The music of Joseph Joachim:
Joseph Joachim (1831-1907), of Jewish-Hungarian descent, was arguably the greatest violinist of the nineteenth century. His performing career in Berlin transformed the aesthetics and interpretation of German music. But Joachim was also a composer of virtuoso pieces, violin concertos, orchestral over...
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2018
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| Zusammenfassung: | Joseph Joachim (1831-1907), of Jewish-Hungarian descent, was arguably the greatest violinist of the nineteenth century. His performing career in Berlin transformed the aesthetics and interpretation of German music. But Joachim was also a composer of virtuoso pieces, violin concertos, orchestral overtures, and chamber music works, all written between 1847 and 1864 in one intense outpouring of creativity. Katharina Uhde follows Joachim's compositional path through a changing cultural milieu. Joachim's compositions display intimate knowledge of the works of Mendelssohn, Wagner, Liszt, Schumann, and Brahms, yet he was no mere imitator. Joachim's style, classically conceived yet seasoned with a preference for dark, melancholy soundscapes and, in the earlier years, ciphers, virtuosity, and 'psychological' programmaticism, emerges as the product of various personal and socio-cultural currents: his search for national, religious, and cultural identity and a mature compositional style. Joachim's music drew on a wealth of treasures accumulated in his process of 'enculturation', which began with Mendelssohn in Leipzig. Joachim's aesthetic evolved from a deeply subjective approach, not insignificantly inspired by his muse, Gisela von Arnim. Her circle - the von Arnim and Grimm families - became Joachim's cultural and literary haven. But unforeseen events also impacted his output, among them Schumann's death, the ascent of the young Brahms, and the 'War of the Romantics'. Joachim's music throws light onto a vibrant decade, colored by realism, naturalism, new visual technologies, and emerging academic disciplines including psychology. Uhde's book will be the standard work on the music of Joseph Joachim for many years to come. - KATHARINA UHDE is Assistant Professor for Violin and Musicology at Valparaiso University, IN. (Klappentext) |
| Beschreibung: | xxv, 506 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781783272846 |
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| 505 | 8 | |a Introduction: Approaching the Music of Joseph Joachim. - Virtuosity Uncoiled: Two Fantasies Re-discovered. - From Leipzig to Weimar. - Between Uncoiled Virtuosity and Lisztian Temptations. - Finding his Voice: Between Vergangenheitsmusik and Zukunftsmusik. - Joachim Encoded, or, 'Psychological Music'. - 'Psychological Music' Experienced and Remembered: Joachim and the Demetrius Plot in 1854 and 1876. - Resisting the Dark Butterfly. - Joachim and the Art of Variation. - Identities: The Hungarian Concerto and Hebrew Melodies. - Gisela von Arnim and Compositional Memories, or Ciphers in Disguise. - Cultural Objects in a Prussian Society. - Conclusion: an Assessment of Joachim's Style. - Appendix: Joachim Catalogue of Works. - Bibliography | |
| 520 | |a Joseph Joachim (1831-1907), of Jewish-Hungarian descent, was arguably the greatest violinist of the nineteenth century. His performing career in Berlin transformed the aesthetics and interpretation of German music. But Joachim was also a composer of virtuoso pieces, violin concertos, orchestral overtures, and chamber music works, all written between 1847 and 1864 in one intense outpouring of creativity. Katharina Uhde follows Joachim's compositional path through a changing cultural milieu. Joachim's compositions display intimate knowledge of the works of Mendelssohn, Wagner, Liszt, Schumann, and Brahms, yet he was no mere imitator. Joachim's style, classically conceived yet seasoned with a preference for dark, melancholy soundscapes and, in the earlier years, ciphers, virtuosity, and 'psychological' programmaticism, emerges as the product of various personal and socio-cultural currents: his search for national, religious, and cultural identity and a mature compositional style. Joachim's music drew on a wealth of treasures accumulated in his process of 'enculturation', which began with Mendelssohn in Leipzig. Joachim's aesthetic evolved from a deeply subjective approach, not insignificantly inspired by his muse, Gisela von Arnim. Her circle - the von Arnim and Grimm families - became Joachim's cultural and literary haven. But unforeseen events also impacted his output, among them Schumann's death, the ascent of the young Brahms, and the 'War of the Romantics'. Joachim's music throws light onto a vibrant decade, colored by realism, naturalism, new visual technologies, and emerging academic disciplines including psychology. Uhde's book will be the standard work on the music of Joseph Joachim for many years to come. - KATHARINA UHDE is Assistant Professor for Violin and Musicology at Valparaiso University, IN. (Klappentext) | ||
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Datensatz im Suchindex
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| adam_text | Contents
List of Illustrations ix
List of Figures xi
List of Music Examples xiii
List of Tables xix
Acknowledgements xxi
Abbreviations xxiii
Introduction: Approaching the Music of Joseph Joachim 1
1 Virtuosity Uncoiled: Two Fantasies Rediscovered 15
Fantasy on Hungarian Themes (1848—50)
Fantasy on Irish [Scottish | Themes (1852)
2 From Leipzig to Weimar 61
Early Sketches
Andantino and Allegro scherzoso Op. 1 (1844—47)
Three Pieces Op. 2 (1849—52)
3 Between Uncoiled Virtuosity and Lisztian Temptations 73
Violin Concerto in G minor ‘in One Movement
Op. 3 (1851-52)
4 Finding his Voice: Between Vergangenheitsmusik
and Zukunftsmusik 101
Overture to Shakespeare s Hamlet Op. 4 (1851-53)
5 Joachim Encoded, or ‘Psychological Music 141
Three Pieces Op. 5 (1853)
Cipher Pieces
6 ‘Psychological Music Experienced and Remembered:
Joachim and the Demetrius Plot in 1854 and 1876 175
Overture to Herman Grimm s Demetrius Op. 6 (1853-54)
Scene of Marfa from Schiller s Unfinished Drama Demetrius
Op. 14 (1876)
viii CONTENTS
7 Resisting the Dark Butterfly 211
Overture to Shakespeare’s Henry IV Op. 7 (1853—54)
Overture to a Comedy (Lustspiel) by Gozzi Op. 8 (1854)
String Quartet Movement in C minor (1858)
8 Joachim and the Art of Variation 247
Variations on an Original Theme Op. 10 (1854)
Variations on an Irish Elfenlied (1856)
Variations for Violin with Orchestral Accompaniment (1878—79)
9 Identities 297
Concerto in the Hungarian Manner Op. 11 (1857—59)
Hebrew Melodys Op. 9 (1854)
10 Ciphers in Disguise: Gisela von Arnim and Compositional
Memories 351
Elegiac Overture in Memory of the Poet Heinrich von
Kleist Op. 13 (1856)
Notturno Op. 12 (1858)
Violin Concerto in G major (1863—64)
11 Cultural Objects in a Prussian Society 403
March No. 1 in C major (1871)
March No. 2 in D major (1871)
Overture for the Birthday of Kaiser Wilhelm II (1896)
Conclusion: An Assessment of Joachims Style 429
Appendix: Catalogue of Works 437
Bibliography 459
Index 481
|
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| bvnumber | BV044997612 |
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| contents | Introduction: Approaching the Music of Joseph Joachim. - Virtuosity Uncoiled: Two Fantasies Re-discovered. - From Leipzig to Weimar. - Between Uncoiled Virtuosity and Lisztian Temptations. - Finding his Voice: Between Vergangenheitsmusik and Zukunftsmusik. - Joachim Encoded, or, 'Psychological Music'. - 'Psychological Music' Experienced and Remembered: Joachim and the Demetrius Plot in 1854 and 1876. - Resisting the Dark Butterfly. - Joachim and the Art of Variation. - Identities: The Hungarian Concerto and Hebrew Melodies. - Gisela von Arnim and Compositional Memories, or Ciphers in Disguise. - Cultural Objects in a Prussian Society. - Conclusion: an Assessment of Joachim's Style. - Appendix: Joachim Catalogue of Works. - Bibliography |
| ctrlnum | (OCoLC)1033809271 (DE-599)OBVAC14554551 |
| discipline | Musikwissenschaft |
| format | Book |
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| spelling | Uhde, Katharina 1981- Verfasser (DE-588)1169220975 aut The music of Joseph Joachim Katharina Uhde Woodbridge The Boydell Press 2018 xxv, 506 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Introduction: Approaching the Music of Joseph Joachim. - Virtuosity Uncoiled: Two Fantasies Re-discovered. - From Leipzig to Weimar. - Between Uncoiled Virtuosity and Lisztian Temptations. - Finding his Voice: Between Vergangenheitsmusik and Zukunftsmusik. - Joachim Encoded, or, 'Psychological Music'. - 'Psychological Music' Experienced and Remembered: Joachim and the Demetrius Plot in 1854 and 1876. - Resisting the Dark Butterfly. - Joachim and the Art of Variation. - Identities: The Hungarian Concerto and Hebrew Melodies. - Gisela von Arnim and Compositional Memories, or Ciphers in Disguise. - Cultural Objects in a Prussian Society. - Conclusion: an Assessment of Joachim's Style. - Appendix: Joachim Catalogue of Works. - Bibliography Joseph Joachim (1831-1907), of Jewish-Hungarian descent, was arguably the greatest violinist of the nineteenth century. His performing career in Berlin transformed the aesthetics and interpretation of German music. But Joachim was also a composer of virtuoso pieces, violin concertos, orchestral overtures, and chamber music works, all written between 1847 and 1864 in one intense outpouring of creativity. Katharina Uhde follows Joachim's compositional path through a changing cultural milieu. Joachim's compositions display intimate knowledge of the works of Mendelssohn, Wagner, Liszt, Schumann, and Brahms, yet he was no mere imitator. Joachim's style, classically conceived yet seasoned with a preference for dark, melancholy soundscapes and, in the earlier years, ciphers, virtuosity, and 'psychological' programmaticism, emerges as the product of various personal and socio-cultural currents: his search for national, religious, and cultural identity and a mature compositional style. Joachim's music drew on a wealth of treasures accumulated in his process of 'enculturation', which began with Mendelssohn in Leipzig. Joachim's aesthetic evolved from a deeply subjective approach, not insignificantly inspired by his muse, Gisela von Arnim. Her circle - the von Arnim and Grimm families - became Joachim's cultural and literary haven. But unforeseen events also impacted his output, among them Schumann's death, the ascent of the young Brahms, and the 'War of the Romantics'. Joachim's music throws light onto a vibrant decade, colored by realism, naturalism, new visual technologies, and emerging academic disciplines including psychology. Uhde's book will be the standard work on the music of Joseph Joachim for many years to come. - KATHARINA UHDE is Assistant Professor for Violin and Musicology at Valparaiso University, IN. (Klappentext) Joachim, Joseph 1831-1907 (DE-588)118776223 gnd rswk-swf Violinmusik (DE-588)4188371-8 gnd rswk-swf Joachim, Joseph / 1831-1907 / Criticism and interpretation Violin music / 19th century / History and criticism Composition (Music) / History / 19th century (DE-588)4006804-3 Biografie gnd-content (DE-588)4189680-4 Werkverzeichnis gnd-content Joachim, Joseph 1831-1907 (DE-588)118776223 p Violinmusik (DE-588)4188371-8 s DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030389827&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Uhde, Katharina 1981- The music of Joseph Joachim Introduction: Approaching the Music of Joseph Joachim. - Virtuosity Uncoiled: Two Fantasies Re-discovered. - From Leipzig to Weimar. - Between Uncoiled Virtuosity and Lisztian Temptations. - Finding his Voice: Between Vergangenheitsmusik and Zukunftsmusik. - Joachim Encoded, or, 'Psychological Music'. - 'Psychological Music' Experienced and Remembered: Joachim and the Demetrius Plot in 1854 and 1876. - Resisting the Dark Butterfly. - Joachim and the Art of Variation. - Identities: The Hungarian Concerto and Hebrew Melodies. - Gisela von Arnim and Compositional Memories, or Ciphers in Disguise. - Cultural Objects in a Prussian Society. - Conclusion: an Assessment of Joachim's Style. - Appendix: Joachim Catalogue of Works. - Bibliography Joachim, Joseph 1831-1907 (DE-588)118776223 gnd Violinmusik (DE-588)4188371-8 gnd |
| subject_GND | (DE-588)118776223 (DE-588)4188371-8 (DE-588)4006804-3 (DE-588)4189680-4 |
| title | The music of Joseph Joachim |
| title_auth | The music of Joseph Joachim |
| title_exact_search | The music of Joseph Joachim |
| title_full | The music of Joseph Joachim Katharina Uhde |
| title_fullStr | The music of Joseph Joachim Katharina Uhde |
| title_full_unstemmed | The music of Joseph Joachim Katharina Uhde |
| title_short | The music of Joseph Joachim |
| title_sort | the music of joseph joachim |
| topic | Joachim, Joseph 1831-1907 (DE-588)118776223 gnd Violinmusik (DE-588)4188371-8 gnd |
| topic_facet | Joachim, Joseph 1831-1907 Violinmusik Biografie Werkverzeichnis |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030389827&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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