George Scharf and improving collection care and restoration at the National Portrait Gallery:
In the years following George Scharf’s appointment to the National Portrait Gallery in 1857, he had to face up to the conservation requirements of a growing collection. Before the expansion of museum collections in Victorian Britain, picture restoration had been a matter of satisfying the demands of...
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Format: | Elektronisch Artikel |
Sprache: | English |
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2018
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Zusammenfassung: | In the years following George Scharf’s appointment to the National Portrait Gallery in 1857, he had to face up to the conservation requirements of a growing collection. Before the expansion of museum collections in Victorian Britain, picture restoration had been a matter of satisfying the demands of private owners. But museums and galleries were in the public gaze and faced wider scrutiny, witness the picture cleaning controversies at the National Gallery. In supervising conservation work, museum professionals, often artists by training, had various audiences to satisfy: the visiting public, their museum peers, their trustees and the government. Scharf’s methodical approach to documentation makes his progress easy to follow. This paper identifies the nature of his learning curve, the process of both seeking and providing external advice, and the extent of his trustees’ interest. |
Beschreibung: | Online-Ressource (21 Seiten) Illustrationen |
ISSN: | 2042-4752 |
Internformat
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illustrated | Not Illustrated |
indexdate | 2024-07-10T08:06:32Z |
institution | BVB |
issn | 2042-4752 |
language | English |
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physical | Online-Ressource (21 Seiten) Illustrationen |
publishDate | 2018 |
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spelling | Simon, Jacob Verfasser aut George Scharf and improving collection care and restoration at the National Portrait Gallery Jacob Simon 2018 Online-Ressource (21 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier In the years following George Scharf’s appointment to the National Portrait Gallery in 1857, he had to face up to the conservation requirements of a growing collection. Before the expansion of museum collections in Victorian Britain, picture restoration had been a matter of satisfying the demands of private owners. But museums and galleries were in the public gaze and faced wider scrutiny, witness the picture cleaning controversies at the National Gallery. In supervising conservation work, museum professionals, often artists by training, had various audiences to satisfy: the visiting public, their museum peers, their trustees and the government. Scharf’s methodical approach to documentation makes his progress easy to follow. This paper identifies the nature of his learning curve, the process of both seeking and providing external advice, and the extent of his trustees’ interest. Scharf, Johann Georg 1788-1860 (DE-588)1022644114 gnd rswk-swf National Portrait Gallery London (DE-588)1003467-5 gnd rswk-swf George Scharf, National Portrait Gallery London, museum professionals, conservation, picture restorers, networks of expertise, National Gallery London Gemälderestaurierung (DE-588)4123269-0 gnd rswk-swf Scharf, Johann Georg 1788-1860 (DE-588)1022644114 p National Portrait Gallery London (DE-588)1003467-5 b Gemälderestaurierung (DE-588)4123269-0 s DE-604 Journal of art historiography Glasgow, 2018 Number 18 (June 2018) (DE-604)BV035944348 2042-4752 (DE-600)2532257-6 application/pdf https://arthistoriography.files.wordpress.com/2018/05/simon.pdf Verlag kostenfrei Volltext |
spellingShingle | Simon, Jacob George Scharf and improving collection care and restoration at the National Portrait Gallery Scharf, Johann Georg 1788-1860 (DE-588)1022644114 gnd National Portrait Gallery London (DE-588)1003467-5 gnd George Scharf, National Portrait Gallery London, museum professionals, conservation, picture restorers, networks of expertise, National Gallery London Gemälderestaurierung (DE-588)4123269-0 gnd |
subject_GND | (DE-588)1022644114 (DE-588)1003467-5 (DE-588)4123269-0 |
title | George Scharf and improving collection care and restoration at the National Portrait Gallery |
title_auth | George Scharf and improving collection care and restoration at the National Portrait Gallery |
title_exact_search | George Scharf and improving collection care and restoration at the National Portrait Gallery |
title_full | George Scharf and improving collection care and restoration at the National Portrait Gallery Jacob Simon |
title_fullStr | George Scharf and improving collection care and restoration at the National Portrait Gallery Jacob Simon |
title_full_unstemmed | George Scharf and improving collection care and restoration at the National Portrait Gallery Jacob Simon |
title_short | George Scharf and improving collection care and restoration at the National Portrait Gallery |
title_sort | george scharf and improving collection care and restoration at the national portrait gallery |
topic | Scharf, Johann Georg 1788-1860 (DE-588)1022644114 gnd National Portrait Gallery London (DE-588)1003467-5 gnd George Scharf, National Portrait Gallery London, museum professionals, conservation, picture restorers, networks of expertise, National Gallery London Gemälderestaurierung (DE-588)4123269-0 gnd |
topic_facet | Scharf, Johann Georg 1788-1860 National Portrait Gallery London George Scharf, National Portrait Gallery London, museum professionals, conservation, picture restorers, networks of expertise, National Gallery London Gemälderestaurierung |
url | https://arthistoriography.files.wordpress.com/2018/05/simon.pdf |
work_keys_str_mv | AT simonjacob georgescharfandimprovingcollectioncareandrestorationatthenationalportraitgallery |