Charles Callahan Perkins: early Italian Renaissance art and British museum practice in Boston
Art historians have highlighted Charles Callahan Perkins’ pivotal role in promoting London’s South Kensington Museum (‘South Kensington’) as the model for the new Boston Museum of Fine Arts (‘Boston Museum’) incorporated in 1870. In particular, scholars have pointed to the MFA’s embrace of the South...
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| Format: | Elektronisch Artikel |
| Sprache: | English |
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2018
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| Zusammenfassung: | Art historians have highlighted Charles Callahan Perkins’ pivotal role in promoting London’s South Kensington Museum (‘South Kensington’) as the model for the new Boston Museum of Fine Arts (‘Boston Museum’) incorporated in 1870. In particular, scholars have pointed to the MFA’s embrace of the South Kensington’s central and distinguishing tenet, a belief in art history’s ability to elevate the educational level of the public and the industrial design of everyday objects. However, there has been no systematic identification of the specific South Kensington museum practices adopted by Perkins, nor of the form that they took under his all-encompassing direction. This article addresses these lacunae. It also asserts that the centrality of early Italian Renaissance art to not only the South Kensington’s educational mission, but also that of the Manchester Art Treasures Exhibition, was at the heart of Perkins’ accomplishments in Boston — ones that have largely been understated since his death in a carriage accident in 1886. |
| Beschreibung: | Online-Ressource (40 Seiten) Illustrationen |
| ISSN: | 2042-4752 |
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| 520 | 3 | |a Art historians have highlighted Charles Callahan Perkins’ pivotal role in promoting London’s South Kensington Museum (‘South Kensington’) as the model for the new Boston Museum of Fine Arts (‘Boston Museum’) incorporated in 1870. In particular, scholars have pointed to the MFA’s embrace of the South Kensington’s central and distinguishing tenet, a belief in art history’s ability to elevate the educational level of the public and the industrial design of everyday objects. However, there has been no systematic identification of the specific South Kensington museum practices adopted by Perkins, nor of the form that they took under his all-encompassing direction. This article addresses these lacunae. It also asserts that the centrality of early Italian Renaissance art to not only the South Kensington’s educational mission, but also that of the Manchester Art Treasures Exhibition, was at the heart of Perkins’ accomplishments in Boston — ones that have largely been understated since his death in a carriage accident in 1886. | |
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| id | DE-604.BV044997428 |
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| issn | 2042-4752 |
| language | English |
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| spelling | Stein, Deborah Hartry Verfasser (DE-588)1160720983 aut Charles Callahan Perkins early Italian Renaissance art and British museum practice in Boston Deborah Hartry Stein 2018 Online-Ressource (40 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Art historians have highlighted Charles Callahan Perkins’ pivotal role in promoting London’s South Kensington Museum (‘South Kensington’) as the model for the new Boston Museum of Fine Arts (‘Boston Museum’) incorporated in 1870. In particular, scholars have pointed to the MFA’s embrace of the South Kensington’s central and distinguishing tenet, a belief in art history’s ability to elevate the educational level of the public and the industrial design of everyday objects. However, there has been no systematic identification of the specific South Kensington museum practices adopted by Perkins, nor of the form that they took under his all-encompassing direction. This article addresses these lacunae. It also asserts that the centrality of early Italian Renaissance art to not only the South Kensington’s educational mission, but also that of the Manchester Art Treasures Exhibition, was at the heart of Perkins’ accomplishments in Boston — ones that have largely been understated since his death in a carriage accident in 1886. Perkins, Charles C. 1823-1886 (DE-588)116079312 gnd rswk-swf Museum of Fine Arts, Boston (DE-588)38524-4 gnd rswk-swf South Kensington Museum (DE-588)5077926-6 gnd rswk-swf Art Treasures Exhibition 1857 Manchester (DE-588)5521361-3 gnd rswk-swf Geschichte 1870 gnd rswk-swf Italian Renaissance art, Museum of Fine Arts Boston, South Kensington Museum, Manchester Art Treasures Exhibition, Charles Callahan Perkins, art museums, 19th century, art historiography, 19th century Kurator Museumskunde (DE-588)4688848-2 gnd rswk-swf Perkins, Charles C. 1823-1886 (DE-588)116079312 p Kurator Museumskunde (DE-588)4688848-2 s South Kensington Museum (DE-588)5077926-6 b Museum of Fine Arts, Boston (DE-588)38524-4 b Geschichte 1870 z DE-604 Art Treasures Exhibition 1857 Manchester (DE-588)5521361-3 f Journal of art historiography Glasgow, 2018 Number 18 (June 2018) (DE-604)BV035944348 2042-4752 (DE-600)2532257-6 application/pdf https://arthistoriography.files.wordpress.com/2018/05/stein.pdf Verlag kostenfrei Volltext |
| spellingShingle | Stein, Deborah Hartry Charles Callahan Perkins early Italian Renaissance art and British museum practice in Boston Perkins, Charles C. 1823-1886 (DE-588)116079312 gnd Museum of Fine Arts, Boston (DE-588)38524-4 gnd South Kensington Museum (DE-588)5077926-6 gnd Art Treasures Exhibition 1857 Manchester (DE-588)5521361-3 gnd Italian Renaissance art, Museum of Fine Arts Boston, South Kensington Museum, Manchester Art Treasures Exhibition, Charles Callahan Perkins, art museums, 19th century, art historiography, 19th century Kurator Museumskunde (DE-588)4688848-2 gnd |
| subject_GND | (DE-588)116079312 (DE-588)38524-4 (DE-588)5077926-6 (DE-588)5521361-3 (DE-588)4688848-2 |
| title | Charles Callahan Perkins early Italian Renaissance art and British museum practice in Boston |
| title_auth | Charles Callahan Perkins early Italian Renaissance art and British museum practice in Boston |
| title_exact_search | Charles Callahan Perkins early Italian Renaissance art and British museum practice in Boston |
| title_full | Charles Callahan Perkins early Italian Renaissance art and British museum practice in Boston Deborah Hartry Stein |
| title_fullStr | Charles Callahan Perkins early Italian Renaissance art and British museum practice in Boston Deborah Hartry Stein |
| title_full_unstemmed | Charles Callahan Perkins early Italian Renaissance art and British museum practice in Boston Deborah Hartry Stein |
| title_short | Charles Callahan Perkins |
| title_sort | charles callahan perkins early italian renaissance art and british museum practice in boston |
| title_sub | early Italian Renaissance art and British museum practice in Boston |
| topic | Perkins, Charles C. 1823-1886 (DE-588)116079312 gnd Museum of Fine Arts, Boston (DE-588)38524-4 gnd South Kensington Museum (DE-588)5077926-6 gnd Art Treasures Exhibition 1857 Manchester (DE-588)5521361-3 gnd Italian Renaissance art, Museum of Fine Arts Boston, South Kensington Museum, Manchester Art Treasures Exhibition, Charles Callahan Perkins, art museums, 19th century, art historiography, 19th century Kurator Museumskunde (DE-588)4688848-2 gnd |
| topic_facet | Perkins, Charles C. 1823-1886 Museum of Fine Arts, Boston South Kensington Museum Art Treasures Exhibition 1857 Manchester Italian Renaissance art, Museum of Fine Arts Boston, South Kensington Museum, Manchester Art Treasures Exhibition, Charles Callahan Perkins, art museums, 19th century, art historiography, 19th century Kurator Museumskunde |
| url | https://arthistoriography.files.wordpress.com/2018/05/stein.pdf |
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