Women upon women in contemporary British drama (2000–2017):
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Würzburg
Königshausen & Neumann
[2018]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | 200 Seiten |
| ISBN: | 9783826064890 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804178542711275520 |
|---|---|
| adam_text | Contents
Acknowledgements.....................................................................,...9
Introduction............................................I............................10
Aims and issues...................................................................10
Critical framework and methodology.............................................. 17
Parti Looking Back..........................................;................20
1 Women and Drama, 1555-1999.....:..................................................21
Early modern beginnings......................................................... 21
The ‘Lady Dramatists’.............................................................27
Writing for the professional stage..........................:.....................32
Writing in and for a British female canon.........................................39
Amazons of the dramatic pen: from the eighteenth century to the Romantic period...44
‘New Women* playwrights...........................................................49
Feminism and playwriting.................................................. ...60
Lost Women Playwrights........................................J.............i.....62
Writing for the Stage after the Wars..............................................68
1970-1999.............................................!...........................70
Part ii Here and Now...........................................................77
2 Women and Drama, 2000-2017........................................................78
A new golden age.........i........................................................78
A golden age for women playwrights?...............................................80
3 Mothers and Daughters........................................7....................84
Lucy Prebble’s oppressed minorities ..............................:...............86
Jan and Dani Carter — The Sugar Syndrome.......................................87
Polly Stenham’s dark mothers and daughters........................................94
Martha and Mia — That Face.......................................................96
Claire and Maggie — Tusk Tusk...................................................100
4 Romance and Marriage..............................................................104
Alia Bano’s clashing and hybridising worlds.......................................105
Sabrina and Nazia — Shades.....................................................110
Leila, Selina, Mariam and Yasmin — Hens........................................113
Nancy Harris’s discomforting drama................................................116
7
Hazel — Our New Girl....................*........
Lucy Prebble’s love in the time of Prozac...........
Dr Lorna James and Connie Hall — The Effect......
5 Work................................................
Lucy Prebble’s financial drama......................
Claudia Roe, Skilling’s daughter, a prostitute and
other women in a male world — Enron.............
Ella Hickson generational plays.....................
Joey and the Queen — Precious Utile Talent.......
6 Violence............................................
Bola Agbaje’s identity dramas.........................
Old Lady, Armani, Paris and Mum — Gone Too Earl.
debbie tucker green’s indignation dramas ...........
Mary, Mum and Older Sister — stoning maty..........
Penelope Skinner and the dark side of women...........
Linda, Alice, Bridget, Amy, Stevie — Unda........
Alice Birch’s women.................................
Women — Revolt. She Said. Revolt Again...........
Conclusion..............................................
Interviews..............................................
Lucy Prebble........................................
Alia Bano...........................................
Ella Hickson........................................
s
Bibliography............................................
..117
..120
..121
..127
..128
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8
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| any_adam_object | 1 |
| author | Montironi, Maria Elisa |
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| author_sort | Montironi, Maria Elisa |
| author_variant | m e m me mem |
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| ctrlnum | (OCoLC)1036364183 (DE-599)DNB1151724262 |
| discipline | Anglistik / Amerikanistik |
| era | Geschichte 2000-2017 gnd |
| era_facet | Geschichte 2000-2017 |
| format | Book |
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| spellingShingle | Montironi, Maria Elisa Women upon women in contemporary British drama (2000–2017) Frau Motiv (DE-588)4113617-2 gnd Drama (DE-588)4012899-4 gnd Englisch (DE-588)4014777-0 gnd |
| subject_GND | (DE-588)4113617-2 (DE-588)4012899-4 (DE-588)4014777-0 (DE-588)4022153-2 |
| title | Women upon women in contemporary British drama (2000–2017) |
| title_auth | Women upon women in contemporary British drama (2000–2017) |
| title_exact_search | Women upon women in contemporary British drama (2000–2017) |
| title_full | Women upon women in contemporary British drama (2000–2017) Maria Elisa Montironi |
| title_fullStr | Women upon women in contemporary British drama (2000–2017) Maria Elisa Montironi |
| title_full_unstemmed | Women upon women in contemporary British drama (2000–2017) Maria Elisa Montironi |
| title_short | Women upon women in contemporary British drama (2000–2017) |
| title_sort | women upon women in contemporary british drama 2000 2017 |
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