Renegotiating French identity: musical culture and creativity in France during Vichy and the German occupation
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2018]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XII, 490 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780190681500 |
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| 245 | 1 | 0 | |a Renegotiating French identity |b musical culture and creativity in France during Vichy and the German occupation |c Jane F. Fulcher |
| 264 | 1 | |a New York, NY |b Oxford University Press |c [2018] | |
| 264 | 4 | |c © 2018 | |
| 300 | |a XII, 490 Seiten |b Illustrationen, Notenbeispiele | ||
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Datensatz im Suchindex
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| adam_text | Acknowledgments
Introduction: The new historiography of Vichy
Initial new directions in larger studies of Vichy culture 2
New issues: Dual surveillance, the complex bureaucratic matrix,
and the cultural field 4
Vichy s musical culture and the still looming questions:
What did result, when, and where ? 5
Concomitant theoretical issues: How were musical works
inscribed, framed, and read? 8
Public and creative responses: The question of collective
and individual French identity 9
What constituted resistance in music, and what kinds
of innovations did it foster? 10
Reformulating older questions and posing new ones 13
1. The essential political and institutional background
Beyond a monolithic view of Vichy and its doctrine
of the Révolution nationale 15
Vichy and its relation to the Germans 16
Vichy s brand of patriotism and nationalism 18
Beneath the apparent traditionalism 19
The evolution of the regime and the significant markers 21
German and Vichy repression and the development
of the Resistance 23
vit» • Contents
Vichys reconstruction of French identity 26
Vichys negotiations of French cultural identity 27
Vichy and the question of the French national heritage,
or cultural tradition 28
The limits allowed by the Germans in the reconfiguration
of French national identity 29
Vichy s cultural institutions and their complex, divergent,
evolving mandates 30
A consistent Vichy cultural agenda? 34
Beyond conceptions of a Vichy patriotic “double game” 34
A Vichy musical program ? Its evolving aims and
the musical field 35
The roles of ministers of national education and of the secrétaire
générale in music 37
The role of the Germans and their interest in concerts
and in the musical press 42
German and French broadcasts of classical concerts 46
The Germans and the Paris Conservatoire 47
The Germans and intervention in French recordings 50
Vichy’s own constraints and shifting goals in music 51
Vichy “experts” in music and the case of Jacques Rouché 52
Another Vichy “expert”—Alfred Cortot 54
Vichy and its goals in recordings 58
Vichy’s corporate organization of the musical profession 60
Vichy and state commissions in music 61
The case of the Opéra: Rouché’s initial latitude but growing
Vichy and German pressures 62
Vichy’s interest in the Conservatoire and its regional branches 65
Subversion within institutions and performance venues 66
The development of the musical resistance and its response both
to the Germans and to Vichy 67
2. Reinscribing, framing, and subverting an operatic icon:
Debussy’s Pelléas et Mélisande 71
The double advantage of both Berlioz and Debussy 72
Contents • ix
Pelléas: Its nature, style, and the initial French reception
of the performance in 1940 76
Désormière s “classic” interpretation in a still relatively
autonomous musical field 80
The 1940 production and the operas enunciation within
the context 81
Ambiguity, liminality, and the operas impact at Vichy’s start 86
Pelléas at Vichy: Refocusing the operas national significance
through performance 87
The recording of Pelléas and its increasing dissonance with the
new discursive framing 94
Resistance responses to the Franco-German cultural discourse 98
Pelléas and the problem of national memory: The 1942
commemoration and production in Paris 100
The discursive framing and context of the 1942 production
of Pelléas 107
Vichy’s political turn, mounting resistance, and the 1943
Debussy commemoration 110
The Resistance appropriation of Debussy and of Pelléas 114
Debussy as emblematic of authentic French classicism 118
Debussy and Pelléas as cultural emblems of liberation 121
From propaganda to national healing: Debussy in the
reconstruction of cultural memory 123
3. From the legal to the illegal: Schaeffer’s journey toward
resistance and artistic exploration 125
Vichys attempt to remake French youth and Schaeffer s own
personal agenda 126
Radio-Jeunesse and Vichy’s new sound culture 130
Schaeffer’s quest to make tradition dynamic in Jeune France 135
Jeune France’s organization and range of projects 138
Jeune France and Mounier’s “revolutionary humanism” 142
Jeune France and the creative curation of tradition 147
Musical innovation within Schaeffer’s Jeune France 149
Schaeffer’s movement from the legal to the illegal 159
X •
Contents
Schaeffer s subjective reassessment and reflection on
the “language of things” 165
Schaeffer s search for an “invisible theater” and new meanings
or realms of perception 168
Schaeffer and the Studio d’Essai: From new perceptual fields
to resistance 170
4. The soft or hard borders of French identity: Honegger’s iconic role
and subjectivity during Vichy
Honegger omnipresent 180
Honeggers modernism and the modernist strain condoned
by both Vichy and the Germans 183
Honegger s supporters and their ideological trajectories 184
The evolution of the French fascist aesthetic and Honegger s
complex relation to it 190
Gaston Bergery and his support for Honegger 192
From state collaboration to collaborationism: The fine line
and Honegger s symbolism 194
Music and the goal of the group Collaboration 197
Honegger and the musical synthesis promoted by later 1941 198
The composer s dual cultures and his style in Antigone 200
The original material inscription, enunciation, and reception
of the opera 208
The context for the selection of Antigone at the Paris Opéra 209
Antigone % physical and ideological réinscription at
the Paris Opéra in early 1943 210
The multivalent potential of the operas text and style 213
The critical and public reception of Antigone at the Paris
Opéra in 1943 214
The performative impact of Antigone in 1943 Paris 218
Honegger s search for identity in Vichy and occupied France 219
Honegger’s contradictions as critic 221
The Second Symphony and Honegger s subjective conundrum 226
Monologic or Dialogic ? The critical reception of
the Second Symphony 231
Honegger the resistant ? His postwar sanctions 234
Contents
• xi
5. Poulenc s metamorphosis : His journey toward resistance
and a stylistic counterdiscourse 239
From one nationalism to another 239
Poulenc at Vichy s dawn 240
Vichy traditionalism in Les animaux modèles? 244
From the search for personal authenticity to a new
political awareness 251
Resistance nationalism and its artistic goals 255
Theories and models of the French musical resistance 262
Poulencs search for his own resistance style 266
Exploring the tactic of stylistic disruption: Poulenc s
Sonata for Violin and Piano 272
Poulencs turn to the literary resistance’s stylistic paradigms 280
Metamorphosis and its meaning in Poulenc s Figure humaine 283
The importance of trajectories and of symbolic meanings
within their context 288
6. Messiaen in a Catholic Church divided: Spiritual authority,
subjective agency, and artistic breakthrough 289
Messiaens refusal and his nonconformist background 291
Mobilization, capture, and creativity 295
Internment, internal liberty, and Messiaens Quatuor 299
Levels of utterance in Messiaens Quatuor 304
Reactions to the Quatuor and to its textual framing 306
Release and recruitment into Schaeffer s “Band of Christian
Democrats” 309
Messiaen s artistic explorations in Portique pour unefille de France 311
The politics of Messiaens appointment to the Paris Conservatoire 313
Performance of and support for Messiaen s previous compositions 316
Messiaens new circles and private commissions 318
Vichy s political direction, division within the church,
and Messiaen s creative choices 320
Sartre, Messiaen, Hello, and subjective choice 322
New content and approaches to form in the Visions de Limen 325
Responses to the challenge of Messiaens Visions de Limen 328
xii • Contents
Messiaen s turn to resistance themes and models 331
Man and God in the Trois petites liturgies de
la présence divine 334
The Resistance embrace of Messiaen and of his work 340
Conclusion: Vichy s shifting cultural goals and tactics:
The results, the responses, and how to perceive them 342
Notes 349
Bibliography 445
Index 475
«
|
| any_adam_object | 1 |
| author | Fulcher, Jane F. 1950- |
| author_GND | (DE-588)140854037 |
| author_facet | Fulcher, Jane F. 1950- |
| author_role | aut |
| author_sort | Fulcher, Jane F. 1950- |
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| bvnumber | BV044981007 |
| callnumber-first | M - Music |
| callnumber-label | ML270 |
| callnumber-raw | ML270.5 |
| callnumber-search | ML270.5 |
| callnumber-sort | ML 3270.5 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LQ 82407 |
| ctrlnum | (OCoLC)1040663275 (DE-599)BVBBV044981007 |
| dewey-full | 780.944/09044 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.944/09044 |
| dewey-search | 780.944/09044 |
| dewey-sort | 3780.944 49044 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | Geschichte 1939-1945 gnd |
| era_facet | Geschichte 1939-1945 |
| format | Book |
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| geographic_facet | France History German occupation, 1940-1945 Frankreich Vichy-Regime |
| id | DE-604.BV044981007 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:06:18Z |
| institution | BVB |
| isbn | 9780190681500 |
| language | English |
| lccn | 017050018 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030373385 |
| oclc_num | 1040663275 |
| open_access_boolean | |
| owner | DE-12 DE-M352 DE-11 |
| owner_facet | DE-12 DE-M352 DE-11 |
| physical | XII, 490 Seiten Illustrationen, Notenbeispiele |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | Fulcher, Jane F. 1950- Verfasser (DE-588)140854037 aut Renegotiating French identity musical culture and creativity in France during Vichy and the German occupation Jane F. Fulcher New York, NY Oxford University Press [2018] © 2018 XII, 490 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte 1939-1945 gnd rswk-swf Music France 20th century History and criticism Music Political aspects France History 20th century Musikleben (DE-588)4075128-4 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Zweiter Weltkrieg (DE-588)4079167-1 gnd rswk-swf Besetzung (DE-588)4006020-2 gnd rswk-swf Nationalbewusstsein (DE-588)4041282-9 gnd rswk-swf France History German occupation, 1940-1945 Frankreich (DE-588)4018145-5 gnd rswk-swf Vichy-Regime (DE-588)4188214-3 gnd rswk-swf Frankreich (DE-588)4018145-5 g Zweiter Weltkrieg (DE-588)4079167-1 s Vichy-Regime (DE-588)4188214-3 g Besetzung (DE-588)4006020-2 s Musikleben (DE-588)4075128-4 s Musik (DE-588)4040802-4 s DE-604 Nationalbewusstsein (DE-588)4041282-9 s Geschichte 1939-1945 z 1\p DE-604 Erscheint auch als Online-Ausgabe, PDF 978-0-19-068151-7 Erscheint auch als Online-Ausgabe, EPUB 978-0-19-068152-4 Erscheint auch als Online-Ausgabe 978-0-19-068153-1 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030373385&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Fulcher, Jane F. 1950- Renegotiating French identity musical culture and creativity in France during Vichy and the German occupation Music France 20th century History and criticism Music Political aspects France History 20th century Musikleben (DE-588)4075128-4 gnd Musik (DE-588)4040802-4 gnd Zweiter Weltkrieg (DE-588)4079167-1 gnd Besetzung (DE-588)4006020-2 gnd Nationalbewusstsein (DE-588)4041282-9 gnd |
| subject_GND | (DE-588)4075128-4 (DE-588)4040802-4 (DE-588)4079167-1 (DE-588)4006020-2 (DE-588)4041282-9 (DE-588)4018145-5 (DE-588)4188214-3 |
| title | Renegotiating French identity musical culture and creativity in France during Vichy and the German occupation |
| title_auth | Renegotiating French identity musical culture and creativity in France during Vichy and the German occupation |
| title_exact_search | Renegotiating French identity musical culture and creativity in France during Vichy and the German occupation |
| title_full | Renegotiating French identity musical culture and creativity in France during Vichy and the German occupation Jane F. Fulcher |
| title_fullStr | Renegotiating French identity musical culture and creativity in France during Vichy and the German occupation Jane F. Fulcher |
| title_full_unstemmed | Renegotiating French identity musical culture and creativity in France during Vichy and the German occupation Jane F. Fulcher |
| title_short | Renegotiating French identity |
| title_sort | renegotiating french identity musical culture and creativity in france during vichy and the german occupation |
| title_sub | musical culture and creativity in France during Vichy and the German occupation |
| topic | Music France 20th century History and criticism Music Political aspects France History 20th century Musikleben (DE-588)4075128-4 gnd Musik (DE-588)4040802-4 gnd Zweiter Weltkrieg (DE-588)4079167-1 gnd Besetzung (DE-588)4006020-2 gnd Nationalbewusstsein (DE-588)4041282-9 gnd |
| topic_facet | Music France 20th century History and criticism Music Political aspects France History 20th century Musikleben Musik Zweiter Weltkrieg Besetzung Nationalbewusstsein France History German occupation, 1940-1945 Frankreich Vichy-Regime |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030373385&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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