Reading Dante in Renaissance Italy: Florence, Venice and the "Divine Poet"
Simon Gilson provides the first in-depth account of the critical and editorial reception in Renaissance Italy, particularly Florence, Venice and Padua, of the work of Dante Alighieri (1265-1321). Gilson investigates a range of textual frameworks and related contexts that influenced the way in which...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2018
|
| Ausgabe: | First published |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | Simon Gilson provides the first in-depth account of the critical and editorial reception in Renaissance Italy, particularly Florence, Venice and Padua, of the work of Dante Alighieri (1265-1321). Gilson investigates a range of textual frameworks and related contexts that influenced the way in which Dante's work was produced and circulated, from editing and translation to commentaries, criticism and public lectures. In so doing he modifies the received notion that Dante and his work were eclipsed during the Renaissance. Central themes of investigation include the contestation of Dante's authority as a 'classic' writer and the various forms of attack and defence employed by his detractors and partisans. The book pays close attention not only to the 'Divine comedy' but also to the 'Convivio' and other of Dante's writings, and explores the ways in which the reception of these works was affected by contemporary developments in philology, literary theory, philosophy, theology, science and printing |
| Beschreibung: | xiv, 434 Seiten Illustrationen |
| ISBN: | 9781107196551 9781316647325 |
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Datensatz im Suchindex
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Contents
List of Illustrations page x
Acknowledgements xi
List of Abbreviations xiii
Introduction: Dante between ‘Words’ and ‘Things’ i
PART i: FLORENTINE LEGACIES AND VENETIAN
INITIATIVES, I481--I54O 21
1 Reading and Refashioning the Comedy, 1484—1536 23
2 Dante’s Verse, the De vulgari eloquent id, and the
Convivio: Editions and Critical Estimates, 1490—1532 62
PART II: DANTE AND FLORENTINE ACADEMIES, I54O-I595 91
3 Reading Dante in the Florentine, Crusca and
Alterati Academies 93
4 ‘His Greatest Partisan’: Giovan Battista Gelli as
Public Reader of Dante 144
PART III: VENETIAN ‘DANTES’, I544-I596 I73
5 New Print Commentaries: The Espositioni of Alessandro
Vellutello and Bernardino Daniello 175
6 Dante and the Polygraphs 209
Conclusion 241
Appendix: Printed Works of Dante, 1484—1596 249
Notes 254
Select Bibliography 354
Index 414
IX
Simon Gilsons new volume provides the first in-depth account of the
critical and editorial reception in Renaissance Italy, particularly Florence,
Venice and Padua, of the work of Dante Alighieri (1265-1321). Gilson
investigates a range of textual frameworks and related contexts that
influenced the way in which Dante's work was produced and circulated,
from editing and translation to commentaries, criticism and public
lectures. In so doing he modifies the received notion that Dante and his
work were eclipsed during the Renaissance. Central themes of investigation
include the contestation of Dantes authority as a classic' writer and
V
the various forms of attack and defence employed by his detractors and
partisans. The book pays close attention not only to the Divine Comedy
but also to the Convivio and other of Dante’s writings, and explores the
ways in which the reception of these works was affected by contemporary
developments in philology, literary theory, philosophy, theology, science
and printing. |
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| discipline | Romanistik |
| edition | First published |
| era | Geschichte 1484-1596 gnd |
| era_facet | Geschichte 1484-1596 |
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| spelling | Gilson, Simon A. Verfasser (DE-588)143721526 aut Reading Dante in Renaissance Italy Florence, Venice and the "Divine Poet" Simon Gilson, University of Oxford First published Cambridge Cambridge University Press 2018 xiv, 434 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Simon Gilson provides the first in-depth account of the critical and editorial reception in Renaissance Italy, particularly Florence, Venice and Padua, of the work of Dante Alighieri (1265-1321). Gilson investigates a range of textual frameworks and related contexts that influenced the way in which Dante's work was produced and circulated, from editing and translation to commentaries, criticism and public lectures. In so doing he modifies the received notion that Dante and his work were eclipsed during the Renaissance. Central themes of investigation include the contestation of Dante's authority as a 'classic' writer and the various forms of attack and defence employed by his detractors and partisans. The book pays close attention not only to the 'Divine comedy' but also to the 'Convivio' and other of Dante's writings, and explores the ways in which the reception of these works was affected by contemporary developments in philology, literary theory, philosophy, theology, science and printing Dante Alighieri 1265-1321 (DE-588)118523708 gnd rswk-swf Geschichte 1484-1596 gnd rswk-swf Renaissance (DE-588)4049450-0 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Florenz (DE-588)4017581-9 gnd rswk-swf Venedig (DE-588)4062501-1 gnd rswk-swf Dante Alighieri 1265-1321 (DE-588)118523708 p Rezeption (DE-588)4049716-1 s Florenz (DE-588)4017581-9 g Venedig (DE-588)4062501-1 g Renaissance (DE-588)4049450-0 s Geschichte 1484-1596 z DE-604 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030399820&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030399820&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Reading Dante in Renaissance Italy Florence, Venice and the "Divine Poet" |
| title_auth | Reading Dante in Renaissance Italy Florence, Venice and the "Divine Poet" |
| title_exact_search | Reading Dante in Renaissance Italy Florence, Venice and the "Divine Poet" |
| title_full | Reading Dante in Renaissance Italy Florence, Venice and the "Divine Poet" Simon Gilson, University of Oxford |
| title_fullStr | Reading Dante in Renaissance Italy Florence, Venice and the "Divine Poet" Simon Gilson, University of Oxford |
| title_full_unstemmed | Reading Dante in Renaissance Italy Florence, Venice and the "Divine Poet" Simon Gilson, University of Oxford |
| title_short | Reading Dante in Renaissance Italy |
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