Black opera: history, power, engagement
From classic films like Carmen Jones to contemporary works like The Diary of Sally Hemings and U-Carmen eKhayelitsa, American and South African artists and composers have used opera to reclaim black people's place in history. Naomi André draws on the experiences of performers and audiences to e...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Urbana
University of Illinois Press
[2018]
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | From classic films like Carmen Jones to contemporary works like The Diary of Sally Hemings and U-Carmen eKhayelitsa, American and South African artists and composers have used opera to reclaim black people's place in history. Naomi André draws on the experiences of performers and audiences to explore this music's resonance with today's listeners. Interacting with creators and performers, as well as with the works themselves, André reveals how black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent or even liberate. Viewing opera as a fertile site for critical inquiry, political activism, and social change, Black Opera lays the foundation for innovative new approaches to applied scholarship. |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | VIII, 269 Seiten |
ISBN: | 9780252083570 9780252041921 |
Internformat
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Datensatz im Suchindex
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adam_text | Contents
Acknowledgments vii
1 Engaged Opera 1
2 Black Opera across the Atlantic:
Writing Black Music History and Operas Unusual Place 27
3 Haunted Legacies: Interracial Secrets
From the Diary of Sally Hemings 55
4 Contextualizing Race and Gender
in Gershwins Porgy and Bess 85
5 Carmen: From Nineteenth-Century France
to Settings in the United States and South Africa
in the Twentieth and Twenty-First Centuries 120
6 Winnie, Opera, and South African Artistic Nationhood 167
Conclusion: Engaged Musicology, Political Action,
and Social Justice 193
Notes 209
Bibliography 239
Index 255
|
any_adam_object | 1 |
author | André, Naomi Adele |
author_GND | (DE-588)1025706854 |
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callnumber-first | M - Music |
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callnumber-subject | ML - Literature on Music |
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dewey-hundreds | 700 - The arts |
dewey-ones | 782 - Vocal music |
dewey-raw | 782.1089/96 |
dewey-search | 782.1089/96 |
dewey-sort | 3782.1089 296 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
format | Book |
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language | English |
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spelling | André, Naomi Adele Verfasser (DE-588)1025706854 aut Black opera history, power, engagement Naomi André Urbana University of Illinois Press [2018] VIII, 269 Seiten txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index From classic films like Carmen Jones to contemporary works like The Diary of Sally Hemings and U-Carmen eKhayelitsa, American and South African artists and composers have used opera to reclaim black people's place in history. Naomi André draws on the experiences of performers and audiences to explore this music's resonance with today's listeners. Interacting with creators and performers, as well as with the works themselves, André reveals how black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent or even liberate. Viewing opera as a fertile site for critical inquiry, political activism, and social change, Black Opera lays the foundation for innovative new approaches to applied scholarship. Blacks in opera Opera Oper (DE-588)4043582-9 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Oper (DE-588)4043582-9 s Schwarze (DE-588)4116433-7 s DE-604 Erscheint auch als Online-Ausgabe 978-0-252-05061-9 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030379356&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | André, Naomi Adele Black opera history, power, engagement Blacks in opera Opera Oper (DE-588)4043582-9 gnd Schwarze (DE-588)4116433-7 gnd |
subject_GND | (DE-588)4043582-9 (DE-588)4116433-7 |
title | Black opera history, power, engagement |
title_auth | Black opera history, power, engagement |
title_exact_search | Black opera history, power, engagement |
title_full | Black opera history, power, engagement Naomi André |
title_fullStr | Black opera history, power, engagement Naomi André |
title_full_unstemmed | Black opera history, power, engagement Naomi André |
title_short | Black opera |
title_sort | black opera history power engagement |
title_sub | history, power, engagement |
topic | Blacks in opera Opera Oper (DE-588)4043582-9 gnd Schwarze (DE-588)4116433-7 gnd |
topic_facet | Blacks in opera Opera Oper Schwarze |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030379356&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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