Enid Marx: the pleasures of pattern
This is the first ever monograph on the work of Enid Marx (1902-1998), a leading artist-designer, collector and writer, closely associated with the Great Bardfield group of artists, including Eric Ravilious and Eric Bawden. Marx was a leading woman designer in the first generation to make a distinct...
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London
Lund Humphries in association with Compton Verney Art Gallery and Park
2018
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Schlagworte: | |
Zusammenfassung: | This is the first ever monograph on the work of Enid Marx (1902-1998), a leading artist-designer, collector and writer, closely associated with the Great Bardfield group of artists, including Eric Ravilious and Eric Bawden. Marx was a leading woman designer in the first generation to make a distinctive contribution to the growing practice of industrial design in Britain. Her design work, much of it anonymous, including postage stamps, book cover patterns, wartime utility fabrics and tube train seat fabric, was, in its time, ubiquitous in British public life and as a whole, remains utterly emblematic of post-war popular visual culture. Alan Powers traces Marx's career beginning as a student at the Royal College of Art to in-demand designer of the mid-twentieth century and eventually inspirational teacher at Croydon College of Art. He considers Marx's contacts with other significant artists, including international friendships with designers in Europe, Scandinavia and America, her role in the crafts revival between the wars, her reputation in Britain and overseas, and the wider campaigns to involve artists in the design of industrially produced goods. Drawing on a wealth of research and thoroughly illustrated with high-quality reproductions of drawings, paintings, hand-blocked fabrics, linocuts and book illustrations - many previously unpublished - Alan Powers' account adds considerably to the existing body of knowledge about Enid Marx's actual production and reveals an artist whose work was perfectly poised at the intersection of traditional craft and abstract modernity |
Beschreibung: | 176 Seiten Illustrationen 27 cm |
ISBN: | 9781848222526 1848222521 |
Internformat
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520 | 3 | |a This is the first ever monograph on the work of Enid Marx (1902-1998), a leading artist-designer, collector and writer, closely associated with the Great Bardfield group of artists, including Eric Ravilious and Eric Bawden. Marx was a leading woman designer in the first generation to make a distinctive contribution to the growing practice of industrial design in Britain. Her design work, much of it anonymous, including postage stamps, book cover patterns, wartime utility fabrics and tube train seat fabric, was, in its time, ubiquitous in British public life and as a whole, remains utterly emblematic of post-war popular visual culture. Alan Powers traces Marx's career beginning as a student at the Royal College of Art to in-demand designer of the mid-twentieth century and eventually inspirational teacher at Croydon College of Art. He considers Marx's contacts with other significant artists, including international friendships with designers in Europe, Scandinavia and America, her role in the crafts revival between the wars, her reputation in Britain and overseas, and the wider campaigns to involve artists in the design of industrially produced goods. Drawing on a wealth of research and thoroughly illustrated with high-quality reproductions of drawings, paintings, hand-blocked fabrics, linocuts and book illustrations - many previously unpublished - Alan Powers' account adds considerably to the existing body of knowledge about Enid Marx's actual production and reveals an artist whose work was perfectly poised at the intersection of traditional craft and abstract modernity | |
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Datensatz im Suchindex
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building | Verbundindex |
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id | DE-604.BV045004550 |
illustrated | Illustrated |
indexdate | 2025-01-07T17:00:59Z |
institution | BVB |
institution_GND | (DE-588)1162446196 |
isbn | 9781848222526 1848222521 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030396626 |
oclc_num | 1033835206 |
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owner | DE-12 DE-255 |
owner_facet | DE-12 DE-255 |
physical | 176 Seiten Illustrationen 27 cm |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | Lund Humphries in association with Compton Verney Art Gallery and Park |
record_format | marc |
spelling | Powers, Alan 1955- Verfasser (DE-588)1046868233 aut Enid Marx the pleasures of pattern Alan Powers London Lund Humphries in association with Compton Verney Art Gallery and Park 2018 176 Seiten Illustrationen 27 cm txt rdacontent n rdamedia nc rdacarrier This is the first ever monograph on the work of Enid Marx (1902-1998), a leading artist-designer, collector and writer, closely associated with the Great Bardfield group of artists, including Eric Ravilious and Eric Bawden. Marx was a leading woman designer in the first generation to make a distinctive contribution to the growing practice of industrial design in Britain. Her design work, much of it anonymous, including postage stamps, book cover patterns, wartime utility fabrics and tube train seat fabric, was, in its time, ubiquitous in British public life and as a whole, remains utterly emblematic of post-war popular visual culture. Alan Powers traces Marx's career beginning as a student at the Royal College of Art to in-demand designer of the mid-twentieth century and eventually inspirational teacher at Croydon College of Art. He considers Marx's contacts with other significant artists, including international friendships with designers in Europe, Scandinavia and America, her role in the crafts revival between the wars, her reputation in Britain and overseas, and the wider campaigns to involve artists in the design of industrially produced goods. Drawing on a wealth of research and thoroughly illustrated with high-quality reproductions of drawings, paintings, hand-blocked fabrics, linocuts and book illustrations - many previously unpublished - Alan Powers' account adds considerably to the existing body of knowledge about Enid Marx's actual production and reveals an artist whose work was perfectly poised at the intersection of traditional craft and abstract modernity Marx, Enid 1902-1998 (DE-588)136022529 gnd rswk-swf Marx, Enid / 1902-1998 Graphic artists / Great Britain / Biography / Pictorial works Textile designers / Great Britain / Biography / Pictorial works Printmakers / Great Britain / Biography / Pictorial works Illustrators / Great Britain / Biography / Pictorial works Marx, Enid 1902-1998 (DE-588)136022529 p DE-604 Marx, Enid 1902-1998 Works Selections Compton Verney (Körperschaft) (DE-588)1162446196 oth |
spellingShingle | Powers, Alan 1955- Enid Marx the pleasures of pattern Marx, Enid 1902-1998 (DE-588)136022529 gnd |
subject_GND | (DE-588)136022529 |
title | Enid Marx the pleasures of pattern |
title_alt | Works |
title_auth | Enid Marx the pleasures of pattern |
title_exact_search | Enid Marx the pleasures of pattern |
title_full | Enid Marx the pleasures of pattern Alan Powers |
title_fullStr | Enid Marx the pleasures of pattern Alan Powers |
title_full_unstemmed | Enid Marx the pleasures of pattern Alan Powers |
title_short | Enid Marx |
title_sort | enid marx the pleasures of pattern |
title_sub | the pleasures of pattern |
topic | Marx, Enid 1902-1998 (DE-588)136022529 gnd |
topic_facet | Marx, Enid 1902-1998 |
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