Leave the capital: a history of Manchester music in 13 recordings
"When British bands took the world by storm in the mid-sixties, the world turned and looked at London. Despite the fact that the most successful of these bands hailed from the North West corner of England, for the USA, London was the source of these thrilling new sounds. And in many ways it was...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Pontefract [West Yorkshire]
Route
[2017]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "When British bands took the world by storm in the mid-sixties, the world turned and looked at London. Despite the fact that the most successful of these bands hailed from the North West corner of England, for the USA, London was the source of these thrilling new sounds. And in many ways it was - The Beatles, The Hollies and Herman's Hermits recorded all their hits with London-based producers, for London-based companies in London studios. And that's how it remained, until four Mancunian musicians became alive to the possibility of recording away from the capital. Against the prevailing wisdom, they opted to plough their hard-earned cash back into the city they loved in the form of proper recording facilities. Eric Stewart of The Mindbenders and songwriter extraordinaire Graham Gouldman created Strawberry Studios; Keith Hopwood and Derek Leckenby of Herman's Hermits crafted Pluto. Between them they gave Manchester a voice, and facilitated a musical revolution that would be defined by its rejection of the capital. This book tells the story of Manchester music through the prism of the two studio's key recordings. Of course that story inevitably takes in The Smiths, Joy Division, The Fall and The Stone Roses. But it's equally the story of 'Bus Stop' and 'East West' and 'I'm Not in Love'. It's the story of the Manchester attitude of L.S. Lowry, by way of Brian and Michael, and how that attitude rubbed off on The Clash and Neil Sedaka. Above all, it's the story of music that couldn't have been made anywhere else but Manchester."-- |
| Beschreibung: | 216 Seiten Illustrationen |
| ISBN: | 9781901927719 |
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Datensatz im Suchindex
| _version_ | 1804178584427823104 |
|---|---|
| adam_text | Contents
Introduction 9
PART I: The Way The Whole Thing Started
1. The Time Is Right 17
2. Everybody’s Got To Have Their Day 45
3. It’s Getting Harder All The Time 61
4. Big Boys Don’t Cry 73
5. The Devil Will Find Work For Idle Hands To Do 87
PART II: If Your Chance Came Would You Take It?
6. Lisa Take A Bow 97
7. A Silly Phase 111
8. It Seems So Real 125
9. A Special Moment In Time 139
10. I Can’t Find That Hole In The Wall 155
11. It Takes Grace To Play The Second Fiddle Well 167
12. So Much To Answer For 181
13. Where There’s Life There’s Got To Be Hope 197
Bibliography 213
Acknowledgments 215
3
|
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| author | Hanley, Paul R. J. |
| author_facet | Hanley, Paul R. J. |
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| author_sort | Hanley, Paul R. J. |
| author_variant | p r j h prj prjh |
| building | Verbundindex |
| bvnumber | BV044980994 |
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| era | Geschichte 1950-2000 gnd |
| era_facet | Geschichte 1950-2000 |
| format | Book |
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| geographic | Manchester (DE-588)4037286-8 gnd |
| geographic_facet | Manchester |
| id | DE-604.BV044980994 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:06:18Z |
| institution | BVB |
| isbn | 9781901927719 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030373373 |
| oclc_num | 1040625865 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 216 Seiten Illustrationen |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Route |
| record_format | marc |
| spelling | Hanley, Paul R. J. Verfasser aut Leave the capital a history of Manchester music in 13 recordings Paul Hanley Pontefract [West Yorkshire] Route [2017] 216 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier "When British bands took the world by storm in the mid-sixties, the world turned and looked at London. Despite the fact that the most successful of these bands hailed from the North West corner of England, for the USA, London was the source of these thrilling new sounds. And in many ways it was - The Beatles, The Hollies and Herman's Hermits recorded all their hits with London-based producers, for London-based companies in London studios. And that's how it remained, until four Mancunian musicians became alive to the possibility of recording away from the capital. Against the prevailing wisdom, they opted to plough their hard-earned cash back into the city they loved in the form of proper recording facilities. Eric Stewart of The Mindbenders and songwriter extraordinaire Graham Gouldman created Strawberry Studios; Keith Hopwood and Derek Leckenby of Herman's Hermits crafted Pluto. Between them they gave Manchester a voice, and facilitated a musical revolution that would be defined by its rejection of the capital. This book tells the story of Manchester music through the prism of the two studio's key recordings. Of course that story inevitably takes in The Smiths, Joy Division, The Fall and The Stone Roses. But it's equally the story of 'Bus Stop' and 'East West' and 'I'm Not in Love'. It's the story of the Manchester attitude of L.S. Lowry, by way of Brian and Michael, and how that attitude rubbed off on The Clash and Neil Sedaka. Above all, it's the story of music that couldn't have been made anywhere else but Manchester."-- Geschichte 1950-2000 gnd rswk-swf Rockmusik (DE-588)4115774-6 gnd rswk-swf Tonstudio (DE-588)4417153-5 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Musikproduktion (DE-588)4235850-4 gnd rswk-swf Manchester (DE-588)4037286-8 gnd rswk-swf Gouldman, Graham Stewart, Eric Hopwood, Keith / 1946- Leckenby, Derek / 1943-1994 Sound studios / England / Manchester / History Sound recording industry / England / Manchester / History Music / England / Manchester / History and criticism Music Sound recording industry Sound studios England / Manchester Criticism, interpretation, etc History Manchester (DE-588)4037286-8 g Popmusik (DE-588)4046781-8 s Rockmusik (DE-588)4115774-6 s Tonstudio (DE-588)4417153-5 s Musikproduktion (DE-588)4235850-4 s Geschichte 1950-2000 z DE-604 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030373373&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hanley, Paul R. J. Leave the capital a history of Manchester music in 13 recordings Rockmusik (DE-588)4115774-6 gnd Tonstudio (DE-588)4417153-5 gnd Popmusik (DE-588)4046781-8 gnd Musikproduktion (DE-588)4235850-4 gnd |
| subject_GND | (DE-588)4115774-6 (DE-588)4417153-5 (DE-588)4046781-8 (DE-588)4235850-4 (DE-588)4037286-8 |
| title | Leave the capital a history of Manchester music in 13 recordings |
| title_auth | Leave the capital a history of Manchester music in 13 recordings |
| title_exact_search | Leave the capital a history of Manchester music in 13 recordings |
| title_full | Leave the capital a history of Manchester music in 13 recordings Paul Hanley |
| title_fullStr | Leave the capital a history of Manchester music in 13 recordings Paul Hanley |
| title_full_unstemmed | Leave the capital a history of Manchester music in 13 recordings Paul Hanley |
| title_short | Leave the capital |
| title_sort | leave the capital a history of manchester music in 13 recordings |
| title_sub | a history of Manchester music in 13 recordings |
| topic | Rockmusik (DE-588)4115774-6 gnd Tonstudio (DE-588)4417153-5 gnd Popmusik (DE-588)4046781-8 gnd Musikproduktion (DE-588)4235850-4 gnd |
| topic_facet | Rockmusik Tonstudio Popmusik Musikproduktion Manchester |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030373373&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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