Position: to take position: from message to montage : the operational and political imganination : critique or violence, "destructive character," and political character of exposition, according to Benjamin :the author as producer : montage and Umfunktionierung: effecient forms, forces, and shocks
Gespeichert in:
1. Verfasser: | |
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Weitere Verfasser: | |
Format: | Artikel |
Sprache: | English |
Veröffentlicht: |
2018
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Schlagworte: | |
ISBN: | 978-0-262-03787-7 |
Internformat
MARC
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035 | |a (OCoLC)1040635137 | ||
035 | |a (DE-599)BVBBV045005273 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
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240 | 1 | 0 | |a Position |
245 | 1 | 0 | |a Position |b to take position: from message to montage : the operational and political imganination : critique or violence, "destructive character," and political character of exposition, according to Benjamin :the author as producer : montage and Umfunktionierung: effecient forms, forces, and shocks |c Georges Didi-Huberman ; translated by Shane B. Lillis |
264 | 1 | |c 2018 | |
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337 | |b n |2 rdamedia | ||
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600 | 1 | 7 | |a Benjamin, Walter |d 1892-1940 |0 (DE-588)118509039 |2 gnd |9 rswk-swf |
600 | 1 | 7 | |a Brecht, Bertolt |d 1898-1956 |0 (DE-588)118514768 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Brecht, Bertolt |d 1898-1956 |0 (DE-588)118514768 |D p |
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700 | 1 | |a Lillis, Shane B. |4 trl | |
773 | 1 | 8 | |g pages:110-117 |
773 | 0 | 8 | |t The eye of history / Georges Didi-Huberman ; translated by Shane B. Lillis |d Cambridge, Massachusetts, London, England, 2018 |g Seite 110-117 |k RIC books essentials |w (DE-604)BV044873807 |z 978-0-262-03787-7 |
941 | |s 110-117 | ||
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Datensatz im Suchindex
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adam_text | |
any_adam_object | |
article_link | (DE-604)BV044873807 |
author | Didi-Huberman, Georges 1953- |
author2 | Lillis, Shane B. |
author2_role | trl |
author2_variant | s b l sb sbl |
author_GND | (DE-588)122040562 |
author_facet | Didi-Huberman, Georges 1953- Lillis, Shane B. |
author_role | aut |
author_sort | Didi-Huberman, Georges 1953- |
author_variant | g d h gdh |
building | Verbundindex |
bvnumber | BV045005273 |
ctrlnum | (OCoLC)1040635137 (DE-599)BVBBV045005273 |
format | Article |
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id | DE-604.BV045005273 |
illustrated | Not Illustrated |
indexdate | 2024-08-30T00:12:01Z |
institution | BVB |
isbn | 978-0-262-03787-7 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030397332 |
oclc_num | 1040635137 |
open_access_boolean | |
owner | DE-B486 |
owner_facet | DE-B486 |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
record_format | marc |
spelling | Didi-Huberman, Georges 1953- Verfasser (DE-588)122040562 aut Position Position to take position: from message to montage : the operational and political imganination : critique or violence, "destructive character," and political character of exposition, according to Benjamin :the author as producer : montage and Umfunktionierung: effecient forms, forces, and shocks Georges Didi-Huberman ; translated by Shane B. Lillis 2018 txt rdacontent n rdamedia nc rdacarrier Benjamin, Walter 1892-1940 (DE-588)118509039 gnd rswk-swf Brecht, Bertolt 1898-1956 (DE-588)118514768 gnd rswk-swf Brecht, Bertolt 1898-1956 (DE-588)118514768 p Benjamin, Walter 1892-1940 (DE-588)118509039 p DE-604 Lillis, Shane B. trl pages:110-117 The eye of history / Georges Didi-Huberman ; translated by Shane B. Lillis Cambridge, Massachusetts, London, England, 2018 Seite 110-117 RIC books essentials (DE-604)BV044873807 978-0-262-03787-7 |
spellingShingle | Didi-Huberman, Georges 1953- Position to take position: from message to montage : the operational and political imganination : critique or violence, "destructive character," and political character of exposition, according to Benjamin :the author as producer : montage and Umfunktionierung: effecient forms, forces, and shocks Benjamin, Walter 1892-1940 (DE-588)118509039 gnd Brecht, Bertolt 1898-1956 (DE-588)118514768 gnd |
subject_GND | (DE-588)118509039 (DE-588)118514768 |
title | Position to take position: from message to montage : the operational and political imganination : critique or violence, "destructive character," and political character of exposition, according to Benjamin :the author as producer : montage and Umfunktionierung: effecient forms, forces, and shocks |
title_alt | Position |
title_auth | Position to take position: from message to montage : the operational and political imganination : critique or violence, "destructive character," and political character of exposition, according to Benjamin :the author as producer : montage and Umfunktionierung: effecient forms, forces, and shocks |
title_exact_search | Position to take position: from message to montage : the operational and political imganination : critique or violence, "destructive character," and political character of exposition, according to Benjamin :the author as producer : montage and Umfunktionierung: effecient forms, forces, and shocks |
title_full | Position to take position: from message to montage : the operational and political imganination : critique or violence, "destructive character," and political character of exposition, according to Benjamin :the author as producer : montage and Umfunktionierung: effecient forms, forces, and shocks Georges Didi-Huberman ; translated by Shane B. Lillis |
title_fullStr | Position to take position: from message to montage : the operational and political imganination : critique or violence, "destructive character," and political character of exposition, according to Benjamin :the author as producer : montage and Umfunktionierung: effecient forms, forces, and shocks Georges Didi-Huberman ; translated by Shane B. Lillis |
title_full_unstemmed | Position to take position: from message to montage : the operational and political imganination : critique or violence, "destructive character," and political character of exposition, according to Benjamin :the author as producer : montage and Umfunktionierung: effecient forms, forces, and shocks Georges Didi-Huberman ; translated by Shane B. Lillis |
title_short | Position |
title_sort | position to take position from message to montage the operational and political imganination critique or violence destructive character and political character of exposition according to benjamin the author as producer montage and umfunktionierung effecient forms forces and shocks |
title_sub | to take position: from message to montage : the operational and political imganination : critique or violence, "destructive character," and political character of exposition, according to Benjamin :the author as producer : montage and Umfunktionierung: effecient forms, forces, and shocks |
topic | Benjamin, Walter 1892-1940 (DE-588)118509039 gnd Brecht, Bertolt 1898-1956 (DE-588)118514768 gnd |
topic_facet | Benjamin, Walter 1892-1940 Brecht, Bertolt 1898-1956 |
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