Mon seul désir Carole Vanderlinden : dessins de Paris = parijse tekeningen = drawings from Paris
Mon seul désir: Carole Vanderlinden : dessins de Paris = parijse tekeningen = drawings from Paris

The best introduction to Carole Vanderlinden's work is explaining how it was created. It's probably easier to read her work if you know how it came to life. Many artists take inspiration from existing works of art they've generally come into contact with when growing up, often in book...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Format: Buch
Sprache:English
Veröffentlicht: [Gent] Posture Editions 2017
Schriftenreihe:Posture editions no 24
Schlagworte:
Vanderlinden, Carole > 1973-
Arbeiten auf Papier
Bildband
Ausstellungskatalog > Galerie Zwart Huis > 07.09.2017-28.10.2017 > Brüssel
Zusammenfassung:The best introduction to Carole Vanderlinden's work is explaining how it was created. It's probably easier to read her work if you know how it came to life. Many artists take inspiration from existing works of art they've generally come into contact with when growing up, often in books or magazines, sometimes in museums and galleries. Carole Vanderlinden loves to read and to leaf through books, but her main interest is visiting museums of ancient or ethnographic art. In general, she looks for any event, drawing, object, pattern, colour and rhythm that speaks to her. Joining her on two of these trips of discovery, once in Brussels and once in Paris, she can be fascinated by the most diverse objects, such as a zigzag Navajo carpet, Egyptian alabaster Canopic jars dating back to 1500 BC, 18th-century glazed biscuit from Tournai or a herbarium. These objects and their colours and rhythms are copied in notebooks, often with an accompanying text. Later she might re-paint them on paper creating new combinations or compositions. These works on paper usually remain quite light, with a lot of cut-outs, like minimalist collages. In parallel Vanderlinden works on her paintings without any preconceived idea. Layer after layer the paintings try to avoid being controlled or supervised in any way. Sometimes we see patterns emerge that are familiar from her works on paper. These patterns are used as ways of countering a painting, destabilising it, recreating a balance or finishing it. During this practice, the patterns become more compact and dense. Slowly they merge with the stubborn texture of the painting. The book Mon seul désir is a follow-up to Nocturne (2013). It contains reproductions of works on paper by Carole Vanderlinden and an oniric essay of Hans Theys, inspired by Carole's works on paper and the medieval tapestry La dame à la licorne
Beschreibung:69 Seiten
ISBN:9789491262241
9491262246

Es ist kein Print-Exemplar vorhanden.

Fernleihe Bestellen Achtung: Nicht im THWS-Bestand!

Ähnliche Einträge