Diversity in Australia's music: themes past, present, and for the future
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne, UK
Cambridge Scholars Publishing
2018
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | xviii, 310 Seiten |
| ISBN: | 9781527505773 |
Internformat
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Datensatz im Suchindex
| _version_ | 1815567006536040448 |
|---|---|
| adam_text |
Contents
Roger Covell.x
Selected Awards, Honours and Publications.xi
List of Figures.xiv
List of Tables.xvi
Preface.xvii
Acknowledgements.xix
Part I: Emerging Communities
Chapter One.2
Musical Practices in Australia: Reflections on the Past and Present
John Napier and Dorottya Fabian
Chapter Two.22
The Politics of Music in a New Society: Musical and Social
Development in Canberra’s First 100 Years
Peter Campbell
Chapter Three.55
Concert Music in early Brisbane
Peter Roennfeldt
Chapter Four.73
Migrant Musicians and their Impact on the Emerging Music Making
of the Hunter Valley, 1840-1880
Helen English
viii Diversity in Australia’s Music
Chapter Five.101
Towards an Australian National Opera?
Developments during the Later Post-Colonial Period 1930-1960
David Symons
Part II: Sustaining and Rejuvenating Communities
Chapter Six.120
Revitalising Desert Gospel Choral Music
Julie Rickwood
Chapter Seven.138
Constructing Whiteness in Blacktown:
Everyday Encounters with Diversity in Australia’s Music
Samantha Dieckmann
Chapter Eight. 158
The Company you Keep: Three South Asian Dance Companies
in Contemporary Australia
John Napier
Chapter Nine.172
Jiñ Tancibudek (1921—2004): An Oboist Extraordinaire
Janice BStockigt
Chapter Ten.185
Making the Obscure Familiar:
Roger Covell’s Contribution to Opera in Sydney
Dorottya Fabian
Part III: Prospects
Chapter Eleven.202
(Post?-)Feminism, “New Topicality” and the “New Empathy”:
Australian Composers Working with the Concrete
Linda Kouvaras
Chapter Twelve.223
Hearing Nostalgia and Landscape in Australian Cinema and Australia
Johnny Milner
Contents
IX
Chapter Thirteen.244
Australian Composition for Baroque Instruments:
Exploring the Importance of Composer-Performer Collaborative
Relationships in Twenty-first-Century Composition
Vincent Giles, Elizabeth Welsh, and Graeme Jennings
Chapter Fourteen.,.255
Tura - Thirty Years of Building New Music Practice in Western Australia
Cat Hope and Adam Trainer
Chapter Fifteen.268
Splinter at Mungo: The Art of Communication
Cor Fuhler
Appendix.281
Symposium Program
Roger CovelTs 85th birthday 5 March 2016,
Robert Webster Building UNSW
Selected References.283
Contributors.301
Index of People.304
Contents
Roger Covell.x
Selected Awards, Honours and Publications.xi
List of Figures.xiv
List of Tables.xvi
Preface.xvii
Acknowledgements.xix
Part I: Emerging Communities
Chapter One.2
Musical Practices in Australia: Reflections on the Past and Present
John Napier and Dorottya Fabian
Chapter Two.22
The Politics of Music in a New Society: Musical and Social
Development in Canberra’s First 100 Years
Peter Campbell
Chapter Three.55
Concert Music in early Brisbane
Peter Roennfeldt
Chapter Four.73
Migrant Musicians and their Impact on the Emerging Music Making
of the Hunter Valley, 1840-1880
Helen English
viii Diversity in Australia’s Music
Chapter Five.101
Towards an Australian National Opera?
Developments during the Later Post-Colonial Period 1930-1960
David Symons
Part II: Sustaining and Rejuvenating Communities
Chapter Six.120
Revitalising Desert Gospel Choral Music
Julie Rickwood
Chapter Seven.138
Constructing Whiteness in Blacktown:
Everyday Encounters with Diversity in Australia’s Music
Samantha Dieckmann
Chapter Eight. 158
The Company you Keep: Three South Asian Dance Companies
in Contemporary Australia
John Napier
Chapter Nine.172
Jiñ Tancibudek (1921—2004): An Oboist Extraordinaire
Janice BStockigt
Chapter Ten.185
Making the Obscure Familiar:
Roger Covell’s Contribution to Opera in Sydney
Dorottya Fabian
Part III: Prospects
Chapter Eleven.202
(Post?-)Feminism, “New Topicality” and the “New Empathy”:
Australian Composers Working with the Concrete
Linda Kouvaras
Chapter Twelve.223
Hearing Nostalgia and Landscape in Australian Cinema and Australia
Johnny Milner
Contents
IX
Chapter Thirteen.244
Australian Composition for Baroque Instruments:
Exploring the Importance of Composer-Performer Collaborative
Relationships in Twenty-first-Century Composition
Vincent Giles, Elizabeth Welsh, and Graeme Jennings
Chapter Fourteen.,.255
Tura - Thirty Years of Building New Music Practice in Western Australia
Cat Hope and Adam Trainer
Chapter Fifteen.268
Splinter at Mungo: The Art of Communication
Cor Fuhler
Appendix.281
Symposium Program
Roger CovelTs 85th birthday 5 March 2016,
Robert Webster Building UNSW
Selected References.283
Contributors.301
Index of People.304 |
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| spellingShingle | Diversity in Australia's music themes past, present, and for the future Musikleben (DE-588)4075128-4 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4075128-4 (DE-588)4040802-4 (DE-588)4003900-6 (DE-588)4016928-5 |
| title | Diversity in Australia's music themes past, present, and for the future |
| title_auth | Diversity in Australia's music themes past, present, and for the future |
| title_exact_search | Diversity in Australia's music themes past, present, and for the future |
| title_full | Diversity in Australia's music themes past, present, and for the future edited by Dorottya Fabian and John Napier |
| title_fullStr | Diversity in Australia's music themes past, present, and for the future edited by Dorottya Fabian and John Napier |
| title_full_unstemmed | Diversity in Australia's music themes past, present, and for the future edited by Dorottya Fabian and John Napier |
| title_short | Diversity in Australia's music |
| title_sort | diversity in australia s music themes past present and for the future |
| title_sub | themes past, present, and for the future |
| topic | Musikleben (DE-588)4075128-4 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Musikleben Musik Australien Festschrift |
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