Nazi exhibition design and modernism:
"While National Socialist exhibitions are seen as platforms for attacking modern art, they also served as sites of surprising formal experimentation among artists, architects, and others, who often drew upon the practices and principles of modernism when designing exhibition spaces. Michael Tym...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Minneapolis ; London
University of Minnesota Press
[2018]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "While National Socialist exhibitions are seen as platforms for attacking modern art, they also served as sites of surprising formal experimentation among artists, architects, and others, who often drew upon the practices and principles of modernism when designing exhibition spaces. Michael Tymkiw reveals that a central motivation behind such experimentation was the interest in provoking what he calls "engaged spectatorship.""... |
| Beschreibung: | Outgrowth of the author's thesis (doctoral...University of Chicago, 2014) under the title: National socialist exhibition design, spectatorship, and the fabrication of Volksgemeinschaft. - Includes bibliographical references and index |
| Beschreibung: | 298 Seiten Illustrationen |
| ISBN: | 9781517900564 9781517900571 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV044970158 | ||
| 003 | DE-604 | ||
| 005 | 20190212 | ||
| 007 | t | ||
| 008 | 180529s2018 xxua||| m||| 00||| eng d | ||
| 010 | |a 017056082 | ||
| 020 | |a 9781517900564 |c hbk. |9 978-1-5179-0056-4 | ||
| 020 | |a 9781517900571 |c pbk. |9 978-1-5179-0057-1 | ||
| 035 | |a (OCoLC)1037300818 | ||
| 035 | |a (DE-599)BVBBV044970158 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c US | ||
| 049 | |a DE-188 |a DE-12 |a DE-Y3 |a DE-19 |a DE-255 |a DE-11 |a DE-B496 |a DE-Y2 |a DE-Y7 | ||
| 050 | 0 | |a N4396 | |
| 082 | 0 | |a 700/.4112 |2 23 | |
| 084 | |a NQ 2280 |0 (DE-625)128242: |2 rvk | ||
| 100 | 1 | |a Tymkiw, Michael |d 1972- |e Verfasser |0 (DE-588)1160971838 |4 aut | |
| 240 | 1 | 0 | |a National socialist exhibition design, spectatorship, and the fabrication of Volksgemeinschaft |
| 245 | 1 | 0 | |a Nazi exhibition design and modernism |c Michael Tymkiw |
| 264 | 1 | |a Minneapolis ; London |b University of Minnesota Press |c [2018] | |
| 264 | 4 | |c © 2018 | |
| 300 | |a 298 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Outgrowth of the author's thesis (doctoral...University of Chicago, 2014) under the title: National socialist exhibition design, spectatorship, and the fabrication of Volksgemeinschaft. - Includes bibliographical references and index | ||
| 502 | |b Dissertation |c University of Chicago |d 2014 | ||
| 520 | |a "While National Socialist exhibitions are seen as platforms for attacking modern art, they also served as sites of surprising formal experimentation among artists, architects, and others, who often drew upon the practices and principles of modernism when designing exhibition spaces. Michael Tymkiw reveals that a central motivation behind such experimentation was the interest in provoking what he calls "engaged spectatorship.""... | ||
| 648 | 7 | |a Geschichte 1933-1945 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a ART / Art & Politics / bisacsh | |
| 650 | 4 | |a ART / History / Modern (late 19th Century to 1945) / bisacsh | |
| 650 | 4 | |a HISTORY / Europe / Germany / bisacsh | |
| 650 | 4 | |a Art |x Exhibition techniques |x Social aspects | |
| 650 | 4 | |a Art exhibition audiences |z Germany |x History |y 20th century | |
| 650 | 4 | |a National socialism and art | |
| 650 | 4 | |a Modernism (Aesthetics) |z Germany |x History |y 20th century | |
| 650 | 4 | |a ART / Art & Politics | |
| 650 | 4 | |a ART / History / Modern (late 19th Century to 1945) | |
| 650 | 4 | |a HISTORY / Europe / Germany | |
| 650 | 0 | 7 | |a Nationalsozialismus |0 (DE-588)4041316-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ausstellung |0 (DE-588)4129601-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Propaganda |0 (DE-588)4076374-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Präsentation |0 (DE-588)4135231-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Design |0 (DE-588)4011510-0 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Deutschland |0 (DE-588)4011882-4 |2 gnd |9 rswk-swf | |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Deutschland |0 (DE-588)4011882-4 |D g |
| 689 | 0 | 1 | |a Nationalsozialismus |0 (DE-588)4041316-0 |D s |
| 689 | 0 | 2 | |a Ausstellung |0 (DE-588)4129601-1 |D s |
| 689 | 0 | 3 | |a Design |0 (DE-588)4011510-0 |D s |
| 689 | 0 | 4 | |a Präsentation |0 (DE-588)4135231-2 |D s |
| 689 | 0 | 5 | |a Propaganda |0 (DE-588)4076374-2 |D s |
| 689 | 0 | 6 | |a Geschichte 1933-1945 |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 9781452956770 |
| 856 | 4 | 2 | |m LoC Fremddatenuebernahme |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030362620&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |n DHB | |
| 940 | 1 | |q DHB_ACH | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-030362620 | ||
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09043 |g 43 |
| 942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09044 |g 43 |
Datensatz im Suchindex
| _version_ | 1804178574624686080 |
|---|---|
| adam_text | NAZI EXHIBITION DESIGN AND MODERNISM
/ TYMKIW, MICHAELYYD1972-YYEAUTHOR
: 2018
TABLE OF CONTENTS / INHALTSVERZEICHNIS
CONTENTS
INTRODUCTION: EXPERIMENTAL EXHIBITION DESIGN UNDER NATIONAL SOCIALISM
PART I. ENTANGLED IN DEBATES ON MODERN ART AND ARCHITECTURE
1. FALLING INTO LINE: THREE EARLY EXPERIMENTS IN VISUALIZING
COLLECTIVITY FORMATION
2. RECONFIGURING EXPRESSIONISM: OTTO ANDREAS SCHREIBER AND THE MASS
PRODUCTION OF FACTORY EXHIBITIONS
PART II. THE PERSISTENCE OF FORMAL DIALECTICS
3. PHOTOMURALS AFTER PRESSA
4. FRAGMENTATION AND THE JEWISH-BOLSHEVIST ENEMY
EPILOGUE: GERMAN EXHIBITION DESIGN AFTER NATIONAL SOCIALISM
ACKNOWLEDGMENTS
NOTES
INDEX
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| any_adam_object | 1 |
| author | Tymkiw, Michael 1972- |
| author_GND | (DE-588)1160971838 |
| author_facet | Tymkiw, Michael 1972- |
| author_role | aut |
| author_sort | Tymkiw, Michael 1972- |
| author_variant | m t mt |
| building | Verbundindex |
| bvnumber | BV044970158 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N4396 |
| callnumber-raw | N4396 |
| callnumber-search | N4396 |
| callnumber-sort | N 44396 |
| callnumber-subject | N - Visual Arts |
| classification_rvk | NQ 2280 |
| ctrlnum | (OCoLC)1037300818 (DE-599)BVBBV044970158 |
| dewey-full | 700/.4112 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700/.4112 |
| dewey-search | 700/.4112 |
| dewey-sort | 3700 44112 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte Geschichte |
| era | Geschichte 1933-1945 gnd |
| era_facet | Geschichte 1933-1945 |
| format | Thesis Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03806nam a2200769 c 4500</leader><controlfield tag="001">BV044970158</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20190212 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">180529s2018 xxua||| m||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">017056082</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781517900564</subfield><subfield code="c">hbk.</subfield><subfield code="9">978-1-5179-0056-4</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781517900571</subfield><subfield code="c">pbk.</subfield><subfield code="9">978-1-5179-0057-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1037300818</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044970158</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-188</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-Y3</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-B496</subfield><subfield code="a">DE-Y2</subfield><subfield code="a">DE-Y7</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">N4396</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">700/.4112</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">NQ 2280</subfield><subfield code="0">(DE-625)128242:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Tymkiw, Michael</subfield><subfield code="d">1972-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1160971838</subfield><subfield code="4">aut</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">National socialist exhibition design, spectatorship, and the fabrication of Volksgemeinschaft</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Nazi exhibition design and modernism</subfield><subfield code="c">Michael Tymkiw</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Minneapolis ; London</subfield><subfield code="b">University of Minnesota Press</subfield><subfield code="c">[2018]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">298 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Outgrowth of the author's thesis (doctoral...University of Chicago, 2014) under the title: National socialist exhibition design, spectatorship, and the fabrication of Volksgemeinschaft. - Includes bibliographical references and index</subfield></datafield><datafield tag="502" ind1=" " ind2=" "><subfield code="b">Dissertation</subfield><subfield code="c">University of Chicago</subfield><subfield code="d">2014</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"While National Socialist exhibitions are seen as platforms for attacking modern art, they also served as sites of surprising formal experimentation among artists, architects, and others, who often drew upon the practices and principles of modernism when designing exhibition spaces. Michael Tymkiw reveals that a central motivation behind such experimentation was the interest in provoking what he calls "engaged spectatorship.""...</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1933-1945</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">ART / Art & Politics / bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">ART / History / Modern (late 19th Century to 1945) / bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">HISTORY / Europe / Germany / bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art</subfield><subfield code="x">Exhibition techniques</subfield><subfield code="x">Social aspects</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art exhibition audiences</subfield><subfield code="z">Germany</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">National socialism and art</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Modernism (Aesthetics)</subfield><subfield code="z">Germany</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">ART / Art & Politics</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">ART / History / Modern (late 19th Century to 1945)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">HISTORY / Europe / Germany</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Nationalsozialismus</subfield><subfield code="0">(DE-588)4041316-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ausstellung</subfield><subfield code="0">(DE-588)4129601-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Propaganda</subfield><subfield code="0">(DE-588)4076374-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Präsentation</subfield><subfield code="0">(DE-588)4135231-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Design</subfield><subfield code="0">(DE-588)4011510-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Deutschland</subfield><subfield code="0">(DE-588)4011882-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Deutschland</subfield><subfield code="0">(DE-588)4011882-4</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Nationalsozialismus</subfield><subfield code="0">(DE-588)4041316-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Ausstellung</subfield><subfield code="0">(DE-588)4129601-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Design</subfield><subfield code="0">(DE-588)4011510-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Präsentation</subfield><subfield code="0">(DE-588)4135231-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Propaganda</subfield><subfield code="0">(DE-588)4076374-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Geschichte 1933-1945</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">9781452956770</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">LoC Fremddatenuebernahme</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030362620&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">DHB</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">DHB_ACH</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030362620</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09043</subfield><subfield code="g">43</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09044</subfield><subfield code="g">43</subfield></datafield></record></collection> |
| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Deutschland (DE-588)4011882-4 gnd |
| geographic_facet | Deutschland |
| id | DE-604.BV044970158 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:06:08Z |
| institution | BVB |
| isbn | 9781517900564 9781517900571 |
| language | English |
| lccn | 017056082 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030362620 |
| oclc_num | 1037300818 |
| open_access_boolean | |
| owner | DE-188 DE-12 DE-Y3 DE-19 DE-BY-UBM DE-255 DE-11 DE-B496 DE-Y2 DE-Y7 |
| owner_facet | DE-188 DE-12 DE-Y3 DE-19 DE-BY-UBM DE-255 DE-11 DE-B496 DE-Y2 DE-Y7 |
| physical | 298 Seiten Illustrationen |
| psigel | DHB_ACH |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | University of Minnesota Press |
| record_format | marc |
| spelling | Tymkiw, Michael 1972- Verfasser (DE-588)1160971838 aut National socialist exhibition design, spectatorship, and the fabrication of Volksgemeinschaft Nazi exhibition design and modernism Michael Tymkiw Minneapolis ; London University of Minnesota Press [2018] © 2018 298 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Outgrowth of the author's thesis (doctoral...University of Chicago, 2014) under the title: National socialist exhibition design, spectatorship, and the fabrication of Volksgemeinschaft. - Includes bibliographical references and index Dissertation University of Chicago 2014 "While National Socialist exhibitions are seen as platforms for attacking modern art, they also served as sites of surprising formal experimentation among artists, architects, and others, who often drew upon the practices and principles of modernism when designing exhibition spaces. Michael Tymkiw reveals that a central motivation behind such experimentation was the interest in provoking what he calls "engaged spectatorship.""... Geschichte 1933-1945 gnd rswk-swf ART / Art & Politics / bisacsh ART / History / Modern (late 19th Century to 1945) / bisacsh HISTORY / Europe / Germany / bisacsh Art Exhibition techniques Social aspects Art exhibition audiences Germany History 20th century National socialism and art Modernism (Aesthetics) Germany History 20th century ART / Art & Politics ART / History / Modern (late 19th Century to 1945) HISTORY / Europe / Germany Nationalsozialismus (DE-588)4041316-0 gnd rswk-swf Ausstellung (DE-588)4129601-1 gnd rswk-swf Propaganda (DE-588)4076374-2 gnd rswk-swf Präsentation (DE-588)4135231-2 gnd rswk-swf Design (DE-588)4011510-0 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Deutschland (DE-588)4011882-4 g Nationalsozialismus (DE-588)4041316-0 s Ausstellung (DE-588)4129601-1 s Design (DE-588)4011510-0 s Präsentation (DE-588)4135231-2 s Propaganda (DE-588)4076374-2 s Geschichte 1933-1945 z DE-604 Erscheint auch als Online-Ausgabe 9781452956770 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030362620&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Tymkiw, Michael 1972- Nazi exhibition design and modernism ART / Art & Politics / bisacsh ART / History / Modern (late 19th Century to 1945) / bisacsh HISTORY / Europe / Germany / bisacsh Art Exhibition techniques Social aspects Art exhibition audiences Germany History 20th century National socialism and art Modernism (Aesthetics) Germany History 20th century ART / Art & Politics ART / History / Modern (late 19th Century to 1945) HISTORY / Europe / Germany Nationalsozialismus (DE-588)4041316-0 gnd Ausstellung (DE-588)4129601-1 gnd Propaganda (DE-588)4076374-2 gnd Präsentation (DE-588)4135231-2 gnd Design (DE-588)4011510-0 gnd |
| subject_GND | (DE-588)4041316-0 (DE-588)4129601-1 (DE-588)4076374-2 (DE-588)4135231-2 (DE-588)4011510-0 (DE-588)4011882-4 (DE-588)4113937-9 |
| title | Nazi exhibition design and modernism |
| title_alt | National socialist exhibition design, spectatorship, and the fabrication of Volksgemeinschaft |
| title_auth | Nazi exhibition design and modernism |
| title_exact_search | Nazi exhibition design and modernism |
| title_full | Nazi exhibition design and modernism Michael Tymkiw |
| title_fullStr | Nazi exhibition design and modernism Michael Tymkiw |
| title_full_unstemmed | Nazi exhibition design and modernism Michael Tymkiw |
| title_short | Nazi exhibition design and modernism |
| title_sort | nazi exhibition design and modernism |
| topic | ART / Art & Politics / bisacsh ART / History / Modern (late 19th Century to 1945) / bisacsh HISTORY / Europe / Germany / bisacsh Art Exhibition techniques Social aspects Art exhibition audiences Germany History 20th century National socialism and art Modernism (Aesthetics) Germany History 20th century ART / Art & Politics ART / History / Modern (late 19th Century to 1945) HISTORY / Europe / Germany Nationalsozialismus (DE-588)4041316-0 gnd Ausstellung (DE-588)4129601-1 gnd Propaganda (DE-588)4076374-2 gnd Präsentation (DE-588)4135231-2 gnd Design (DE-588)4011510-0 gnd |
| topic_facet | ART / Art & Politics / bisacsh ART / History / Modern (late 19th Century to 1945) / bisacsh HISTORY / Europe / Germany / bisacsh Art Exhibition techniques Social aspects Art exhibition audiences Germany History 20th century National socialism and art Modernism (Aesthetics) Germany History 20th century ART / Art & Politics ART / History / Modern (late 19th Century to 1945) HISTORY / Europe / Germany Nationalsozialismus Ausstellung Propaganda Präsentation Design Deutschland Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030362620&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT tymkiwmichael nationalsocialistexhibitiondesignspectatorshipandthefabricationofvolksgemeinschaft AT tymkiwmichael naziexhibitiondesignandmodernism |