Modern art in the Arab world: primary documents
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
The Museum of Modern Art
[2018]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | 462 Seiten Illustrationen |
| ISBN: | 9781633450387 |
Internformat
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| 245 | 1 | 0 | |a Modern art in the Arab world |b primary documents |c edited by Anneka Lenssen, Sarah Rogers, Nada Shabout |
| 264 | 1 | |a New York |b The Museum of Modern Art |c [2018] | |
| 264 | 4 | |c © 2018 | |
| 300 | |a 462 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 648 | 7 | |a Geschichte 1882-1986 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
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| 689 | 0 | 2 | |a Geschichte 1882-1986 |A z |
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| 700 | 1 | |a Lenssen, Anneka |0 (DE-588)1161869107 |4 edt | |
| 700 | 1 | |a Rogers, Sarah |0 (DE-588)132323117 |4 edt | |
| 700 | 1 | |a Shabout, Nada M. |d 1962- |0 (DE-588)135584396 |4 edt | |
| 710 | 2 | |a The Museum of Modern Art (New York, NY) |0 (DE-588)1007559-8 |4 isb | |
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Datensatz im Suchindex
| _version_ | 1804178535139508224 |
|---|---|
| adam_text | 13.
FOREWORD
GTENN
D.
LOWRY
15.
ACKNOWLEDGMENTS
JAY
A. LEVENSON
AND
SARAH
LOOKOFSKY
18.
INTRODUCTION:
ABOUT
THIS
BOOK
ANNEKO LENSSEN,
SORAH
ROGERS,
NADA SHABOUT
28.
ESSAY:
THE
MAKING
AND
UNMAKING
OF
THE
AMB
WORLD
USSAMA
MAKDISI
36.
DEFINING
PAINTING
36.
TASWIR,
WNTUN?,
PAINTING
(C.
1882)
BUTRUS
A!-BUSTANI
37.
ON
THE
BENEFITS
OF
ART
37.
THE
FINE
ARTS
(1887)
AHMED FAHMI
42.
IMAGES
AND
STATUES,
THEIR
BENEFITS
AND
LEGALITY
(1904)
MUHAMMAD
ABDUH
45.
ARAB
ROMANTLCS
45.
SOMETHING
ABOUT
ART
(1912)
MAY
ZIADEH
47.
LETTER
TO
MAY
ZIADEH
(1920)
AMIN
RIHANI
49.
LETTER
TO
MAY
ZIADEH
(1920)
KAHLIL
GIBRAN
51.
DRCLFT
ESSAY
(1920S)
KAHLIL
GIBRAN
53.
RENEWAL
(1927)
AMIN
RIHANI
55.
IN
FOCUS
ARAB
ROMANTICISM
STEPHEN
SHEEHI
57.
LETTER
FROM
ALGIERS
TO
PARIS
57.
LETTER
TO
THE
DIRECTOR
OF
THE
EXHIBITION
OF INDIGENOUS
ART
FROM
THE
FRENCH
COLONIES
(1923)
OMAR
RACIM
58.
SCULPTURE
AND
THE
PUBLIC
IN
EGYPT
58.
THE
SPHINX
AND
MOKHTAR S STATUE
(1928)
LBRAHIM
ABD AL-QADIR AL-MAZINI
63.
THE
RESPONSE
OF
SCULPTOR
MOKHTAR
TO
MR.
AL-MAZINI
(1928)
MAHMAUD
MOKHTAR
68.
IN
OEFENSE
OF
EGYPTIAN
POPULAR
ART
68.
THE
POPULAR
ARTS
IN EGYPT
(1928)
MOHAMED
NAGHI
72.
IN
FOCUS
CDRO S
SCHOOL
OF
RNE
ARTS
AND
THE
PEDAGOGICAL
IMPERATIVE
DINO
RAMADAN
73.
LETTER
FROM
MARRAKESH TO ALGIERS
73.
LETTER
TO JEAN
ALAZARD, DIRECTOR
OF THE
MUSEUM OF FINE
ARTS, ALGIERS
(1929)
AZOUAOU MAMMERI
74.
ON THE
FORMATION OF A MODERN SPIRIT
74.
MODERNISM
OR TRADITION?
(1929)
IRPNE KGRAM6
76.
IN
FOCUS
CULTIVATION
DISCOURSES
IN THE
ARAB EAST
KIRSTEN
SCHEID
77.
VIEWING
THE
EXHIBITION
78.
GUEST BOOK
ENTRIES
FOR
ZULFA
AL-SA DI
(1933)
79.
GUEST BOOK
ENTRIES
FOR
MOUSTAFA
FARROUKH
(1933)
80.
QUERYING
ART
AND
RELIGION
80.
ART
AND
RELIGION
(1936)
MOUSTAFA
FARROUKH
82.
THE
GREATEST
ART
(1938)
MIKHAIL
NAIMY
86.
THE
NEO-ORIENTALISTS/CAIRO
86.
MANIFESTO
OF THE
NEO-ORIENTALISTS
(1937)
KAMEL TELMISANY
EGYPTIAN
ART
AND
FREEDOM DEBATES
THE OBJECTIVE
OF THE
CONTEMPORARY
ARTIST
(1938)
RAMSPS
YOUNAN
LONG LIVE DEGENERATE
ART!
(1938)
THE
ART
AND
LIBERTY
GROUP
(1939)
ANWAR KAMEL
STUDIES
IN ART: ART
AND
FREEDOM
(1939)
AZIZ AHMAD
FAHMI
ON DEGENERATE ART: A FINAL
WORD
(1939)
NASRI
ATALLAH SUSA
ON DEGENERATE
ART
(1939)
KAMEL TELMISANY
ART
AND
DICTATORSHIP
(1940)
MOHAMED
NAGHI
106.
SHAPING THE
FATE
OF THE
NATION
107.
THE PAINTER
(1943)
CESAR
GEMAYEL
109.
IRAQ S WARTIME TRANSFORMATION
109.
DIARY
ENTRY
(1944)
JEWAD
SELIM
110.
ON
AGONY
AND
BEAUTY
110.
THOUGHTS
ON ART
(1944)
HATEM
EL MEKKI
112.
THOUGHTS
ON ART
(1945)
AIY BEN
SALEM
112.
THOUGHTS
ON ART
(1945)
OMAR
RACIM
113.
THOUGHTS
ON ART=
MAN
AND
HIS
AGONY(1945)
MAHMOUD
MESSADI
113.
CONTEMPORARY
ART
GROUP/CAIRO
114.
CONTEMPORARY
ART
GMUP, FIRST DECLARATION
(1946)
HUSAYN
YUSUF ARNIN.
ABDEL HADI
EL-GAZZAR, MAHMOUD
KHALIL,
LBRAHIM
MASSOUDA,
MOGLI
(SALEM
EL-HABSHI),
HARNED NADA,
MAHER
RAEF,
SAMIR RAFI, KAMAL
YOUSSEF
114.
CONTEMPORARY
ART
GROUP, SECOND
DECLARATION
(1948)
117.
PLATES
L
(
1-25
1
133.
SURREALIST
SENSITIVITIES
133.
FROM
AN
OLD
DIARY
(1947)
KHALDUN
SATI AL-HUSRY
135.
NOTES
FROM
SURREAL
(1947)
URKHAN
MUYASSAR
138.
PETITION
FOR
THE
1
PERCENT
LAW/TUNIS
138.
LETTER
TO THE
RESIDENT
GENERAL
IN
TUNIS
(1948)
PIERRE
BOUCHERLE
AND
YAHIA TURKI
139.
AN EARLY
DECLARATION
OF
HUROUNYAH
139.
ARABIC CALLIGRAPHY:
AN
INSPIRING
ELEMENT
IN
ABSTRACT
ART
(1949-50)
MODIHA
UMOR
142.
IN
FOCUS
HUROUFIYAH:
THE
ARABIC LETTER
ASVISUAL
FORM
NADA
SHABOUT
144.
IMAGINING
AN IMMORTAL
ARAB ART
144.
SPEECH
DELIVERED
AT DAMASCUS S MAYDAN
HIGH
SCHOOL
(1951)
ADHAM ISMA IL
345.
TOWARD
A MATERIAL
MODERNISM
145.
HOW
THE
ARAB
UNDERSTOODVISUAL
ART
(1951)
SALOUA RAOUDO
CHOUCAIR
150.
BAGHDAD
GROUP
FOR
MODERN
ART
150.
MANIFESTO
(1951)
BAGHDAD GROUP
FOR
MODERN
ART
152.
THE
RENEWAL
OF
ART
(1951)
JEWAD
SELIM
155.
THE
CULTURAL POLITICS
OF
EXHIBITIONS
155.
LETTER
TO THE
DEPARTMENT
OF
INTERIOR
AND
ENE
ARTS
(1952)
YOHIA BAHRNED
156.
ON
THE
PRESENTATION
OF
A
COLLECTIVE
EXHIBITION
(1953)
JEAN
SQNAC
157.
EXHIBITION
C%
A
PALESTINIAN
ARTIST
(1953)
HORUN
HASHIM
RASHID
158.
ABOUT
THE
THIRD
EXHIBITION
AT
THE
BRITISH
CULTURAL
COUNCIL
(1953)
SHOKIR
HASSON
AI
SAID
161.
IN
FOCUS
THE
NUKBA
AND
ARAB
CULTURE
NASSER
RABBOT
163.
ALGERIAN
GROUP
OF THE
LETTRIST
INTERNATIONAL/ALGIERS
163.
MANIFESTO
(1953)
CHEIKH
BEN DHINE,
MOHAMED
DAHOU,
LSMAIL
AIT
DJAFER
164.
A CALL
TO HUMAN
HERITAGE
164.
THE MEANING
OF PAINTING
(1953)
ADONIS
167.
CONSIDERING
ARAB
ART AND ARTISTS
167.
ARTISTS QUESTIONNAIRE:
ART AND
ARAB
LIFE
(1956)
176.
THE QUESTION
OF FORM: BETWEEN
NATIONAL
REALISM
AND
THE
PSYCHOLOGICAL
MOMENT
(1956)
ZAKARIYA
AL-HIJJAWI
181.
REVIEWING THE
IRAQI
REVOLUTION
181.
AT
THE
EXHIBITION
OF THE
REVOLUTION
(1958)
JALEEL
KAMAL
AL-DIN
186.
PROCLAIMING ARAB
UNITY
186.
THE
FREEDOM
OF ART
(1958)
HAMED SAID
189.
TEXT
FOR
THE
UNITED ARAB
REPUBLIC
PAVILION,VENICE BIENNALE
(1960)
SALAH KAMEL
191.
IN FOCUS
BIENNIALS
AND ARAB
REPRESENTATION
ANNEKA LENSSEN
192.
CAIRO: LIMITS
ON FREEDOM
193.
RECOLLECTIONS
OF IMPRISONMENT
(1959-63)
LNJI
EFFLATOUN
196.
MATERIALS
FOR
A NEW
ALGERIAN
ART
196.
PAINTING
(1960)
M HAMED
LSSIAKHEM
198.
PLASTIC ART S MOVEMENT/DAMASCUS
198.
MANIFESTO
OF THE
PLASTIC
ARTS
MOVEMENT
IN SYRIA
(1962)
ABDUL
AZIZ ALLOUN,
MAHMOUD
DAADOUCH,
FATEH
AL-MOUDARRES
200.
LETTER
TO SALMAN
QATAYA
(1962)
ABDUL
AZIZ
ALLOUN
202.
YOU9RE
ENTITLED
TOYOUR
OPINION
(1962)
ADNAN
IBN
DHURAYL
204.
INFOCUS
ART
AND
POLITICAL
PATRONAGE
DURING
THE
COLD
WAR
SARAH
ROGERS
206.
MAKING
SPACES
IN BEIRUT
206.
OPENING
OF GALLERY
ONE:
A
FIRST
ART
INSTITUTION
OF ITS
KIND
(1963)
208.
REMARKS
ON THE
AUTUMN
EXHIBIRTION:
I
AM UNCULTURED!
(1964)
JALAL
KHOURY
209.
TOWARD A NEW
SPACE: THE PERSPECTIVE
OF
THE
ABSTRACT
(1964)
STBLIO
SCAMANGA
211.
PERSONAL REFLECTION
THREE
YEARS
OF
TEACHING
ART
IN KHARTOUM,
1962-65
AMIR NOUR
A3.
PLATES
11
(26-491
229.
ART AFTER
THE
ALGERIAN
REVOLUTION
229.
PAINTING
AND
THE
PEOPLE
(1963)
231.
PRESENTATION
AT GALLERY
54
(1964)
JEAN
SPNAC
232.
ELEMENTS
FOR
A
NEW
ART
(1964)
MOHAMED
KHADDA
235.
ELEMENTS
FOR
A NEW
ART
(1964)
CHOUKRI MESLI
237.
ELEMENTS
FOR
A NEW
ART
(1964)
ABDALLAH
BENANTEUR
239.
ART
AND
THE
ALGERIAN REVOLUTION
(1964)
HENRI
KRKA
240.
EXPLORATORY
ABSTRACTION
241.
MEANINGLESSNESS
WITHIN
AND
WITHOUT
(1964)
FOUAD KAMEL
243.
THE
CHALLENGE
OF
ART
243.
A
TRAILING
ZERO: DAMASCUS
LETTER
(1965)
MUHORNMAD
A -MAGHOUT
248.
LETTER
TO FAMUQ
01-BUQAYLI
(1966)
MAHMOUD
HAMMAD
252.
CONTEMPLATIVE
ART/BAGHDAD
252.
MAN IFKSTO
(1966)
SHOKIR
HASSAN
AL SAID
256.
PRESENTING
NEW
TUNISIAN
PAINTING
256.
A TRUE
LANGUAGE
OF
FORMS: INTERVIEW
WITH
NJA
MAHDAOUI
(1966)
MONCEF
S.
BADDOY
258.
A
LANGUAGE
IN HIS
LAND S DIMENSIONS: INTERVIEW
WITH
NACEUR
BEN
CHEIKH
(1966)
MONCEF
S.
BADDAY
260.
AGAINST
NEOCOLONIALISM
IN PAINTING: INTERVIEW
WITH
NAJIB
BELKHODJA
(1966)
FERID BOUGHEDIR
263.
MOROCCO S
CASABLANCA
SCHOOL
DIALOGUES
263.
ON
THE
CONCEPT
OF
PAINTING
AND
THE
PLASTIC LANGUAGE
(1966)
MOHAMMED CHEBAO
266.
THE
SITUATION
OF
THE
MOROCCAN
PAINTER
(1967)
TONI
MARAINI
269.
RESPONSES
TO
THE
SORRFFLES
ARTISTS QUESTIONNAIRE
(1967)
FAR
ID BEL
KAHIA.
MOHAMMED
CHEBAA, MOHAMMED
HOMIDI,
JILALI
GHARBAOUI, MOHAMMED
MELEHI
279.
DEBATING
NORTH
AFRTCAN
ART
AT
HOME
AND
AWAY
279.
SIX
NORTH
AFRICAN
PAINTERS
SPEAK
OUT:
PAINTING
IN
NORTH
AFRICA, AN
ALARMING
SITUATION
(1967)
ABDALLAH
BENONTEUR,
AHMED
CHERKAOUI, AND& ELBAZ,
ABDEL
KODER
GUERMAZ, EDGARD
NACCACHE, MAHMOUD
SEHILI
283.
INTERNATIONALISM
PASSES
THROUGH
NATIONALISM
(1967)
ZUBEIR
TURKI
289.
ART
MUST
REACH
THE
UNIVERSAL
AND MUST
NOT
BECOME
A NATIONAL CRAFTS
INDUSTRY: INTERVIEW
WITH
ANDRE
ELBAZ
(1967) ZAKYA DAOUD
292.
AOUCHEM
GROUP/ALGIERS AND
BLIDA
292.
MANIFESTO
(1967) HAMID
ABDOUN, MUSTAFA
ADANE, BAYA
(FATMA
HADDAD-MAHIEDDINE),
MOHAMED
BEN
BAGHDAD,
MAHFOUD
DAHMANI,
DENIS
MARTINEZ,
CHOUKRI
MESLI,
SAID SAIDANI,
AREZKI
ZERARTI
294.
CLRCULLSM
AND
KINETICS
IN KUWAIT
294.
KINETIC ART: A MOVEMENT
THAT
REPRESENTS
THE
NEW
MAN
(1966)
296.
INTERVIEW
WITH THE
ARTIST
KHALIFA
QATTAN
(1967) SULAYMAN
AL-SHATTI
301.
INFOCUS
EXPERIMENTS
IN MODERN ARABIC TYPOGRAPHY
HUDA SMITSHUIJZEN
ABIFARES
303.
ACCOUNTING
FOR
THE JUNE
1967
WAR
303.
(,.)
(1968)
HASSAN
SOLIMAN
306.
MANIFESTO: TOWARDS
A NEW
VISION
(1969)
DIA AL-AZZAWI, LSMAIL FATTAH,
SALEH
AL-JUMAIE, MUHARNMAD
MUHRADDIN, RAFA AL-NASIRI, HASHEM
SAMARJI
310.
YOU, THE
ARAB
ARTIST
WHO
REJECTS
THE
WEST, WHAT
IS YOUR
EAST?: INTERVIEW
WITH
ADEL
SAGHIR, STELIO
SCAMANGA, MOUNIR
NAJM
(1969)
SAMIR SAYEGH
315.
AI-TALI A
SYMPOSIUM ROUNDTABLE
(1969)
322.
PERSONAL
REFLECTION
FROM DREAMS
TO ACHIEVEMENTS: A JORDANIAN
ARTIST
IN THE
ERA
OF
1968
MONA
SAUDI
323.
EXHIBITION AT DJEMA
AL FNA/MARRAKESH
323.
STATEMENT
(1969)
MOHAMMED
ATAALLAH, FARID
BELKAHIA,
MOHAMMED
CHEBAA,
MUSTAPHA HAFID, MOHAMMED
HAMIDI.
MOHAMMED MELEHI
324.
TRANSFORMING THE ARTS OF THE REVOLUTION
325.
ON ART
AND
COMBAT
(197O)TAHAR BEN
JELLOUN
325.
ART
IN THE
TIME
OF
THE
PALESTINIAN REVOLUTION
(1971) KAMAL
BOULLATA
329.
DRAWING
IN THREE DIMENSIONS
(197L)VLADIMIR
TAMARI
333.
INFOCUS
REVOLUTIONARY
FILM:
THE
PALESTINE
FILM
UNIT
MOHANOD
YAQUBI
335.
ARAB
ART
IN FEDERATION
335.
STATEMENT
OF
THE
FOUNDING
COMMITTEE
OF
THE
UNION
OF
ARAB
PLASTIC
ARTISTS
(19~)
338.
ARAB
ART.
.
.
AND
ITS
POSITION
IN RELATION
TO THE
WORLD S ART
(1971)
MAHMOUD
HARNMAD
341.
THE
ARAB ARTIST S RIGHTS
AND
HIS
OBLIGATIONS
(1971)
FATEH
AL-MOUDARRES
343.
EXHIBITION
ARTICULATIONS IN IRAQ
343.
PRESENCE
IN THE
OBJECT
AND
THE
OBJECT S PRESENCE
IN
TRANSFORMATION, THE
BECOMING
OF CONSCIOUSNESS
(1971)
YOHYA OL -SHEIKH
345.
CIRCULISM:
WHY
CIRCULISM?
WHAT
IS
CIRCULISM?
(1971)
QUTAIBA
AL-SHEIKH NOURI
347.
QUANTUM
REALISM-AN ART
OF PROCESSES
(1971)
MAHMOUD
SABRI
351.
PERSONAL
REFLECTION
NOTES
ON CONTACT
ART
GALLERY,
1972-75
WADDAH
FARIS
352.
A TRANSREGIONAL
CRITICAL TERRAIN
352.
A
NOTE
ON THE
CULLIGRAPHIC
SIGN
(1973)
ABDELKEBIR
KHATIBI
355.
LIGHT: THE
ULTIMATE
MATERIAL
FOR
ART
(1973)
ETEL
ADNAN
357.
ART
AND
THE
LETTER
357.
THE
PHILOSOPHICAL,
TECHNICAL, AND
EXPRESSIVE
ASPECTS
OF THE
ONE
DIMENSION
(1973)
SHAKIR HASSAN
AI SAID
359.
THECIVILIZATIONAL
QUALITYOF
THE
ONE
DIMENSION
(1973)
QUTOIBA
AL-SHEIKH NOURI
361.
ABOUT
THE
LETTER..
.
A RESPONSE
(1973)
JAMIL
HAMOUDI
362.
THE
DIASPORIC
DIVIDE
363.
AN
ARAB
ARTIST
BETWEEN
DAMASCUS
AND
BERLIN
(1973)
NA IM ISMA IL
367.
NEW
REALLSM/BAGHDAD
367.
MANIFESTO
OF NEW REALISM
(1973)
ABDAL-RAZZOQ
ALI
JAWDAT, MUHAMMAD
ARIF,
SHAMS
+DIN
FORIS.
LBRAHIM
AL-KAMALI
369.
RESPONSE
TO
THE
OCTOBER
1973
WAR
369.
LETTER
TO
THE
EDITOR
OF
MONDAYMORNING
(1973)
AREF EL RAYESS
370.
PERSONAL
REFLECTION
GRAPHIC
DESIGN
AND
THE
VISUAL
ARTS
IN IRAQ
DIA
AT-AZZAWI
372.
LNFOCUS
GRAPHIC
ART
IN
THE
ARAB
WORLD
MAY
MUZAFFAR
374.
ARAB
BIENNIAL INITIATIVES
AND
CRLTLQUES
374.
ART
INSPIRED
BY
THE
PEOPLE, THE
STRUGGLE, AND
LIBERATION
IN
THE
~RILOGY
OF
HERITAGE,
THE
PRESENT, OND
CONTEMPORANEITY
(1973)
376.
DISCUSSION
FORUM
FMM
THE
FIRST
ARAB
BIENNIAL
(1974)
384.
MON*&STO
OF
THE
MOROCCAN
ASSOCIATION
OF
PLASTIC
ARTS
(1974)
386.
EXPLODING
ARTISTIC
AND
CUKUML
HANDKOPS
(1974)
DIO
01-AUAWI
387. LIFE
AS A PALESTINIAN ARTIST
387. THE
PALESTINIAN
PEOPLE S CONSCIOUSNESS
AND
AESTHETIC
EXPRESSION
(1975)
MUSTAFA AL-HALLAJ
393. KHARTOUM
DIALOGUES
393. THE
CRYSTALIST
MANIFESTO
(1976)
HASSAN ABDALLAH, HASHIRN IBRAHIM,
KARNALA LBRAHIRN ISHAQ,
MUHARNMAD
HAMID
SHADDAD,
NAIYLA
AI TAYIB
401. COMMENTARY
(1976)
ABDALLAH BOLA
405. COMMENTARY(I976)
MAHARNED ABUSABIB
407. EXHIBITION
STATEMENT
(1980)
MUHAMRNAD HARNID
SHADDAD
408. SECOND
ARAB
BIENNIAL
IN RABAT
408. MANIFESTO
OF THE
ASSOCIATION
OF MOROCCAN
PLASTIC
ARTISTS
(1976)
410. INTERVIEW
WITH
FOUAD
BELLAMINE
(1978)
412. ON THE
DESERT
STYLE
IN SAUDI
ARABIA
413. A WORD
FOR THE
SAKE
OF ART
(1976)
MOHAMMED
AI-SALEEM
414. EXHIBITION
STATEMENT
(1976)
MOHAMMED
AI-SALEEM
415. THINKING
THROUGH
CULTURE
DURING
THE
LEBANESE
CIVIL
WARS
415. PROPOSAL
FOR
A CULTURAL
POLICY(1977)
JANINE
RUBEIZ
419. ENVIRONMENTAL
ART
AT ASILAH
419. STATEMENTS
FROM
PARTICIPANTS
OF
THE
FIRST
INTERNATIONAL
CULTURAL
MOUSSEM
(1978)
424.
IN
FOCUS
YEMEN S FREE ATELIER: HISTORY
AND
CONTEXT
IN THE
ARABIAN
PENINSULA
ANAHI ALVISO-MARINO
426.
THE
CLOSURE
OF GALLERY
79/RAMALLAH
426. STATEMENT
(1980)
427. DEBATING
COMMITMENT
IN A NEW
EGYPT
427. FROM
THE
ARTIST S FREEDOM
(1980)
HASSAN
SOLIMAN
436. THE AXIS
CONTINUES
(1982)
THE AXIS GROUP: FARGHALI ABDEL HAFIZ,
ABD
AL-RAHRNAN AL-NASHAR, AHMED
NAWAR,
MOSTAFA
EL RAZZAZ
437. STATEMENT
AGAINST
ARTISTIC RACISM (1984)
MUKHTAR
EL-ATTAR, MAHMOUD
BAQSHISH,
LNJI
EFFIATOUN,
KAMAL
AL-JUWEILI, SALAH
ABDEL KERIM, SAAD EL-MANSOURI, EZZEDINE
NAGUIB,
SUBHI
AL-SHARUNI, ABBAS SHOHDI
438. SPOTLIGHT
ON A SPOTLIGHT
(1984)
MOSTAFA
EL RAZZAZ
443.
CONTEMPORARY
MODES
IN
THE
UNITED
ARAB
EMIRATES
443.
TO
CONTEMPLATE
IS
TO
LAY
A
FOUNDOTION
(1985)
AL-TOSHKEEL
CULTUROL
COMMITTEE:
ABDUL
JOLIL
JAWAD. ABDULRAHEEM
SALIM. HASSAN
SHARIF, ABDUL
LATIF
AI
SMOUDT
445.
ON
WDEN
COLUMNS
(1986)
AHMED RASHID
446.
PERSONAL
REFLECTLON
ALONG
NEW
PATHS:
THE
NEW
VISIONS
ART
COLLECTLVE
IN OCCUPIED
PALESTINE
VERA
TARNARI
449.
LNDEX
464.
TRUSTEES
OF THE
MUSEUM
OF
MODERN
ART
Contents
13. Foreword Glenn D. Lowry
15. Acknowledgments Jay A. Levenson and Sarah Lookofsky
18. Introduction: About This Book Anneka Lenssen, Sarah Rogers, Nada Shabout
28. Essay: The Making and Unmaking of the Arab World Ussama Makdisi
36. DEFINING PAINTING
36. Taswirf Peinture, Painting (c. 1882) Butrus al-Bustani
37. ON THE BENEFITS OF ART
37. The Fine Arts (1887) Ahmed Fahmi
42. Images and Statues, Their Benefits and Legality (1904) Muhammad Abduh
45. ARAB ROMANTICS
45. Something about Art (1912) May Ziadeh
47. Letter to May Ziadeh (1920) Amin Rihani
49. Letter to May Ziadeh (1920) Kahlil Gibran
51. Draft essay (1920s) Kahlil Gibran
53. Renewal (1927) Amin Rihani
55. IN FOCUS
Arab Romanticism Stephen Sheehi
57. LETTER FROM ALGIERS TO PARIS
57. Letter to the Director of the Exhibition of Indigenous Art
from the French Colonies (1923) Omar Racim
58. SCULPTURE AND THE PUBLIC IN EGYPT
58. The Sphinx and Mokhtar’s Statue (1928) Ibrahim Abd al-Qadir al-Mazini
63. The Response of Sculptor Mokhtar to Mr. al-Mazini (1928)
Mahmoud Mokhtar
68. IN DEFENSE OF EGYPTIAN POPULAR ART
68. The Popular Arts in Egypt (1928) Mohamed Naghi
72. IN FOCUS
Cairo s School of Fine Arts and the Pedagogical Imperative Dina Ramadan
73. LETTER FROM MARRAKESH TO ALGIERS
73. Letter to Jean Alazard, Director of the Museum of Fine Arts, Algiers (1929)
Azouaou Mammeri
74. ON THE FORMATION OF A MODERN SPIRIT
74. Modernism or Tradition? (1929) Irène Kéramé
76. IN FOCUS
Cultivation Discourses in the Arab East Kirsten Scheid
77. VIEWING THE EXHIBITION
78. Guest book entries for Zulfa al-Sa‘di (1933)
79. Guest book entries for Moustafa Farroukh (1933)
80. QUERYING ART AND RELIGION
80. Art and Religion {1936) Moustafa Farroukh
82. The Greatest Art (193B) Mikhail Naimy
86. THE NEO-ORIENTALISTS/Cairo
86. Manifesto of the Neo-Orientalists (1937) Kamel Telmisany
87. EGYPTIAN ART AND FREEDOM DEBATES
88. The Objective of the Contemporary Artist (1938} Ramsès Younan
94. Long Live Degenerate Art! (1938)
95. The Art and Liberty Group (1939) Anwar Kamel
96. Studies in Art: Art and Freedom (1939) Aziz Ahmad Fahmi
99. On Degenerate Art: A Final Word (1939) Nasri Atallah Susa
101. On Degenerate Art (1939) Kamel Telmisany
104. Art and Dictatorship (1940) Mohamed Naghi
106. SHAPING THE FATE OF THE NATION
107. The Painter (1943) César Gemayel
109. IRAQ’S WARTIME TRANSFORMATION
109. Diary entry (1944) Jewad Selim
HO. ON AGONY AND BEAUTY
110. Thoughts on Art (1944) Hatem ei Mekki
112. Thoughts on Art (1945) Aly Ben Salem
112. Thoughts on Art (1945) Omar Racim
113. Thoughts on Art: Man and His Agony (1945) Mahmoud Messadi
113. CONTEMPORARY ART GROUP/Cairo
114. Contemporary Art Group, First Declaration (1946) Husayn Yusuf Amin,
Abdel Hadi el-Gazzar, Mahmoud Khalil, Ibrahim Massouda, Mogli (Salem el-Habshi),
Homed Nada, Maher Raef, Samir Rafi, Kamal Youssef
114. Contemporary Art Group, Second Declaration (194B)
117. PLATES I(1-25)
133. SURREALIST SENSITIVITIES
133. From an Old Diary (1947) Khaldun Sati al-Husry
135. Notes from Surreal (1947) Urkhan Muyassar
138. PETITION FOR THE 1 PERCENT LAW/Tunis
138. Letter to the Resident General in Tunis (1948) Pierre Boucherle and Yahia Turki
139. AN EARLY DECLARATION OF HUROUFIYAH
139. Arabic Calligraphy: An Inspiring Element in Abstract Art (1949-50)
Madiha Umar
142. IN FOCUS
Huroufiyahx The Arabic Letter as Visual Form Nada Shabout
144. IMAGINING AN IMMORTAL ARAB ART
144. Speech delivered at Damascus’s Maydan High School (1951) Adham Isma il
145. TOWARD A MATERIAL MODERNISM
145. How the Arab Understood Visual Art {1951) Saloua Raouda Choucair
150. BAGHDAD GROUP FOR MODERN ART
150. Manifesto (1951) Baghdad Group for Modern Art
152. The Renewal of Art (1951) Jewad Selim
155. THE CULTURAL POLITICS OF EXHIBITIONS
155. Letter to the Department of Interior and Fine Arts (1952) Yahia Bahmed
156. On the Presentation of a Collective Exhibition (1953) Jean Senac
157. Exhibition of a Palestinian Artist (1953) Harun Hashim Rashid
158. About the Third Exhibition at the British Cultural Council (1953)
Shakir Hassan Al Said
161. IN FOCUS
The Nakba and Arab Culture Nasser Rabbat
163. ALGERIAN GROUP OF THE LETTRIST INTERNATIONAL/Algiers
163. Manifesto (1953) Cheikh Ben Dhine, Mohamed Dahou, Ismail Ait Djafer
164. A CALL TO HUMAN HERITAGE
164. The Meaning of Painting (1953) Adonis
167. CONSIDERING ARAB ART AND ARTISTS
167. Artists* Questionnaire: Art and Arab Life” (1956)
176. The Question of Form: Between National Realism and the Psychological
Moment (1956) Zakariya al-Hijjawi
181. REVIEWING THE IRAQI REVOLUTION
181. At The Exhibition of the Revolution (1958) JaJeel Ka mal al - Din
186. PROCLAIMING ARAB UNITY
186. The Freedom of Art (1958) Homed Said
189. Text for the United Arab Republic Pavilion, Venice Biennale (1960} Salah Kamel
191. IN FOCUS
Biennials and Arab Representation Anneka Lenssen
192. CAIRO: LIMITS ON FREEDOM
193. Recollections of Imprisonment (1959-63) Inji Efflatoun
196. MATERIALS FOR A NEW ALGERIAN ART
196. Painting (i960) M hamed Issiakhem
198. PLASTIC ARTS MOVEMENT/Damascus
198. Manifesto of the Plastic Arts Movement in Syria (1962) Abdul Aziz Alloun,
Mahmoud Daadouch, Fateh al-Moudarres
200. Letter to Salman Qataya (1962) Abdul Aziz Alloun
202. You re Entitled to Your Opinion (1962) Ad nan ibn Dhurayl
204. IN FOCUS
Art and Political Patronage during the Cold War Sarah Rogers
206. MAKING SPACES IN BEIRUT
206. Opening of Gallery One: A First Art Institution of its Kind (1963)
208. Remarks on the Autumn Exhibition: I Am Uncultured! (1964) Jo a Khoury
209. Toward a New Space: The Perspective of the Abstract (1964) Stelio Scamanga
211. PERSONAL REFLECTION
Three Years of Teaching Art in Khartoum, 1962-65 Amir Nour
213. PLATES II (26-49)
229. ART AFTER THE ALGERIAN REVOLUTION
229. Painting and the People (1963)
231. Presentation at Gallery 54 (1964) Jean Sénac
232. Elements for a New Art (1964) Mohamed Khadda
235. Elements for a New Art (1964) Choukri Mesli
237. Elements for a New Art (1964) AbdalJah Benanteur
239. Art and the Algerian Revolution (1964) Henri Kréa
240. EXPLORATORY ABSTRACTION
241. Meaninglessness Within and Without (1964) Fouad Kamel
243. THE CHALLENGE OF ART
243. A Trailing Zero: Damascus Letter (1965) Muhammad al-Maghout
248. Letter to Farouq al-Buqayli (1966) Mahmoud Hammad
252. CONTEMPLATIVE ART/Baghdad
252. Manifesto (1966) Shakir Hassan Al Said
256. PRESENTING NEW TUNISIAN PAINTING
256. A True Language of Forms: Interview with Nja Mahdaoui (1966)
Moncef S. Badday
258. A Language in His Land s Dimensions: Interview with Noceur Ben Cheikh
(1966) Moncef S. Badday
260. Against Neocolonialism in Painting: Interview with Najib Belkhodja (1966)
Ferid Boughedir
263. MOROCCO’S CASABLANCA SCHOOL DIALOGUES
263. On the Concept of Painting and the Plastic Language (1966)
Mohammed Chebaa
266. The Situation of the Moroccan Painter (1967) Toni Maraini
269. Responses to the Souffles Artists’ Questionnaire (1967) Farid Belkahia,
Mohammed Chebaa, Mohammed Hamidi, Jilaii Gharbaoui, Mohammed Melehi
279. DEBATING NORTH AFRICAN ART AT HOME AND AWAY
279. Six North African Painters Speak Out: Painting in North Africa, an
Alarming Situation (1967) Abdallah Benanteur, Ahmed Cherkaouî, André Elbaz,
Abdel Kader Guermaz, Edgard Naccache, Mahmoud Sehili
283. Internationalism Passes through Nationalism (1967) Zubeir Turki
289. Art Must Reach the Universal and Must Not Become a National Crafts
Industry: Interview with André Elbaz (1967) Zakya Daoud
292. AOUCHEM GROUP/Algiers and Blida
292. Manifesto (1967) Hamid Abdoun, Mustafa Adane, Baya (Fatma Haddad-Mahieddine),
Mohamed Ben Baghdad, Mahfoud Dahmani, Denis Martinez, Choukri Mesli,
Said Saidani, Arezki Zerarti
294. CIRCULISM AND KINETICS IN KUWAIT
294. Kinetic Art: A Movement that Represents the New Man (1966)
296. Interview with the Artist Khalifa Qattan (1967) Sulayman al-Shatti
301. IN FOCUS
Experiments in Modern Arabic Typography Huda Smîtshuijzen AbiFarès
303. ACCOUNTING FOR THE JUNE 1967 WAR
303. (.—) (1968) Hassan Soliman
306. Manifesto: Towards a New Vision {1969) Dia a!-Azzawi, Ismail Fattah,
Saleh al-Jumaie, Muhammad Muhraddin, Rafa al-Nasiri, Hashem Samarji
310. You» the Arab Artist Who Rejects the West» What Is Your East?: Interview
with Adel Saghir, Stélio Scamanga, Mounir Najm {1969) Samir Sayegh
315. Al-Tali*a Symposium Roundtable (1969)
322. PERSONAL REFLECTION
From Dreams to Achievements: A Jordanian Artist in the Era of 1968
Mona Saudi
323. EXHIBITION AT DJEMA AL FNA/Marrakesh
323. Statement (1969) Mohammed Ataallah, Farid Belkahia, Mohammed Chebaa,
Mustapha Hafid, Mohammed Hamidi, Mohammed Melehi
324. TRANSFORMING THE ARTS OF THE REVOLUTION
325. On Art and Combat (1970) Tahar Ben Jeiloun
325. Art in the Time of the Palestinian Revolution (1971) Kamal Boullata
329. Drawing in Three Dimensions (1971) Vladimir Tamari
333. IN FOCUS
Revolutionary Film: The Palestine Film Unit Mohanad Yaqubi
335. ARAB ART IN FEDERATION
335. Statement of the Founding Committee of the Union of Arab Plastic Artists
(1971)
338. Arab Art... and Its Position in Relation to the World’s Art (1971)
Mahmoud Hammad
341. The Arab Artist’s Rights and His Obligations (1971) Fateh al-Moudarres
343. EXHIBITION ARTICULATIONS IN IRAQ
343. Presence in the Object and the Object’s Presence in Transformation, the
Becoming of Consciousness (1971) Yahya al-Sheikh
345. Circulism: Why Circulism? What Is Circulism? (1971) Qutaiba al-Sheikh Noun
347. Quantum Realism—An Art of Processes (1971) Mahmoud Sabri
351. PERSONAL REFLECTION
Notes on Contact Art Gallery, 1972-75 Waddah Faris
352. A TRANSREGIONAL CRITICAL TERRAIN
352. A Note on the Calligraphic Sign (1973) Abdelkebir Khatibi
355. Light: The Ultimate Material for Art (1973) Etel Ad nan
357. ART AND THE LETTER
357. The Philosophical, Technical, and Expressive Aspects of the One Dimension
(1973) Shakir Hassan Al Said
359. The Civilizational Quality of the One Dimension (1973) Qutaiba al-Sheikh Noun
361. About the Letter ... A Response (1973) Jamil Hamoudi
362. THE DIASPORIC DIVIDE
363. An Arab Artist between Damascus and Berlin (1973) Na im Isma il
367. NEW REALISM/Baghdad
367. Manifesto of New Realism (1973) Abdal-Razzaq AM Jawdat, Muhammad Arif,
Shams al-Din Faris, Ibrahim al-Kamali
369. RESPONSE TO THE OCTOBER 1973 WAR
369. Letter to the Editor of Monday Morning (1973) Aref El Rayess
370. PERSONAL REFLECTION
Graphic Design and the Visual Arts in Iraq Dia al-Azzawi
372. IN FOCUS
Graphic Art in the Arab World May MuzafTar
374. ARAB BIENNIAL INITIATIVES AND CRITIQUES
374. Art Inspired by the People, the Struggle, and Liberation in the Trilogy of
Heritage, the Present, and Contemporaneity (1973)
376. Discussion Forum from the First Arab Biennial (1974}
384. Manifesto of the Moroccan Association of Plastic Arts (1974)
386. Exploding Artistic and Cultural Handicaps (1974) Dia al-Azzawi
387. LIFE AS A PALESTINIAN ARTIST
387. The Palestinian People’s Consciousness and Aesthetic Expression (1975)
Mustafa al-Hallaj
393. KHARTOUM DIALOGUES
393. The Crystalist Manifesto (1976) Hassan Abdallah, Hashim Ibrahim,
Kamala Ibrahim Ishaq, Muhammad Hamid Shaddad, Naiyla AITayib
401. Commentary (1976) Abdallah Bola
405. Commentary (1976) Mohamed Abusabib
407. Exhibition Statement {1980) Muhammad Hamid Shaddad
408. SECOND ARAB BIENNIAL IN RABAT
408. Manifesto of the Association of Moroccan Plastic Artists (1976)
410. Interview with Fouad Bellamine (1978)
412. ON THE DESERT STYLE IN SAUDI ARABIA
413. A Word for the Sake of Art (1976) Mohammed Al-Saleem
414. Exhibition Statement (1976) Mohammed Al-Saleem
415. THINKING THROUGH CULTURE DURING THE LEBANESE CIVIL WARS
415. Proposal for a Cultural Policy (1977) Janine Rubeiz
419. ENVIRONMENTAL ART AT ASILAH
419. Statements from Participants of the First International Cultural Moussem
(1978)
424. IN FOCUS
Yemen’s Free Atelier: History and Context in the Arabian Peninsula
Anahi Alviso-Marino
426. THE CLOSURE OF GALLERY 79/Ramallah
426. Statement (1980)
427. DEBATING COMMITMENT IN A NEW EGYPT
427. From The Artist*s Freedom (1980) Hassan Soliman
436. The Axis Continues (1982) The Axis Group: Farghali Abdel Hafiz,
Abd al-Rahman al-Nashar, Ahmed Nawar, Mostafa El Razzaz
437. Statement against “Artistic Racism” (1984) Mukhtar el-Attar, Mahmoud Baqshish,
Inji Efflatoun, Kamal al-Juweili, Salah Abdel Kerim, Saad El-Mansouri, Ezzedine Naguib,
Subhi al-Sharuni, Abbas Shohdî
438. Spotlight on a Spotlight (1984) Mostafa El Razzaz
443. CONTEMPORARY MODES IN THE UNITED ARAB EMIRATES
443. To Contemplate Is to Lay a Foundation (1985) Al-Tashkeei Cultural Committee:
Abdul Jalil Jawad, Abdulraheem Salim, Hassan Sharif, Abdul Latif Al Smoudi
445. On Wooden Columns (1986) Ahmed Rashid
446. PERSONAL REFLECTION
Along New Paths: The New Visions Art Collective in Occupied Palestine
Vera Ta mari
449« Index
464. Trustees of The Museum of Modern Art
|
| any_adam_object | 1 |
| author2 | Lenssen, Anneka Rogers, Sarah Shabout, Nada M. 1962- |
| author2_role | edt edt edt |
| author2_variant | a l al s r sr n m s nm nms |
| author_GND | (DE-588)1161869107 (DE-588)132323117 (DE-588)135584396 |
| author_facet | Lenssen, Anneka Rogers, Sarah Shabout, Nada M. 1962- |
| building | Verbundindex |
| bvnumber | BV044946841 |
| classification_rvk | LO 87710 |
| ctrlnum | (OCoLC)1042933410 (DE-599)BSZ502601027 |
| discipline | Kunstgeschichte |
| era | Geschichte 1882-1986 gnd |
| era_facet | Geschichte 1882-1986 |
| format | Book |
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| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4135952-5 Quelle gnd-content |
| genre_facet | Aufsatzsammlung Quelle |
| geographic | Arabische Staaten (DE-588)4068789-2 gnd |
| geographic_facet | Arabische Staaten |
| id | DE-604.BV044946841 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:05:31Z |
| institution | BVB |
| institution_GND | (DE-588)1007559-8 |
| isbn | 9781633450387 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030339643 |
| oclc_num | 1042933410 |
| open_access_boolean | |
| owner | DE-188 DE-19 DE-BY-UBM DE-473 DE-BY-UBG DE-12 DE-M507 DE-255 DE-Y3 DE-11 |
| owner_facet | DE-188 DE-19 DE-BY-UBM DE-473 DE-BY-UBG DE-12 DE-M507 DE-255 DE-Y3 DE-11 |
| physical | 462 Seiten Illustrationen |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | The Museum of Modern Art |
| record_format | marc |
| spelling | Modern art in the Arab world primary documents edited by Anneka Lenssen, Sarah Rogers, Nada Shabout New York The Museum of Modern Art [2018] © 2018 462 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Geschichte 1882-1986 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Arabische Staaten (DE-588)4068789-2 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content (DE-588)4135952-5 Quelle gnd-content Arabische Staaten (DE-588)4068789-2 g Kunst (DE-588)4114333-4 s Geschichte 1882-1986 z DE-604 Lenssen, Anneka (DE-588)1161869107 edt Rogers, Sarah (DE-588)132323117 edt Shabout, Nada M. 1962- (DE-588)135584396 edt The Museum of Modern Art (New York, NY) (DE-588)1007559-8 isb KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030339643&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030339643&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Modern art in the Arab world primary documents Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4068789-2 (DE-588)4143413-4 (DE-588)4135952-5 |
| title | Modern art in the Arab world primary documents |
| title_auth | Modern art in the Arab world primary documents |
| title_exact_search | Modern art in the Arab world primary documents |
| title_full | Modern art in the Arab world primary documents edited by Anneka Lenssen, Sarah Rogers, Nada Shabout |
| title_fullStr | Modern art in the Arab world primary documents edited by Anneka Lenssen, Sarah Rogers, Nada Shabout |
| title_full_unstemmed | Modern art in the Arab world primary documents edited by Anneka Lenssen, Sarah Rogers, Nada Shabout |
| title_short | Modern art in the Arab world |
| title_sort | modern art in the arab world primary documents |
| title_sub | primary documents |
| topic | Kunst (DE-588)4114333-4 gnd |
| topic_facet | Kunst Arabische Staaten Aufsatzsammlung Quelle |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030339643&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030339643&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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