unidentified historical source materials enabled the author to investigate the circumstances that led to the creation of The Messiah and expose the hateful sentiments masked by magnificent musical artistry - including the famed "Hallelujah Chorus", which rejoices in the "dashing to pieces" of God's enemies, among them the "people of Israel". Marissen's fascinating, provocative work offers musical scholars and general readers alike an unsettling new appreciation of one of the world's best-loved and most widely performed works of religious music. Handel, George Frideric, 1685-1759 Händel, Georg Friedrich 1685-1759 Messiah (DE-588)300065175 gnd rswk-swf Antisemitism in music Antisemitismus (DE-588)4002333-3 gnd rswk-swf Händel, Georg Friedrich 1685-1759 Messiah (DE-588)300065175 u Antisemitismus (DE-588)4002333-3 s DE-604 Erscheint auch als Druck-Ausgabe, Festeinband 978-0-300-19458-6 https://doi.org/10.12987/yale/9780300194586.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Marissen, Michael 1960- Tainted glory in Handel's "Messiah" the unsettling history of the world's most beloved choral work Handel, George Frideric, 1685-1759 Händel, Georg Friedrich 1685-1759 Messiah (DE-588)300065175 gnd Antisemitism in music Antisemitismus (DE-588)4002333-3 gnd |
| subject_GND | (DE-588)300065175 (DE-588)4002333-3 |
| title | Tainted glory in Handel's "Messiah" the unsettling history of the world's most beloved choral work |
| title_auth | Tainted glory in Handel's "Messiah" the unsettling history of the world's most beloved choral work |
| title_exact_search | Tainted glory in Handel's "Messiah" the unsettling history of the world's most beloved choral work |
| title_full | Tainted glory in Handel's "Messiah" the unsettling history of the world's most beloved choral work Michael Marissen |
| title_fullStr | Tainted glory in Handel's "Messiah" the unsettling history of the world's most beloved choral work Michael Marissen |
| title_full_unstemmed | Tainted glory in Handel's "Messiah" the unsettling history of the world's most beloved choral work Michael Marissen |
| title_short | Tainted glory in Handel's "Messiah" |
| title_sort | tainted glory in handel s messiah the unsettling history of the world s most beloved choral work |
| title_sub | the unsettling history of the world's most beloved choral work |
| topic | Handel, George Frideric, 1685-1759 Händel, Georg Friedrich 1685-1759 Messiah (DE-588)300065175 gnd Antisemitism in music Antisemitismus (DE-588)4002333-3 gnd |
| topic_facet | Handel, George Frideric, 1685-1759 Händel, Georg Friedrich 1685-1759 Messiah Antisemitism in music Antisemitismus |
| url | https://doi.org/10.12987/yale/9780300194586.001.0001 |
| work_keys_str_mv | AT marissenmichael taintedgloryinhandelsmessiahtheunsettlinghistoryoftheworldsmostbelovedchoralwork |