The Miles Davis Lost Quintet and other revolutionary ensembles:
Miles Davis's Bitches Brew is one of the most iconic albums in American music, the preeminent landmark and fertile seedbed of jazz-fusion. Fans have been fortunate in the past few years to gain access to Davis's live recordings from this time, when he was working with an ensemble that has...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Chicago ; London
University of Chicago Press
[2016]
|
Schlagworte: | |
Online-Zugang: | UBT01 BSB01 Volltext |
Zusammenfassung: | Miles Davis's Bitches Brew is one of the most iconic albums in American music, the preeminent landmark and fertile seedbed of jazz-fusion. Fans have been fortunate in the past few years to gain access to Davis's live recordings from this time, when he was working with an ensemble that has come to be known as the Lost Quintet. In this book, jazz historian and musician Bob Gluck explores the performances of this revolutionary group-Davis's first electric band-to illuminate the thinking of one of our rarest geniuses and, by extension, the extraordinary transition in American music that he and his fellow players ushered in. Gluck listens deeply to the uneasy tension between this group's driving rhythmic groove and the sonic and structural openness, surprise, and experimentation they were always pushing toward. There he hears-and outlines-a fascinating web of musical interconnection that brings Davis's funk-inflected sensibilities into conversation with the avant-garde worlds that players like Ornette Coleman and John Coltrane were developing. Going on to analyze the little-known experimental groups Circle and the Revolutionary Ensemble, Gluck traces deep resonances across a commercial gap between the celebrity Miles Davis and his less famous but profoundly innovative peers. The result is a deeply attuned look at a pivotal moment when once-disparate worlds of American music came together in explosively creative combinations. - Bob Gluck is a pianist, composer, and jazz historian, as well as associate professor of music and director of the Electronic Music Studio at the State University of New York, Albany. He is the author of You'll Know When You Get There: Herbie Hancock and the Mwandishi Band, also published by the University of Chicago Press. (Klappentext) |
Beschreibung: | 1 Online-Ressource (XII, 256 Seiten, 12 ungezählte Seiten Bildtafeln) Illustrationen |
ISBN: | 9780226303390 |
Internformat
MARC
LEADER | 00000nmm a2200000 c 4500 | ||
---|---|---|---|
001 | BV045004989 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 180613s2016 |||| o||u| ||||||eng d | ||
020 | |a 9780226303390 |c Online |9 978-0-226-30339-0 | ||
024 | 7 | |a 10.7208/chicago/9780226303390.001.0001 |2 doi | |
035 | |a (OCoLC)1040659524 | ||
035 | |a (DE-599)BVBBV045004989 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-703 |a DE-12 | ||
050 | 0 | |a ML419.D39 | |
082 | 0 | |a 785.32195165 |2 23 | |
084 | |a MUS |q DE-12 |2 fid | ||
084 | |a LS 48100 |0 (DE-625)110549: |2 rvk | ||
100 | 1 | |a Gluck, Bob |d 1955- |e Verfasser |0 (DE-588)1025508076 |4 aut | |
245 | 1 | 0 | |a The Miles Davis Lost Quintet and other revolutionary ensembles |c Bob Gluck |
264 | 1 | |a Chicago ; London |b University of Chicago Press |c [2016] | |
264 | 4 | |c © 2016 | |
300 | |a 1 Online-Ressource (XII, 256 Seiten, 12 ungezählte Seiten Bildtafeln) |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
520 | |a Miles Davis's Bitches Brew is one of the most iconic albums in American music, the preeminent landmark and fertile seedbed of jazz-fusion. Fans have been fortunate in the past few years to gain access to Davis's live recordings from this time, when he was working with an ensemble that has come to be known as the Lost Quintet. In this book, jazz historian and musician Bob Gluck explores the performances of this revolutionary group-Davis's first electric band-to illuminate the thinking of one of our rarest geniuses and, by extension, the extraordinary transition in American music that he and his fellow players ushered in. Gluck listens deeply to the uneasy tension between this group's driving rhythmic groove and the sonic and structural openness, surprise, and experimentation they were always pushing toward. There he hears-and outlines-a fascinating web of musical interconnection that brings Davis's funk-inflected sensibilities into conversation with the avant-garde worlds that players like Ornette Coleman and John Coltrane were developing. Going on to analyze the little-known experimental groups Circle and the Revolutionary Ensemble, Gluck traces deep resonances across a commercial gap between the celebrity Miles Davis and his less famous but profoundly innovative peers. The result is a deeply attuned look at a pivotal moment when once-disparate worlds of American music came together in explosively creative combinations. - Bob Gluck is a pianist, composer, and jazz historian, as well as associate professor of music and director of the Electronic Music Studio at the State University of New York, Albany. He is the author of You'll Know When You Get There: Herbie Hancock and the Mwandishi Band, also published by the University of Chicago Press. (Klappentext) | ||
600 | 1 | 4 | |a Davis, Miles |
600 | 1 | 7 | |a Davis, Miles |d 1926-1991 |t Bitches Brew |0 (DE-588)7691877-4 |2 gnd |9 rswk-swf |
650 | 4 | |a Jazz |y 1961-1970 |x History and criticism | |
650 | 4 | |a Jazz |y 1971-1980 |x History and criticism | |
650 | 4 | |a Jazz musicians |z United States |v Biography | |
650 | 0 | 7 | |a Avantgarde |0 (DE-588)4133965-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Rock-Jazz |0 (DE-588)4367649-2 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Quintett |0 (DE-588)4176737-8 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Elektronische Musik |0 (DE-588)4014355-7 |2 gnd |9 rswk-swf |
651 | 4 | |a USA | |
655 | 7 | |0 (DE-588)4006804-3 |a Biografie |2 gnd-content | |
689 | 0 | 0 | |a Davis, Miles |d 1926-1991 |t Bitches Brew |0 (DE-588)7691877-4 |D u |
689 | 0 | 1 | |a Quintett |0 (DE-588)4176737-8 |D s |
689 | 0 | 2 | |a Elektronische Musik |0 (DE-588)4014355-7 |D s |
689 | 0 | 3 | |a Avantgarde |0 (DE-588)4133965-4 |D s |
689 | 0 | 4 | |a Rock-Jazz |0 (DE-588)4367649-2 |D s |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Festeinband |z 978-0-226-18076-2 |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Broschur |z 978-0-226-52700-0 |
856 | 4 | 0 | |u http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226303390.001.0001/upso-9780226180762 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-28-OSV |a ZDB-28-CHI |a ZDB-1-UMC | ||
940 | 1 | |q ZDB-28-CHI_2016/04-2017/03 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-030397053 | ||
942 | 1 | 1 | |c 781.65 |e 22/bsb |f 0904 |g 73 |
942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0904 |g 73 |
942 | 1 | 1 | |c 306.09 |e 22/bsb |f 0904 |g 73 |
966 | e | |u http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226303390.001.0001/upso-9780226180762 |l UBT01 |p ZDB-28-CHI |x Verlag |3 Volltext | |
966 | e | |u http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226303390.001.0001/upso-9780226180762 |l BSB01 |p ZDB-1-UMC |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804178612876738560 |
---|---|
any_adam_object | |
author | Gluck, Bob 1955- |
author_GND | (DE-588)1025508076 |
author_facet | Gluck, Bob 1955- |
author_role | aut |
author_sort | Gluck, Bob 1955- |
author_variant | b g bg |
building | Verbundindex |
bvnumber | BV045004989 |
callnumber-first | M - Music |
callnumber-label | ML419 |
callnumber-raw | ML419.D39 |
callnumber-search | ML419.D39 |
callnumber-sort | ML 3419 D39 |
callnumber-subject | ML - Literature on Music |
classification_rvk | LS 48100 |
collection | ZDB-28-OSV ZDB-28-CHI ZDB-1-UMC |
ctrlnum | (OCoLC)1040659524 (DE-599)BVBBV045004989 |
dewey-full | 785.32195165 |
dewey-hundreds | 700 - The arts |
dewey-ones | 785 - Ensembles with one instrument per part |
dewey-raw | 785.32195165 |
dewey-search | 785.32195165 |
dewey-sort | 3785.32195165 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04683nmm a2200661 c 4500</leader><controlfield tag="001">BV045004989</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">180613s2016 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780226303390</subfield><subfield code="c">Online</subfield><subfield code="9">978-0-226-30339-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7208/chicago/9780226303390.001.0001</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1040659524</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV045004989</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-703</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML419.D39</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">785.32195165</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LS 48100</subfield><subfield code="0">(DE-625)110549:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Gluck, Bob</subfield><subfield code="d">1955-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1025508076</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Miles Davis Lost Quintet and other revolutionary ensembles</subfield><subfield code="c">Bob Gluck</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Chicago ; London</subfield><subfield code="b">University of Chicago Press</subfield><subfield code="c">[2016]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (XII, 256 Seiten, 12 ungezählte Seiten Bildtafeln)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Miles Davis's Bitches Brew is one of the most iconic albums in American music, the preeminent landmark and fertile seedbed of jazz-fusion. Fans have been fortunate in the past few years to gain access to Davis's live recordings from this time, when he was working with an ensemble that has come to be known as the Lost Quintet. In this book, jazz historian and musician Bob Gluck explores the performances of this revolutionary group-Davis's first electric band-to illuminate the thinking of one of our rarest geniuses and, by extension, the extraordinary transition in American music that he and his fellow players ushered in. Gluck listens deeply to the uneasy tension between this group's driving rhythmic groove and the sonic and structural openness, surprise, and experimentation they were always pushing toward. There he hears-and outlines-a fascinating web of musical interconnection that brings Davis's funk-inflected sensibilities into conversation with the avant-garde worlds that players like Ornette Coleman and John Coltrane were developing. Going on to analyze the little-known experimental groups Circle and the Revolutionary Ensemble, Gluck traces deep resonances across a commercial gap between the celebrity Miles Davis and his less famous but profoundly innovative peers. The result is a deeply attuned look at a pivotal moment when once-disparate worlds of American music came together in explosively creative combinations. - Bob Gluck is a pianist, composer, and jazz historian, as well as associate professor of music and director of the Electronic Music Studio at the State University of New York, Albany. He is the author of You'll Know When You Get There: Herbie Hancock and the Mwandishi Band, also published by the University of Chicago Press. (Klappentext)</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Davis, Miles</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Davis, Miles</subfield><subfield code="d">1926-1991</subfield><subfield code="t">Bitches Brew</subfield><subfield code="0">(DE-588)7691877-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Jazz</subfield><subfield code="y">1961-1970</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Jazz</subfield><subfield code="y">1971-1980</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Jazz musicians</subfield><subfield code="z">United States</subfield><subfield code="v">Biography</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Avantgarde</subfield><subfield code="0">(DE-588)4133965-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rock-Jazz</subfield><subfield code="0">(DE-588)4367649-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Quintett</subfield><subfield code="0">(DE-588)4176737-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Elektronische Musik</subfield><subfield code="0">(DE-588)4014355-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">USA</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4006804-3</subfield><subfield code="a">Biografie</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Davis, Miles</subfield><subfield code="d">1926-1991</subfield><subfield code="t">Bitches Brew</subfield><subfield code="0">(DE-588)7691877-4</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Quintett</subfield><subfield code="0">(DE-588)4176737-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Elektronische Musik</subfield><subfield code="0">(DE-588)4014355-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Avantgarde</subfield><subfield code="0">(DE-588)4133965-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Rock-Jazz</subfield><subfield code="0">(DE-588)4367649-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Festeinband</subfield><subfield code="z">978-0-226-18076-2</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Broschur</subfield><subfield code="z">978-0-226-52700-0</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226303390.001.0001/upso-9780226180762</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-28-OSV</subfield><subfield code="a">ZDB-28-CHI</subfield><subfield code="a">ZDB-1-UMC</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-28-CHI_2016/04-2017/03</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030397053</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.65</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">73</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226303390.001.0001/upso-9780226180762</subfield><subfield code="l">UBT01</subfield><subfield code="p">ZDB-28-CHI</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226303390.001.0001/upso-9780226180762</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-1-UMC</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
genre | (DE-588)4006804-3 Biografie gnd-content |
genre_facet | Biografie |
geographic | USA |
geographic_facet | USA |
id | DE-604.BV045004989 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T08:06:45Z |
institution | BVB |
isbn | 9780226303390 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030397053 |
oclc_num | 1040659524 |
open_access_boolean | |
owner | DE-703 DE-12 |
owner_facet | DE-703 DE-12 |
physical | 1 Online-Ressource (XII, 256 Seiten, 12 ungezählte Seiten Bildtafeln) Illustrationen |
psigel | ZDB-28-OSV ZDB-28-CHI ZDB-1-UMC ZDB-28-CHI_2016/04-2017/03 |
publishDate | 2016 |
publishDateSearch | 2016 |
publishDateSort | 2016 |
publisher | University of Chicago Press |
record_format | marc |
spelling | Gluck, Bob 1955- Verfasser (DE-588)1025508076 aut The Miles Davis Lost Quintet and other revolutionary ensembles Bob Gluck Chicago ; London University of Chicago Press [2016] © 2016 1 Online-Ressource (XII, 256 Seiten, 12 ungezählte Seiten Bildtafeln) Illustrationen txt rdacontent c rdamedia cr rdacarrier Miles Davis's Bitches Brew is one of the most iconic albums in American music, the preeminent landmark and fertile seedbed of jazz-fusion. Fans have been fortunate in the past few years to gain access to Davis's live recordings from this time, when he was working with an ensemble that has come to be known as the Lost Quintet. In this book, jazz historian and musician Bob Gluck explores the performances of this revolutionary group-Davis's first electric band-to illuminate the thinking of one of our rarest geniuses and, by extension, the extraordinary transition in American music that he and his fellow players ushered in. Gluck listens deeply to the uneasy tension between this group's driving rhythmic groove and the sonic and structural openness, surprise, and experimentation they were always pushing toward. There he hears-and outlines-a fascinating web of musical interconnection that brings Davis's funk-inflected sensibilities into conversation with the avant-garde worlds that players like Ornette Coleman and John Coltrane were developing. Going on to analyze the little-known experimental groups Circle and the Revolutionary Ensemble, Gluck traces deep resonances across a commercial gap between the celebrity Miles Davis and his less famous but profoundly innovative peers. The result is a deeply attuned look at a pivotal moment when once-disparate worlds of American music came together in explosively creative combinations. - Bob Gluck is a pianist, composer, and jazz historian, as well as associate professor of music and director of the Electronic Music Studio at the State University of New York, Albany. He is the author of You'll Know When You Get There: Herbie Hancock and the Mwandishi Band, also published by the University of Chicago Press. (Klappentext) Davis, Miles Davis, Miles 1926-1991 Bitches Brew (DE-588)7691877-4 gnd rswk-swf Jazz 1961-1970 History and criticism Jazz 1971-1980 History and criticism Jazz musicians United States Biography Avantgarde (DE-588)4133965-4 gnd rswk-swf Rock-Jazz (DE-588)4367649-2 gnd rswk-swf Quintett (DE-588)4176737-8 gnd rswk-swf Elektronische Musik (DE-588)4014355-7 gnd rswk-swf USA (DE-588)4006804-3 Biografie gnd-content Davis, Miles 1926-1991 Bitches Brew (DE-588)7691877-4 u Quintett (DE-588)4176737-8 s Elektronische Musik (DE-588)4014355-7 s Avantgarde (DE-588)4133965-4 s Rock-Jazz (DE-588)4367649-2 s DE-604 Erscheint auch als Druck-Ausgabe, Festeinband 978-0-226-18076-2 Erscheint auch als Druck-Ausgabe, Broschur 978-0-226-52700-0 http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226303390.001.0001/upso-9780226180762 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Gluck, Bob 1955- The Miles Davis Lost Quintet and other revolutionary ensembles Davis, Miles Davis, Miles 1926-1991 Bitches Brew (DE-588)7691877-4 gnd Jazz 1961-1970 History and criticism Jazz 1971-1980 History and criticism Jazz musicians United States Biography Avantgarde (DE-588)4133965-4 gnd Rock-Jazz (DE-588)4367649-2 gnd Quintett (DE-588)4176737-8 gnd Elektronische Musik (DE-588)4014355-7 gnd |
subject_GND | (DE-588)7691877-4 (DE-588)4133965-4 (DE-588)4367649-2 (DE-588)4176737-8 (DE-588)4014355-7 (DE-588)4006804-3 |
title | The Miles Davis Lost Quintet and other revolutionary ensembles |
title_auth | The Miles Davis Lost Quintet and other revolutionary ensembles |
title_exact_search | The Miles Davis Lost Quintet and other revolutionary ensembles |
title_full | The Miles Davis Lost Quintet and other revolutionary ensembles Bob Gluck |
title_fullStr | The Miles Davis Lost Quintet and other revolutionary ensembles Bob Gluck |
title_full_unstemmed | The Miles Davis Lost Quintet and other revolutionary ensembles Bob Gluck |
title_short | The Miles Davis Lost Quintet and other revolutionary ensembles |
title_sort | the miles davis lost quintet and other revolutionary ensembles |
topic | Davis, Miles Davis, Miles 1926-1991 Bitches Brew (DE-588)7691877-4 gnd Jazz 1961-1970 History and criticism Jazz 1971-1980 History and criticism Jazz musicians United States Biography Avantgarde (DE-588)4133965-4 gnd Rock-Jazz (DE-588)4367649-2 gnd Quintett (DE-588)4176737-8 gnd Elektronische Musik (DE-588)4014355-7 gnd |
topic_facet | Davis, Miles Davis, Miles 1926-1991 Bitches Brew Jazz 1961-1970 History and criticism Jazz 1971-1980 History and criticism Jazz musicians United States Biography Avantgarde Rock-Jazz Quintett Elektronische Musik USA Biografie |
url | http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226303390.001.0001/upso-9780226180762 |
work_keys_str_mv | AT gluckbob themilesdavislostquintetandotherrevolutionaryensembles |