What is now generally termed modern British art was then still in the doldrums:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2018
|
| Beschreibung: | Illustrationen |
| ISSN: | 0003-6536 |
Internformat
MARC
| LEADER | 00000naa a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV044953680 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t | ||
| 008 | 180518s2018 a||| |||| 00||| eng d | ||
| 035 | |a (OCoLC)1037917590 | ||
| 035 | |a (DE-599)BVBBV044953680 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y3 |a DE-255 |a DE-Y7 |a DE-Y2 | ||
| 100 | 1 | |a Skipwith, Peyton |d 1939- |e Verfasser |0 (DE-588)137776357 |4 aut | |
| 245 | 1 | 0 | |a What is now generally termed modern British art was then still in the doldrums |c Peyton Skipwith |
| 264 | 1 | |c 2018 | |
| 300 | |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 773 | 0 | 8 | |t Apollo |d London, 2018 |g Volume 187, No. 662, (March 2018), Seite 44-45 |w (DE-604)BV002589985 |x 0003-6536 |o (DE-600)280178-4 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-030346398 | ||
Datensatz im Suchindex
| _version_ | 1804178544494903296 |
|---|---|
| any_adam_object | |
| article_link | (DE-604)BV002589985 |
| author | Skipwith, Peyton 1939- |
| author_GND | (DE-588)137776357 |
| author_facet | Skipwith, Peyton 1939- |
| author_role | aut |
| author_sort | Skipwith, Peyton 1939- |
| author_variant | p s ps |
| building | Verbundindex |
| bvnumber | BV044953680 |
| ctrlnum | (OCoLC)1037917590 (DE-599)BVBBV044953680 |
| format | Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00853naa a2200253 c 4500</leader><controlfield tag="001">BV044953680</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">180518s2018 a||| |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1037917590</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044953680</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y7</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Skipwith, Peyton</subfield><subfield code="d">1939-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)137776357</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">What is now generally termed modern British art was then still in the doldrums</subfield><subfield code="c">Peyton Skipwith</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Apollo</subfield><subfield code="d">London, 2018</subfield><subfield code="g">Volume 187, No. 662, (March 2018), Seite 44-45</subfield><subfield code="w">(DE-604)BV002589985</subfield><subfield code="x">0003-6536</subfield><subfield code="o">(DE-600)280178-4</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030346398</subfield></datafield></record></collection> |
| id | DE-604.BV044953680 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:05:40Z |
| institution | BVB |
| issn | 0003-6536 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030346398 |
| oclc_num | 1037917590 |
| open_access_boolean | |
| owner | DE-Y3 DE-255 DE-Y7 DE-Y2 |
| owner_facet | DE-Y3 DE-255 DE-Y7 DE-Y2 |
| physical | Illustrationen |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| record_format | marc |
| spelling | Skipwith, Peyton 1939- Verfasser (DE-588)137776357 aut What is now generally termed modern British art was then still in the doldrums Peyton Skipwith 2018 Illustrationen txt rdacontent n rdamedia nc rdacarrier Apollo London, 2018 Volume 187, No. 662, (March 2018), Seite 44-45 (DE-604)BV002589985 0003-6536 (DE-600)280178-4 |
| spellingShingle | Skipwith, Peyton 1939- What is now generally termed modern British art was then still in the doldrums |
| title | What is now generally termed modern British art was then still in the doldrums |
| title_auth | What is now generally termed modern British art was then still in the doldrums |
| title_exact_search | What is now generally termed modern British art was then still in the doldrums |
| title_full | What is now generally termed modern British art was then still in the doldrums Peyton Skipwith |
| title_fullStr | What is now generally termed modern British art was then still in the doldrums Peyton Skipwith |
| title_full_unstemmed | What is now generally termed modern British art was then still in the doldrums Peyton Skipwith |
| title_short | What is now generally termed modern British art was then still in the doldrums |
| title_sort | what is now generally termed modern british art was then still in the doldrums |
| work_keys_str_mv | AT skipwithpeyton whatisnowgenerallytermedmodernbritishartwasthenstillinthedoldrums |