Verfügbarkeit: Art in the making

Art in the making:

"How does a work of art come into being? How is the idea for it born? What processes does the work go through before it reaches its final form? What does the working process tell us about the finished result? These are among the many related questions to which this book tries to supply answers....

Ausführliche Beschreibung

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Bibliographische Detailangaben
Weitere Verfasser:	Fischer, Chris 1950- (HerausgeberIn), Svenningsen, Jesper (MitwirkendeR)
Format:	Buch
Sprache:	English
Veröffentlicht:	Copenhagen Statens Museum for Kunst [2018] © 2018
Schlagworte:	Geschichte 1460-1950 Drawing / Technique / Exhibitions Drawing, European / Catalogs Drawing Drawing / Exhibitions Drawing, European Drawing / Technique Sinopie Studie Komposition Skizze Technik Methode Entwurf Kunst Schaffensprozess Bildaufbau Entstehung Vorzeichnung Freskomalerei Künstler Malerei Karton > Kunst Zeichnung Akademie Ausbildung Ausstellungskatalog > Statens Museum for Kunst > 08.02.2018-06.05.2018 > Kopenhagen
Online-Zugang:	Inhaltsverzeichnis Inhaltsverzeichnis
Zusammenfassung:	"How does a work of art come into being? How is the idea for it born? What processes does the work go through before it reaches its final form? What does the working process tell us about the finished result? These are among the many related questions to which this book tries to supply answers. We follow the artists' work from the first stage, when the initial hazy idea is set down on paper, to the emergence of a fully finished work of art. The study includes over 200 sketches, graphic works, paintings and sculptures by some of the most outstanding names in western art, ranging over the period from c. 1460 to 1950. Both the processes as well as the works that result from them are subjected to keen analysis. So are the social conditions that have contributed to the making of art--including education, commissioning, social expectations, tradition, influences from the works of others and the organization of the artists' workshop."--From the back cover
Beschreibung:	This exhibition catalog has been published in connection with the exhibition Art in the Making, held in Statens Museum for Kunst, Copenhagen, February 8 through May 6, 2018
Beschreibung:	316 Seiten
ISBN:	9788775510894

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Datensatz im Suchindex

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adam_text	CONTENTS DIRECTOR S PREFACE 8 AUTHOR S PREFACE 10 CREATIVE PROCESSES 13 CHAPTER 1 PRELUDE 15 INSPIRATION 15 EXTERNAL CIRCUMSTANCES 15 TRAINING AND WORK PROCESES I6 CHAPTER 2 THE BIRTH OF THE IDEA - IN THEORY AND PRACTINL 2.1 THE THEORIES 23 COORDINATION OF THOUGHT AND HAND. UECCNFI1111I :111(1 I IOLN 24 LIGHT AS A UNI@ING ELEMENT. STANZIONC -38 STORMS OF MENTAL IMAGES AND HIDDEN PRRRTI~RRCRRTI. I OS;~ ;III~ 1 ~1111)R;11IDT 23 ONE MOTIF GIVES BIRTH TO ANOTHER.VERONESC A11D 1 C111BR;111DT .G2 THE QUEST FOR HARMONY.THORVALDSEN -58 CHAPTER 3 DETERMINING THE COMPOSITION 4 1 AN IDEA FOR A COMPOSITION TURNS INTO TWO. CNSOLANI 4 I STRIVING TOWARDS SPIRITUALITY.BAROCCI 44 FROM PANORAMA TO CLOSE-UP. DIZIANI AND I CLLEGRILI .?I FROM SCENOGRAPHY TO DRAMA. HUBER AND TOCQUC .?S INDIVIDUAL FIGURE-STUDIES DECIDE THE COMPOSITION. C;UCL-CIL~O AND I RCTI 60 CHAPTER 4 DETAIL-STUDIE 71 STUDIES OF CHILDREN 77 FEMALE MODELS 80 STUDIES OF DRAPERY 84 FACES, HANDS AND OTHER DETAILS 88 ANIMAL STUDIES 92 LANDSCAPES 93 CHAPTER 5 THE FULLY-DEVELOPED COMPOSITION-DRAWIFZ~, THE CARTOO11 AND THE TRANSFER TO THE PAINTING 97 THE FULLY-DEVELOPED COMPOSITION-DRAWING 37 PRICKED HOLES AND POUNCED DRAWINGS 99 SINOPIE 100 THE CARTOON AS ARTWORK OR TOOL 102 THE CARTOON AS AN ADVERTISEMENT 105 NIELS LARSEN STEVNS USE OF CATOONS 109 NOTES CHAPTER 1-5 123 METHODS AND CIRCUMSTANCES 125 CHAPTER 6 EDUCATION 127 APPRENTICESHIP 127 THE PRIVATE ACADEMIES IN ITALY 130 THE ACADEMY AS A STATE INSTITUTION 134 THE ACADEMY IN COPENHAGEN 138 THE COLLAPSE OF THE ACADEMY S TEACHING 141 CHAPTER 7 SETTLING THE CONTRACT 143 THE CONTRACT 144 PRESENTATION-DRAWINGS. CARPACCIO AND HIS WORKSHOP 146 DRAWINGS WITH ASSOCIATED CONTRACTS. ALIENSE AND CAMPAGNOLA 153 PRESENTATION DRAWINGS IN TWO VERSIONS.VANNI 159 DRAWINGS SENT FOR APPROVAL. GHERARDINI 162 CHAPTER 8 TRADITION AND RENEWAL 165 THE ARTIST AS MAINTAINER OF TRADITION.VANNI 165 MODELS TRANSFORMED. REMBRANDT 167 TRADITION AS GUIDANCE AND MISDIRECTION. EL GRECO 171 THE ARTIST AS COLLECTOR. ABILDGAARD 175 MASSES OF INSPIRATION. ABILDGAARD IN ROME 179 CHAPTER 9 COOPERATION, COPIES, REPETITIONS AND PICTURE-ARCHIVES 191 INFORMAL COOPERATION. JUEL AND CLEMENS 191 MASTER AND APPRENTICE.VERROCCHIO AND LEONARDO 194 TWO MASTERS. DOMENICO GHIRLANDAIO AND BARTOLOMEO DI GIOVANNI 196 RUBENS CANTOOR 196 RICORDI.THE TIEPOLO FAMILY S WORKSHOP 203 COPIES IN THE ARTIST S OWN HAND, FOR THE FREE MARKET. GREUZE 206 COUNTER-PROOFS. J.P. LUND 208 THE WORK OFART FROM START TO FINISH 213 CHAPTER 10 FOUY CREATI0N~ 215 ABILDGAARD S TERENCE PAINTINGS 2 15 CHRISTEN KABKE S MORNING VIEW OF 0STERBRO 229 PS. KRAYER S PORTRAIT OF SOPHUS SCHANDORPH (BY JESPER SVENNINGSEN) 239 EDVARD WEIE S FAUN AND NYMPH 248 NOTES CHAPTER 10 261 CHRIS FISCHER WITH A CONTRIBUTION BY JESPER SVENNINGSEN SMK* STATENS MUSSUM FOR KUNST NATIONAL GALLERY OF DENMARK CONTENTS DIRECTORS PREFACE 8 AUTHORS PREFACE 10 CREATIVE PROCESSES 13 CHAPTER 1 PRELUDE 15 INSPIRATION 15 EXTERNAL CIRCUMSTANCES 15 TRAINING AND WORK PROCESES 16 CHAPTER 2 THE BIRTH OF THE IDEA * IN THEORY AND PRACTICE 23 THE THEORIES 23 COORDINATION OF THOUGHT AND HAND. BECCAFUMI AND PIOLA 24 LIGHT AS A UNIFYING ELEMENT. STANZIONE 28 STORMS OF MENTAL IMAGES AND HIDDEN PENTIMENTI. ROSA AND REMBRANDT 29 ONE MOTIF GIVES BIRTH TO ANOTHER. VERONESE AND REMBRANDT 32 THE QUEST FOR HARMONY. THORVALDSEN 38 CHAPTER 3 DETERMINING THE COMPOSITION 41 AN IDEA FOR A COMPOSITION TURNS INTO TWO. CASOLANI 41 STRIVING TOWARDS SPIRITUALITY. BAROCCI 44 FROM PANORAMA TO CLOSE-UP. DIZIANI AND PELLEGRINI 51 FROM SCENOGRAPHY TO DRAMA. HUBER AND TOCQUE 58 INDIVIDUAL FIGURE-STUDIES DECIDE THE COMPOSITION. GUERCINO AND PRETI 60 CHAPTER 4 DETAIL-STUDIE 71 STUDIES OF CHILDREN 77 FEMALE MODELS 80 STUDIES OF DRAPERY 84 FACES, HANDS AND OTHER DETAILS 88 ANIMAL STUDIES 92 LANDSCAPES 93 CHAPTER 5 THE FULLY-DEVELOPED COMPOSITION-DRAWING, THE CARTOON AND THE TRANSFER TO THE PAINTING 91 THE FULLY-DEVELOPED COMPOSITION-DRAWING 91 PRICKED HOLES AND POUNCED DRAWINGS 99 SINOPIE 100 THE CARTOON AS ARTWORK OR TOOL 102 THE CARTOON AS AN ADVERTISEMENT 105 NIELS LARSEN STEVNS* USE OF CATOONS 109 NOTES CHAPTER 1-5 123 ART IN THE MAKING METHODS AND CIRCUMSTANCES 125 CHAPTER 6 EDUCATION 127 APPRENTICESHIP 127 THE PRIVATE ACADEMIES IN ITALY 130 THE ACADEMY AS A STATE INSTITUTION 134 THE ACADEMY IN COPENHAGEN 138 THE COLLAPSE OF THE ACADEMYS TEACHING 141 CHAPTER 7 SETTLING THE CONTRACT 143 THE CONTRACT 144 PRESENTATION-DRAWINGS. CARPACCIO AND HIS WORKSHOP 146 DRAWINGS WITH ASSOCIATED CONTRACTS. ALIENSE AND CAMPAGNOLA 153 PRESENTATION DRAWINGS IN TWO VERSIONS.VANNI 159 DRAWINGS SENT FOR APPROVAL. GHERARDINI 162 CHAPTER 8 TRADITION AND RENEWAL 165 THE ARTIST AS MAINTAINER OF TRADITION. VANNI 165 MODELS TRANSFORMED. REMBRANDT 167 TRADITION AS GUIDANCE AND MISDIRECTION. EL GRECO 171 THE ARTIST AS COLLECTOR. ABILDGAARD 175 MASSES OF INSPIRATION. ABILDGAARD IN ROME 179 CHAPTER 9 COOPERATION, COPIES, REPETITIONS AND PICTURE-ARCHIVES 191 INFORMAL COOPERATION. JUEL AND CLEMENS 191 MASTER AND APPRENTICE. VERROCCHIO AND LEONARDO 194 TWO MASTERS. DOMENICO GHIRLANDAIO AND BARTOLOMEO DI GIOVANNI 196 RUBENS CANTOOR 196 RICORDI. THE TIEPOLO FAMILYS WORKSHOP 203 COPIES IN THE ARTISTS OWN HAND, FOR THE FREE MARKET. GREUZE 206 COUNTER-PROOFS. J.P. LUND 208 NOTES CHAPTER 6-9 212 THE WORK OF ART FROM START TO FINISH 213 CHAPTER 10 FOUR CREATIONS 215 ABILDGAARDS TERENCE PAINTINGS 215 CHRISTEN KOBKES MORNING VIEW OF OSTERBRO 229 PS. KROYERS PORTRAIT OF SOPHUS SCHANDORPH (BY JESPER SVENNINGSEN) 239 EDVARD WEIES FAUN AND NYMPH 248 N OTES CHAPTER 10 261 C ATALOGUE 263 B IBLIOGRAPHY 299 I NDEX , NAMES & PLACES 309 Chris Fischer With a contribution by Jesper Svenningsen SMK* Statens Mussum for Kunst National Gallery of Denmark Contents Director’s preface 8 Author’s preface 10 Creative Processes 13 CHAPTER 1 Prelude 15 Inspiration 15 External circumstances 15 Training and work proceses 16 CHAPTER 2 The birth of the idea --- in theory and practice 23 The theories 23 Coordination of thought and hand. Beccafumi and Piola 24 Light as a unifying element. Stanzione 28 Storms of mental images and hidden pentimenti. Rosa and Rembrandt 29 One motif gives birth to another. Veronese and Rembrandt 32 The quest for harmony. Thorvaldsen 38 CHAPTER 3 Determining the composition 41 An idea for a composition turns into two. Casolani 41 Striving towards spirituality. Barocci 44 From panorama to close-up. Diziani and Pellegrini 51 From scenography to drama. Huber and Tocque 58 Individual figure-studies decide the composition. Guercino and Preti 60 CHAPTER 4 Detail-studie 71 Studies of children 77 Female models 80 Studies of drapery 84 Faces, hands and other details 88 Animal studies 92 Landscapes 93 CHAPTER 5 The fully-developed composition-drawing, the cartoon and the transfer to the painting 91 The fully-developed composition-drawing 91 Pricked holes and pounced drawings 99 Sinopie 100 The cartoon as artwork or tool 102 The cartoon as an advertisement 105 Niels Larsen Stevns’ use of catoons 109 NOTES CHAPTER 1-5 123 ART IN THE MAKING Methods and Circumstances 125 chapter 6 Education 127 Apprenticeship 127 The private academies in Italy 130 The academy as a state institution 134 The Academy in Copenhagen 138 The collapse of the Academy’s teaching 141 chapter 7 Settling the contract 143 The contract 144 Presentation-drawings. Carpaccio and his workshop 146 Drawings with associated contracts. Aliense and Campagnola 153 Presentation drawings in two versions.Vanni 159 Drawings sent for approval. Gherardini 162 chapter 8 Tradition and renewal 165 The artist as maintainer of tradition. Vanni 165 Models transformed. Rembrandt 167 Tradition as guidance and misdirection. El Greco 171 The artist as collector. Abildgaard 175 Masses of inspiration. Abildgaard in Rome 179 chapter 9 Cooperation, copies, repetitions and picture-archives 191 Informal cooperation. Juel and Clemens 191 Master and apprentice. Verrocchio and Leonardo 194 Two masters. Domenico Ghirlandaio and Bartolomeo di Giovanni 196 Rubens’ cantoor 196 Ricordi. The Tiepolo family’s workshop 203 Copies in the artist’s own hand, for the free market. Greuze 206 Counter-proofs. J.P. Lund 208 notes chapter 6-9 212 The Work of Art from Start to Finish 213 chapter 10 Four creations 215 Abildgaard’s Terence paintings 215 Christen Kobke’s Morning view of Osterbro 229 PS. Kroyer’s portrait of Sophus Schandorph (by Jesper Svenningsen) 239 Edvard Weie’s Faun and nymph 248 Notes chapter 10 261 Catalogue 263 Bibliography 299 Index, names places 309
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genre	(DE-588)4135467-9 Ausstellungskatalog Statens Museum for Kunst 08.02.2018-06.05.2018 Kopenhagen gnd-content
genre_facet	Ausstellungskatalog Statens Museum for Kunst 08.02.2018-06.05.2018 Kopenhagen
id	DE-604.BV045001013
illustrated	Not Illustrated
indexdate	2024-07-10T08:06:38Z
institution	BVB
institution_GND	(DE-588)1007582-3
isbn	9788775510894
language	English
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-030393147
oclc_num	1042902779
open_access_boolean
owner	DE-Y3 DE-M17 DE-Y2 DE-255 DE-Y7
owner_facet	DE-Y3 DE-M17 DE-Y2 DE-255 DE-Y7
physical	316 Seiten
publishDate	2018
publishDateSearch	2018
publishDateSort	2018
publisher	Statens Museum for Kunst
record_format	marc
spelling	Fischer, Chris 1950- (DE-588)1057532959 edt Art in the making Chris Fischer ; with a contribution by Jesper Svenningsen Copenhagen Statens Museum for Kunst [2018] © 2018 316 Seiten txt rdacontent sti rdacontent n rdamedia nc rdacarrier This exhibition catalog has been published in connection with the exhibition Art in the Making, held in Statens Museum for Kunst, Copenhagen, February 8 through May 6, 2018 "How does a work of art come into being? How is the idea for it born? What processes does the work go through before it reaches its final form? What does the working process tell us about the finished result? These are among the many related questions to which this book tries to supply answers. We follow the artists' work from the first stage, when the initial hazy idea is set down on paper, to the emergence of a fully finished work of art. The study includes over 200 sketches, graphic works, paintings and sculptures by some of the most outstanding names in western art, ranging over the period from c. 1460 to 1950. Both the processes as well as the works that result from them are subjected to keen analysis. So are the social conditions that have contributed to the making of art--including education, commissioning, social expectations, tradition, influences from the works of others and the organization of the artists' workshop."--From the back cover Geschichte 1460-1950 gnd rswk-swf Drawing / Technique / Exhibitions Drawing, European / Catalogs Drawing Drawing / Exhibitions Drawing fast Drawing, European fast Drawing / Technique fast Sinopie (DE-588)4246723-8 gnd rswk-swf Studie (DE-588)1041355866 gnd rswk-swf Komposition (DE-588)4032012-1 gnd rswk-swf Skizze (DE-588)4181668-7 gnd rswk-swf Technik (DE-588)4059205-4 gnd rswk-swf Methode (DE-588)4038971-6 gnd rswk-swf Entwurf (DE-588)4121208-3 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Schaffensprozess (DE-588)7633342-5 gnd rswk-swf Bildaufbau (DE-588)4145393-1 gnd rswk-swf Entstehung (DE-588)4156614-2 gnd rswk-swf Vorzeichnung (DE-588)4137016-8 gnd rswk-swf Freskomalerei (DE-588)4071463-9 gnd rswk-swf Künstler (DE-588)4033423-5 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Karton Kunst (DE-588)4211354-4 gnd rswk-swf Zeichnung (DE-588)4127900-1 gnd rswk-swf Akademie (DE-588)4138124-5 gnd rswk-swf Ausbildung (DE-588)4112628-2 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Statens Museum for Kunst 08.02.2018-06.05.2018 Kopenhagen gnd-content Kunst (DE-588)4114333-4 s Schaffensprozess (DE-588)7633342-5 s Entstehung (DE-588)4156614-2 s Methode (DE-588)4038971-6 s Geschichte 1460-1950 z DE-604 Malerei (DE-588)4037220-0 s Zeichnung (DE-588)4127900-1 s Studie (DE-588)1041355866 s Vorzeichnung (DE-588)4137016-8 s Entwurf (DE-588)4121208-3 s Skizze (DE-588)4181668-7 s Komposition (DE-588)4032012-1 s Bildaufbau (DE-588)4145393-1 s Freskomalerei (DE-588)4071463-9 s Karton Kunst (DE-588)4211354-4 s Sinopie (DE-588)4246723-8 s Technik (DE-588)4059205-4 s Künstler (DE-588)4033423-5 s Ausbildung (DE-588)4112628-2 s Akademie (DE-588)4138124-5 s Svenningsen, Jesper ctb Statens Museum for Kunst (DE-588)1007582-3 his Parallele Sprachausgabe dänisch Kunstværkets tilblivelse 978-87-7551-088-7 KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030393147&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030393147&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Art in the making Drawing / Technique / Exhibitions Drawing, European / Catalogs Drawing Drawing / Exhibitions Drawing fast Drawing, European fast Drawing / Technique fast Sinopie (DE-588)4246723-8 gnd Studie (DE-588)1041355866 gnd Komposition (DE-588)4032012-1 gnd Skizze (DE-588)4181668-7 gnd Technik (DE-588)4059205-4 gnd Methode (DE-588)4038971-6 gnd Entwurf (DE-588)4121208-3 gnd Kunst (DE-588)4114333-4 gnd Schaffensprozess (DE-588)7633342-5 gnd Bildaufbau (DE-588)4145393-1 gnd Entstehung (DE-588)4156614-2 gnd Vorzeichnung (DE-588)4137016-8 gnd Freskomalerei (DE-588)4071463-9 gnd Künstler (DE-588)4033423-5 gnd Malerei (DE-588)4037220-0 gnd Karton Kunst (DE-588)4211354-4 gnd Zeichnung (DE-588)4127900-1 gnd Akademie (DE-588)4138124-5 gnd Ausbildung (DE-588)4112628-2 gnd
subject_GND	(DE-588)4246723-8 (DE-588)1041355866 (DE-588)4032012-1 (DE-588)4181668-7 (DE-588)4059205-4 (DE-588)4038971-6 (DE-588)4121208-3 (DE-588)4114333-4 (DE-588)7633342-5 (DE-588)4145393-1 (DE-588)4156614-2 (DE-588)4137016-8 (DE-588)4071463-9 (DE-588)4033423-5 (DE-588)4037220-0 (DE-588)4211354-4 (DE-588)4127900-1 (DE-588)4138124-5 (DE-588)4112628-2 (DE-588)4135467-9
title	Art in the making
title_auth	Art in the making
title_exact_search	Art in the making
title_full	Art in the making Chris Fischer ; with a contribution by Jesper Svenningsen
title_fullStr	Art in the making Chris Fischer ; with a contribution by Jesper Svenningsen
title_full_unstemmed	Art in the making Chris Fischer ; with a contribution by Jesper Svenningsen
title_short	Art in the making
title_sort	art in the making
topic	Drawing / Technique / Exhibitions Drawing, European / Catalogs Drawing Drawing / Exhibitions Drawing fast Drawing, European fast Drawing / Technique fast Sinopie (DE-588)4246723-8 gnd Studie (DE-588)1041355866 gnd Komposition (DE-588)4032012-1 gnd Skizze (DE-588)4181668-7 gnd Technik (DE-588)4059205-4 gnd Methode (DE-588)4038971-6 gnd Entwurf (DE-588)4121208-3 gnd Kunst (DE-588)4114333-4 gnd Schaffensprozess (DE-588)7633342-5 gnd Bildaufbau (DE-588)4145393-1 gnd Entstehung (DE-588)4156614-2 gnd Vorzeichnung (DE-588)4137016-8 gnd Freskomalerei (DE-588)4071463-9 gnd Künstler (DE-588)4033423-5 gnd Malerei (DE-588)4037220-0 gnd Karton Kunst (DE-588)4211354-4 gnd Zeichnung (DE-588)4127900-1 gnd Akademie (DE-588)4138124-5 gnd Ausbildung (DE-588)4112628-2 gnd
topic_facet	Drawing / Technique / Exhibitions Drawing, European / Catalogs Drawing Drawing / Exhibitions Drawing, European Drawing / Technique Sinopie Studie Komposition Skizze Technik Methode Entwurf Kunst Schaffensprozess Bildaufbau Entstehung Vorzeichnung Freskomalerei Künstler Malerei Karton Kunst Zeichnung Akademie Ausbildung Ausstellungskatalog Statens Museum for Kunst 08.02.2018-06.05.2018 Kopenhagen
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030393147&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030393147&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT fischerchris artinthemaking AT svenningsenjesper artinthemaking AT statensmuseumforkunst artinthemaking

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