Fashioning pop personae: gender, personal narrativity, and converging media in 21st century pop music
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Oslo
University of Oslo, Faculty of Humanities, Department of Musicology
2017
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | VI, 199 Seiten Illustrationen |
Internformat
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Datensatz im Suchindex
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| adam_text | Table of contents
Acknowledgements................................................................in
Table of contents................................................................v
Introduction........................................................................1
Outline........................................................................4
Musicological Foundations........................................................7
Identifying Mainstream Pop.....................................................9
An Intertextual Model for Interpretation......................................13
Linking Musical Codes to Identity Politics and Notions of Authenticity.......19
Music Video and Audiovisual Analysis..........................................23
Forging the Self: Persona, Personal Narrativity, and Converging Media...........29
Celebrity Culture and Converging Media........................................32
Navigational Beacons: On the Influence of Personal Narratives.................35
Negotiating Gender in Pop.......................................................39
The Year of Pop Feminism?.....................................................40
On the Performative Dimensions of Pop Expression..............................43
Staging the Body: Technologies and (Hyper)Embodiment..........................47
Presenting the Articles ........................................................55
Research Summary and Discussion.................................................63
Personal Narrativity and Agency: Entwining the Public and the Private........63
Gender and Audiovisual Production: Erotics and Vocality.......................67
Concluding Remarks and Suggestions for Future Research..........................73
Works Cited.....................................................................77
Article I: Empowered or Objectified? Personal Narrative and Audiovisual Aesthetics
in Beyoncé’s Partition............................................................103
Article II: Holding on for Dear Life: Gender, Celebrity Status, and Vulnerability-on-
Display in Sia’s ‘Chandelier’.....................................................123
Article III: Fashioning a Post Boy Band Masculinity: On the Seductive Dreamscape
of Zayn’s Pillow talk.............................................................147
Article IV: Azealia Banks in ‘Chasing Time’: Body Politics and Queer Erotics.... 169
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| title | Fashioning pop personae gender, personal narrativity, and converging media in 21st century pop music |
| title_auth | Fashioning pop personae gender, personal narrativity, and converging media in 21st century pop music |
| title_exact_search | Fashioning pop personae gender, personal narrativity, and converging media in 21st century pop music |
| title_full | Fashioning pop personae gender, personal narrativity, and converging media in 21st century pop music Kai Arne Hansen |
| title_fullStr | Fashioning pop personae gender, personal narrativity, and converging media in 21st century pop music Kai Arne Hansen |
| title_full_unstemmed | Fashioning pop personae gender, personal narrativity, and converging media in 21st century pop music Kai Arne Hansen |
| title_short | Fashioning pop personae |
| title_sort | fashioning pop personae gender personal narrativity and converging media in 21st century pop music |
| title_sub | gender, personal narrativity, and converging media in 21st century pop music |
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