The fetish: literature, cinema, visual art
"Object fetishism is becoming a more and more pervasive phenomenon. Focusing on literature and the visual arts, including cinema, this book suggests a parallelism between fetishism and artistic creativity, based on a poetics of detail, which has been brilliantly exemplified by Flaubert's s...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Bloomsbury Academic
2017
|
| Schlagworte: | |
| Online-Zugang: | DE-19 URL des Erstveröffentlichers |
| Zusammenfassung: | "Object fetishism is becoming a more and more pervasive phenomenon. Focusing on literature and the visual arts, including cinema, this book suggests a parallelism between fetishism and artistic creativity, based on a poetics of detail, which has been brilliantly exemplified by Flaubert's style. After exploring canonical accounts of fetishism (Marx, Freud, Benjamin), by combining a historicist approach with theoretical speculation, Massimo Fusillo identifies a few interpretive patterns of object fetishism, such as seduction (from Apollonius of Rhodes to Max Ophüls), memory activation (from Goethe to Louise Bourgeois and Pamuk), and the topos of the animation of the inanimate. Whereas all these patterns are characterized by a projection of emotional values onto objects, modernism highlights a more latent component of object fetishism: the fascination with the alterity of matter, variously inflected by Proust, Woolf, Joyce, Barnes, and Mann. The last turning point in Fusillo's analysis is postmodernism and its obsession with mass media icons--from DeLillo's maximalist frescos and Zadie Smith's reflections on autographs to Palahniuk's porn objects; from pop art to commodity sculpture."--Bloomsbury Publishing |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource (xii, 188 Seiten) |
| DOI: | 10.5040/9781501312397 |
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| 100 | 1 | |a Fusillo, Massimo |d 1959- |e Verfasser |4 aut | |
| 240 | 1 | 0 | |a Feticci |
| 245 | 1 | 0 | |a The fetish |b literature, cinema, visual art |c Massimo Fusillo ; translated by Thomas Haskell Simpson |
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| 500 | |a Includes bibliographical references and index | ||
| 520 | |a "Object fetishism is becoming a more and more pervasive phenomenon. Focusing on literature and the visual arts, including cinema, this book suggests a parallelism between fetishism and artistic creativity, based on a poetics of detail, which has been brilliantly exemplified by Flaubert's style. After exploring canonical accounts of fetishism (Marx, Freud, Benjamin), by combining a historicist approach with theoretical speculation, Massimo Fusillo identifies a few interpretive patterns of object fetishism, such as seduction (from Apollonius of Rhodes to Max Ophüls), memory activation (from Goethe to Louise Bourgeois and Pamuk), and the topos of the animation of the inanimate. Whereas all these patterns are characterized by a projection of emotional values onto objects, modernism highlights a more latent component of object fetishism: the fascination with the alterity of matter, variously inflected by Proust, Woolf, Joyce, Barnes, and Mann. The last turning point in Fusillo's analysis is postmodernism and its obsession with mass media icons--from DeLillo's maximalist frescos and Zadie Smith's reflections on autographs to Palahniuk's porn objects; from pop art to commodity sculpture."--Bloomsbury Publishing | ||
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Datensatz im Suchindex
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| author | Fusillo, Massimo 1959- |
| author_facet | Fusillo, Massimo 1959- |
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| author_sort | Fusillo, Massimo 1959- |
| author_variant | m f mf |
| building | Verbundindex |
| bvnumber | BV044942101 |
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| dewey-full | 809/.93353 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 809 - History, description & criticism |
| dewey-raw | 809/.93353 |
| dewey-search | 809/.93353 |
| dewey-sort | 3809 593353 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Allgemeines Anglistik / Amerikanistik Literaturwissenschaft |
| doi_str_mv | 10.5040/9781501312397 |
| format | Electronic eBook |
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| indexdate | 2024-09-24T00:25:14Z |
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| language | English |
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| physical | 1 Online-Ressource (xii, 188 Seiten) |
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| publishDate | 2017 |
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| publisher | Bloomsbury Academic |
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| spelling | Fusillo, Massimo 1959- Verfasser aut Feticci The fetish literature, cinema, visual art Massimo Fusillo ; translated by Thomas Haskell Simpson New York Bloomsbury Academic 2017 1 Online-Ressource (xii, 188 Seiten) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index "Object fetishism is becoming a more and more pervasive phenomenon. Focusing on literature and the visual arts, including cinema, this book suggests a parallelism between fetishism and artistic creativity, based on a poetics of detail, which has been brilliantly exemplified by Flaubert's style. After exploring canonical accounts of fetishism (Marx, Freud, Benjamin), by combining a historicist approach with theoretical speculation, Massimo Fusillo identifies a few interpretive patterns of object fetishism, such as seduction (from Apollonius of Rhodes to Max Ophüls), memory activation (from Goethe to Louise Bourgeois and Pamuk), and the topos of the animation of the inanimate. Whereas all these patterns are characterized by a projection of emotional values onto objects, modernism highlights a more latent component of object fetishism: the fascination with the alterity of matter, variously inflected by Proust, Woolf, Joyce, Barnes, and Mann. The last turning point in Fusillo's analysis is postmodernism and its obsession with mass media icons--from DeLillo's maximalist frescos and Zadie Smith's reflections on autographs to Palahniuk's porn objects; from pop art to commodity sculpture."--Bloomsbury Publishing Fetishism in literature Fetishism in art Künste (DE-588)4033422-3 gnd rswk-swf Fetisch (DE-588)4154220-4 gnd rswk-swf Fetisch (DE-588)4154220-4 s Künste (DE-588)4033422-3 s 1\p DE-604 Simpson, Thomas 1953- Sonstige oth Bloomsbury Academic (DE-588)1220524131 pbl Erscheint auch als Druck-Ausgabe, Hardcover 978-1-5013-1235-9 Erscheint auch als Druck-Ausgabe, Paperback 9781501312366 https://doi.org/10.5040/9781501312397 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Fusillo, Massimo 1959- The fetish literature, cinema, visual art Fetishism in literature Fetishism in art Künste (DE-588)4033422-3 gnd Fetisch (DE-588)4154220-4 gnd |
| subject_GND | (DE-588)4033422-3 (DE-588)4154220-4 |
| title | The fetish literature, cinema, visual art |
| title_alt | Feticci |
| title_auth | The fetish literature, cinema, visual art |
| title_exact_search | The fetish literature, cinema, visual art |
| title_full | The fetish literature, cinema, visual art Massimo Fusillo ; translated by Thomas Haskell Simpson |
| title_fullStr | The fetish literature, cinema, visual art Massimo Fusillo ; translated by Thomas Haskell Simpson |
| title_full_unstemmed | The fetish literature, cinema, visual art Massimo Fusillo ; translated by Thomas Haskell Simpson |
| title_short | The fetish |
| title_sort | the fetish literature cinema visual art |
| title_sub | literature, cinema, visual art |
| topic | Fetishism in literature Fetishism in art Künste (DE-588)4033422-3 gnd Fetisch (DE-588)4154220-4 gnd |
| topic_facet | Fetishism in literature Fetishism in art Künste Fetisch |
| url | https://doi.org/10.5040/9781501312397 |
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