Sarah Kane's 4.48 Psychosis:
"Everything passes/Everything perishes/Everything palls" - 4.48 PsychosisHow on earth do you award aesthetic points to a 75-minute suicide note? The question comes from a review of 4.48 Psychosis' inaugural production, the year after Sarah Kane took her own life, but this book explore...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Routledge
2018
|
| Schriftenreihe: | The fourth wall
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| Schlagworte: | |
| Zusammenfassung: | "Everything passes/Everything perishes/Everything palls" - 4.48 PsychosisHow on earth do you award aesthetic points to a 75-minute suicide note? The question comes from a review of 4.48 Psychosis' inaugural production, the year after Sarah Kane took her own life, but this book explores the ways in which it misses the point. Kane's final play is much more than a bizarre farewell to mortality. It's a work best understood by approaching it first and foremost as theatre - as a singular component in a theatrical assemblage of bodies, voices, light and energy. The play finds an unexpectedly close fit in the established traditions of modern drama and the practices of postdramatic theatre.Glenn D'Cruz explores this theatrical angle through a number of exemplary professional and student productions with a focus on the staging of the play by the Belarus Free Theatre (2005) and Melbourne's Red Stitch Theatre (2007) |
| Beschreibung: | 90 Seiten Illustrationen |
| ISBN: | 9781138097476 |
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| physical | 90 Seiten Illustrationen |
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| series2 | The fourth wall |
| spelling | D'Cruz, Glenn Verfasser (DE-588)173858961 aut Sarah Kane's 4.48 Psychosis Glenn D'Cruz London Routledge 2018 90 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier The fourth wall "Everything passes/Everything perishes/Everything palls" - 4.48 PsychosisHow on earth do you award aesthetic points to a 75-minute suicide note? The question comes from a review of 4.48 Psychosis' inaugural production, the year after Sarah Kane took her own life, but this book explores the ways in which it misses the point. Kane's final play is much more than a bizarre farewell to mortality. It's a work best understood by approaching it first and foremost as theatre - as a singular component in a theatrical assemblage of bodies, voices, light and energy. The play finds an unexpectedly close fit in the established traditions of modern drama and the practices of postdramatic theatre.Glenn D'Cruz explores this theatrical angle through a number of exemplary professional and student productions with a focus on the staging of the play by the Belarus Free Theatre (2005) and Melbourne's Red Stitch Theatre (2007) Kane, Sarah 1971-1999 4.48 Psychosis (DE-588)1160566313 gnd rswk-swf Kane, Sarah 1971-1999 4.48 Psychosis (DE-588)1160566313 u DE-604 Erscheint auch als Online-Ausgabe 978-1-315-10485-0 |
| spellingShingle | D'Cruz, Glenn Sarah Kane's 4.48 Psychosis Kane, Sarah 1971-1999 4.48 Psychosis (DE-588)1160566313 gnd |
| subject_GND | (DE-588)1160566313 |
| title | Sarah Kane's 4.48 Psychosis |
| title_auth | Sarah Kane's 4.48 Psychosis |
| title_exact_search | Sarah Kane's 4.48 Psychosis |
| title_full | Sarah Kane's 4.48 Psychosis Glenn D'Cruz |
| title_fullStr | Sarah Kane's 4.48 Psychosis Glenn D'Cruz |
| title_full_unstemmed | Sarah Kane's 4.48 Psychosis Glenn D'Cruz |
| title_short | Sarah Kane's 4.48 Psychosis |
| title_sort | sarah kane s 4 48 psychosis |
| topic | Kane, Sarah 1971-1999 4.48 Psychosis (DE-588)1160566313 gnd |
| topic_facet | Kane, Sarah 1971-1999 4.48 Psychosis |
| work_keys_str_mv | AT dcruzglenn sarahkanes448psychosis |