Vocal science for elite singers: a tribute to the unrelenting pursuit of excellence in the art of singing
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bowen Hills, Australia
Australian Academic Press
2017
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xvi, 332 Seiten Illustrationen |
| ISBN: | 9781925644029 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
Foreword................................................................... v
Introduction: A Holistic View of the Vocal Instrument.................. xiii
CHAPTER 1: BREATHING FOR SINGING....................................... 1
The Teacher s Ear: His/Her Greatest Attribute.......................... 3
Muscles of Respiration..................................................... 8
Muscles of inspiration................................................. 10
The Diaphragm.......................................................... 10
The Central Tendon..................................................... 10
Research Findings on the Diaphragm..................................... 13
Functional Action of the Diaphragm in Expiration....................... 18
CHAPTER 2: THE VOCAL SUPPORT SYSTEM.................................... 21
The Muscles of Expiration................................................. 23
Active and Passive Expiration.......................................... 24
Lung Volume, Pressure and Recoil Force............................. 37
Lung Capacity - Volumes and Muscle Control............................. 38
Breathing Strategies.................................................. 42
Summary............................................................... 46
CHAPTER 3: SUBGLOTTIC PRESSURE: THE VOCAL DRIVING FORCE................... 49
Airflow................................................................... 52
Connection Between the Breath and Larynx.................................. 53
Bernardo Mengozzi s Method De Chant: The Sostegno System .............. 57
Contemporary Science and the Historical Italian Model.................. 66
William Vennard....................................................... 66
Richard Miller and Appoggio............................................... 70
Summary to Subglottal Pressure and Breath Strategies .................. 75
Conclusions To Breathing Section........................................... 77
CHAPTER 4: SOURCE-BREATH CONNECTION........................................ 83
The Vocal Instrument: Breath-Source Interaction............................ 86
CHAPTER 5: A BRIEF HISTORY OF THE LARYNX............................... 87
A Brief History of the Larynx............................................. 87
Antoine Ferrein and Johannes Müller....................................... 89
Janwillem Van den Berg s Big Moment........................................ 91
Van den Berg s Attack on Husson s Neuro-Chronaxic Theory................... 91
The Myoelastic/Aerodynamic Theory.......................................... 93
VN
Vocal Science for Elite Singers
The Bernoulli Principle..................................................... 94
Vocal Fold Modelling........................................................ 96
Conclusions of Vocal Fold Modelling........................................ 702
CHAPTER 6: THE LARYNX...................................................... 105
The Extrinsic Muscles of the Larynx..................................... 105
The Suprahyoid Muscle Group................................................ 706
The Infra-hyoid Muscle Group: Laryngeal Depressors...................... 706
The Intrinsic Laryngeal Muscles............................................ 706
Laryngeal Cartilages....................................................... 707
The Thyroarytenoids: The Muscularis and Vocalis ........................ 108
The Conus Elasticus (Cricovocal Membrane) ................................. 777
Composition of the Vocal Folds............................................. 112
Vocal Fold Interaction in the Body Cover Model.......................... 773
Prephonatory Tuning and the Voluntary Control System.................... 774
Prephonatory and Motoneurone Setting................................... 774
CHAPTER 7: VOCAL ONSET..................................................... 777
Simultaneous or Soft Onset................................................. 778
Other Forms of Attack...................................................... 779
Breathy Onset............................................................ 7 79
Hard Onset................................................................. 720
Summary.................................................................... 122
CHAPTER 8: GARCIA S COUP DE GLOTTE......................................... 727
The Continuing Attack on the Coup de Glotte............................. 730
Sustained Sound............................................................ 737
Wyke $ Acoustic Automonitoring........................................ 737
Vocal Fold Behaviour....................................................... 738
The Vocal Folds in Action.................................................. 739
Phonation Frequency (Pitch)............................................ 747
Phonation Frequency Combined With Register Change........................ 743
Increases in Intensity and Messa di Voce............................... 744
Crescendo in Modal Register............................................ 744
Lowering Pitch......................................................... 745
Vocal Quality ......................................................... 745
CHAPTER 9: REGISTRATION.................................................... 749
Summary of Research Findings Relating to Registers......................... 757
Collective Findings........................................................ 752
Characteristics of Heavy Register...................................... 752
The Characteristics of Light Register or Falsetto...................... 752
Contents
Transition Register................................................... 753
Chest Voice........................................................... 754
Lower Medium.......................................................... 754
Upper Middle Register................................................. 754
Head Register......................................................... 755
Falsetto Register..................................................... 755
Hirano s Work On Registers............................................ 755
The Body/Cover Model.................................................. 757
Register Blending and Styles of Unification........................... 760
The Old School Method Of Register Blending............................ 764
Harmonic/Formant Matching or Aggiustamento............................ 766
Covering or Collecting................................................ 767
French Couverture..................................................... 7 68
Register Unification Through Muscle Adjustment........................ 769
Aiding Register Change through Voce Chiusa (Closed Voice)............. 769
Conclusion on the Voice Source........................................ 770
Conclusion to Registers............................................... 777
CHAPTER10: LINEAR AND NON-LINEAR SOURCE-TRACT INTERACT.................... 773
Fant s Source/Filter Linear Model......................................... 773
Interactive Source-Tract Model............................................ 774
An Interactive Model of Voice Production.................................. 777
Titze s Resonant Voice.................................................... 184
Conclusions to the Linear and Interactive Model....................... 189
CHAPTER 11: THE PHARYNX AS A RESONATOR.................................... 191
The Anatomical and Physiological Elements of the Pharynx.................. 192
The Oropharynx........................................................ 794
The Tongue: The Mobile Floor of the Mouth............................. 795
The Nasopharynx....................................................... 799
Nasalance............................................................. 200
The Laryngopharynx.................................................... 202
The Roof of the Mouth: The Hard Palate................................ 203
The Roof of the Mouth: The Soft Palate................................ 203
The Constrictors: Wall of the Larynx.................................. 205
Anatomy of the Lips................................................... 206
The Role of the Lips.................................................. 208
The Jaw (Mandible).................................................... 209
Cardinal Vowels....................................................... 272
International Phonetic Alphabet....................................... 274
Vowel Modification.................................................... 216
Conclusions of Vowels................................................. 218
ix
Vocal Science for Elite Singers
CHAPTER 12: INTRODUCTION TO CONSONANTS.................................. 279
Voiced and Unvoiced Consonants.......................................... 221
Stop Consonants or Plosives............................................. 222
Fricative Consonants.................................................... 222
Nasal Continuants ...................................................... 223
Bi labials.............................................................. 223
Conclusions of Chapter on Resonance and Articulation................. 224
CHAPTER 13: ACOUSTIC LAWS AND THE VOCAL RESONATOR____________________ 229
The Pharynx and Acoustic Laws Resonators............................. 230
Vocal Intensity......................................................... 233
CHAPTER 14: FORMANTS AND FORMANT TUNING................................. 239
Vocal Tract Resonances.................................................. 239
Formant Tuning.......................................................... 241
The Singer s Formant................................................ 243
Conclusions of Formants............................................. 246
CHAPTER 15: SOUND ACOUSTICS AND WAVE PROPAGATION_____________________ 249
Definition and Different Types of Waves................................. 249
Longitudinal and Transverse Medium Excursion............................ 251
Speed and Period........................................................ 257
Simple and Complex Tone................................................. 252
Various Categories of Waves............................................. 252
Simple and Compound Sound Waves..................................... 252
Compound Sound Waves................................................ 253
Transverse Sound Waves.............................................. 254
Longitudinal Waves.................................................. 254
The Principle of Superposition...................................... 255
Constructive and Destructive Interference........................... 255
Standing Waves...................................................... 255
Conclusion of Sound Waves........................................... 256
Conclusions to Vocal Science for Elite Singers.......................... 257
APPENDIX A: MUSCLES OF RESPIRATION...................................... 263
Accessory Muscles of Inspiration........................................ 263
Posterior Thoracic Muscles of Inspiration............................... 265
Accessory Inspiratory Muscles of the Neck............................... 266
Muscles of the Thorax, Back and Upper Limbs.......................... 268
Muscles of Forced Expiration............................................ 270
Muscles of the Thorax: Anterior and Lateral......................... 270
Posterior Thoracic Muscles.......................................... 271
Contents
The Anterolateral Abdominal Muscles................................... 272
The Muscles of Expiration............................................. 273
APPENDIX B: LARYNGEAL MUSCULATURE......................................... 275
The Abductor: Posterior Cricoarytenoid.................................... 278
Adductors: The Lateral Cricoarytenoid and Interarytenoid Muscles.......... 279
The Intrinsic Muscles of the Larynx....................................... 279
Tensors................................................................... 280
APPENDIX C: HEAD AND NECK MUSCLES......................................... 283
The Suprahyoid Muscle Group............................................... 283
The Infrahyoid Muscle Group.............................................. 284
Laryngeal Depressors.................................................. 284
The Constrictors...................................................... 285
The Soft Palate....................................................... 288
Tongue Muscles........................................................ 289
The Cavities of the Vocal Tract....................................... 289
BIBLIOGRAPHY.............................................................. 295
Books .................................................................... 295
Articles.................................................................. 312
xi
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| spelling | Talia, Joseph Verfasser (DE-588)1132203759 aut Vocal science for elite singers a tribute to the unrelenting pursuit of excellence in the art of singing Joseph Talia Bowen Hills, Australia Australian Academic Press 2017 xvi, 332 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Physiologie (DE-588)4045981-0 gnd rswk-swf Gesangstechnik (DE-588)4156939-8 gnd rswk-swf Singing / Instruction and study Singing / Physiological aspects Voice Gesangstechnik (DE-588)4156939-8 s Physiologie (DE-588)4045981-0 s DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=030329762&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Talia, Joseph Vocal science for elite singers a tribute to the unrelenting pursuit of excellence in the art of singing Physiologie (DE-588)4045981-0 gnd Gesangstechnik (DE-588)4156939-8 gnd |
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| title | Vocal science for elite singers a tribute to the unrelenting pursuit of excellence in the art of singing |
| title_auth | Vocal science for elite singers a tribute to the unrelenting pursuit of excellence in the art of singing |
| title_exact_search | Vocal science for elite singers a tribute to the unrelenting pursuit of excellence in the art of singing |
| title_full | Vocal science for elite singers a tribute to the unrelenting pursuit of excellence in the art of singing Joseph Talia |
| title_fullStr | Vocal science for elite singers a tribute to the unrelenting pursuit of excellence in the art of singing Joseph Talia |
| title_full_unstemmed | Vocal science for elite singers a tribute to the unrelenting pursuit of excellence in the art of singing Joseph Talia |
| title_short | Vocal science for elite singers |
| title_sort | vocal science for elite singers a tribute to the unrelenting pursuit of excellence in the art of singing |
| title_sub | a tribute to the unrelenting pursuit of excellence in the art of singing |
| topic | Physiologie (DE-588)4045981-0 gnd Gesangstechnik (DE-588)4156939-8 gnd |
| topic_facet | Physiologie Gesangstechnik |
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