Kropp, görande och varande i musik: en fenomenologisk studie
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | Swedish |
| Veröffentlicht: |
Örebro
Örebro university
2015
|
| Schriftenreihe: | Örebro studies in musicology
3 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 295 Seiten Illustrationen |
| ISBN: | 9789175291000 |
Internformat
MARC
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Datensatz im Suchindex
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|---|---|
| adam_text | Innehâll
FÖRORD
1. INLEDNING......................................................15
1.1 Problemomrâde...............................................17
1.2 Den meningsskapande kroppens marginaliserade plats i
utbildningskontexten............................................23
1.3 Tidigare forskning och forskningsöversikt...................30
1.4 Syfte och frâgestâllning....................................40
1.4.1 Fyra musikaliska kontexter..............................41
1.5 Avhandlingens uppbyggnad....................................43
2. TEORETISKA UTGÀNGSPUNKTER......................................45
2.1 Fenomenologisk utgângspunkt.................................46
2.1.1 ”Att gâ tillbaka tili sakerna själva”...................47
2.1.2 Livsvarlden (être-au-monde)............................48
2.1.3 Den levda kroppen (le corps propre)....................50
2.1.4 Intentionalitet (intentionnalité) och mening (sens)....53
2.1.5 Kött (chair)...........................................55
2.2 Musikalisk mening kroppsligt förankrad......................57
2.2.1 Musik som meningsuniversum..............................57
2.2.2 Den levda kroppen i relation till musik................61
2.2.3 Intersubjektivitet och musik...........................64
2.2.4 Vanors tillblivelse och kunskapande....................66
2.2.5 Kropp, habitus och fält................................70
2.3. Olika fôrstâelser av begreppen musik, musicking, musicing och
musicering......................................................73
2.3.1 Musicking...............................................73
2.3.2 Musicing och andra begreppsförklaringar.................77
2.3.3 Fôrstâelse av musicering i denna Studie.................78
3. METOD..........................................................79
3.1. Vetenskapsteoretiskt perspektiv............................80
3.1.1 Fenomenologisk metod....................................82
3.1.2 Reduktion, konstruktion och destruktion.................84
3.2. Urval.................................................... 89
3.2.1 Val av deltagare i Studien..............................89
3.2.2 Val av forskningsmetoder.............................92
3.3 Datainsamling och genomförande............................94
3.3.1 Observation..........................................94
3.3.2 Videoobservation.....................................96
3.3.3 Stimulated recall interview..........................96
3.3.4 Intervju............................................100
3.3.5 Gruppsamtal.........................................101
3.4 Analys av empirin........................................103
3.5 Kritisk reflektion av forskningsmetoder och tillvägagangssätt.114
3.5.1 Fiera forskningsmetoder i samspel - triangulering........115
3.5.2 Sanning och betydelse...............................116
3.5.3 Giltighet...........................................117
3.5.4 Etiska överväganden vid forskning...................118
4. RESULTAT....................................................125
4.1 Deltagarnas kroppsligt förankrade meningsdimensioner i relation
till fyra musikaliska kontexter..............................126
4.1.1 Astrid, musiker i sextioärsäldern...................129
4.1.2 Björn, konsertbesökare/kompositör i fyrtioärsäldern.146
4.1.3 Celia, diskjockey (dj) i trettioärsäldern...........166
4.1.4 David, dansare i tjugoärsälder......................183
4.2 Fyra musikaliska kontexter: Likheter och olikheter....206
4.3 Flur griper kroppen musik och hur griper musik kroppen?..212
5. DISKUSSION..................................................215
5.1 Kroppen som fält.........................................216
5.2 Ett estetiskt, emotioneilt och existentiellt fält........222
5.3 Kunskaps- och bildningsfält..............................226
5.4 Avslutningsvis...........................................231
SUMMARY........................................................233
1. INTRODUCTION................................................233
1.1 Aims and research questions............................ 233
2. THEORETICAL FRAMEWORK.......................................234
2.1 Bodily anchored musical meaning..........................234
3. METHOD..................................................235
3.1 Reduction, construction and destruction..............235
3.2 Selection............................................237
3.3 Data collection and analysis.........................237
4. RESULTS.................................................239
4.1 How does the body take hold of the music? How does the music
take hold of the body?...................................242
5. DISCUSSION..............................................243
REFERENSER.................................................245
LITTERATUR.................................................245
ELEKTRONISKA KALLOR........................................257
SEMINARIUM.................................................260
FIGURER.................................................. 261
BILAGOR....................................................263
Bilaga 1.................................................265
Bilaga 2.................................................269
Bilaga 3................................................ 271
Bilaga 4............................................... 273
Bilaga 5.................................................275
Bilaga 6.................................................277
Bilaga 7.................................................281
Bilaga 8.................................................283
Bilaga 9.................................................285
Bilaga 10................................................289
Bilaga 11.............................................. 291
Bilaga 12................................................295
|
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| author | Österling Brunström, Johanna 1962- |
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| isbn | 9789175291000 |
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| series | Örebro studies in musicology |
| series2 | Örebro studies in musicology |
| spelling | Österling Brunström, Johanna 1962- Verfasser (DE-588)116021977X aut Kropp, görande och varande i musik en fenomenologisk studie Johanna Österling Brunström Örebro Örebro university 2015 © 2015 295 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Örebro studies in musicology 3 Dissertation Örebro universitet 2015 Musik (DE-588)4040802-4 gnd rswk-swf Phänomenologie (DE-588)4045660-2 gnd rswk-swf Körper (DE-588)4031575-7 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Musik (DE-588)4040802-4 s Körper (DE-588)4031575-7 s Phänomenologie (DE-588)4045660-2 s DE-604 Örebro studies in musicology 3 (DE-604)BV041920168 3 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030358890&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Österling Brunström, Johanna 1962- Kropp, görande och varande i musik en fenomenologisk studie Örebro studies in musicology Musik (DE-588)4040802-4 gnd Phänomenologie (DE-588)4045660-2 gnd Körper (DE-588)4031575-7 gnd |
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| title | Kropp, görande och varande i musik en fenomenologisk studie |
| title_auth | Kropp, görande och varande i musik en fenomenologisk studie |
| title_exact_search | Kropp, görande och varande i musik en fenomenologisk studie |
| title_full | Kropp, görande och varande i musik en fenomenologisk studie Johanna Österling Brunström |
| title_fullStr | Kropp, görande och varande i musik en fenomenologisk studie Johanna Österling Brunström |
| title_full_unstemmed | Kropp, görande och varande i musik en fenomenologisk studie Johanna Österling Brunström |
| title_short | Kropp, görande och varande i musik |
| title_sort | kropp gorande och varande i musik en fenomenologisk studie |
| title_sub | en fenomenologisk studie |
| topic | Musik (DE-588)4040802-4 gnd Phänomenologie (DE-588)4045660-2 gnd Körper (DE-588)4031575-7 gnd |
| topic_facet | Musik Phänomenologie Körper Hochschulschrift |
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