Women in Chinese martial arts films of the new millennium: narrative analyses and gender politics
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Lanham
Lexington Books
2012
|
| Schlagworte: | |
| Online-Zugang: | DE-255 DE-Y3 |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xvii, 295 p |
| ISBN: | 9780739139103 |
Internformat
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| 100 | 1 | |a Chen, Ya-chen |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Women in Chinese martial arts films of the new millennium |b narrative analyses and gender politics |c Ya-chen Chen |
| 264 | 1 | |a Lanham |b Lexington Books |c 2012 | |
| 300 | |a xvii, 295 p | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Introduction -- Toward social-cultural and historical readings: "Chinese cinematic martial arts feminism" and its limitation in the narrative of martial arts films -- Narrative analyses of women and gender concerns in every film. The fox, dragon, and lotus in Crouching tiger, hidden dragon -- To (en)gender the gendered history in hero -- There is a beauty in the door(way) of flying daggers -- Women who do not practice martial arts in Seven swords -- Cinderella, Snow White, and Sleeping beauty in The promise -- The Chinese Hamlet's two women and Shakespeare's Chinese sisters: Qing Nü and Waner in The banque -- Traffic of madwomen in the Chinese royal attic: gender concerns in Curse of the golden flower -- Integrated analyses about the limitation of feminist emancipation in groups of films. Let's make a wish: martial arts ladies' wishes under the cinematic pen(is) from A touch of zen to Crouching tiger hidden dragon, Hero, House of flying daggers, and The promise -- Phallocentric teacher-student comoplex: from Legend of the mountain, Crouching tiger hidden dragon, and Hero to Seven swords -- A Chinese cinematic martial arts room of Pygmalion's own -- Interviews. Interview with Chung Ling, King Hu's spouse and screenwriter -- Interview with Pan Hua, a female classmate and peer-director of Zhang Yimou, Chen Kaige, Tian Zhuangzhuang, Wu Ziniu, Li Shaohong, Hu Mei, and Peng Xiaolian -- Interview with Tsai Kuo-Jung, a coplanner and screenwriter of Ang Lee's Crouching tiger hidden dragon -- Interview with Wang Wei, a judge in the Golden Horse Film Festival | |
| 650 | 4 | |a Martial arts films |z China |x History and criticism | |
| 650 | 4 | |a Feminism and motion pictures | |
| 650 | 4 | |a Motion picture producers and directors |z China |v Interviews | |
| 650 | 4 | |a Screenwriters |z China |v Interviews | |
| 650 | 4 | |a Women in motion pictures | |
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Datensatz im Suchindex
| _version_ | 1809222738508775424 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Chen, Ya-chen |
| author_facet | Chen, Ya-chen |
| author_role | aut |
| author_sort | Chen, Ya-chen |
| author_variant | y c c ycc |
| building | Verbundindex |
| bvnumber | BV044963790 |
| collection | ZDB-30-PAD |
| contents | Introduction -- Toward social-cultural and historical readings: "Chinese cinematic martial arts feminism" and its limitation in the narrative of martial arts films -- Narrative analyses of women and gender concerns in every film. The fox, dragon, and lotus in Crouching tiger, hidden dragon -- To (en)gender the gendered history in hero -- There is a beauty in the door(way) of flying daggers -- Women who do not practice martial arts in Seven swords -- Cinderella, Snow White, and Sleeping beauty in The promise -- The Chinese Hamlet's two women and Shakespeare's Chinese sisters: Qing Nü and Waner in The banque -- Traffic of madwomen in the Chinese royal attic: gender concerns in Curse of the golden flower -- Integrated analyses about the limitation of feminist emancipation in groups of films. Let's make a wish: martial arts ladies' wishes under the cinematic pen(is) from A touch of zen to Crouching tiger hidden dragon, Hero, House of flying daggers, and The promise -- Phallocentric teacher-student comoplex: from Legend of the mountain, Crouching tiger hidden dragon, and Hero to Seven swords -- A Chinese cinematic martial arts room of Pygmalion's own -- Interviews. Interview with Chung Ling, King Hu's spouse and screenwriter -- Interview with Pan Hua, a female classmate and peer-director of Zhang Yimou, Chen Kaige, Tian Zhuangzhuang, Wu Ziniu, Li Shaohong, Hu Mei, and Peng Xiaolian -- Interview with Tsai Kuo-Jung, a coplanner and screenwriter of Ang Lee's Crouching tiger hidden dragon -- Interview with Wang Wei, a judge in the Golden Horse Film Festival |
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| dewey-full | 791.43/6522 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6522 |
| dewey-search | 791.43/6522 |
| dewey-sort | 3791.43 46522 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| id | DE-604.BV044963790 |
| illustrated | Not Illustrated |
| indexdate | 2024-09-04T00:20:58Z |
| institution | BVB |
| isbn | 9780739139103 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030356306 |
| oclc_num | 1249710173 |
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| physical | xvii, 295 p |
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| publishDate | 2012 |
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| publisher | Lexington Books |
| record_format | marc |
| spelling | Chen, Ya-chen Verfasser aut Women in Chinese martial arts films of the new millennium narrative analyses and gender politics Ya-chen Chen Lanham Lexington Books 2012 xvii, 295 p txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Introduction -- Toward social-cultural and historical readings: "Chinese cinematic martial arts feminism" and its limitation in the narrative of martial arts films -- Narrative analyses of women and gender concerns in every film. The fox, dragon, and lotus in Crouching tiger, hidden dragon -- To (en)gender the gendered history in hero -- There is a beauty in the door(way) of flying daggers -- Women who do not practice martial arts in Seven swords -- Cinderella, Snow White, and Sleeping beauty in The promise -- The Chinese Hamlet's two women and Shakespeare's Chinese sisters: Qing Nü and Waner in The banque -- Traffic of madwomen in the Chinese royal attic: gender concerns in Curse of the golden flower -- Integrated analyses about the limitation of feminist emancipation in groups of films. Let's make a wish: martial arts ladies' wishes under the cinematic pen(is) from A touch of zen to Crouching tiger hidden dragon, Hero, House of flying daggers, and The promise -- Phallocentric teacher-student comoplex: from Legend of the mountain, Crouching tiger hidden dragon, and Hero to Seven swords -- A Chinese cinematic martial arts room of Pygmalion's own -- Interviews. Interview with Chung Ling, King Hu's spouse and screenwriter -- Interview with Pan Hua, a female classmate and peer-director of Zhang Yimou, Chen Kaige, Tian Zhuangzhuang, Wu Ziniu, Li Shaohong, Hu Mei, and Peng Xiaolian -- Interview with Tsai Kuo-Jung, a coplanner and screenwriter of Ang Lee's Crouching tiger hidden dragon -- Interview with Wang Wei, a judge in the Golden Horse Film Festival Martial arts films China History and criticism Feminism and motion pictures Motion picture producers and directors China Interviews Screenwriters China Interviews Women in motion pictures Kung-Fu-Film (DE-588)4300736-3 gnd rswk-swf Frau Motiv (DE-588)4113617-2 gnd rswk-swf Kung-Fu-Film (DE-588)4300736-3 s Frau Motiv (DE-588)4113617-2 s 1\p DE-604 Erscheint auch als Druck-Ausgabe 9780739139080 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Chen, Ya-chen Women in Chinese martial arts films of the new millennium narrative analyses and gender politics Introduction -- Toward social-cultural and historical readings: "Chinese cinematic martial arts feminism" and its limitation in the narrative of martial arts films -- Narrative analyses of women and gender concerns in every film. The fox, dragon, and lotus in Crouching tiger, hidden dragon -- To (en)gender the gendered history in hero -- There is a beauty in the door(way) of flying daggers -- Women who do not practice martial arts in Seven swords -- Cinderella, Snow White, and Sleeping beauty in The promise -- The Chinese Hamlet's two women and Shakespeare's Chinese sisters: Qing Nü and Waner in The banque -- Traffic of madwomen in the Chinese royal attic: gender concerns in Curse of the golden flower -- Integrated analyses about the limitation of feminist emancipation in groups of films. Let's make a wish: martial arts ladies' wishes under the cinematic pen(is) from A touch of zen to Crouching tiger hidden dragon, Hero, House of flying daggers, and The promise -- Phallocentric teacher-student comoplex: from Legend of the mountain, Crouching tiger hidden dragon, and Hero to Seven swords -- A Chinese cinematic martial arts room of Pygmalion's own -- Interviews. Interview with Chung Ling, King Hu's spouse and screenwriter -- Interview with Pan Hua, a female classmate and peer-director of Zhang Yimou, Chen Kaige, Tian Zhuangzhuang, Wu Ziniu, Li Shaohong, Hu Mei, and Peng Xiaolian -- Interview with Tsai Kuo-Jung, a coplanner and screenwriter of Ang Lee's Crouching tiger hidden dragon -- Interview with Wang Wei, a judge in the Golden Horse Film Festival Martial arts films China History and criticism Feminism and motion pictures Motion picture producers and directors China Interviews Screenwriters China Interviews Women in motion pictures Kung-Fu-Film (DE-588)4300736-3 gnd Frau Motiv (DE-588)4113617-2 gnd |
| subject_GND | (DE-588)4300736-3 (DE-588)4113617-2 |
| title | Women in Chinese martial arts films of the new millennium narrative analyses and gender politics |
| title_auth | Women in Chinese martial arts films of the new millennium narrative analyses and gender politics |
| title_exact_search | Women in Chinese martial arts films of the new millennium narrative analyses and gender politics |
| title_full | Women in Chinese martial arts films of the new millennium narrative analyses and gender politics Ya-chen Chen |
| title_fullStr | Women in Chinese martial arts films of the new millennium narrative analyses and gender politics Ya-chen Chen |
| title_full_unstemmed | Women in Chinese martial arts films of the new millennium narrative analyses and gender politics Ya-chen Chen |
| title_short | Women in Chinese martial arts films of the new millennium |
| title_sort | women in chinese martial arts films of the new millennium narrative analyses and gender politics |
| title_sub | narrative analyses and gender politics |
| topic | Martial arts films China History and criticism Feminism and motion pictures Motion picture producers and directors China Interviews Screenwriters China Interviews Women in motion pictures Kung-Fu-Film (DE-588)4300736-3 gnd Frau Motiv (DE-588)4113617-2 gnd |
| topic_facet | Martial arts films China History and criticism Feminism and motion pictures Motion picture producers and directors China Interviews Screenwriters China Interviews Women in motion pictures Kung-Fu-Film Frau Motiv |
| work_keys_str_mv | AT chenyachen womeninchinesemartialartsfilmsofthenewmillenniumnarrativeanalysesandgenderpolitics |