Literary Britten: words and music in Benjamin Britten's vocal works
Britten is the most literary British composer of the twentieth century. His relationship to the many and varied texts that he set was deeply committed and sensitive. As a result, both his responses to poetry and his collaborations with his librettists tell us a great deal about his music, and often,...
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Woodbridge
Boydell Press
[2018]
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| Schriftenreihe: | Aldeburgh studies in music
volume 13 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Britten is the most literary British composer of the twentieth century. His relationship to the many and varied texts that he set was deeply committed and sensitive. As a result, both his responses to poetry and his collaborations with his librettists tell us a great deal about his music, and often, about the man himself. This book takes a unique approach to Britten, drawing together well-known Britten experts alongside English, music, modern language and history scholars who bring their own perspective to bear on Britten's work. Chapters examine all aspects of Britten's text setting, from his engagement with a wide variety of poetry to his relationship with his librettists. By approaching Britten's operas and songs through their literature, this book offers fresh insights into his vocal works. KATE KENNEDY is the Weinrebe Research Fellow in Life-writing at Wolfson College, Oxford, where she is an associate of both Music and English Faculties. She is a frequent broadcaster for the BBC and specialises in interdisciplinary biography and has published widely on twentieth century music and literature. |
| Beschreibung: | xix, 405 Seiten Illustrationen |
| ISBN: | 9781783272853 |
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| 505 | 8 | |a Introduction / Kate Kennedy -- Britten and his librettists : the composer as auteur / Mervyn Cooke -- Britten, Auden and the 1930s / John Fuller -- James, Britten, Piper and the literary supernatural : the changing "vision of evil" in The turn of the screw and Owen Wingrave / Nick Clark -- "Thought's wildernesses" : the development of Britten's Nocturne from library to score / Kate Kennedy -- "Reading at intervals" : Britten's romantic poetry / Brian Young -- Britten's drops : the lyric into song / Rebekah Scott -- "Without any tune" : the role of the discursive shift in Britten's interpretation of poetry / Vicki P. Stroeher -- Britten and modern tragedy / Adrian Poole -- Settings from boyhood / Lucy Walker -- "Practical jokes" : Britten and Auden's Our hunting fathers revisited / Joanna Bullivant -- Choice and inevitability : the moral economy of Peter Grimes / Philip Ross Bullock -- Sin, death, and love : Britten's Holy sonnets of John Donne / David Fuller -- Britten's Donne meditation / Justin Vickers -- Scenes from Britten's Spring symphony / Philip Rupprecht -- "I have read Billy Budd" : the Forster-Britten reading(s) of Melville / Hanna Rochlitz -- Miles must die : ideological uses of "innocence" in Britten's The turn of the screw / J.P.E. Harper-Scott -- Benjamin Britten and medieval drama at Chester : from Abraham and Isaac to "The Nativity" / Peter Happe -- Ambiguous Venice / John Hopkins | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
List of Illustrations vii
List of Music Examples ix
List of Contributors xiii
Introduction 1
Kate Kennedy
Part i Perspectives
1 Britten and His Librettists: The Composer as Auteur 10
Mervyn Cooke
2 Britten, Auden and the 1930s 31
John Fuller
3 James, Britten, Piper and the Literary Supernatural: The Changing
Vision of evil in The Turn of the Screw and Owen Wingrave 49
Nicholas Clark
4 Thought s Wildernesses’: The Development of
Britten s Nocturne from Library to Score 77
Kate Kennedy
5 Reading at Intervals : Britten s Romantic Poetry 100
Brian Young
6 Britten s Drops: The Lyric into Song 124
Rebekah Scott
7 Without any tune : The Role of the Discursive Shift in
Britten’s Interpretation of Poetry 144
Vicki P. Stroeher
8 Britten and Modern Tragedy 171
Adrian Poole
vi Contents
Part ii Studies
9 Settings from Boyhood 186
Lucy Walker
10 Practical Jokes : Britten and Auden s
Our Hunting Fathers Revisited 206
Joanna Bullivant
11 Choice and Inevitability: The Moral Economy of Peter Grimes 223
Philip Ross Bullock
12 Sin, Death and Love: Britten s The Holy Sonnets of John Donne 243
David Fuller
13 Brittens Donne Meditation 256
Justin Vickers
14 Scenes from Britten s Spring Symphony 274
Philip Rupprecht
15 T have read Billy BudcT: The Forster-Britten Reading(s)
of Melville 296
Hanna Rochlitz
16 Miles Must Die: Ideological Uses of Innocence in
Britten s The Turn of the Screw 318
J P E. Harper-Scott
17 Benjamin Britten and Medieval Drama at Chester:
From Abraham and Isaac to ‘The Nativity 340
Peter Happé
18 Ambiguous Venice 356
John Hopkins
Bibliography 385
Index 398
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| contents | Introduction / Kate Kennedy -- Britten and his librettists : the composer as auteur / Mervyn Cooke -- Britten, Auden and the 1930s / John Fuller -- James, Britten, Piper and the literary supernatural : the changing "vision of evil" in The turn of the screw and Owen Wingrave / Nick Clark -- "Thought's wildernesses" : the development of Britten's Nocturne from library to score / Kate Kennedy -- "Reading at intervals" : Britten's romantic poetry / Brian Young -- Britten's drops : the lyric into song / Rebekah Scott -- "Without any tune" : the role of the discursive shift in Britten's interpretation of poetry / Vicki P. Stroeher -- Britten and modern tragedy / Adrian Poole -- Settings from boyhood / Lucy Walker -- "Practical jokes" : Britten and Auden's Our hunting fathers revisited / Joanna Bullivant -- Choice and inevitability : the moral economy of Peter Grimes / Philip Ross Bullock -- Sin, death, and love : Britten's Holy sonnets of John Donne / David Fuller -- Britten's Donne meditation / Justin Vickers -- Scenes from Britten's Spring symphony / Philip Rupprecht -- "I have read Billy Budd" : the Forster-Britten reading(s) of Melville / Hanna Rochlitz -- Miles must die : ideological uses of "innocence" in Britten's The turn of the screw / J.P.E. Harper-Scott -- Benjamin Britten and medieval drama at Chester : from Abraham and Isaac to "The Nativity" / Peter Happe -- Ambiguous Venice / John Hopkins |
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| spelling | Literary Britten words and music in Benjamin Britten's vocal works edited by Kate Kennedy Woodbridge Boydell Press [2018] © 2018 xix, 405 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Aldeburgh studies in music volume 13 Introduction / Kate Kennedy -- Britten and his librettists : the composer as auteur / Mervyn Cooke -- Britten, Auden and the 1930s / John Fuller -- James, Britten, Piper and the literary supernatural : the changing "vision of evil" in The turn of the screw and Owen Wingrave / Nick Clark -- "Thought's wildernesses" : the development of Britten's Nocturne from library to score / Kate Kennedy -- "Reading at intervals" : Britten's romantic poetry / Brian Young -- Britten's drops : the lyric into song / Rebekah Scott -- "Without any tune" : the role of the discursive shift in Britten's interpretation of poetry / Vicki P. Stroeher -- Britten and modern tragedy / Adrian Poole -- Settings from boyhood / Lucy Walker -- "Practical jokes" : Britten and Auden's Our hunting fathers revisited / Joanna Bullivant -- Choice and inevitability : the moral economy of Peter Grimes / Philip Ross Bullock -- Sin, death, and love : Britten's Holy sonnets of John Donne / David Fuller -- Britten's Donne meditation / Justin Vickers -- Scenes from Britten's Spring symphony / Philip Rupprecht -- "I have read Billy Budd" : the Forster-Britten reading(s) of Melville / Hanna Rochlitz -- Miles must die : ideological uses of "innocence" in Britten's The turn of the screw / J.P.E. Harper-Scott -- Benjamin Britten and medieval drama at Chester : from Abraham and Isaac to "The Nativity" / Peter Happe -- Ambiguous Venice / John Hopkins Britten is the most literary British composer of the twentieth century. His relationship to the many and varied texts that he set was deeply committed and sensitive. As a result, both his responses to poetry and his collaborations with his librettists tell us a great deal about his music, and often, about the man himself. This book takes a unique approach to Britten, drawing together well-known Britten experts alongside English, music, modern language and history scholars who bring their own perspective to bear on Britten's work. Chapters examine all aspects of Britten's text setting, from his engagement with a wide variety of poetry to his relationship with his librettists. By approaching Britten's operas and songs through their literature, this book offers fresh insights into his vocal works. KATE KENNEDY is the Weinrebe Research Fellow in Life-writing at Wolfson College, Oxford, where she is an associate of both Music and English Faculties. She is a frequent broadcaster for the BBC and specialises in interdisciplinary biography and has published widely on twentieth century music and literature. Britten, Benjamin 1913-1976 (DE-588)118515527 gnd rswk-swf Vokalmusik (DE-588)4063783-9 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Britten, Benjamin 1913-1976 (DE-588)118515527 p Vokalmusik (DE-588)4063783-9 s DE-604 Kennedy, Kate 1977- (DE-588)1144662435 edt Aldeburgh studies in music volume 13 (DE-604)BV008311717 13 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030350234&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Literary Britten words and music in Benjamin Britten's vocal works Aldeburgh studies in music Introduction / Kate Kennedy -- Britten and his librettists : the composer as auteur / Mervyn Cooke -- Britten, Auden and the 1930s / John Fuller -- James, Britten, Piper and the literary supernatural : the changing "vision of evil" in The turn of the screw and Owen Wingrave / Nick Clark -- "Thought's wildernesses" : the development of Britten's Nocturne from library to score / Kate Kennedy -- "Reading at intervals" : Britten's romantic poetry / Brian Young -- Britten's drops : the lyric into song / Rebekah Scott -- "Without any tune" : the role of the discursive shift in Britten's interpretation of poetry / Vicki P. Stroeher -- Britten and modern tragedy / Adrian Poole -- Settings from boyhood / Lucy Walker -- "Practical jokes" : Britten and Auden's Our hunting fathers revisited / Joanna Bullivant -- Choice and inevitability : the moral economy of Peter Grimes / Philip Ross Bullock -- Sin, death, and love : Britten's Holy sonnets of John Donne / David Fuller -- Britten's Donne meditation / Justin Vickers -- Scenes from Britten's Spring symphony / Philip Rupprecht -- "I have read Billy Budd" : the Forster-Britten reading(s) of Melville / Hanna Rochlitz -- Miles must die : ideological uses of "innocence" in Britten's The turn of the screw / J.P.E. Harper-Scott -- Benjamin Britten and medieval drama at Chester : from Abraham and Isaac to "The Nativity" / Peter Happe -- Ambiguous Venice / John Hopkins Britten, Benjamin 1913-1976 (DE-588)118515527 gnd Vokalmusik (DE-588)4063783-9 gnd |
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| title | Literary Britten words and music in Benjamin Britten's vocal works |
| title_auth | Literary Britten words and music in Benjamin Britten's vocal works |
| title_exact_search | Literary Britten words and music in Benjamin Britten's vocal works |
| title_full | Literary Britten words and music in Benjamin Britten's vocal works edited by Kate Kennedy |
| title_fullStr | Literary Britten words and music in Benjamin Britten's vocal works edited by Kate Kennedy |
| title_full_unstemmed | Literary Britten words and music in Benjamin Britten's vocal works edited by Kate Kennedy |
| title_short | Literary Britten |
| title_sort | literary britten words and music in benjamin britten s vocal works |
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